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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21B933 it is the complementary color #DE46CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21B933. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21B933 shade: #26B92E, #37CB41, #48DD54, #59EF67 and #6AFF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21B933. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21B933 shade: #21B933, #10A720, #00950D, #008300 and #007100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21B933 shade: #20BA33, #38BA20, #61BA20, #8ABA20 and #B4BA20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21B933 shade: #20BA33, #20BA5C, #20BA85, #20BAAF and #209CBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21B933 shade matches the following richer shades: #20BA33 and #0FCC25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21B933 shade: #20BA33, #32A840, #44964E, #56855B and #677369

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21B933 shade: #60BA20, #37BA20, #20BA32, #20BA5B and #20BA84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21B933 shade: #14741F, #1A9729, #20BA33, #2AD93F and #4EDF5F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21B933 shade: #21B933, #2089BA and #BA204C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21B933 shade: #21B933, #3220BA and #BA3220

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21B933 shade: #21B933, #2089BA, #BA20A8 and #BA5120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21B933 shade: #21B933, #205BBA, #BA20A8 and #BA7F20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 72 / 27

HEX #21B933

RGB 33 185 51

HSL 127.11, 0.7%, 0.43%

LAB 65.95, -63.09, 54.31

 

Complementary color

CMYK 0 / 68 / 8 / 13

HEX #DE46CC

RGB 222 70 204

HSL 307.11, 0.7%, 0.57%

LAB 56.36, 72.59, -38.79

 

CMYK 79 / 0 / 75 / 27

HEX #26B92E

RGB 38 185 46

HSL 123.27, 0.66%, 0.44%

LAB 65.99, -62.89, 56.16

 

CMYK 73 / 0 / 68 / 20

HEX #37CB41

RGB 55 203 65

HSL 124.05, 0.59%, 0.51%

LAB 72.17, -64.5, 55.55

 

CMYK 67 / 0 / 62 / 13

HEX #48DD54

RGB 72 221 84

HSL 124.83, 0.69%, 0.57%

LAB 78.3, -65.56, 54.54

 

CMYK 63 / 0 / 57 / 6

HEX #59EF67

RGB 89 239 103

HSL 125.6, 0.82%, 0.64%

LAB 84.4, -66.25, 53.35

 

CMYK 58 / 0 / 52 / 0

HEX #6AFF7A

RGB 106 255 122

HSL 126.44, 1%, 0.71%

LAB 89.85, -65.95, 51.37

 

CMYK 82 / 0 / 72 / 27

HEX #21B933

RGB 33 185 51

HSL 127.11, 0.7%, 0.43%

LAB 65.95, -63.09, 54.31

 

CMYK 90 / 0 / 81 / 35

HEX #10A720

RGB 16 167 32

HSL 126.36, 0.83%, 0.36%

LAB 59.75, -60.64, 54.55

 

CMYK 100 / 0 / 91 / 42

HEX #00950D

RGB 0 149 13

HSL 125.23, 1%, 0.29%

LAB 53.52, -57.32, 53.57

 

CMYK 100 / 0 / 100 / 49

HEX #008300

RGB 0 131 0

HSL 120, 1%, 0.26%

LAB 47.28, -52.57, 50.74

 

CMYK 100 / 0 / 100 / 56

HEX #007100

RGB 0 113 0

HSL 120, 1%, 0.22%

LAB 40.91, -47.28, 45.64

 

CMYK 83 / 0 / 73 / 27

HEX #20BA33

RGB 32 186 51

HSL 127.4, 0.71%, 0.43%

LAB 66.26, -63.5, 54.62

 

CMYK 70 / 0 / 83 / 27

HEX #38BA20

RGB 56 186 32

HSL 110.65, 0.71%, 0.43%

LAB 66.57, -61.25, 61.1

 

CMYK 48 / 0 / 83 / 27

HEX #61BA20

RGB 97 186 32

HSL 94.68, 0.71%, 0.43%

LAB 67.85, -50.96, 62.74

 

CMYK 26 / 0 / 83 / 27

HEX #8ABA20

RGB 138 186 32

HSL 78.7, 0.71%, 0.43%

LAB 69.91, -36.43, 65.36

 

CMYK 3 / 0 / 83 / 27

HEX #B4BA20

RGB 180 186 32

HSL 62.34, 0.71%, 0.43%

LAB 72.84, -19.04, 69.04

 

CMYK 83 / 0 / 73 / 27

HEX #20BA33

RGB 32 186 51

HSL 127.4, 0.71%, 0.43%

LAB 66.26, -63.5, 54.62

 

CMYK 83 / 0 / 51 / 27

HEX #20BA5C

RGB 32 186 92

HSL 143.38, 0.71%, 0.43%

LAB 66.67, -58.52, 36.88

 

CMYK 83 / 0 / 28 / 27

HEX #20BA85

RGB 32 186 133

HSL 159.35, 0.71%, 0.43%

LAB 67.37, -50.54, 16.29

 

CMYK 83 / 0 / 6 / 27

HEX #20BAAF

RGB 32 186 175

HSL 175.71, 0.71%, 0.43%

LAB 68.4, -39.68, -5.23

 

CMYK 83 / 16 / 0 / 27

HEX #209CBA

RGB 32 156 186

HSL 191.69, 0.71%, 0.43%

LAB 59.55, -21.73, -24.72

 

CMYK 83 / 0 / 73 / 27

HEX #20BA33

RGB 32 186 51

HSL 127.4, 0.71%, 0.43%

LAB 66.26, -63.5, 54.62

 

CMYK 93 / 0 / 82 / 20

HEX #0FCC25

RGB 15 204 37

HSL 126.98, 0.86%, 0.43%

LAB 71.84, -71.05, 64.44

 

CMYK 83 / 0 / 73 / 27

HEX #20BA33

RGB 32 186 51

HSL 127.4, 0.71%, 0.43%

LAB 66.26, -63.5, 54.62

 

CMYK 70 / 0 / 62 / 34

HEX #32A840

RGB 50 168 64

HSL 127.12, 0.54%, 0.43%

LAB 60.83, -53.69, 43.44

 

CMYK 55 / 0 / 48 / 41

HEX #44964E

RGB 68 150 78

HSL 127.32, 0.38%, 0.43%

LAB 55.68, -40.77, 30.46

 

CMYK 35 / 0 / 32 / 48

HEX #56855B

RGB 86 133 91

HSL 126.38, 0.21%, 0.43%

LAB 51.28, -25.22, 17.72

 

CMYK 10 / 0 / 9 / 55

HEX #677369

RGB 103 115 105

HSL 130, 0.06%, 0.43%

LAB 47.19, -6.6, 4

 

CMYK 48 / 0 / 83 / 27

HEX #60BA20

RGB 96 186 32

HSL 95.06, 0.71%, 0.43%

LAB 67.81, -51.27, 62.68

 

CMYK 70 / 0 / 83 / 27

HEX #37BA20

RGB 55 186 32

HSL 111.04, 0.71%, 0.43%

LAB 66.55, -61.44, 61.07

 

CMYK 83 / 0 / 73 / 27

HEX #20BA32

RGB 32 186 50

HSL 127.01, 0.71%, 0.43%

LAB 66.26, -63.59, 54.98

 

CMYK 83 / 0 / 51 / 27

HEX #20BA5B

RGB 32 186 91

HSL 142.99, 0.71%, 0.43%

LAB 66.66, -58.67, 37.36

 

CMYK 83 / 0 / 29 / 27

HEX #20BA84

RGB 32 186 132

HSL 158.96, 0.71%, 0.43%

LAB 67.35, -50.77, 16.8

 

CMYK 83 / 0 / 73 / 55

HEX #14741F

RGB 20 116 31

HSL 126.88, 0.71%, 0.27%

LAB 42.37, -44.2, 37.67

 

CMYK 83 / 0 / 73 / 41

HEX #1A9729

RGB 26 151 41

HSL 127.2, 0.71%, 0.35%

LAB 54.57, -54.08, 46.34

 

CMYK 83 / 0 / 73 / 27

HEX #20BA33

RGB 32 186 51

HSL 127.4, 0.71%, 0.43%

LAB 66.26, -63.5, 54.62

 

CMYK 81 / 0 / 71 / 15

HEX #2AD93F

RGB 42 217 63

HSL 127.2, 0.7%, 0.51%

LAB 76.36, -70.79, 60.66

 

CMYK 65 / 0 / 57 / 13

HEX #4EDF5F

RGB 78 223 95

HSL 127.03, 0.69%, 0.59%

LAB 79.17, -63.85, 50.74

 

CMYK 82 / 0 / 72 / 27

HEX #21B933

RGB 33 185 51

HSL 127.11, 0.7%, 0.43%

LAB 65.95, -63.09, 54.31

 

CMYK 83 / 26 / 0 / 27

HEX #2089BA

RGB 32 137 186

HSL 199.09, 0.71%, 0.43%

LAB 53.75, -11.4, -33.71

 

CMYK 0 / 83 / 59 / 27

HEX #BA204C

RGB 186 32 76

HSL 342.86, 0.71%, 0.43%

LAB 41.21, 60.74, 14.9

 

CMYK 82 / 0 / 72 / 27

HEX #21B933

RGB 33 185 51

HSL 127.11, 0.7%, 0.43%

LAB 65.95, -63.09, 54.31

 

CMYK 73 / 83 / 0 / 27

HEX #3220BA

RGB 50 32 186

HSL 247.01, 0.71%, 0.43%

LAB 27.45, 54.09, -76.13

 

CMYK 0 / 73 / 83 / 27

HEX #BA3220

RGB 186 50 32

HSL 7.01, 0.71%, 0.43%

LAB 42.5, 53.22, 42.53

 

CMYK 82 / 0 / 72 / 27

HEX #21B933

RGB 33 185 51

HSL 127.11, 0.7%, 0.43%

LAB 65.95, -63.09, 54.31

 

CMYK 83 / 26 / 0 / 27

HEX #2089BA

RGB 32 137 186

HSL 199.09, 0.71%, 0.43%

LAB 53.75, -11.4, -33.71

 

CMYK 0 / 83 / 10 / 27

HEX #BA20A8

RGB 186 32 168

HSL 307.01, 0.71%, 0.43%

LAB 44.66, 70.57, -36.64

 

CMYK 0 / 56 / 83 / 27

HEX #BA5120

RGB 186 81 32

HSL 19.09, 0.71%, 0.43%

LAB 47.53, 39.77, 47.17

 

CMYK 82 / 0 / 72 / 27

HEX #21B933

RGB 33 185 51

HSL 127.11, 0.7%, 0.43%

LAB 65.95, -63.09, 54.31

 

CMYK 83 / 51 / 0 / 27

HEX #205BBA

RGB 32 91 186

HSL 217.01, 0.71%, 0.43%

LAB 40.14, 16.95, -55.37

 

CMYK 0 / 83 / 10 / 27

HEX #BA20A8

RGB 186 32 168

HSL 307.01, 0.71%, 0.43%

LAB 44.66, 70.57, -36.64

 

CMYK 0 / 32 / 83 / 27

HEX #BA7F20

RGB 186 127 32

HSL 37.01, 0.71%, 0.43%

LAB 57.77, 15.1, 56.3

 

Description

Color code: HEX #21B933 | qconv.com Color code: HEX #21B933 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 185 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 185 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 72 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 72% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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