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Color name
HEX #1B8B32

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B8B32 it is the complementary color #E474CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B8B32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B8B32 shade: #208B2D, #319D40, #42AF53, #53C166 and #64D379

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B8B32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B8B32 shade: #1B8B32, #0A791F, #00670C, #005500 and #004300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B8B32 shade: #1B8C32, #238C1B, #418C1B, #5F8C1B and #7E8C1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B8B32 shade: #1B8C32, #1B8C51, #1B8C6F, #1B8A8C and #1B6C8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B8B32 shade matches the following richer shades: #1B8C32, #0E9A2A and #00A722

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B8B32 shade: #1B8C32, #297E3A, #377142, #44634A and #525653

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B8B32 shade: #418C1B, #238C1B, #1B8C32, #1B8C50 and #1B8C6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1B8B32 shade: #0E4719, #146A26, #1B8C32, #22AE3F and #29D14B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B8B32 shade: #1B8B32, #1B5F8C and #8C1B32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B8B32 shade: #1B8B32, #321B8C and #8C321B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B8B32 shade: #1B8B32, #1B5F8C, #8C1B75 and #8C481B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B8B32 shade: #1B8B32, #1B3D8C, #8C1B75 and #8C6A1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 64 / 45

HEX #1B8B32

RGB 27 139 50

HSL 132.32, 0.67%, 0.33%

LAB 50.6, -49.01, 38.18

 

Complementary color

CMYK 0 / 49 / 10 / 11

HEX #E474CD

RGB 228 116 205

HSL 312.32, 0.67%, 0.67%

LAB 64.48, 54.74, -26.66

 

CMYK 77 / 0 / 68 / 45

HEX #208B2D

RGB 32 139 45

HSL 127.29, 0.63%, 0.34%

LAB 50.64, -48.86, 40.53

 

CMYK 69 / 0 / 59 / 38

HEX #319D40

RGB 49 157 64

HSL 128.33, 0.52%, 0.4%

LAB 57.21, -49.94, 39.26

 

CMYK 62 / 0 / 53 / 31

HEX #42AF53

RGB 66 175 83

HSL 129.36, 0.45%, 0.47%

LAB 63.71, -50.51, 37.85

 

CMYK 57 / 0 / 47 / 24

HEX #53C166

RGB 83 193 102

HSL 130.36, 0.47%, 0.54%

LAB 70.13, -50.75, 36.44

 

CMYK 53 / 0 / 43 / 17

HEX #64D379

RGB 100 211 121

HSL 131.35, 0.56%, 0.61%

LAB 76.48, -50.8, 35.08

 

CMYK 81 / 0 / 64 / 45

HEX #1B8B32

RGB 27 139 50

HSL 132.32, 0.67%, 0.33%

LAB 50.6, -49.01, 38.18

 

CMYK 92 / 0 / 74 / 53

HEX #0A791F

RGB 10 121 31

HSL 131.35, 0.85%, 0.26%

LAB 44, -46.96, 39.33

 

CMYK 100 / 0 / 88 / 60

HEX #00670C

RGB 0 103 12

HSL 126.99, 1%, 0.2%

LAB 37.35, -43.65, 39.51

 

CMYK 100 / 0 / 100 / 67

HEX #005500

RGB 0 85 0

HSL 120, 1%, 0.17%

LAB 30.63, -38.74, 37.39

 

CMYK 100 / 0 / 100 / 74

HEX #004300

RGB 0 67 0

HSL 120, 1%, 0.13%

LAB 23.72, -33, 31.32

 

CMYK 81 / 0 / 64 / 45

HEX #1B8C32

RGB 27 140 50

HSL 132.21, 0.68%, 0.33%

LAB 50.94, -49.35, 38.56

 

CMYK 75 / 0 / 81 / 45

HEX #238C1B

RGB 35 140 27

HSL 115.75, 0.68%, 0.33%

LAB 50.91, -50.27, 47.79

 

CMYK 54 / 0 / 81 / 45

HEX #418C1B

RGB 65 140 27

HSL 99.82, 0.68%, 0.33%

LAB 51.79, -43.08, 48.93

 

CMYK 32 / 0 / 81 / 45

HEX #5F8C1B

RGB 95 140 27

HSL 83.89, 0.68%, 0.33%

LAB 53.24, -32.55, 50.81

 

CMYK 10 / 0 / 81 / 45

HEX #7E8C1B

RGB 126 140 27

HSL 67.43, 0.68%, 0.33%

LAB 55.35, -19.46, 53.51

 

CMYK 81 / 0 / 64 / 45

HEX #1B8C32

RGB 27 140 50

HSL 132.21, 0.68%, 0.33%

LAB 50.94, -49.35, 38.56

 

CMYK 81 / 0 / 42 / 45

HEX #1B8C51

RGB 27 140 81

HSL 148.67, 0.68%, 0.33%

LAB 51.36, -44.39, 23.08

 

CMYK 81 / 0 / 21 / 45

HEX #1B8C6F

RGB 27 140 111

HSL 164.6, 0.68%, 0.33%

LAB 51.99, -37.45, 6.94

 

CMYK 81 / 1 / 0 / 45

HEX #1B8A8C

RGB 27 138 140

HSL 181.06, 0.68%, 0.33%

LAB 52.18, -28.1, -9.6

 

CMYK 81 / 23 / 0 / 45

HEX #1B6C8C

RGB 27 108 140

HSL 196.99, 0.68%, 0.33%

LAB 42.54, -12.04, -24.31

 

CMYK 81 / 0 / 64 / 45

HEX #1B8C32

RGB 27 140 50

HSL 132.21, 0.68%, 0.33%

LAB 50.94, -49.35, 38.56

 

CMYK 91 / 0 / 73 / 40

HEX #0E9A2A

RGB 14 154 42

HSL 132, 0.83%, 0.33%

LAB 55.45, -56.08, 46.83

 

CMYK 100 / 0 / 80 / 35

HEX #00A722

RGB 0 167 34

HSL 132.22, 1%, 0.33%

LAB 59.66, -61.41, 53.82

 

CMYK 81 / 0 / 64 / 45

HEX #1B8C32

RGB 27 140 50

HSL 132.21, 0.68%, 0.33%

LAB 50.94, -49.35, 38.56

 

CMYK 67 / 0 / 54 / 51

HEX #297E3A

RGB 41 126 58

HSL 132, 0.51%, 0.33%

LAB 46.58, -40.66, 29.52

 

CMYK 51 / 0 / 42 / 56

HEX #377142

RGB 55 113 66

HSL 131.38, 0.35%, 0.33%

LAB 42.79, -30.11, 20.4

 

CMYK 31 / 0 / 25 / 61

HEX #44634A

RGB 68 99 74

HSL 131.61, 0.19%, 0.33%

LAB 38.98, -17.11, 10.65

 

CMYK 5 / 0 / 3 / 66

HEX #525653

RGB 82 86 83

HSL 135, 0.02%, 0.33%

LAB 36.13, -2.24, 1.19

 

CMYK 54 / 0 / 81 / 45

HEX #418C1B

RGB 65 140 27

HSL 99.82, 0.68%, 0.33%

LAB 51.79, -43.08, 48.93

 

CMYK 75 / 0 / 81 / 45

HEX #238C1B

RGB 35 140 27

HSL 115.75, 0.68%, 0.33%

LAB 50.91, -50.27, 47.79

 

CMYK 81 / 0 / 64 / 45

HEX #1B8C32

RGB 27 140 50

HSL 132.21, 0.68%, 0.33%

LAB 50.94, -49.35, 38.56

 

CMYK 81 / 0 / 43 / 45

HEX #1B8C50

RGB 27 140 80

HSL 148.14, 0.68%, 0.33%

LAB 51.35, -44.58, 23.61

 

CMYK 81 / 0 / 21 / 45

HEX #1B8C6E

RGB 27 140 110

HSL 164.07, 0.68%, 0.33%

LAB 51.97, -37.72, 7.48

 

CMYK 80 / 0 / 65 / 72

HEX #0E4719

RGB 14 71 25

HSL 131.58, 0.67%, 0.17%

LAB 25.77, -29.21, 22.2

 

CMYK 81 / 0 / 64 / 58

HEX #146A26

RGB 20 106 38

HSL 132.56, 0.68%, 0.25%

LAB 38.89, -39.84, 30.61

 

CMYK 81 / 0 / 64 / 45

HEX #1B8C32

RGB 27 140 50

HSL 132.21, 0.68%, 0.33%

LAB 50.94, -49.35, 38.56

 

CMYK 80 / 0 / 64 / 32

HEX #22AE3F

RGB 34 174 63

HSL 132.43, 0.67%, 0.41%

LAB 62.48, -58.28, 45.68

 

CMYK 80 / 0 / 64 / 18

HEX #29D14B

RGB 41 209 75

HSL 132.14, 0.67%, 0.49%

LAB 73.92, -67.29, 53.3

 

CMYK 81 / 0 / 64 / 45

HEX #1B8B32

RGB 27 139 50

HSL 132.32, 0.67%, 0.33%

LAB 50.6, -49.01, 38.18

 

CMYK 81 / 32 / 0 / 45

HEX #1B5F8C

RGB 27 95 140

HSL 203.89, 0.68%, 0.33%

LAB 38.39, -4.24, -30.79

 

CMYK 0 / 81 / 64 / 45

HEX #8C1B32

RGB 140 27 50

HSL 347.79, 0.68%, 0.33%

LAB 30.85, 47.35, 16.19

 

CMYK 81 / 0 / 64 / 45

HEX #1B8B32

RGB 27 139 50

HSL 132.32, 0.67%, 0.33%

LAB 50.6, -49.01, 38.18

 

CMYK 64 / 81 / 0 / 45

HEX #321B8C

RGB 50 27 140

HSL 252.21, 0.68%, 0.33%

LAB 21.41, 42.58, -58.15

 

CMYK 0 / 64 / 81 / 45

HEX #8C321B

RGB 140 50 27

HSL 12.21, 0.68%, 0.33%

LAB 33.85, 37.03, 33.82

 

CMYK 81 / 0 / 64 / 45

HEX #1B8B32

RGB 27 139 50

HSL 132.32, 0.67%, 0.33%

LAB 50.6, -49.01, 38.18

 

CMYK 81 / 32 / 0 / 45

HEX #1B5F8C

RGB 27 95 140

HSL 203.89, 0.68%, 0.33%

LAB 38.39, -4.24, -30.79

 

CMYK 0 / 81 / 16 / 45

HEX #8C1B75

RGB 140 27 117

HSL 312.21, 0.68%, 0.33%

LAB 33.23, 54.46, -23.95

 

CMYK 0 / 49 / 81 / 45

HEX #8C481B

RGB 140 72 27

HSL 23.89, 0.68%, 0.33%

LAB 38.36, 25.48, 38.27

 

CMYK 81 / 0 / 64 / 45

HEX #1B8B32

RGB 27 139 50

HSL 132.32, 0.67%, 0.33%

LAB 50.6, -49.01, 38.18

 

CMYK 81 / 56 / 0 / 45

HEX #1B3D8C

RGB 27 61 140

HSL 221.95, 0.68%, 0.33%

LAB 28.02, 18.39, -47.39

 

CMYK 0 / 81 / 16 / 45

HEX #8C1B75

RGB 140 27 117

HSL 312.21, 0.68%, 0.33%

LAB 33.23, 54.46, -23.95

 

CMYK 0 / 24 / 81 / 45

HEX #8C6A1B

RGB 140 106 27

HSL 41.95, 0.68%, 0.33%

LAB 46.93, 5.8, 46.35

 

Description

Color code: HEX #1B8B32 | qconv.com Color code: HEX #1B8B32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 139 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 139 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 64 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 64% 45% C M Y K

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Provide designers and agencies with accurate color values.

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