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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1C74DD it is the complementary color #E38B22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1C74DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1C74DD shade: #2174D8, #3286EB, #4398FE, #54AAFF and #65BCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1C74DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1C74DD shade: #1C74DD, #0B62CA, #0050B7, #003EA4 and #002C91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1C74DD shade: #1B74DE, #1B3FDE, #2B1BDE, #601BDE and #941BDE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1C74DD shade: #1B74DE, #1B3FDE and #1B1BDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1C74DD shade matches the following richer shades: #1B74DE and #0772F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1C74DD shade: #1B74DE, #2F76CA, #4377B5, #5879A1 and #6C7B8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1C74DD shade: #1BDEDE, #1BAADE, #1B76DE, #1B42DE and #281BDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1C74DD shade: #124D94, #1661B9, #1B74DE, #3C8AE6 and #60A0EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1C74DD shade: #1C74DD, #AA1BDE and #C4DE1B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1C74DD shade: #1C74DD, #DE1B76 and #76DE1B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1C74DD shade: #1C74DD, #AA1BDE, #DE831B and #4FDE1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1C74DD shade: #1C74DD, #DE1BD7, #DE831B and #1BDE21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 48 / 0 / 13

HEX #1C74DD

RGB 28 116 221

HSL 212.64, 0.78%, 0.49%

LAB 49.45, 14.19, -60.46

 

Complementary color

CMYK 0 / 39 / 85 / 11

HEX #E38B22

RGB 227 139 34

HSL 32.64, 0.78%, 0.51%

LAB 65.68, 26.34, 64.38

 

CMYK 85 / 46 / 0 / 15

HEX #2174D8

RGB 33 116 216

HSL 212.79, 0.73%, 0.49%

LAB 49.22, 12.6, -57.99

 

CMYK 79 / 43 / 0 / 8

HEX #3286EB

RGB 50 134 235

HSL 212.76, 0.82%, 0.56%

LAB 55.81, 10.12, -58.05

 

CMYK 74 / 40 / 0 / 0

HEX #4398FE

RGB 67 152 254

HSL 212.73, 0.99%, 0.63%

LAB 62.34, 8.08, -58.06

 

CMYK 67 / 33 / 0 / 0

HEX #54AAFF

RGB 84 170 255

HSL 209.82, 1%, 0.66%

LAB 67.91, 0.34, -49.74

 

CMYK 60 / 26 / 0 / 0

HEX #65BCFF

RGB 101 188 255

HSL 206.1, 1%, 0.7%

LAB 73.52, -6.83, -40.91

 

CMYK 87 / 48 / 0 / 13

HEX #1C74DD

RGB 28 116 221

HSL 212.64, 0.78%, 0.49%

LAB 49.45, 14.19, -60.46

 

CMYK 95 / 51 / 0 / 21

HEX #0B62CA

RGB 11 98 202

HSL 212.67, 0.9%, 0.42%

LAB 42.87, 17.45, -60.25

 

CMYK 100 / 56 / 0 / 28

HEX #0050B7

RGB 0 80 183

HSL 213.77, 1%, 0.36%

LAB 36.28, 21.34, -59.89

 

CMYK 100 / 62 / 0 / 36

HEX #003EA4

RGB 0 62 164

HSL 217.32, 1%, 0.32%

LAB 29.73, 25.82, -59.28

 

CMYK 100 / 70 / 0 / 43

HEX #002C91

RGB 0 44 145

HSL 221.79, 1%, 0.28%

LAB 23.15, 30.44, -58.47

 

CMYK 88 / 48 / 0 / 13

HEX #1B74DE

RGB 27 116 222

HSL 212.62, 0.78%, 0.49%

LAB 49.49, 14.51, -60.95

 

CMYK 88 / 72 / 0 / 13

HEX #1B3FDE

RGB 27 63 222

HSL 228.92, 0.78%, 0.49%

LAB 36.1, 48.08, -82.82

 

CMYK 81 / 88 / 0 / 13

HEX #2B1BDE

RGB 43 27 222

HSL 244.92, 0.78%, 0.49%

LAB 30.81, 65.84, -91.58

 

CMYK 57 / 88 / 0 / 13

HEX #601BDE

RGB 96 27 222

HSL 261.23, 0.78%, 0.49%

LAB 35.09, 69.02, -84.35

 

CMYK 33 / 88 / 0 / 13

HEX #941BDE

RGB 148 27 222

HSL 277.23, 0.78%, 0.49%

LAB 41.77, 74.68, -73.11

 

CMYK 88 / 48 / 0 / 13

HEX #1B74DE

RGB 27 116 222

HSL 212.62, 0.78%, 0.49%

LAB 49.49, 14.51, -60.95

 

CMYK 88 / 72 / 0 / 13

HEX #1B3FDE

RGB 27 63 222

HSL 228.92, 0.78%, 0.49%

LAB 36.1, 48.08, -82.82

 

CMYK 88 / 88 / 0 / 13

HEX #1B1BDE

RGB 27 27 222

HSL 240, 0.78%, 0.49%

LAB 30.13, 65.38, -92.73

 

CMYK 88 / 48 / 0 / 13

HEX #1B74DE

RGB 27 116 222

HSL 212.62, 0.78%, 0.49%

LAB 49.49, 14.51, -60.95

 

CMYK 97 / 53 / 0 / 5

HEX #0772F2

RGB 7 114 242

HSL 212.68, 0.94%, 0.49%

LAB 50.09, 22.75, -71.22

 

CMYK 88 / 48 / 0 / 13

HEX #1B74DE

RGB 27 116 222

HSL 212.62, 0.78%, 0.49%

LAB 49.49, 14.51, -60.95

 

CMYK 77 / 42 / 0 / 21

HEX #2F76CA

RGB 47 118 202

HSL 212.52, 0.62%, 0.49%

LAB 49.28, 7.38, -49.9

 

CMYK 63 / 34 / 0 / 29

HEX #4377B5

RGB 67 119 181

HSL 212.63, 0.46%, 0.49%

LAB 49.16, 2.24, -37.98

 

CMYK 45 / 25 / 0 / 37

HEX #5879A1

RGB 88 121 161

HSL 212.88, 0.29%, 0.49%

LAB 49.89, -0.66, -25.14

 

CMYK 23 / 13 / 0 / 45

HEX #6C7B8D

RGB 108 123 141

HSL 212.73, 0.13%, 0.49%

LAB 51.01, -1.31, -11.6

 

CMYK 88 / 0 / 0 / 13

HEX #1BDEDE

RGB 27 222 222

HSL 180, 0.78%, 0.49%

LAB 80.6, -42.44, -12.52

 

CMYK 88 / 23 / 0 / 13

HEX #1BAADE

RGB 27 170 222

HSL 196, 0.78%, 0.49%

LAB 65.17, -17.11, -36.09

 

CMYK 88 / 47 / 0 / 13

HEX #1B76DE

RGB 27 118 222

HSL 212, 0.78%, 0.49%

LAB 50.05, 13.25, -60.04

 

CMYK 88 / 70 / 0 / 13

HEX #1B42DE

RGB 27 66 222

HSL 228, 0.78%, 0.49%

LAB 36.75, 46.3, -81.75

 

CMYK 82 / 88 / 0 / 13

HEX #281BDE

RGB 40 27 222

HSL 244, 0.78%, 0.49%

LAB 30.66, 65.74, -91.83

 

CMYK 88 / 48 / 0 / 42

HEX #124D94

RGB 18 77 148

HSL 212.77, 0.78%, 0.33%

LAB 33.08, 9.82, -44.12

 

CMYK 88 / 48 / 0 / 27

HEX #1661B9

RGB 22 97 185

HSL 212.39, 0.79%, 0.41%

LAB 41.57, 11.85, -52.49

 

CMYK 88 / 48 / 0 / 13

HEX #1B74DE

RGB 27 116 222

HSL 212.62, 0.78%, 0.49%

LAB 49.49, 14.51, -60.95

 

CMYK 74 / 40 / 0 / 10

HEX #3C8AE6

RGB 60 138 230

HSL 212.47, 0.77%, 0.57%

LAB 56.93, 7.01, -53.46

 

CMYK 59 / 32 / 0 / 8

HEX #60A0EB

RGB 96 160 235

HSL 212.37, 0.78%, 0.65%

LAB 64.67, 1.55, -43.9

 

CMYK 87 / 48 / 0 / 13

HEX #1C74DD

RGB 28 116 221

HSL 212.64, 0.78%, 0.49%

LAB 49.45, 14.19, -60.46

 

CMYK 23 / 88 / 0 / 13

HEX #AA1BDE

RGB 170 27 222

HSL 284, 0.78%, 0.49%

LAB 45.09, 77.71, -67.57

 

CMYK 12 / 0 / 88 / 13

HEX #C4DE1B

RGB 196 222 27

HSL 68, 0.78%, 0.49%

LAB 84, -29.87, 79.79

 

CMYK 87 / 48 / 0 / 13

HEX #1C74DD

RGB 28 116 221

HSL 212.64, 0.78%, 0.49%

LAB 49.45, 14.19, -60.46

 

CMYK 0 / 88 / 47 / 13

HEX #DE1B76

RGB 222 27 118

HSL 332, 0.78%, 0.49%

LAB 49.03, 73.87, 0.84

 

CMYK 47 / 0 / 88 / 13

HEX #76DE1B

RGB 118 222 27

HSL 92, 0.78%, 0.49%

LAB 79.71, -58.35, 74.49

 

CMYK 87 / 48 / 0 / 13

HEX #1C74DD

RGB 28 116 221

HSL 212.64, 0.78%, 0.49%

LAB 49.45, 14.19, -60.46

 

CMYK 23 / 88 / 0 / 13

HEX #AA1BDE

RGB 170 27 222

HSL 284, 0.78%, 0.49%

LAB 45.09, 77.71, -67.57

 

CMYK 0 / 41 / 88 / 13

HEX #DE831B

RGB 222 131 27

HSL 32, 0.78%, 0.49%

LAB 63.21, 28.32, 64.21

 

CMYK 64 / 0 / 88 / 13

HEX #4FDE1B

RGB 79 222 27

HSL 104, 0.78%, 0.49%

LAB 78.45, -68.43, 72.92

 

CMYK 87 / 48 / 0 / 13

HEX #1C74DD

RGB 28 116 221

HSL 212.64, 0.78%, 0.49%

LAB 49.45, 14.19, -60.46

 

CMYK 0 / 88 / 3 / 13

HEX #DE1BD7

RGB 222 27 215

HSL 302.15, 0.78%, 0.49%

LAB 53.19, 84.96, -50.08

 

CMYK 0 / 41 / 88 / 13

HEX #DE831B

RGB 222 131 27

HSL 32, 0.78%, 0.49%

LAB 63.21, 28.32, 64.21

 

CMYK 88 / 0 / 85 / 13

HEX #1BDE21

RGB 27 222 33

HSL 121.85, 0.78%, 0.49%

LAB 77.63, -75.51, 70.68

 

Description

Color code: HEX #1C74DD | qconv.com Color code: HEX #1C74DD | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 116 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 116 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 48 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 48% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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