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Color name
HEX #20B816

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20B816 it is the complementary color #DF47E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20B816. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20B816 shade: #25B811, #36CA24, #47DC37, #58EE4A and #69FF5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20B816. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20B816 shade: #20B816, #0FA603, #009400, #008200 and #007000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20B816 shade: #1FB615, #4AB615, #76B615, #A1B615 and #B69F15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20B816 shade: #1FB615, #15B636, #15B662, #15B68D and #15B3B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20B816 shade matches the following richer shades: #1FB615 and #10C704

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20B816 shade: #1FB615, #2DA625, #3C9536, #4A8546 and #597457

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20B816 shade: #76B615, #4BB615, #20B615, #15B635 and #15B660

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20B816 shade: #126C0C, #199111, #1FB615, #25DB19 and #41E736

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20B816 shade: #20B816, #15A1B6 and #B61560

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20B816 shade: #20B816, #1520B6 and #B61520

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20B816 shade: #20B816, #15A1B6, #AB15B6 and #B62A15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20B816 shade: #20B816, #1570B6, #AB15B6 and #B65B15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 88 / 28

HEX #20B816

RGB 32 184 22

HSL 116.3, 0.79%, 0.4%

LAB 65.47, -64.68, 62.29

 

Complementary color

CMYK 4 / 70 / 0 / 9

HEX #DF47E9

RGB 223 71 233

HSL 296.3, 0.79%, 0.6%

LAB 58.11, 77.04, -52.41

 

CMYK 80 / 0 / 91 / 28

HEX #25B811

RGB 37 184 17

HSL 112.81, 0.83%, 0.39%

LAB 65.53, -64.25, 63.28

 

CMYK 73 / 0 / 82 / 21

HEX #36CA24

RGB 54 202 36

HSL 113.49, 0.7%, 0.47%

LAB 71.66, -66.44, 64.7

 

CMYK 68 / 0 / 75 / 14

HEX #47DC37

RGB 71 220 55

HSL 114.18, 0.7%, 0.54%

LAB 77.76, -67.98, 65.01

 

CMYK 63 / 0 / 69 / 7

HEX #58EE4A

RGB 88 238 74

HSL 114.88, 0.83%, 0.61%

LAB 83.82, -69.04, 64.64

 

CMYK 59 / 0 / 64 / 0

HEX #69FF5D

RGB 105 255 93

HSL 115.56, 1%, 0.68%

LAB 89.54, -69.41, 63.55

 

CMYK 83 / 0 / 88 / 28

HEX #20B816

RGB 32 184 22

HSL 116.3, 0.79%, 0.4%

LAB 65.47, -64.68, 62.29

 

CMYK 91 / 0 / 98 / 35

HEX #0FA603

RGB 15 166 3

HSL 115.58, 0.96%, 0.33%

LAB 59.32, -61.57, 60.01

 

CMYK 100 / 0 / 100 / 42

HEX #009400

RGB 0 148 0

HSL 120, 1%, 0.29%

LAB 53.15, -57.45, 55.44

 

CMYK 100 / 0 / 100 / 49

HEX #008200

RGB 0 130 0

HSL 120, 1%, 0.25%

LAB 46.93, -52.28, 50.46

 

CMYK 100 / 0 / 100 / 56

HEX #007000

RGB 0 112 0

HSL 120, 1%, 0.22%

LAB 40.55, -46.99, 45.35

 

CMYK 83 / 0 / 88 / 29

HEX #1FB615

RGB 31 182 21

HSL 116.27, 0.79%, 0.4%

LAB 64.8, -64.24, 61.9

 

CMYK 59 / 0 / 88 / 29

HEX #4AB615

RGB 74 182 21

HSL 100.25, 0.79%, 0.4%

LAB 65.72, -56.41, 63.05

 

CMYK 35 / 0 / 88 / 29

HEX #76B615

RGB 118 182 21

HSL 83.85, 0.79%, 0.4%

LAB 67.55, -42.63, 65.33

 

CMYK 12 / 0 / 88 / 29

HEX #A1B615

RGB 161 182 21

HSL 67.83, 0.79%, 0.4%

LAB 70.24, -25.47, 68.65

 

CMYK 0 / 13 / 88 / 29

HEX #B69F15

RGB 182 159 21

HSL 51.43, 0.79%, 0.4%

LAB 65.59, -4.48, 65.64

 

CMYK 83 / 0 / 88 / 29

HEX #1FB615

RGB 31 182 21

HSL 116.27, 0.79%, 0.4%

LAB 64.8, -64.24, 61.9

 

CMYK 88 / 0 / 70 / 29

HEX #15B636

RGB 21 182 54

HSL 132.3, 0.79%, 0.4%

LAB 64.87, -63.03, 52

 

CMYK 88 / 0 / 46 / 29

HEX #15B662

RGB 21 182 98

HSL 148.7, 0.79%, 0.4%

LAB 65.36, -57.08, 32.15

 

CMYK 88 / 0 / 23 / 29

HEX #15B68D

RGB 21 182 141

HSL 164.72, 0.79%, 0.4%

LAB 66.17, -47.89, 10.22

 

CMYK 88 / 2 / 0 / 29

HEX #15B3B6

RGB 21 179 182

HSL 181.12, 0.79%, 0.4%

LAB 66.35, -35.14, -12.17

 

CMYK 83 / 0 / 88 / 29

HEX #1FB615

RGB 31 182 21

HSL 116.27, 0.79%, 0.4%

LAB 64.8, -64.24, 61.9

 

CMYK 92 / 0 / 98 / 22

HEX #10C704

RGB 16 199 4

HSL 116.31, 0.96%, 0.4%

LAB 70.15, -70.72, 68.67

 

CMYK 83 / 0 / 88 / 29

HEX #1FB615

RGB 31 182 21

HSL 116.27, 0.79%, 0.4%

LAB 64.8, -64.24, 61.9

 

CMYK 73 / 0 / 78 / 35

HEX #2DA625

RGB 45 166 37

HSL 116.28, 0.64%, 0.4%

LAB 59.86, -56.45, 53.21

 

CMYK 60 / 0 / 64 / 42

HEX #3C9536

RGB 60 149 54

HSL 116.21, 0.47%, 0.4%

LAB 54.78, -45.68, 41.26

 

CMYK 44 / 0 / 47 / 48

HEX #4A8546

RGB 74 133 70

HSL 116.19, 0.31%, 0.4%

LAB 50.3, -32.76, 28.01

 

CMYK 23 / 0 / 25 / 55

HEX #597457

RGB 89 116 87

HSL 115.86, 0.14%, 0.4%

LAB 46.05, -16.01, 12.9

 

CMYK 35 / 0 / 88 / 29

HEX #76B615

RGB 118 182 21

HSL 83.85, 0.79%, 0.4%

LAB 67.55, -42.63, 65.33

 

CMYK 59 / 0 / 88 / 29

HEX #4BB615

RGB 75 182 21

HSL 99.88, 0.79%, 0.4%

LAB 65.75, -56.16, 63.09

 

CMYK 82 / 0 / 88 / 29

HEX #20B615

RGB 32 182 21

HSL 115.9, 0.79%, 0.4%

LAB 64.82, -64.12, 61.92

 

CMYK 88 / 0 / 71 / 29

HEX #15B635

RGB 21 182 53

HSL 131.93, 0.79%, 0.4%

LAB 64.86, -63.12, 52.38

 

CMYK 88 / 0 / 47 / 29

HEX #15B660

RGB 21 182 96

HSL 147.95, 0.79%, 0.4%

LAB 65.33, -57.43, 33.14

 

CMYK 83 / 0 / 89 / 58

HEX #126C0C

RGB 18 108 12

HSL 116.25, 0.8%, 0.24%

LAB 39.38, -43.24, 41.43

 

CMYK 83 / 0 / 88 / 43

HEX #199111

RGB 25 145 17

HSL 116.25, 0.79%, 0.32%

LAB 52.4, -53.93, 51.85

 

CMYK 83 / 0 / 88 / 29

HEX #1FB615

RGB 31 182 21

HSL 116.27, 0.79%, 0.4%

LAB 64.8, -64.24, 61.9

 

CMYK 83 / 0 / 89 / 14

HEX #25DB19

RGB 37 219 25

HSL 116.29, 0.8%, 0.48%

LAB 76.76, -74.11, 71.52

 

CMYK 72 / 0 / 77 / 9

HEX #41E736

RGB 65 231 54

HSL 116.27, 0.79%, 0.56%

LAB 81.04, -72.54, 68.49

 

CMYK 83 / 0 / 88 / 28

HEX #20B816

RGB 32 184 22

HSL 116.3, 0.79%, 0.4%

LAB 65.47, -64.68, 62.29

 

CMYK 88 / 12 / 0 / 29

HEX #15A1B6

RGB 21 161 182

HSL 187.83, 0.79%, 0.4%

LAB 60.81, -26.42, -20.56

 

CMYK 0 / 88 / 47 / 29

HEX #B61560

RGB 182 21 96

HSL 332.05, 0.79%, 0.4%

LAB 40.12, 63.54, 0.58

 

CMYK 83 / 0 / 88 / 28

HEX #20B816

RGB 32 184 22

HSL 116.3, 0.79%, 0.4%

LAB 65.47, -64.68, 62.29

 

CMYK 88 / 82 / 0 / 29

HEX #1520B6

RGB 21 32 182

HSL 235.9, 0.79%, 0.4%

LAB 25.47, 51.39, -77.08

 

CMYK 0 / 88 / 82 / 29

HEX #B61520

RGB 182 21 32

HSL 355.9, 0.79%, 0.4%

LAB 38.87, 59.98, 38.81

 

CMYK 83 / 0 / 88 / 28

HEX #20B816

RGB 32 184 22

HSL 116.3, 0.79%, 0.4%

LAB 65.47, -64.68, 62.29

 

CMYK 88 / 12 / 0 / 29

HEX #15A1B6

RGB 21 161 182

HSL 187.83, 0.79%, 0.4%

LAB 60.81, -26.42, -20.56

 

CMYK 6 / 88 / 0 / 29

HEX #AB15B6

RGB 171 21 182

HSL 295.9, 0.79%, 0.4%

LAB 42.11, 72.03, -49.16

 

CMYK 0 / 77 / 88 / 29

HEX #B62A15

RGB 182 42 21

HSL 7.83, 0.79%, 0.4%

LAB 40.66, 54.42, 45.9

 

CMYK 83 / 0 / 88 / 28

HEX #20B816

RGB 32 184 22

HSL 116.3, 0.79%, 0.4%

LAB 65.47, -64.68, 62.29

 

CMYK 88 / 38 / 0 / 29

HEX #1570B6

RGB 21 112 182

HSL 206.09, 0.79%, 0.4%

LAB 45.81, 1.05, -43.95

 

CMYK 6 / 88 / 0 / 29

HEX #AB15B6

RGB 171 21 182

HSL 295.9, 0.79%, 0.4%

LAB 42.11, 72.03, -49.16

 

CMYK 0 / 50 / 88 / 29

HEX #B65B15

RGB 182 91 21

HSL 26.09, 0.79%, 0.4%

LAB 48.86, 32.76, 52.36

 

Description

Color code: HEX #20B816 | qconv.com Color code: HEX #20B816 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 184 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 184 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 88 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 88% 28% C M Y K

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