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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1D7B52 it is the complementary color #E284AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1D7B52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1D7B52 shade: #227B4D, #338D60, #449F73, #55B186 and #66C399

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1D7B52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1D7B52 shade: #1D7B52, #0C693F, #00572C, #004519 and #003306

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1D7B52 shade: #1D7B52, #1D7B38, #1D7B1F, #347B1D and #4D7B1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1D7B52 shade: #1D7B52, #1D7B6C, #1D727B, #1D587B and #1D3E7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1D7B52 shade matches the following richer shades: #1D7B52, #108854 and #049455

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1D7B52 shade: #1D7B52, #296F50, #35634F, #42564D and #4E4A4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1D7B52 shade: #1D7B1E, #1D7B37, #1D7B51, #1D7B6A and #1D747B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1D7B52 shade: #0D3926, #155A3C, #1D7B52, #249D68 and #2CBE7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1D7B52 shade: #1D7B52, #1D347B and #7B2B1D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1D7B52 shade: #1D7B52, #511D7B and #7B511D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1D7B52 shade: #1D7B52, #1D347B, #7B1D47 and #7B641D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1D7B52 shade: #1D7B52, #211D7B, #7B1D47 and #777B1D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 33 / 52

HEX #1D7B52

RGB 29 123 82

HSL 153.83, 0.62%, 0.3%

LAB 45.68, -37.04, 14.92

 

Complementary color

CMYK 0 / 42 / 23 / 11

HEX #E284AD

RGB 226 132 173

HSL 333.83, 0.62%, 0.7%

LAB 66.28, 41.17, -5.93

 

CMYK 72 / 0 / 37 / 52

HEX #227B4D

RGB 34 123 77

HSL 148.99, 0.57%, 0.31%

LAB 45.69, -37.32, 17.83

 

CMYK 64 / 0 / 32 / 45

HEX #338D60

RGB 51 141 96

HSL 150, 0.47%, 0.38%

LAB 52.51, -37.66, 16.32

 

CMYK 57 / 0 / 28 / 38

HEX #449F73

RGB 68 159 115

HSL 150.99, 0.4%, 0.45%

LAB 59.22, -37.74, 14.98

 

CMYK 52 / 0 / 24 / 31

HEX #55B186

RGB 85 177 134

HSL 151.96, 0.37%, 0.51%

LAB 65.82, -37.67, 13.78

 

CMYK 48 / 0 / 22 / 24

HEX #66C399

RGB 102 195 153

HSL 152.9, 0.44%, 0.58%

LAB 72.33, -37.52, 12.68

 

CMYK 76 / 0 / 33 / 52

HEX #1D7B52

RGB 29 123 82

HSL 153.83, 0.62%, 0.3%

LAB 45.68, -37.04, 14.92

 

CMYK 89 / 0 / 40 / 59

HEX #0C693F

RGB 12 105 63

HSL 152.9, 0.79%, 0.23%

LAB 38.79, -35.99, 16.65

 

CMYK 100 / 0 / 49 / 66

HEX #00572C

RGB 0 87 44

HSL 150.34, 1%, 0.17%

LAB 31.8, -34.14, 18.65

 

CMYK 100 / 0 / 64 / 73

HEX #004519

RGB 0 69 25

HSL 141.74, 1%, 0.14%

LAB 24.72, -30.83, 20.89

 

CMYK 100 / 0 / 88 / 80

HEX #003306

RGB 0 51 6

HSL 127.06, 1%, 0.1%

LAB 17.37, -26.88, 21.83

 

CMYK 76 / 0 / 33 / 52

HEX #1D7B52

RGB 29 123 82

HSL 153.83, 0.62%, 0.3%

LAB 45.68, -37.04, 14.92

 

CMYK 76 / 0 / 54 / 52

HEX #1D7B38

RGB 29 123 56

HSL 137.23, 0.62%, 0.3%

LAB 45.24, -42.1, 28.87

 

CMYK 76 / 0 / 75 / 52

HEX #1D7B1F

RGB 29 123 31

HSL 121.28, 0.62%, 0.3%

LAB 44.98, -45.21, 40.43

 

CMYK 58 / 0 / 76 / 52

HEX #347B1D

RGB 52 123 29

HSL 105.32, 0.62%, 0.3%

LAB 45.61, -40.06, 42.07

 

CMYK 37 / 0 / 76 / 52

HEX #4D7B1D

RGB 77 123 29

HSL 89.36, 0.62%, 0.3%

LAB 46.75, -31.61, 43.58

 

CMYK 76 / 0 / 33 / 52

HEX #1D7B52

RGB 29 123 82

HSL 153.83, 0.62%, 0.3%

LAB 45.68, -37.04, 14.92

 

CMYK 76 / 0 / 12 / 52

HEX #1D7B6C

RGB 29 123 108

HSL 170.43, 0.62%, 0.3%

LAB 46.32, -30.29, 0.53

 

CMYK 76 / 7 / 0 / 52

HEX #1D727B

RGB 29 114 123

HSL 185.74, 0.62%, 0.3%

LAB 43.84, -21.1, -12.12

 

CMYK 76 / 28 / 0 / 52

HEX #1D587B

RGB 29 88 123

HSL 202.34, 0.62%, 0.3%

LAB 35.34, -6.16, -25.19

 

CMYK 76 / 50 / 0 / 52

HEX #1D3E7B

RGB 29 62 123

HSL 218.94, 0.62%, 0.3%

LAB 27.12, 11.04, -38.24

 

CMYK 76 / 0 / 33 / 52

HEX #1D7B52

RGB 29 123 82

HSL 153.83, 0.62%, 0.3%

LAB 45.68, -37.04, 14.92

 

CMYK 88 / 0 / 38 / 47

HEX #108854

RGB 16 136 84

HSL 154, 0.79%, 0.3%

LAB 49.93, -43.36, 19.48

 

CMYK 97 / 0 / 43 / 42

HEX #049455

RGB 4 148 85

HSL 153.75, 0.95%, 0.3%

LAB 53.88, -48.44, 24.15

 

CMYK 76 / 0 / 33 / 52

HEX #1D7B52

RGB 29 123 82

HSL 153.83, 0.62%, 0.3%

LAB 45.68, -37.04, 14.92

 

CMYK 63 / 0 / 28 / 56

HEX #296F50

RGB 41 111 80

HSL 153.43, 0.46%, 0.3%

LAB 41.88, -29.91, 10.89

 

CMYK 46 / 0 / 20 / 61

HEX #35634F

RGB 53 99 79

HSL 153.91, 0.3%, 0.3%

LAB 38.28, -21.02, 6.5

 

CMYK 23 / 0 / 10 / 66

HEX #42564D

RGB 66 86 77

HSL 153, 0.13%, 0.3%

LAB 34.7, -9.82, 2.72

 

CMYK 0 / 5 / 3 / 69

HEX #4E4A4C

RGB 78 74 76

HSL 330, 0.03%, 0.3%

LAB 31.9, 2.08, -0.6

 

CMYK 76 / 0 / 76 / 52

HEX #1D7B1E

RGB 29 123 30

HSL 120.64, 0.62%, 0.3%

LAB 44.97, -45.3, 40.82

 

CMYK 76 / 0 / 55 / 52

HEX #1D7B37

RGB 29 123 55

HSL 136.6, 0.62%, 0.3%

LAB 45.22, -42.26, 29.38

 

CMYK 76 / 0 / 34 / 52

HEX #1D7B51

RGB 29 123 81

HSL 153.19, 0.62%, 0.3%

LAB 45.66, -37.26, 15.47

 

CMYK 76 / 0 / 14 / 52

HEX #1D7B6A

RGB 29 123 106

HSL 169.15, 0.62%, 0.3%

LAB 46.27, -30.86, 1.63

 

CMYK 76 / 6 / 0 / 52

HEX #1D747B

RGB 29 116 123

HSL 184.47, 0.62%, 0.3%

LAB 44.49, -22.16, -11.13

 

CMYK 77 / 0 / 33 / 78

HEX #0D3926

RGB 13 57 38

HSL 154.09, 0.63%, 0.14%

LAB 20.64, -20.39, 7.59

 

CMYK 77 / 0 / 33 / 65

HEX #155A3C

RGB 21 90 60

HSL 153.91, 0.62%, 0.22%

LAB 33.56, -29.04, 11.39

 

CMYK 76 / 0 / 33 / 52

HEX #1D7B52

RGB 29 123 82

HSL 153.83, 0.62%, 0.3%

LAB 45.68, -37.04, 14.92

 

CMYK 77 / 0 / 34 / 38

HEX #249D68

RGB 36 157 104

HSL 153.72, 0.63%, 0.38%

LAB 57.55, -45.13, 18.67

 

CMYK 77 / 0 / 33 / 25

HEX #2CBE7F

RGB 44 190 127

HSL 154.11, 0.62%, 0.46%

LAB 68.67, -52.13, 21.34

 

CMYK 76 / 0 / 33 / 52

HEX #1D7B52

RGB 29 123 82

HSL 153.83, 0.62%, 0.3%

LAB 45.68, -37.04, 14.92

 

CMYK 76 / 58 / 0 / 52

HEX #1D347B

RGB 29 52 123

HSL 225.32, 0.62%, 0.3%

LAB 24.15, 18.07, -43.04

 

CMYK 0 / 65 / 76 / 52

HEX #7B2B1D

RGB 123 43 29

HSL 8.94, 0.62%, 0.3%

LAB 29.48, 33.98, 27.11

 

CMYK 76 / 0 / 33 / 52

HEX #1D7B52

RGB 29 123 82

HSL 153.83, 0.62%, 0.3%

LAB 45.68, -37.04, 14.92

 

CMYK 34 / 76 / 0 / 52

HEX #511D7B

RGB 81 29 123

HSL 273.19, 0.62%, 0.3%

LAB 23.86, 41.76, -43.29

 

CMYK 0 / 34 / 76 / 52

HEX #7B511D

RGB 123 81 29

HSL 33.19, 0.62%, 0.3%

LAB 38.17, 12.6, 36.32

 

CMYK 76 / 0 / 33 / 52

HEX #1D7B52

RGB 29 123 82

HSL 153.83, 0.62%, 0.3%

LAB 45.68, -37.04, 14.92

 

CMYK 76 / 58 / 0 / 52

HEX #1D347B

RGB 29 52 123

HSL 225.32, 0.62%, 0.3%

LAB 24.15, 18.07, -43.04

 

CMYK 0 / 76 / 42 / 52

HEX #7B1D47

RGB 123 29 71

HSL 333.19, 0.62%, 0.3%

LAB 28.23, 43.36, -1.97

 

CMYK 0 / 19 / 76 / 52

HEX #7B641D

RGB 123 100 29

HSL 45.32, 0.62%, 0.3%

LAB 43.38, 1.32, 41.51

 

CMYK 76 / 0 / 33 / 52

HEX #1D7B52

RGB 29 123 82

HSL 153.83, 0.62%, 0.3%

LAB 45.68, -37.04, 14.92

 

CMYK 73 / 76 / 0 / 52

HEX #211D7B

RGB 33 29 123

HSL 242.55, 0.62%, 0.3%

LAB 18.51, 34.03, -52.27

 

CMYK 0 / 76 / 42 / 52

HEX #7B1D47

RGB 123 29 71

HSL 333.19, 0.62%, 0.3%

LAB 28.23, 43.36, -1.97

 

CMYK 3 / 0 / 76 / 52

HEX #777B1D

RGB 119 123 29

HSL 62.55, 0.62%, 0.3%

LAB 49.71, -13.56, 47.45

 

Description

Color code: HEX #1D7B52 | qconv.com Color code: HEX #1D7B52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 123 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 123 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 33 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 33% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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