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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA2F77 it is the complementary color #35D088. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA2F77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA2F77 shade: #CF2F72, #E04185, #F15398, #FF65AB and #FF77BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA2F77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA2F77 shade: #CA2F77, #B91D64, #A80B51, #97003E and #86002B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA2F77 shade: #CA2F77, #CA2F4D and #CA2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA2F77 shade: #CA2F77, #CA2FA1, #C92FCA, #A02FCA and #762FCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA2F77 shade matches the following richer shades: #CA2F77, #DE1B76 and #F20774

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA2F77 shade: #CA2F77, #B64378, #A1577A, #8D6C7B and #79807D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA2F77 shade: #CA2FCA, #CA2FA1, #CA2F77, #CA2F4E and #CA392F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA2F77 shade: #871F50, #A82763, #CA2F77, #D54D8C and #DD6FA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA2F77 shade: #CA2F77, #CAA12F and #2FB5CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA2F77 shade: #CA2F77, #77CA2F and #2F77CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA2F77 shade: #CA2F77, #CAA12F, #2FCA82 and #2F58CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA2F77 shade: #CA2F77, #C5CA2F, #2FCA82 and #342FCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 41 / 21

HEX #CA2F77

RGB 202 47 119

HSL 332.13, 0.62%, 0.49%

LAB 46.87, 64.46, -3.39

 

Complementary color

CMYK 75 / 0 / 35 / 18

HEX #35D088

RGB 53 208 136

HSL 152.13, 0.62%, 0.51%

LAB 74.6, -55.99, 24.65

 

CMYK 0 / 77 / 45 / 19

HEX #CF2F72

RGB 207 47 114

HSL 334.88, 0.63%, 0.5%

LAB 47.64, 65.31, 0.91

 

CMYK 0 / 71 / 41 / 12

HEX #E04185

RGB 224 65 133

HSL 334.34, 0.72%, 0.57%

LAB 53.3, 65.93, -1.94

 

CMYK 0 / 66 / 37 / 5

HEX #F15398

RGB 241 83 152

HSL 333.8, 0.85%, 0.64%

LAB 59.12, 66.02, -4.25

 

CMYK 0 / 60 / 33 / 0

HEX #FF65AB

RGB 255 101 171

HSL 332.73, 1%, 0.7%

LAB 64.57, 64.89, -6.89

 

CMYK 0 / 53 / 25 / 0

HEX #FF77BE

RGB 255 119 190

HSL 328.68, 1%, 0.73%

LAB 68.15, 59.27, -12.32

 

CMYK 0 / 77 / 41 / 21

HEX #CA2F77

RGB 202 47 119

HSL 332.13, 0.62%, 0.49%

LAB 46.87, 64.46, -3.39

 

CMYK 0 / 84 / 46 / 27

HEX #B91D64

RGB 185 29 100

HSL 332.69, 0.73%, 0.42%

LAB 41.4, 63.04, -0.02

 

CMYK 0 / 93 / 52 / 34

HEX #A80B51

RGB 168 11 81

HSL 333.25, 0.88%, 0.35%

LAB 36.29, 60.44, 4.28

 

CMYK 0 / 100 / 59 / 41

HEX #97003E

RGB 151 0 62

HSL 335.36, 1%, 0.3%

LAB 31.64, 56.38, 9.69

 

CMYK 0 / 100 / 68 / 47

HEX #86002B

RGB 134 0 43

HSL 340.75, 1%, 0.26%

LAB 27.42, 50.99, 16.13

 

CMYK 0 / 77 / 41 / 21

HEX #CA2F77

RGB 202 47 119

HSL 332.13, 0.62%, 0.49%

LAB 46.87, 64.46, -3.39

 

CMYK 0 / 77 / 62 / 21

HEX #CA2F4D

RGB 202 47 77

HSL 348.39, 0.62%, 0.49%

LAB 45.81, 61.11, 20.97

 

CMYK 0 / 77 / 77 / 21

HEX #CA2F2F

RGB 202 47 47

HSL 0, 0.62%, 0.49%

LAB 45.35, 59.66, 38.31

 

CMYK 0 / 77 / 41 / 21

HEX #CA2F77

RGB 202 47 119

HSL 332.13, 0.62%, 0.49%

LAB 46.87, 64.46, -3.39

 

CMYK 0 / 77 / 20 / 21

HEX #CA2FA1

RGB 202 47 161

HSL 315.87, 0.62%, 0.49%

LAB 48.46, 69.27, -26.32

 

CMYK 0 / 77 / 0 / 21

HEX #C92FCA

RGB 201 47 202

HSL 299.61, 0.62%, 0.49%

LAB 50.35, 74.97, -47.36

 

CMYK 21 / 77 / 0 / 21

HEX #A02FCA

RGB 160 47 202

HSL 283.74, 0.62%, 0.49%

LAB 43.9, 67.1, -58.06

 

CMYK 42 / 77 / 0 / 21

HEX #762FCA

RGB 118 47 202

HSL 267.48, 0.62%, 0.49%

LAB 38.11, 59.89, -67.74

 

CMYK 0 / 77 / 41 / 21

HEX #CA2F77

RGB 202 47 119

HSL 332.13, 0.62%, 0.49%

LAB 46.87, 64.46, -3.39

 

CMYK 0 / 88 / 47 / 13

HEX #DE1B76

RGB 222 27 118

HSL 332, 0.78%, 0.49%

LAB 49.03, 73.87, 0.84

 

CMYK 0 / 97 / 52 / 5

HEX #F20774

RGB 242 7 116

HSL 332.17, 0.94%, 0.49%

LAB 52.16, 80.4, 7.07

 

CMYK 0 / 77 / 41 / 21

HEX #CA2F77

RGB 202 47 119

HSL 332.13, 0.62%, 0.49%

LAB 46.87, 64.46, -3.39

 

CMYK 0 / 63 / 34 / 29

HEX #B64378

RGB 182 67 120

HSL 332.35, 0.46%, 0.49%

LAB 46.06, 51.51, -5.58

 

CMYK 0 / 46 / 24 / 37

HEX #A1577A

RGB 161 87 122

HSL 331.62, 0.3%, 0.49%

LAB 46.71, 34.91, -6.18

 

CMYK 0 / 23 / 13 / 45

HEX #8D6C7B

RGB 141 108 123

HSL 332.73, 0.13%, 0.49%

LAB 49.27, 15.65, -3.25

 

CMYK 5 / 0 / 2 / 50

HEX #79807D

RGB 121 128 125

HSL 154.29, 0.03%, 0.49%

LAB 52.93, -3.21, 0.72

 

CMYK 0 / 77 / 0 / 21

HEX #CA2FCA

RGB 202 47 202

HSL 300, 0.62%, 0.49%

LAB 50.52, 75.17, -47.09

 

CMYK 0 / 77 / 20 / 21

HEX #CA2FA1

RGB 202 47 161

HSL 315.87, 0.62%, 0.49%

LAB 48.46, 69.27, -26.32

 

CMYK 0 / 77 / 41 / 21

HEX #CA2F77

RGB 202 47 119

HSL 332.13, 0.62%, 0.49%

LAB 46.87, 64.46, -3.39

 

CMYK 0 / 77 / 61 / 21

HEX #CA2F4E

RGB 202 47 78

HSL 348, 0.62%, 0.49%

LAB 45.82, 61.17, 20.39

 

CMYK 0 / 72 / 77 / 21

HEX #CA392F

RGB 202 57 47

HSL 3.87, 0.62%, 0.49%

LAB 46.56, 56.29, 39.6

 

CMYK 0 / 77 / 41 / 47

HEX #871F50

RGB 135 31 80

HSL 331.73, 0.63%, 0.33%

LAB 31.14, 47.16, -3.38

 

CMYK 0 / 77 / 41 / 34

HEX #A82763

RGB 168 39 99

HSL 332.09, 0.62%, 0.41%

LAB 39.03, 55.8, -3.24

 

CMYK 0 / 77 / 41 / 21

HEX #CA2F77

RGB 202 47 119

HSL 332.13, 0.62%, 0.49%

LAB 46.87, 64.46, -3.39

 

CMYK 0 / 64 / 34 / 16

HEX #D54D8C

RGB 213 77 140

HSL 332.21, 0.62%, 0.57%

LAB 53.33, 58.97, -6.27

 

CMYK 0 / 50 / 27 / 13

HEX #DD6FA2

RGB 221 111 162

HSL 332.18, 0.62%, 0.65%

LAB 61.09, 48.63, -7.44

 

CMYK 0 / 77 / 41 / 21

HEX #CA2F77

RGB 202 47 119

HSL 332.13, 0.62%, 0.49%

LAB 46.87, 64.46, -3.39

 

CMYK 0 / 20 / 77 / 21

HEX #CAA12F

RGB 202 161 47

HSL 44.13, 0.62%, 0.49%

LAB 68.21, 4.14, 61.1

 

CMYK 77 / 10 / 0 / 21

HEX #2FB5CA

RGB 47 181 202

HSL 188.13, 0.62%, 0.49%

LAB 67.96, -27.79, -20.75

 

CMYK 0 / 77 / 41 / 21

HEX #CA2F77

RGB 202 47 119

HSL 332.13, 0.62%, 0.49%

LAB 46.87, 64.46, -3.39

 

CMYK 41 / 0 / 77 / 21

HEX #77CA2F

RGB 119 202 47

HSL 92.13, 0.62%, 0.49%

LAB 73.78, -49.46, 64.27

 

CMYK 77 / 41 / 0 / 21

HEX #2F77CA

RGB 47 119 202

HSL 212.13, 0.62%, 0.49%

LAB 49.57, 6.76, -49.44

 

CMYK 0 / 77 / 41 / 21

HEX #CA2F77

RGB 202 47 119

HSL 332.13, 0.62%, 0.49%

LAB 46.87, 64.46, -3.39

 

CMYK 0 / 20 / 77 / 21

HEX #CAA12F

RGB 202 161 47

HSL 44.13, 0.62%, 0.49%

LAB 68.21, 4.14, 61.1

 

CMYK 77 / 0 / 36 / 21

HEX #2FCA82

RGB 47 202 130

HSL 152.13, 0.62%, 0.49%

LAB 72.53, -55.7, 24.99

 

CMYK 77 / 56 / 0 / 21

HEX #2F58CA

RGB 47 88 202

HSL 224.13, 0.62%, 0.49%

LAB 40.97, 26.55, -63.29

 

CMYK 0 / 77 / 41 / 21

HEX #CA2F77

RGB 202 47 119

HSL 332.13, 0.62%, 0.49%

LAB 46.87, 64.46, -3.39

 

CMYK 2 / 0 / 77 / 21

HEX #C5CA2F

RGB 197 202 47

HSL 61.94, 0.62%, 0.49%

LAB 78.65, -19.24, 70.55

 

CMYK 77 / 0 / 36 / 21

HEX #2FCA82

RGB 47 202 130

HSL 152.13, 0.62%, 0.49%

LAB 72.53, -55.7, 24.99

 

CMYK 74 / 77 / 0 / 21

HEX #342FCA

RGB 52 47 202

HSL 241.94, 0.62%, 0.49%

LAB 31.87, 51.9, -78.22

 

Description

Color code: HEX #CA2F77 | qconv.com Color code: HEX #CA2F77 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 47 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 47 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 41 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 41% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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