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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1EA6C1 it is the complementary color #E1593E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1EA6C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1EA6C1 shade: #23A6BC, #34B8CF, #45CAE2, #56DCF5 and #67EEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1EA6C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1EA6C1 shade: #1EA6C1, #0D94AE, #00829B, #007088 and #005E75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1EA6C1 shade: #1EA6C2, #1E7AC2, #1E4EC2, #1E22C2 and #461EC2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1EA6C1 shade: #1EA6C2, #1E7AC2, #1E4EC2, #1E22C2 and #1E1EC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1EA6C1 shade matches the following richer shades: #1EA6C2 and #0CB3D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1EA6C1 shade: #1EA6C2, #309AAF, #428E9D, #54828B and #667679

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1EA6C1 shade: #1EC283, #1EC2AE, #1EA9C2, #1E7DC2 and #1E52C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1EA6C1 shade: #13697A, #18889E, #1EA6C2, #2BC0DE and #4FCBE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1EA6C1 shade: #1EA6C1, #571EC2 and #C2991E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1EA6C1 shade: #1EA6C1, #C21EA9 and #A9C21E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1EA6C1 shade: #1EA6C1, #571EC2, #C2361E and #88C21E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1EA6C1 shade: #1EA6C1, #881EC2, #C2361E and #57C21E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 14 / 0 / 24

HEX #1EA6C1

RGB 30 166 193

HSL 189.94, 0.73%, 0.44%

LAB 62.84, -24.7, -23.59

 

Complementary color

CMYK 0 / 60 / 72 / 12

HEX #E1593E

RGB 225 89 62

HSL 9.94, 0.73%, 0.56%

LAB 55.58, 51.51, 42.46

 

CMYK 81 / 12 / 0 / 26

HEX #23A6BC

RGB 35 166 188

HSL 188.63, 0.69%, 0.44%

LAB 62.73, -25.94, -20.97

 

CMYK 75 / 11 / 0 / 19

HEX #34B8CF

RGB 52 184 207

HSL 188.9, 0.62%, 0.51%

LAB 69.12, -27.16, -21.71

 

CMYK 69 / 11 / 0 / 11

HEX #45CAE2

RGB 69 202 226

HSL 189.17, 0.73%, 0.58%

LAB 75.45, -28.11, -22.38

 

CMYK 65 / 10 / 0 / 4

HEX #56DCF5

RGB 86 220 245

HSL 189.43, 0.89%, 0.65%

LAB 81.71, -28.83, -22.99

 

CMYK 60 / 7 / 0 / 0

HEX #67EEFF

RGB 103 238 255

HSL 186.71, 1%, 0.7%

LAB 87.61, -31.91, -19.28

 

CMYK 84 / 14 / 0 / 24

HEX #1EA6C1

RGB 30 166 193

HSL 189.94, 0.73%, 0.44%

LAB 62.84, -24.7, -23.59

 

CMYK 93 / 15 / 0 / 32

HEX #0D94AE

RGB 13 148 174

HSL 189.69, 0.86%, 0.37%

LAB 56.41, -22.88, -22.76

 

CMYK 100 / 16 / 0 / 39

HEX #00829B

RGB 0 130 155

HSL 189.68, 1%, 0.3%

LAB 49.9, -20.61, -21.83

 

CMYK 100 / 18 / 0 / 47

HEX #007088

RGB 0 112 136

HSL 190.59, 1%, 0.27%

LAB 43.31, -17.74, -20.75

 

CMYK 100 / 20 / 0 / 54

HEX #005E75

RGB 0 94 117

HSL 191.79, 1%, 0.23%

LAB 36.54, -14.76, -19.68

 

CMYK 85 / 14 / 0 / 24

HEX #1EA6C2

RGB 30 166 194

HSL 190.24, 0.73%, 0.44%

LAB 62.88, -24.37, -24.1

 

CMYK 85 / 37 / 0 / 24

HEX #1E7AC2

RGB 30 122 194

HSL 206.34, 0.73%, 0.44%

LAB 49.61, 0.21, -44.83

 

CMYK 85 / 60 / 0 / 24

HEX #1E4EC2

RGB 30 78 194

HSL 222.44, 0.73%, 0.44%

LAB 37.15, 28.5, -64.9

 

CMYK 85 / 82 / 0 / 24

HEX #1E22C2

RGB 30 34 194

HSL 238.54, 0.73%, 0.44%

LAB 27.61, 54.52, -80.62

 

CMYK 64 / 85 / 0 / 24

HEX #461EC2

RGB 70 30 194

HSL 254.63, 0.73%, 0.44%

LAB 29.73, 58.7, -77.04

 

CMYK 85 / 14 / 0 / 24

HEX #1EA6C2

RGB 30 166 194

HSL 190.24, 0.73%, 0.44%

LAB 62.88, -24.37, -24.1

 

CMYK 85 / 37 / 0 / 24

HEX #1E7AC2

RGB 30 122 194

HSL 206.34, 0.73%, 0.44%

LAB 49.61, 0.21, -44.83

 

CMYK 85 / 60 / 0 / 24

HEX #1E4EC2

RGB 30 78 194

HSL 222.44, 0.73%, 0.44%

LAB 37.15, 28.5, -64.9

 

CMYK 85 / 82 / 0 / 24

HEX #1E22C2

RGB 30 34 194

HSL 238.54, 0.73%, 0.44%

LAB 27.61, 54.52, -80.62

 

CMYK 85 / 85 / 0 / 24

HEX #1E1EC2

RGB 30 30 194

HSL 240, 0.73%, 0.44%

LAB 27.02, 56.29, -81.62

 

CMYK 85 / 14 / 0 / 24

HEX #1EA6C2

RGB 30 166 194

HSL 190.24, 0.73%, 0.44%

LAB 62.88, -24.37, -24.1

 

CMYK 94 / 16 / 0 / 17

HEX #0CB3D4

RGB 12 179 212

HSL 189.9, 0.89%, 0.44%

LAB 67.33, -25.88, -27.25

 

CMYK 85 / 14 / 0 / 24

HEX #1EA6C2

RGB 30 166 194

HSL 190.24, 0.73%, 0.44%

LAB 62.88, -24.37, -24.1

 

CMYK 73 / 12 / 0 / 31

HEX #309AAF

RGB 48 154 175

HSL 189.92, 0.57%, 0.44%

LAB 58.82, -22.59, -19.59

 

CMYK 58 / 10 / 0 / 38

HEX #428E9D

RGB 66 142 157

HSL 189.89, 0.41%, 0.44%

LAB 55.01, -18.91, -15.06

 

CMYK 40 / 6 / 0 / 45

HEX #54828B

RGB 84 130 139

HSL 189.82, 0.25%, 0.44%

LAB 51.51, -13.22, -9.82

 

CMYK 16 / 2 / 0 / 53

HEX #667679

RGB 102 118 121

HSL 189.47, 0.09%, 0.44%

LAB 48.46, -5.22, -3.65

 

CMYK 85 / 0 / 32 / 24

HEX #1EC283

RGB 30 194 131

HSL 156.95, 0.73%, 0.44%

LAB 69.82, -54.23, 20.74

 

CMYK 85 / 0 / 10 / 24

HEX #1EC2AE

RGB 30 194 174

HSL 172.68, 0.73%, 0.44%

LAB 70.81, -43.62, -1.14

 

CMYK 85 / 13 / 0 / 24

HEX #1EA9C2

RGB 30 169 194

HSL 189.15, 0.73%, 0.44%

LAB 63.79, -25.89, -22.7

 

CMYK 85 / 36 / 0 / 24

HEX #1E7DC2

RGB 30 125 194

HSL 205.24, 0.73%, 0.44%

LAB 50.5, -1.6, -43.41

 

CMYK 85 / 58 / 0 / 24

HEX #1E52C2

RGB 30 82 194

HSL 220.98, 0.73%, 0.44%

LAB 38.21, 25.86, -63.18

 

CMYK 84 / 14 / 0 / 52

HEX #13697A

RGB 19 105 122

HSL 189.9, 0.73%, 0.28%

LAB 40.65, -17.7, -16.39

 

CMYK 85 / 14 / 0 / 38

HEX #18889E

RGB 24 136 158

HSL 189.85, 0.74%, 0.36%

LAB 52.14, -21.42, -20.1

 

CMYK 85 / 14 / 0 / 24

HEX #1EA6C2

RGB 30 166 194

HSL 190.24, 0.73%, 0.44%

LAB 62.88, -24.37, -24.1

 

CMYK 81 / 14 / 0 / 13

HEX #2BC0DE

RGB 43 192 222

HSL 190.06, 0.73%, 0.52%

LAB 71.88, -27.28, -25.7

 

CMYK 65 / 11 / 0 / 11

HEX #4FCBE3

RGB 79 203 227

HSL 189.73, 0.73%, 0.6%

LAB 76.02, -26.86, -22.03

 

CMYK 84 / 14 / 0 / 24

HEX #1EA6C1

RGB 30 166 193

HSL 189.94, 0.73%, 0.44%

LAB 62.84, -24.7, -23.59

 

CMYK 55 / 85 / 0 / 24

HEX #571EC2

RGB 87 30 194

HSL 260.85, 0.73%, 0.44%

LAB 31.46, 60.31, -74.11

 

CMYK 0 / 21 / 85 / 24

HEX #C2991E

RGB 194 153 30

HSL 45, 0.73%, 0.44%

LAB 65.24, 4.34, 63.65

 

CMYK 84 / 14 / 0 / 24

HEX #1EA6C1

RGB 30 166 193

HSL 189.94, 0.73%, 0.44%

LAB 62.84, -24.7, -23.59

 

CMYK 0 / 85 / 13 / 24

HEX #C21EA9

RGB 194 30 169

HSL 309.15, 0.73%, 0.44%

LAB 45.99, 72.75, -35.04

 

CMYK 13 / 0 / 85 / 24

HEX #A9C21E

RGB 169 194 30

HSL 69.15, 0.73%, 0.44%

LAB 74.26, -27.67, 70.38

 

CMYK 84 / 14 / 0 / 24

HEX #1EA6C1

RGB 30 166 193

HSL 189.94, 0.73%, 0.44%

LAB 62.84, -24.7, -23.59

 

CMYK 55 / 85 / 0 / 24

HEX #571EC2

RGB 87 30 194

HSL 260.85, 0.73%, 0.44%

LAB 31.46, 60.31, -74.11

 

CMYK 0 / 72 / 85 / 24

HEX #C2361E

RGB 194 54 30

HSL 8.78, 0.73%, 0.44%

LAB 44.52, 54.29, 45.92

 

CMYK 30 / 0 / 85 / 24

HEX #88C21E

RGB 136 194 30

HSL 81.22, 0.73%, 0.44%

LAB 72.17, -40.82, 67.76

 

CMYK 84 / 14 / 0 / 24

HEX #1EA6C1

RGB 30 166 193

HSL 189.94, 0.73%, 0.44%

LAB 62.84, -24.7, -23.59

 

CMYK 30 / 85 / 0 / 24

HEX #881EC2

RGB 136 30 194

HSL 278.78, 0.73%, 0.44%

LAB 37.95, 66.62, -63.23

 

CMYK 0 / 72 / 85 / 24

HEX #C2361E

RGB 194 54 30

HSL 8.78, 0.73%, 0.44%

LAB 44.52, 54.29, 45.92

 

CMYK 55 / 0 / 85 / 24

HEX #57C21E

RGB 87 194 30

HSL 99.15, 0.73%, 0.44%

LAB 69.97, -56.92, 64.99

 

Description

Color code: HEX #1EA6C1 | qconv.com Color code: HEX #1EA6C1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 166 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 166 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 14 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 14% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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