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Color name
RGB 222 27 118

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 222 27 118 it is the complementary color RGB 33 228 137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 222 27 118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 222 27 118 shade: RGB 227 27 113, RGB 244 45 132, RGB 255 63 151, RGB 255 81 170 and RGB 255 99 189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 222 27 118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 222 27 118 shade: RGB 222 27 118, RGB 205 9 99, RGB 188 0 80, RGB 171 0 61 and RGB 154 0 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 222 27 118 shade: RGB 222 27 118, RGB 222 27 65 and RGB 222 27 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 222 27 118 shade: RGB 222 27 118, RGB 222 27 171, RGB 221 27 222, RGB 168 27 222 and RGB 116 27 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 222 27 118 shade matches the following richer shades: RGB 222 27 118 and RGB 242 7 117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 222 27 118 shade: RGB 222 27 118, RGB 202 47 119, RGB 181 67 121, RGB 161 88 122 and RGB 141 108 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 222 27 118 shade: RGB 222 27 222, RGB 222 27 170, RGB 222 27 118, RGB 222 27 66 and RGB 222 40 27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 222 27 118 shade: RGB 148 18 79, RGB 185 22 98, RGB 222 27 118, RGB 230 60 139 and RGB 235 96 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 222 27 118 shade: RGB 222 27 118, RGB 222 170 27 and RGB 27 196 222

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 222 27 118 shade: RGB 222 27 118, RGB 118 222 27 and RGB 27 118 222

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 222 27 118 shade: RGB 222 27 118, RGB 222 170 27, RGB 27 222 131 and RGB 27 79 222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 222 27 118 shade: RGB 222 27 118, RGB 215 222 27, RGB 27 222 131 and RGB 33 27 222

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 47 / 13

HEX #DE1B76

RGB 222 27 118

HSL 332, 0.78%, 0.49%

LAB 49.03, 73.87, 0.84

 

Complementary color

CMYK 86 / 0 / 40 / 11

HEX #21E489

RGB 33 228 137

HSL 152, 0.78%, 0.51%

LAB 80.52, -65.04, 32.01

 

CMYK 0 / 88 / 50 / 11

HEX #E31B71

RGB 227 27 113

HSL 334.2, 0.79%, 0.5%

LAB 49.87, 74.65, 5.22

 

CMYK 0 / 82 / 46 / 4

HEX #F42D84

RGB 244 45 132

HSL 333.77, 0.9%, 0.57%

LAB 54.84, 76.73, 1.34

 

CMYK 0 / 75 / 41 / 0

HEX #FF3F97

RGB 255 63 151

HSL 332.5, 1%, 0.62%

LAB 59.02, 76.47, -3.54

 

CMYK 0 / 68 / 33 / 0

HEX #FF51AA

RGB 255 81 170

HSL 329.31, 1%, 0.66%

LAB 61.69, 72.57, -10.61

 

CMYK 0 / 61 / 26 / 0

HEX #FF63BD

RGB 255 99 189

HSL 325.38, 1%, 0.69%

LAB 64.85, 67.88, -16.72

 

CMYK 0 / 88 / 47 / 13

HEX #DE1B76

RGB 222 27 118

HSL 332, 0.78%, 0.49%

LAB 49.03, 73.87, 0.84

 

CMYK 0 / 96 / 52 / 20

HEX #CD0963

RGB 205 9 99

HSL 332.45, 0.92%, 0.42%

LAB 44.34, 70.72, 5.38

 

CMYK 0 / 100 / 57 / 26

HEX #BC0050

RGB 188 0 80

HSL 334.47, 1%, 0.37%

LAB 40.03, 66.34, 10.81

 

CMYK 0 / 100 / 64 / 33

HEX #AB003D

RGB 171 0 61

HSL 338.6, 1%, 0.34%

LAB 35.97, 61.16, 16.95

 

CMYK 0 / 100 / 73 / 40

HEX #9A002A

RGB 154 0 42

HSL 343.64, 1%, 0.3%

LAB 31.89, 56.01, 23.37

 

CMYK 0 / 88 / 47 / 13

HEX #DE1B76

RGB 222 27 118

HSL 332, 0.78%, 0.49%

LAB 49.03, 73.87, 0.84

 

CMYK 0 / 88 / 71 / 13

HEX #DE1B41

RGB 222 27 65

HSL 348.31, 0.78%, 0.49%

LAB 47.87, 70.59, 31.7

 

CMYK 0 / 88 / 88 / 13

HEX #DE1B1B

RGB 222 27 27

HSL 0, 0.78%, 0.49%

LAB 47.49, 69.47, 52

 

CMYK 0 / 88 / 47 / 13

HEX #DE1B76

RGB 222 27 118

HSL 332, 0.78%, 0.49%

LAB 49.03, 73.87, 0.84

 

CMYK 0 / 88 / 23 / 13

HEX #DE1BAB

RGB 222 27 171

HSL 315.69, 0.78%, 0.49%

LAB 50.98, 79.19, -28.05

 

CMYK 0 / 88 / 0 / 13

HEX #DD1BDE

RGB 221 27 222

HSL 299.69, 0.78%, 0.49%

LAB 53.42, 85.8, -53.71

 

CMYK 24 / 88 / 0 / 13

HEX #A81BDE

RGB 168 27 222

HSL 283.38, 0.78%, 0.49%

LAB 44.78, 77.42, -68.09

 

CMYK 48 / 88 / 0 / 13

HEX #741BDE

RGB 116 27 222

HSL 267.38, 0.78%, 0.49%

LAB 37.43, 70.92, -80.41

 

CMYK 0 / 88 / 47 / 13

HEX #DE1B76

RGB 222 27 118

HSL 332, 0.78%, 0.49%

LAB 49.03, 73.87, 0.84

 

CMYK 0 / 97 / 52 / 5

HEX #F20775

RGB 242 7 117

HSL 331.91, 0.94%, 0.49%

LAB 52.19, 80.48, 6.5

 

CMYK 0 / 88 / 47 / 13

HEX #DE1B76

RGB 222 27 118

HSL 332, 0.78%, 0.49%

LAB 49.03, 73.87, 0.84

 

CMYK 0 / 77 / 41 / 21

HEX #CA2F77

RGB 202 47 119

HSL 332.13, 0.62%, 0.49%

LAB 46.87, 64.46, -3.39

 

CMYK 0 / 63 / 33 / 29

HEX #B54379

RGB 181 67 121

HSL 331.58, 0.46%, 0.49%

LAB 45.93, 51.32, -6.4

 

CMYK 0 / 45 / 24 / 37

HEX #A1587A

RGB 161 88 122

HSL 332.05, 0.29%, 0.49%

LAB 46.92, 34.37, -5.86

 

CMYK 0 / 23 / 13 / 45

HEX #8D6C7B

RGB 141 108 123

HSL 332.73, 0.13%, 0.49%

LAB 49.27, 15.65, -3.25

 

CMYK 0 / 88 / 0 / 13

HEX #DE1BDE

RGB 222 27 222

HSL 300, 0.78%, 0.49%

LAB 53.59, 85.97, -53.43

 

CMYK 0 / 88 / 23 / 13

HEX #DE1BAA

RGB 222 27 170

HSL 316, 0.78%, 0.49%

LAB 50.94, 79.07, -27.53

 

CMYK 0 / 88 / 47 / 13

HEX #DE1B76

RGB 222 27 118

HSL 332, 0.78%, 0.49%

LAB 49.03, 73.87, 0.84

 

CMYK 0 / 88 / 70 / 13

HEX #DE1B42

RGB 222 27 66

HSL 348, 0.78%, 0.49%

LAB 47.89, 70.63, 31.12

 

CMYK 0 / 82 / 88 / 13

HEX #DE281B

RGB 222 40 27

HSL 4, 0.78%, 0.49%

LAB 48.42, 66.81, 52.71

 

CMYK 0 / 88 / 47 / 42

HEX #94124F

RGB 148 18 79

HSL 331.85, 0.78%, 0.33%

LAB 32.46, 54.15, -0.47

 

CMYK 0 / 88 / 47 / 27

HEX #B91662

RGB 185 22 98

HSL 332.02, 0.79%, 0.41%

LAB 40.85, 64.26, 0.45

 

CMYK 0 / 88 / 47 / 13

HEX #DE1B76

RGB 222 27 118

HSL 332, 0.78%, 0.49%

LAB 49.03, 73.87, 0.84

 

CMYK 0 / 74 / 40 / 10

HEX #E63C8B

RGB 230 60 139

HSL 332.12, 0.77%, 0.57%

LAB 53.94, 69.79, -4.45

 

CMYK 0 / 59 / 31 / 8

HEX #EB60A1

RGB 235 96 161

HSL 331.94, 0.78%, 0.65%

LAB 60.43, 59.91, -7.63

 

CMYK 0 / 88 / 47 / 13

HEX #DE1B76

RGB 222 27 118

HSL 332, 0.78%, 0.49%

LAB 49.03, 73.87, 0.84

 

CMYK 0 / 23 / 88 / 13

HEX #DEAA1B

RGB 222 170 27

HSL 44, 0.78%, 0.49%

LAB 72.47, 7.5, 71.49

 

CMYK 88 / 12 / 0 / 13

HEX #1BC4DE

RGB 27 196 222

HSL 188, 0.78%, 0.49%

LAB 72.88, -30.36, -24.19

 

CMYK 0 / 88 / 47 / 13

HEX #DE1B76

RGB 222 27 118

HSL 332, 0.78%, 0.49%

LAB 49.03, 73.87, 0.84

 

CMYK 47 / 0 / 88 / 13

HEX #76DE1B

RGB 118 222 27

HSL 92, 0.78%, 0.49%

LAB 79.71, -58.35, 74.49

 

CMYK 88 / 47 / 0 / 13

HEX #1B76DE

RGB 27 118 222

HSL 212, 0.78%, 0.49%

LAB 50.05, 13.25, -60.04

 

CMYK 0 / 88 / 47 / 13

HEX #DE1B76

RGB 222 27 118

HSL 332, 0.78%, 0.49%

LAB 49.03, 73.87, 0.84

 

CMYK 0 / 23 / 88 / 13

HEX #DEAA1B

RGB 222 170 27

HSL 44, 0.78%, 0.49%

LAB 72.47, 7.5, 71.49

 

CMYK 88 / 0 / 41 / 13

HEX #1BDE83

RGB 27 222 131

HSL 152, 0.78%, 0.49%

LAB 78.53, -64.5, 32.4

 

CMYK 88 / 64 / 0 / 13

HEX #1B4FDE

RGB 27 79 222

HSL 224, 0.78%, 0.49%

LAB 39.75, 38.26, -76.81

 

CMYK 0 / 88 / 47 / 13

HEX #DE1B76

RGB 222 27 118

HSL 332, 0.78%, 0.49%

LAB 49.03, 73.87, 0.84

 

CMYK 3 / 0 / 88 / 13

HEX #D7DE1B

RGB 215 222 27

HSL 62.15, 0.78%, 0.49%

LAB 85.39, -22.02, 81.49

 

CMYK 88 / 0 / 41 / 13

HEX #1BDE83

RGB 27 222 131

HSL 152, 0.78%, 0.49%

LAB 78.53, -64.5, 32.4

 

CMYK 85 / 88 / 0 / 13

HEX #211BDE

RGB 33 27 222

HSL 241.85, 0.78%, 0.49%

LAB 30.35, 65.53, -92.36

 

Description

Color code: RGB 222 27 118 | qconv.com Color code: RGB 222 27 118 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 27 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 27 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 47 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 47% 13% C M Y K

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Provide designers and agencies with accurate color values.

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