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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20CF63 it is the complementary color #DF309C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20CF63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20CF63 shade: #25CF5E, #36E171, #47F384, #58FF97 and #69FFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20CF63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20CF63 shade: #20CF63, #0FBD50, #00AB3D, #00992A and #008717

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20CF63 shade: #20CF63, #20CF34, #3BCF20, #6ACF20 and #9ACF20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20CF63 shade: #20CF63, #20CF92, #20CFC1, #20ADCF and #207ECF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20CF63 shade matches the following richer shades: #20CF63 and #0CE25E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20CF63 shade: #20CF63, #33BB67, #47A86C, #5A9570 and #6D8175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20CF63 shade: #3DCF20, #20CF31, #20CF60, #20CF8F and #20CFBD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20CF63 shade: #158741, #1AAB52, #20CF63, #38E078 and #5CE591

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20CF63 shade: #20CF63, #206CCF and #CF2026

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20CF63 shade: #20CF63, #6020CF and #CF6020

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20CF63 shade: #20CF63, #206CCF, #CF208F and #CF8320

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20CF63 shade: #20CF63, #2037CF, #CF208F and #CFB820

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 52 / 19

HEX #20CF63

RGB 32 207 99

HSL 142.97, 0.73%, 0.47%

LAB 73.44, -64.46, 41.81

 

Complementary color

CMYK 0 / 78 / 30 / 13

HEX #DF309C

RGB 223 48 156

HSL 322.97, 0.73%, 0.53%

LAB 52.07, 73.3, -17.5

 

CMYK 82 / 0 / 55 / 19

HEX #25CF5E

RGB 37 207 94

HSL 140.12, 0.7%, 0.48%

LAB 73.43, -64.72, 44.2

 

CMYK 76 / 0 / 50 / 12

HEX #36E171

RGB 54 225 113

HSL 140.7, 0.74%, 0.55%

LAB 79.52, -65.96, 42.64

 

CMYK 71 / 0 / 46 / 5

HEX #47F384

RGB 71 243 132

HSL 141.28, 0.88%, 0.62%

LAB 85.56, -66.8, 41.11

 

CMYK 65 / 0 / 41 / 0

HEX #58FF97

RGB 88 255 151

HSL 142.63, 1%, 0.67%

LAB 89.78, -65.18, 37.34

 

CMYK 59 / 0 / 33 / 0

HEX #69FFAA

RGB 105 255 170

HSL 146, 1%, 0.71%

LAB 90.52, -58.64, 28.94

 

CMYK 85 / 0 / 52 / 19

HEX #20CF63

RGB 32 207 99

HSL 142.97, 0.73%, 0.47%

LAB 73.44, -64.46, 41.81

 

CMYK 92 / 0 / 58 / 26

HEX #0FBD50

RGB 15 189 80

HSL 142.41, 0.85%, 0.4%

LAB 67.33, -62.59, 43.46

 

CMYK 100 / 0 / 64 / 33

HEX #00AB3D

RGB 0 171 61

HSL 141.4, 1%, 0.34%

LAB 61.19, -60.09, 45.04

 

CMYK 100 / 0 / 73 / 40

HEX #00992A

RGB 0 153 42

HSL 136.47, 1%, 0.3%

LAB 55.02, -56.63, 46.35

 

CMYK 100 / 0 / 83 / 47

HEX #008717

RGB 0 135 23

HSL 130.22, 1%, 0.26%

LAB 48.75, -52.73, 46.84

 

CMYK 85 / 0 / 52 / 19

HEX #20CF63

RGB 32 207 99

HSL 142.97, 0.73%, 0.47%

LAB 73.44, -64.46, 41.81

 

CMYK 85 / 0 / 75 / 19

HEX #20CF34

RGB 32 207 52

HSL 126.86, 0.73%, 0.47%

LAB 73.01, -69.72, 61.09

 

CMYK 71 / 0 / 85 / 19

HEX #3BCF20

RGB 59 207 32

HSL 110.74, 0.73%, 0.47%

LAB 73.32, -67.34, 67.23

 

CMYK 49 / 0 / 85 / 19

HEX #6ACF20

RGB 106 207 32

HSL 94.63, 0.73%, 0.47%

LAB 74.69, -56.2, 68.96

 

CMYK 26 / 0 / 85 / 19

HEX #9ACF20

RGB 154 207 32

HSL 78.17, 0.73%, 0.47%

LAB 77.04, -39.61, 71.92

 

CMYK 85 / 0 / 52 / 19

HEX #20CF63

RGB 32 207 99

HSL 142.97, 0.73%, 0.47%

LAB 73.44, -64.46, 41.81

 

CMYK 85 / 0 / 29 / 19

HEX #20CF92

RGB 32 207 146

HSL 159.09, 0.73%, 0.47%

LAB 74.19, -55.7, 18.78

 

CMYK 85 / 0 / 7 / 19

HEX #20CFC1

RGB 32 207 193

HSL 175.2, 0.73%, 0.47%

LAB 75.32, -43.84, -4.83

 

CMYK 85 / 16 / 0 / 19

HEX #20ADCF

RGB 32 173 207

HSL 191.66, 0.73%, 0.47%

LAB 65.51, -23.48, -27.27

 

CMYK 85 / 39 / 0 / 19

HEX #207ECF

RGB 32 126 207

HSL 207.77, 0.73%, 0.47%

LAB 51.53, 2.88, -49.17

 

CMYK 85 / 0 / 52 / 19

HEX #20CF63

RGB 32 207 99

HSL 142.97, 0.73%, 0.47%

LAB 73.44, -64.46, 41.81

 

CMYK 95 / 0 / 58 / 11

HEX #0CE25E

RGB 12 226 94

HSL 142.99, 0.9%, 0.47%

LAB 79.2, -72.33, 51

 

CMYK 85 / 0 / 52 / 19

HEX #20CF63

RGB 32 207 99

HSL 142.97, 0.73%, 0.47%

LAB 73.44, -64.46, 41.81

 

CMYK 73 / 0 / 45 / 27

HEX #33BB67

RGB 51 187 103

HSL 142.94, 0.57%, 0.47%

LAB 67.44, -54.63, 32.35

 

CMYK 58 / 0 / 36 / 34

HEX #47A86C

RGB 71 168 108

HSL 142.89, 0.41%, 0.47%

LAB 62.02, -42.37, 22.67

 

CMYK 40 / 0 / 25 / 42

HEX #5A9570

RGB 90 149 112

HSL 142.37, 0.25%, 0.47%

LAB 56.92, -27.76, 13.6

 

CMYK 16 / 0 / 9 / 49

HEX #6D8175

RGB 109 129 117

HSL 144, 0.08%, 0.47%

LAB 52.1, -9.82, 4.07

 

CMYK 71 / 0 / 85 / 19

HEX #3DCF20

RGB 61 207 32

HSL 110.06, 0.73%, 0.47%

LAB 73.36, -66.99, 67.28

 

CMYK 85 / 0 / 76 / 19

HEX #20CF31

RGB 32 207 49

HSL 125.83, 0.73%, 0.47%

LAB 72.99, -69.94, 62.06

 

CMYK 85 / 0 / 54 / 19

HEX #20CF60

RGB 32 207 96

HSL 141.94, 0.73%, 0.47%

LAB 73.4, -64.9, 43.2

 

CMYK 85 / 0 / 31 / 19

HEX #20CF8F

RGB 32 207 143

HSL 158.06, 0.73%, 0.47%

LAB 74.14, -56.35, 20.29

 

CMYK 85 / 0 / 9 / 19

HEX #20CFBD

RGB 32 207 189

HSL 173.83, 0.73%, 0.47%

LAB 75.21, -44.95, -2.83

 

CMYK 84 / 0 / 52 / 47

HEX #158741

RGB 21 135 65

HSL 143.16, 0.73%, 0.31%

LAB 49.34, -46.15, 29.14

 

CMYK 85 / 0 / 52 / 33

HEX #1AAB52

RGB 26 171 82

HSL 143.17, 0.74%, 0.39%

LAB 61.62, -55.56, 35.6

 

CMYK 85 / 0 / 52 / 19

HEX #20CF63

RGB 32 207 99

HSL 142.97, 0.73%, 0.47%

LAB 73.44, -64.46, 41.81

 

CMYK 75 / 0 / 46 / 12

HEX #38E078

RGB 56 224 120

HSL 142.86, 0.73%, 0.55%

LAB 79.33, -64.26, 39.01

 

CMYK 60 / 0 / 37 / 10

HEX #5CE591

RGB 92 229 145

HSL 143.21, 0.72%, 0.63%

LAB 82.03, -55.69, 30.14

 

CMYK 85 / 0 / 52 / 19

HEX #20CF63

RGB 32 207 99

HSL 142.97, 0.73%, 0.47%

LAB 73.44, -64.46, 41.81

 

CMYK 85 / 48 / 0 / 19

HEX #206CCF

RGB 32 108 207

HSL 213.94, 0.73%, 0.47%

LAB 46.36, 14.13, -57.47

 

CMYK 0 / 85 / 82 / 19

HEX #CF2026

RGB 207 32 38

HSL 357.94, 0.73%, 0.47%

LAB 44.86, 64.74, 43.08

 

CMYK 85 / 0 / 52 / 19

HEX #20CF63

RGB 32 207 99

HSL 142.97, 0.73%, 0.47%

LAB 73.44, -64.46, 41.81

 

CMYK 54 / 85 / 0 / 19

HEX #6020CF

RGB 96 32 207

HSL 261.94, 0.73%, 0.47%

LAB 34.03, 63.84, -77.43

 

CMYK 0 / 54 / 85 / 19

HEX #CF6020

RGB 207 96 32

HSL 21.94, 0.73%, 0.47%

LAB 53.75, 40.47, 53.92

 

CMYK 85 / 0 / 52 / 19

HEX #20CF63

RGB 32 207 99

HSL 142.97, 0.73%, 0.47%

LAB 73.44, -64.46, 41.81

 

CMYK 85 / 48 / 0 / 19

HEX #206CCF

RGB 32 108 207

HSL 213.94, 0.73%, 0.47%

LAB 46.36, 14.13, -57.47

 

CMYK 0 / 85 / 31 / 19

HEX #CF208F

RGB 207 32 143

HSL 321.94, 0.73%, 0.47%

LAB 47.34, 71.91, -17.19

 

CMYK 0 / 37 / 85 / 19

HEX #CF8320

RGB 207 131 32

HSL 33.94, 0.73%, 0.47%

LAB 61.31, 22.08, 60.35

 

CMYK 85 / 0 / 52 / 19

HEX #20CF63

RGB 32 207 99

HSL 142.97, 0.73%, 0.47%

LAB 73.44, -64.46, 41.81

 

CMYK 85 / 73 / 0 / 19

HEX #2037CF

RGB 32 55 207

HSL 232.11, 0.73%, 0.47%

LAB 33.02, 47.81, -79.27

 

CMYK 0 / 85 / 31 / 19

HEX #CF208F

RGB 207 32 143

HSL 321.94, 0.73%, 0.47%

LAB 47.34, 71.91, -17.19

 

CMYK 0 / 11 / 85 / 19

HEX #CFB820

RGB 207 184 32

HSL 52.11, 0.73%, 0.47%

LAB 74.6, -6.3, 71.44

 

Description

Color code: HEX #20CF63 | qconv.com Color code: HEX #20CF63 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 207 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 207 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 52 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 52% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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