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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 41 209 75 it is the complementary color RGB 214 46 180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 41 209 75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 41 209 75 shade: RGB 46 209 70, RGB 63 227 89, RGB 80 245 108, RGB 97 255 127 and RGB 114 255 146

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 41 209 75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 41 209 75 shade: RGB 41 209 75, RGB 24 191 56, RGB 7 173 37, RGB 0 155 18 and RGB 0 137 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 41 209 75 shade: RGB 41 208 75, RGB 52 208 41, RGB 97 208 41, RGB 142 208 41 and RGB 187 208 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 41 209 75 shade: RGB 41 208 75, RGB 41 208 120, RGB 41 208 165, RGB 41 206 208 and RGB 41 161 208

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 41 209 75 shade matches the following richer shades: RGB 41 208 75, RGB 21 228 63 and RGB 0 249 51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 41 209 75 shade: RGB 41 208 75, RGB 61 188 87, RGB 81 168 99, RGB 101 148 111 and RGB 122 127 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 41 209 75 shade: RGB 97 208 41, RGB 52 208 41, RGB 41 208 74, RGB 41 208 119 and RGB 41 208 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 41 209 75 shade: RGB 27 139 50, RGB 34 174 62, RGB 41 208 75, RGB 72 218 101 and RGB 106 225 130

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 41 209 75 shade: RGB 41 209 75, RGB 41 141 208 and RGB 208 41 74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 41 209 75 shade: RGB 41 209 75, RGB 74 41 208 and RGB 208 74 41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 41 209 75 shade: RGB 41 209 75, RGB 41 141 208, RGB 208 41 175 and RGB 208 108 41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 41 209 75 shade: RGB 41 209 75, RGB 41 91 208, RGB 208 41 175 and RGB 208 158 41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 64 / 18

HEX #29D14B

RGB 41 209 75

HSL 132.14, 0.67%, 0.49%

LAB 73.92, -67.29, 53.3

 

Complementary color

CMYK 0 / 79 / 16 / 16

HEX #D62EB4

RGB 214 46 180

HSL 312.14, 0.67%, 0.51%

LAB 51.32, 74.74, -32.91

 

CMYK 78 / 0 / 67 / 18

HEX #2ED146

RGB 46 209 70

HSL 128.83, 0.64%, 0.5%

LAB 73.95, -67.21, 55.42

 

CMYK 72 / 0 / 61 / 11

HEX #3FE359

RGB 63 227 89

HSL 129.51, 0.75%, 0.57%

LAB 80.02, -68.52, 54.29

 

CMYK 67 / 0 / 56 / 4

HEX #50F56C

RGB 80 245 108

HSL 130.18, 0.89%, 0.64%

LAB 86.05, -69.4, 53.01

 

CMYK 62 / 0 / 50 / 0

HEX #61FF7F

RGB 97 255 127

HSL 131.39, 1%, 0.69%

LAB 89.67, -67.17, 48.77

 

CMYK 55 / 0 / 43 / 0

HEX #72FF92

RGB 114 255 146

HSL 133.62, 1%, 0.72%

LAB 90.4, -60.76, 40.73

 

CMYK 80 / 0 / 64 / 18

HEX #29D14B

RGB 41 209 75

HSL 132.14, 0.67%, 0.49%

LAB 73.92, -67.29, 53.3

 

CMYK 87 / 0 / 71 / 25

HEX #18BF38

RGB 24 191 56

HSL 131.5, 0.78%, 0.42%

LAB 67.83, -65.33, 54.34

 

CMYK 96 / 0 / 79 / 32

HEX #07AD25

RGB 7 173 37

HSL 130.84, 0.92%, 0.35%

LAB 61.71, -62.59, 54.85

 

CMYK 100 / 0 / 88 / 39

HEX #009B12

RGB 0 155 18

HSL 126.97, 1%, 0.3%

LAB 55.57, -58.84, 54.34

 

CMYK 100 / 0 / 100 / 46

HEX #008900

RGB 0 137 0

HSL 120, 1%, 0.27%

LAB 49.36, -54.3, 52.41

 

CMYK 80 / 0 / 64 / 18

HEX #29D04B

RGB 41 208 75

HSL 132.22, 0.67%, 0.49%

LAB 73.6, -66.98, 52.95

 

CMYK 75 / 0 / 80 / 18

HEX #34D029

RGB 52 208 41

HSL 116.05, 0.67%, 0.49%

LAB 73.55, -68.32, 65.09

 

CMYK 53 / 0 / 80 / 18

HEX #61D029

RGB 97 208 41

HSL 99.88, 0.67%, 0.49%

LAB 74.71, -58.74, 66.59

 

CMYK 32 / 0 / 80 / 18

HEX #8ED029

RGB 142 208 41

HSL 83.71, 0.67%, 0.49%

LAB 76.69, -44.21, 69.14

 

CMYK 10 / 0 / 80 / 18

HEX #BBD029

RGB 187 208 41

HSL 67.54, 0.67%, 0.49%

LAB 79.52, -26.56, 72.73

 

CMYK 80 / 0 / 64 / 18

HEX #29D04B

RGB 41 208 75

HSL 132.22, 0.67%, 0.49%

LAB 73.6, -66.98, 52.95

 

CMYK 80 / 0 / 42 / 18

HEX #29D078

RGB 41 208 120

HSL 148.38, 0.67%, 0.49%

LAB 74.15, -60.46, 32.29

 

CMYK 80 / 0 / 21 / 18

HEX #29D0A5

RGB 41 208 165

HSL 164.55, 0.67%, 0.49%

LAB 75.01, -50.88, 9.82

 

CMYK 80 / 1 / 0 / 18

HEX #29CED0

RGB 41 206 208

HSL 180.72, 0.67%, 0.49%

LAB 75.56, -38.41, -12.56

 

CMYK 80 / 23 / 0 / 18

HEX #29A1D0

RGB 41 161 208

HSL 196.89, 0.67%, 0.49%

LAB 62.1, -16.07, -33.1

 

CMYK 80 / 0 / 64 / 18

HEX #29D04B

RGB 41 208 75

HSL 132.22, 0.67%, 0.49%

LAB 73.6, -66.98, 52.95

 

CMYK 91 / 0 / 72 / 11

HEX #15E43F

RGB 21 228 63

HSL 132.17, 0.83%, 0.49%

LAB 79.62, -75.73, 63.94

 

CMYK 100 / 0 / 80 / 2

HEX #00F933

RGB 0 249 51

HSL 132.29, 1%, 0.49%

LAB 86, -83.09, 73.88

 

CMYK 80 / 0 / 64 / 18

HEX #29D04B

RGB 41 208 75

HSL 132.22, 0.67%, 0.49%

LAB 73.6, -66.98, 52.95

 

CMYK 68 / 0 / 54 / 26

HEX #3DBC57

RGB 61 188 87

HSL 132.28, 0.51%, 0.49%

LAB 67.76, -55.78, 40.79

 

CMYK 52 / 0 / 41 / 34

HEX #51A863

RGB 81 168 99

HSL 132.41, 0.35%, 0.49%

LAB 62.22, -41.5, 27.83

 

CMYK 32 / 0 / 25 / 42

HEX #65946F

RGB 101 148 111

HSL 132.77, 0.19%, 0.49%

LAB 57.17, -23.92, 14.6

 

CMYK 4 / 0 / 3 / 50

HEX #7A7F7B

RGB 122 127 123

HSL 132, 0.02%, 0.49%

LAB 52.67, -2.67, 1.52

 

CMYK 53 / 0 / 80 / 18

HEX #61D029

RGB 97 208 41

HSL 99.88, 0.67%, 0.49%

LAB 74.71, -58.74, 66.59

 

CMYK 75 / 0 / 80 / 18

HEX #34D029

RGB 52 208 41

HSL 116.05, 0.67%, 0.49%

LAB 73.55, -68.32, 65.09

 

CMYK 80 / 0 / 64 / 18

HEX #29D04A

RGB 41 208 74

HSL 131.86, 0.67%, 0.49%

LAB 73.6, -67.09, 53.36

 

CMYK 80 / 0 / 43 / 18

HEX #29D077

RGB 41 208 119

HSL 148.02, 0.67%, 0.49%

LAB 74.14, -60.64, 32.78

 

CMYK 80 / 0 / 21 / 18

HEX #29D0A4

RGB 41 208 164

HSL 164.19, 0.67%, 0.49%

LAB 74.99, -51.12, 10.32

 

CMYK 81 / 0 / 64 / 45

HEX #1B8B32

RGB 27 139 50

HSL 132.32, 0.67%, 0.33%

LAB 50.6, -49.01, 38.18

 

CMYK 80 / 0 / 64 / 32

HEX #22AE3E

RGB 34 174 62

HSL 132, 0.67%, 0.41%

LAB 62.47, -58.4, 46.11

 

CMYK 80 / 0 / 64 / 18

HEX #29D04B

RGB 41 208 75

HSL 132.22, 0.67%, 0.49%

LAB 73.6, -66.98, 52.95

 

CMYK 67 / 0 / 54 / 15

HEX #48DA65

RGB 72 218 101

HSL 131.92, 0.66%, 0.57%

LAB 77.56, -62.47, 46.02

 

CMYK 53 / 0 / 42 / 12

HEX #6AE182

RGB 106 225 130

HSL 132.1, 0.66%, 0.65%

LAB 81.03, -53.49, 36.47

 

CMYK 80 / 0 / 64 / 18

HEX #29D14B

RGB 41 209 75

HSL 132.14, 0.67%, 0.49%

LAB 73.92, -67.29, 53.3

 

CMYK 80 / 32 / 0 / 18

HEX #298DD0

RGB 41 141 208

HSL 204.07, 0.67%, 0.49%

LAB 56.16, -4.87, -42.39

 

CMYK 0 / 80 / 64 / 18

HEX #D0294A

RGB 208 41 74

HSL 348.14, 0.67%, 0.49%

LAB 46.3, 64.33, 23.68

 

CMYK 80 / 0 / 64 / 18

HEX #29D14B

RGB 41 209 75

HSL 132.14, 0.67%, 0.49%

LAB 73.92, -67.29, 53.3

 

CMYK 64 / 80 / 0 / 18

HEX #4A29D0

RGB 74 41 208

HSL 251.86, 0.67%, 0.49%

LAB 33.13, 58.46, -79.59

 

CMYK 0 / 64 / 80 / 18

HEX #D04A29

RGB 208 74 41

HSL 11.86, 0.67%, 0.49%

LAB 50.06, 51.34, 46.63

 

CMYK 80 / 0 / 64 / 18

HEX #29D14B

RGB 41 209 75

HSL 132.14, 0.67%, 0.49%

LAB 73.92, -67.29, 53.3

 

CMYK 80 / 32 / 0 / 18

HEX #298DD0

RGB 41 141 208

HSL 204.07, 0.67%, 0.49%

LAB 56.16, -4.87, -42.39

 

CMYK 0 / 80 / 16 / 18

HEX #D029AF

RGB 208 41 175

HSL 311.86, 0.67%, 0.49%

LAB 49.61, 74.03, -32.74

 

CMYK 0 / 48 / 80 / 18

HEX #D06C29

RGB 208 108 41

HSL 24.07, 0.67%, 0.49%

LAB 56.38, 35.03, 52.64

 

CMYK 80 / 0 / 64 / 18

HEX #29D14B

RGB 41 209 75

HSL 132.14, 0.67%, 0.49%

LAB 73.92, -67.29, 53.3

 

CMYK 80 / 56 / 0 / 18

HEX #295BD0

RGB 41 91 208

HSL 222.04, 0.67%, 0.49%

LAB 42.01, 26.26, -65.07

 

CMYK 0 / 80 / 16 / 18

HEX #D029AF

RGB 208 41 175

HSL 311.86, 0.67%, 0.49%

LAB 49.61, 74.03, -32.74

 

CMYK 0 / 24 / 80 / 18

HEX #D09E29

RGB 208 158 41

HSL 42.04, 0.67%, 0.49%

LAB 68.04, 8.16, 63.27

 

Description

Color code: RGB 41 209 75 | qconv.com Color code: RGB 41 209 75 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 209 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 209 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 64 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 64% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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