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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F9272 it is the complementary color #E06D8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F9272. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F9272 shade: #24926D, #35A480, #46B693, #57C8A6 and #68DAB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F9272. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F9272 shade: #1F9272, #0E805F, #006E4C, #005C39 and #004A26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F9272 shade: #1F9372, #1F9353, #1F9334, #29931F and #48931F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F9272 shade: #1F9372, #1F9392, #1F7493, #1F5593 and #1F3693

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F9272 shade matches the following richer shades: #1F9372, #10A179 and #02B07F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F9272 shade: #1F9372, #2D846C, #3C7666, #4A675F and #595959

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F9272 shade: #1F9334, #1F9353, #1F9372, #1F9391 and #1F7693

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F9272 shade: #104F3D, #187158, #1F9372, #26B58D and #31D3A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F9272 shade: #1F9272, #1F2893 and #93431F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F9272 shade: #1F9272, #721F93 and #93721F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F9272 shade: #1F9272, #1F2893, #931F40 and #93891F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F9272 shade: #1F9272, #381F93, #931F40 and #7A931F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 22 / 43

HEX #1F9272

RGB 31 146 114

HSL 163.3, 0.65%, 0.35%

LAB 54.09, -38.82, 8.22

 

Complementary color

CMYK 0 / 51 / 37 / 12

HEX #E06D8D

RGB 224 109 141

HSL 343.3, 0.65%, 0.65%

LAB 60.52, 48, 3.88

 

CMYK 75 / 0 / 25 / 43

HEX #24926D

RGB 36 146 109

HSL 159.82, 0.6%, 0.36%

LAB 54.07, -39.43, 11.05

 

CMYK 68 / 0 / 22 / 36

HEX #35A480

RGB 53 164 128

HSL 160.54, 0.51%, 0.43%

LAB 60.66, -39.95, 9.69

 

CMYK 62 / 0 / 19 / 29

HEX #46B693

RGB 70 182 147

HSL 161.25, 0.44%, 0.49%

LAB 67.18, -40.22, 8.49

 

CMYK 57 / 0 / 17 / 22

HEX #57C8A6

RGB 87 200 166

HSL 161.95, 0.51%, 0.56%

LAB 73.6, -40.32, 7.4

 

CMYK 52 / 0 / 15 / 15

HEX #68DAB9

RGB 104 218 185

HSL 162.63, 0.61%, 0.63%

LAB 79.95, -40.32, 6.4

 

CMYK 79 / 0 / 22 / 43

HEX #1F9272

RGB 31 146 114

HSL 163.3, 0.65%, 0.35%

LAB 54.09, -38.82, 8.22

 

CMYK 89 / 0 / 26 / 50

HEX #0E805F

RGB 14 128 95

HSL 162.63, 0.8%, 0.28%

LAB 47.44, -37.68, 9.75

 

CMYK 100 / 0 / 31 / 57

HEX #006E4C

RGB 0 110 76

HSL 161.45, 1%, 0.22%

LAB 40.69, -35.98, 11.51

 

CMYK 100 / 0 / 38 / 64

HEX #005C39

RGB 0 92 57

HSL 157.17, 1%, 0.18%

LAB 33.88, -33.23, 13.6

 

CMYK 100 / 0 / 49 / 71

HEX #004A26

RGB 0 74 38

HSL 150.81, 1%, 0.15%

LAB 26.84, -30.26, 15.84

 

CMYK 79 / 0 / 22 / 42

HEX #1F9372

RGB 31 147 114

HSL 162.93, 0.65%, 0.35%

LAB 54.42, -39.25, 8.69

 

CMYK 79 / 0 / 44 / 42

HEX #1F9353

RGB 31 147 83

HSL 146.9, 0.65%, 0.35%

LAB 53.8, -46.17, 25.18

 

CMYK 79 / 0 / 65 / 42

HEX #1F9334

RGB 31 147 52

HSL 130.86, 0.65%, 0.35%

LAB 53.39, -50.96, 40.41

 

CMYK 72 / 0 / 79 / 42

HEX #29931F

RGB 41 147 31

HSL 114.83, 0.65%, 0.35%

LAB 53.43, -51.27, 48.93

 

CMYK 51 / 0 / 79 / 42

HEX #48931F

RGB 72 147 31

HSL 98.79, 0.65%, 0.35%

LAB 54.39, -43.48, 50.2

 

CMYK 79 / 0 / 22 / 42

HEX #1F9372

RGB 31 147 114

HSL 162.93, 0.65%, 0.35%

LAB 54.42, -39.25, 8.69

 

CMYK 79 / 0 / 1 / 42

HEX #1F9392

RGB 31 147 146

HSL 179.48, 0.65%, 0.35%

LAB 55.31, -30.23, -8.37

 

CMYK 79 / 21 / 0 / 42

HEX #1F7493

RGB 31 116 147

HSL 196.03, 0.65%, 0.35%

LAB 45.48, -13.64, -23.91

 

CMYK 79 / 42 / 0 / 42

HEX #1F5593

RGB 31 85 147

HSL 212.07, 0.65%, 0.35%

LAB 35.78, 5.38, -39.17

 

CMYK 79 / 63 / 0 / 42

HEX #1F3693

RGB 31 54 147

HSL 228.1, 0.65%, 0.35%

LAB 26.84, 26.43, -53.63

 

CMYK 79 / 0 / 22 / 42

HEX #1F9372

RGB 31 147 114

HSL 162.93, 0.65%, 0.35%

LAB 54.42, -39.25, 8.69

 

CMYK 90 / 0 / 25 / 37

HEX #10A179

RGB 16 161 121

HSL 163.45, 0.82%, 0.35%

LAB 58.96, -44.67, 11.11

 

CMYK 99 / 0 / 28 / 31

HEX #02B07F

RGB 2 176 127

HSL 163.1, 0.98%, 0.35%

LAB 63.83, -49.81, 14.61

 

CMYK 79 / 0 / 22 / 42

HEX #1F9372

RGB 31 147 114

HSL 162.93, 0.65%, 0.35%

LAB 54.42, -39.25, 8.69

 

CMYK 66 / 0 / 18 / 48

HEX #2D846C

RGB 45 132 108

HSL 163.45, 0.49%, 0.35%

LAB 49.67, -31.94, 5.41

 

CMYK 49 / 0 / 14 / 54

HEX #3C7666

RGB 60 118 102

HSL 163.45, 0.33%, 0.35%

LAB 45.47, -23.21, 2.97

 

CMYK 28 / 0 / 8 / 60

HEX #4A675F

RGB 74 103 95

HSL 163.45, 0.16%, 0.35%

LAB 41.19, -12.52, 1.07

 

CMYK 0 / 0 / 0 / 65

HEX #595959

RGB 89 89 89

HSL 0, 0%, 0.35%

LAB 37.82, 0, -0

 

CMYK 79 / 0 / 65 / 42

HEX #1F9334

RGB 31 147 52

HSL 130.86, 0.65%, 0.35%

LAB 53.39, -50.96, 40.41

 

CMYK 79 / 0 / 44 / 42

HEX #1F9353

RGB 31 147 83

HSL 146.9, 0.65%, 0.35%

LAB 53.8, -46.17, 25.18

 

CMYK 79 / 0 / 22 / 42

HEX #1F9372

RGB 31 147 114

HSL 162.93, 0.65%, 0.35%

LAB 54.42, -39.25, 8.69

 

CMYK 79 / 0 / 1 / 42

HEX #1F9391

RGB 31 147 145

HSL 178.97, 0.65%, 0.35%

LAB 55.28, -30.54, -7.84

 

CMYK 79 / 20 / 0 / 42

HEX #1F7693

RGB 31 118 147

HSL 195, 0.65%, 0.35%

LAB 46.12, -14.77, -22.93

 

CMYK 80 / 0 / 23 / 69

HEX #104F3D

RGB 16 79 61

HSL 162.86, 0.66%, 0.19%

LAB 29.51, -24.42, 5.09

 

CMYK 79 / 0 / 22 / 56

HEX #187158

RGB 24 113 88

HSL 163.15, 0.65%, 0.27%

LAB 42.32, -31.87, 6.67

 

CMYK 79 / 0 / 22 / 42

HEX #1F9372

RGB 31 147 114

HSL 162.93, 0.65%, 0.35%

LAB 54.42, -39.25, 8.69

 

CMYK 79 / 0 / 22 / 29

HEX #26B58D

RGB 38 181 141

HSL 163.22, 0.65%, 0.43%

LAB 66.05, -46.04, 10.08

 

CMYK 77 / 0 / 21 / 17

HEX #31D3A6

RGB 49 211 166

HSL 163.33, 0.65%, 0.51%

LAB 76.07, -51.03, 10.79

 

CMYK 79 / 0 / 22 / 43

HEX #1F9272

RGB 31 146 114

HSL 163.3, 0.65%, 0.35%

LAB 54.09, -38.82, 8.22

 

CMYK 79 / 73 / 0 / 42

HEX #1F2893

RGB 31 40 147

HSL 235.34, 0.65%, 0.35%

LAB 23.39, 35.63, -59.29

 

CMYK 0 / 54 / 79 / 42

HEX #93431F

RGB 147 67 31

HSL 18.62, 0.65%, 0.35%

LAB 38.4, 31.35, 36.69

 

CMYK 79 / 0 / 22 / 43

HEX #1F9272

RGB 31 146 114

HSL 163.3, 0.65%, 0.35%

LAB 54.09, -38.82, 8.22

 

CMYK 22 / 79 / 0 / 42

HEX #721F93

RGB 114 31 147

HSL 282.93, 0.65%, 0.35%

LAB 31.03, 52.88, -46.43

 

CMYK 0 / 22 / 79 / 42

HEX #93721F

RGB 147 114 31

HSL 42.93, 0.65%, 0.35%

LAB 49.9, 4.64, 47.86

 

CMYK 79 / 0 / 22 / 43

HEX #1F9272

RGB 31 146 114

HSL 163.3, 0.65%, 0.35%

LAB 54.09, -38.82, 8.22

 

CMYK 79 / 73 / 0 / 42

HEX #1F2893

RGB 31 40 147

HSL 235.34, 0.65%, 0.35%

LAB 23.39, 35.63, -59.29

 

CMYK 0 / 79 / 56 / 42

HEX #931F40

RGB 147 31 64

HSL 342.93, 0.65%, 0.35%

LAB 33.03, 49.19, 10.17

 

CMYK 0 / 7 / 79 / 42

HEX #93891F

RGB 147 137 31

HSL 54.83, 0.65%, 0.35%

LAB 56.28, -8.21, 53.74

 

CMYK 79 / 0 / 22 / 43

HEX #1F9272

RGB 31 146 114

HSL 163.3, 0.65%, 0.35%

LAB 54.09, -38.82, 8.22

 

CMYK 62 / 79 / 0 / 42

HEX #381F93

RGB 56 31 147

HSL 252.93, 0.65%, 0.35%

LAB 23.43, 43.42, -59.16

 

CMYK 0 / 79 / 56 / 42

HEX #931F40

RGB 147 31 64

HSL 342.93, 0.65%, 0.35%

LAB 33.03, 49.19, 10.17

 

CMYK 17 / 0 / 79 / 42

HEX #7A931F

RGB 122 147 31

HSL 72.93, 0.65%, 0.35%

LAB 57.18, -24.57, 53.81

 

Description

Color code: HEX #1F9272 | qconv.com Color code: HEX #1F9272 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 146 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 146 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 22 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 22% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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