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Color name
HEX #1F9D2F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F9D2F it is the complementary color #E062D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F9D2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F9D2F shade: #249D2A, #35AF3D, #46C150, #57D363 and #68E576

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F9D2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F9D2F shade: #1F9D2F, #0E8B1C, #007909, #006700 and #005500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F9D2F shade: #1F9D2F, #319D1F, #539D1F, #759D1F and #979D1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F9D2F shade: #1F9D2F, #1F9D51, #1F9D73, #1F9D95 and #1F839D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F9D2F shade matches the following richer shades: #1F9D2F, #0FAC23 and #00BC18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F9D2F shade: #1F9D2F, #2E8E3A, #3D7F45, #4C6F51 and #5C605C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F9D2F shade: #539D1F, #329D1F, #1F9D2D, #1F9D4F and #1F9D71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F9D2F shade: #11581A, #187B24, #1F9D2F, #25C039 and #37D74B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F9D2F shade: #1F9D2F, #1F759D and #9D1F42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F9D2F shade: #1F9D2F, #2D1F9D and #9D2D1F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F9D2F shade: #1F9D2F, #1F759D, #9D1F8E and #9D471F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F9D2F shade: #1F9D2F, #1F4F9D, #9D1F8E and #9D6D1F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 70 / 38

HEX #1F9D2F

RGB 31 157 47

HSL 127.62, 0.67%, 0.37%

LAB 56.69, -54.83, 46.19

 

Complementary color

CMYK 0 / 56 / 7 / 12

HEX #E062D0

RGB 224 98 208

HSL 307.62, 0.67%, 0.63%

LAB 60.9, 62.49, -33.93

 

CMYK 77 / 0 / 73 / 38

HEX #249D2A

RGB 36 157 42

HSL 122.98, 0.63%, 0.38%

LAB 56.74, -54.58, 48.25

 

CMYK 70 / 0 / 65 / 31

HEX #35AF3D

RGB 53 175 61

HSL 123.93, 0.54%, 0.45%

LAB 63.14, -55.91, 47.39

 

CMYK 64 / 0 / 59 / 24

HEX #46C150

RGB 70 193 80

HSL 124.88, 0.5%, 0.52%

LAB 69.48, -56.69, 46.2

 

CMYK 59 / 0 / 53 / 17

HEX #57D363

RGB 87 211 99

HSL 125.81, 0.58%, 0.58%

LAB 75.77, -57.12, 44.9

 

CMYK 55 / 0 / 48 / 10

HEX #68E576

RGB 104 229 118

HSL 126.72, 0.71%, 0.65%

LAB 82, -57.32, 43.58

 

CMYK 80 / 0 / 70 / 38

HEX #1F9D2F

RGB 31 157 47

HSL 127.62, 0.67%, 0.37%

LAB 56.69, -54.83, 46.19

 

CMYK 90 / 0 / 80 / 45

HEX #0E8B1C

RGB 14 139 28

HSL 126.72, 0.82%, 0.3%

LAB 50.27, -52.59, 46.73

 

CMYK 100 / 0 / 93 / 53

HEX #007909

RGB 0 121 9

HSL 124.46, 1%, 0.24%

LAB 43.79, -49.28, 45.95

 

CMYK 100 / 0 / 100 / 60

HEX #006700

RGB 0 103 0

HSL 120, 1%, 0.2%

LAB 37.3, -44.28, 42.74

 

CMYK 100 / 0 / 100 / 67

HEX #005500

RGB 0 85 0

HSL 120, 1%, 0.17%

LAB 30.63, -38.74, 37.39

 

CMYK 80 / 0 / 70 / 38

HEX #1F9D2F

RGB 31 157 47

HSL 127.62, 0.67%, 0.37%

LAB 56.69, -54.83, 46.19

 

CMYK 69 / 0 / 80 / 38

HEX #319D1F

RGB 49 157 31

HSL 111.43, 0.67%, 0.37%

LAB 56.94, -53.08, 52.37

 

CMYK 47 / 0 / 80 / 38

HEX #539D1F

RGB 83 157 31

HSL 95.24, 0.67%, 0.37%

LAB 58.09, -44, 53.86

 

CMYK 25 / 0 / 80 / 38

HEX #759D1F

RGB 117 157 31

HSL 79.05, 0.67%, 0.37%

LAB 59.88, -31.48, 56.17

 

CMYK 4 / 0 / 80 / 38

HEX #979D1F

RGB 151 157 31

HSL 62.86, 0.67%, 0.37%

LAB 62.33, -16.99, 59.29

 

CMYK 80 / 0 / 70 / 38

HEX #1F9D2F

RGB 31 157 47

HSL 127.62, 0.67%, 0.37%

LAB 56.69, -54.83, 46.19

 

CMYK 80 / 0 / 48 / 38

HEX #1F9D51

RGB 31 157 81

HSL 143.81, 0.67%, 0.37%

LAB 57.07, -50.25, 30.46

 

CMYK 80 / 0 / 27 / 38

HEX #1F9D73

RGB 31 157 115

HSL 160, 0.67%, 0.37%

LAB 57.7, -43.22, 12.73

 

CMYK 80 / 0 / 5 / 38

HEX #1F9D95

RGB 31 157 149

HSL 176.19, 0.67%, 0.37%

LAB 58.58, -34.08, -5.23

 

CMYK 80 / 17 / 0 / 38

HEX #1F839D

RGB 31 131 157

HSL 192.38, 0.67%, 0.37%

LAB 50.64, -18.44, -21.82

 

CMYK 80 / 0 / 70 / 38

HEX #1F9D2F

RGB 31 157 47

HSL 127.62, 0.67%, 0.37%

LAB 56.69, -54.83, 46.19

 

CMYK 91 / 0 / 80 / 33

HEX #0FAC23

RGB 15 172 35

HSL 127.64, 0.84%, 0.37%

LAB 61.42, -61.99, 55.22

 

CMYK 100 / 0 / 87 / 26

HEX #00BC18

RGB 0 188 24

HSL 127.66, 1%, 0.37%

LAB 66.54, -67.88, 62.73

 

CMYK 80 / 0 / 70 / 38

HEX #1F9D2F

RGB 31 157 47

HSL 127.62, 0.67%, 0.37%

LAB 56.69, -54.83, 46.19

 

CMYK 68 / 0 / 59 / 44

HEX #2E8E3A

RGB 46 142 58

HSL 127.5, 0.51%, 0.37%

LAB 52.1, -45.78, 36.17

 

CMYK 52 / 0 / 46 / 50

HEX #3D7F45

RGB 61 127 69

HSL 127.27, 0.35%, 0.37%

LAB 47.75, -34.21, 25.2

 

CMYK 32 / 0 / 27 / 56

HEX #4C6F51

RGB 76 111 81

HSL 128.57, 0.19%, 0.37%

LAB 43.51, -19.27, 12.8

 

CMYK 4 / 0 / 4 / 62

HEX #5C605C

RGB 92 96 92

HSL 120, 0.02%, 0.37%

LAB 40.27, -2.41, 1.73

 

CMYK 47 / 0 / 80 / 38

HEX #539D1F

RGB 83 157 31

HSL 95.24, 0.67%, 0.37%

LAB 58.09, -44, 53.86

 

CMYK 68 / 0 / 80 / 38

HEX #329D1F

RGB 50 157 31

HSL 110.95, 0.67%, 0.37%

LAB 56.97, -52.88, 52.41

 

CMYK 80 / 0 / 71 / 38

HEX #1F9D2D

RGB 31 157 45

HSL 126.67, 0.67%, 0.37%

LAB 56.68, -55.02, 46.98

 

CMYK 80 / 0 / 50 / 38

HEX #1F9D4F

RGB 31 157 79

HSL 142.86, 0.67%, 0.37%

LAB 57.05, -50.59, 31.47

 

CMYK 80 / 0 / 28 / 38

HEX #1F9D71

RGB 31 157 113

HSL 159.05, 0.67%, 0.37%

LAB 57.65, -43.7, 13.79

 

CMYK 81 / 0 / 70 / 65

HEX #11581A

RGB 17 88 26

HSL 127.61, 0.68%, 0.21%

LAB 32.2, -35.19, 28.99

 

CMYK 80 / 0 / 71 / 52

HEX #187B24

RGB 24 123 36

HSL 127.27, 0.67%, 0.29%

LAB 44.92, -45.53, 38.25

 

CMYK 80 / 0 / 70 / 38

HEX #1F9D2F

RGB 31 157 47

HSL 127.62, 0.67%, 0.37%

LAB 56.69, -54.83, 46.19

 

CMYK 81 / 0 / 70 / 25

HEX #25C039

RGB 37 192 57

HSL 127.74, 0.68%, 0.45%

LAB 68.31, -64.26, 54.5

 

CMYK 74 / 0 / 65 / 16

HEX #37D74B

RGB 55 215 75

HSL 127.5, 0.67%, 0.53%

LAB 76.02, -67.37, 55.68

 

CMYK 80 / 0 / 70 / 38

HEX #1F9D2F

RGB 31 157 47

HSL 127.62, 0.67%, 0.37%

LAB 56.69, -54.83, 46.19

 

CMYK 80 / 25 / 0 / 38

HEX #1F759D

RGB 31 117 157

HSL 199.05, 0.67%, 0.37%

LAB 46.24, -10.59, -28.63

 

CMYK 0 / 80 / 58 / 38

HEX #9D1F42

RGB 157 31 66

HSL 343.33, 0.67%, 0.37%

LAB 35.09, 52.25, 12

 

CMYK 80 / 0 / 70 / 38

HEX #1F9D2F

RGB 31 157 47

HSL 127.62, 0.67%, 0.37%

LAB 56.69, -54.83, 46.19

 

CMYK 71 / 80 / 0 / 38

HEX #2D1F9D

RGB 45 31 157

HSL 246.67, 0.67%, 0.37%

LAB 23.58, 45.35, -65.09

 

CMYK 0 / 71 / 80 / 38

HEX #9D2D1F

RGB 157 45 31

HSL 6.67, 0.67%, 0.37%

LAB 36.26, 45.49, 35.09

 

CMYK 80 / 0 / 70 / 38

HEX #1F9D2F

RGB 31 157 47

HSL 127.62, 0.67%, 0.37%

LAB 56.69, -54.83, 46.19

 

CMYK 80 / 25 / 0 / 38

HEX #1F759D

RGB 31 117 157

HSL 199.05, 0.67%, 0.37%

LAB 46.24, -10.59, -28.63

 

CMYK 0 / 80 / 10 / 38

HEX #9D1F8E

RGB 157 31 142

HSL 307.14, 0.67%, 0.37%

LAB 38.02, 60.91, -31.77

 

CMYK 0 / 55 / 80 / 38

HEX #9D471F

RGB 157 71 31

HSL 19.05, 0.67%, 0.37%

LAB 40.85, 33.33, 39.67

 

CMYK 80 / 0 / 70 / 38

HEX #1F9D2F

RGB 31 157 47

HSL 127.62, 0.67%, 0.37%

LAB 56.69, -54.83, 46.19

 

CMYK 80 / 50 / 0 / 38

HEX #1F4F9D

RGB 31 79 157

HSL 217.14, 0.67%, 0.37%

LAB 34.64, 13.35, -47.05

 

CMYK 0 / 80 / 10 / 38

HEX #9D1F8E

RGB 157 31 142

HSL 307.14, 0.67%, 0.37%

LAB 38.02, 60.91, -31.77

 

CMYK 0 / 31 / 80 / 38

HEX #9D6D1F

RGB 157 109 31

HSL 37.14, 0.67%, 0.37%

LAB 49.74, 12.13, 48.13

 

Description

Color code: HEX #1F9D2F | qconv.com Color code: HEX #1F9D2F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 157 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 157 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 70 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 70% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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