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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #223739 it is the complementary color #DDC8C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #223739. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #223739 shade: #273734, #384947, #495B5A, #5A6D6D and #6B7F80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #223739. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #223739 shade: #223739, #112526, #001313 and #000100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #223739 shade: #223739, #223139, #222B39, #222439 and #262239

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #223739 shade: #223739, #223139, #222B39, #222439 and #222239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #223739 shade matches the following richer shades: #223739, #1A3D40, #134348, #0C494F and #044F57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #223739 shade: #223739, #293131, #312B2A, #382423 and #401E1B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #223739 shade: #22392F, #223935, #223739, #223139 and #222B39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #223739 shade: #030505, #121E1F, #223739, #315053 and #41696C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #223739 shade: #223739, #282239 and #393222

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #223739 shade: #223739, #392237 and #373922

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #223739 shade: #223739, #282239, #392422 and #323922

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #223739 shade: #223739, #2F2239, #392422 and #2B3922

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 4 / 0 / 78

HEX #223739

RGB 34 55 57

HSL 185.22, 0.25%, 0.18%

LAB 21.46, -7.7, -3.92

 

Complementary color

CMYK 0 / 10 / 10 / 13

HEX #DDC8C6

RGB 221 200 198

HSL 5.22, 0.25%, 0.82%

LAB 82.25, 7.01, 3.66

 

CMYK 29 / 0 / 5 / 78

HEX #273734

RGB 39 55 52

HSL 168.75, 0.17%, 0.18%

LAB 21.62, -7.33, -0.25

 

CMYK 23 / 0 / 3 / 71

HEX #384947

RGB 56 73 71

HSL 172.94, 0.13%, 0.25%

LAB 29.57, -7.19, -1.02

 

CMYK 20 / 0 / 1 / 64

HEX #495B5A

RGB 73 91 90

HSL 176.67, 0.11%, 0.32%

LAB 37.18, -7.1, -1.72

 

CMYK 17 / 0 / 0 / 57

HEX #5A6D6D

RGB 90 109 109

HSL 180, 0.1%, 0.39%

LAB 44.54, -7.05, -2.37

 

CMYK 16 / 1 / 0 / 50

HEX #6B7F80

RGB 107 127 128

HSL 182.86, 0.09%, 0.46%

LAB 51.68, -7.02, -2.99

 

CMYK 40 / 4 / 0 / 78

HEX #223739

RGB 34 55 57

HSL 185.22, 0.25%, 0.18%

LAB 21.46, -7.7, -3.92

 

CMYK 55 / 3 / 0 / 85

HEX #112526

RGB 17 37 38

HSL 182.86, 0.38%, 0.11%

LAB 13.12, -7.74, -3.2

 

CMYK 100 / 0 / 0 / 93

HEX #001313

RGB 0 19 19

HSL 180, 1%, 0.04%

LAB 4.63, -5.61, -1.98

 

CMYK 100 / 0 / 100 / 100

HEX #000100

RGB 0 1 0

HSL 120, 1%, 0%

LAB 0.2, -0.4, 0.29

 

CMYK 40 / 4 / 0 / 78

HEX #223739

RGB 34 55 57

HSL 185.22, 0.25%, 0.18%

LAB 21.46, -7.7, -3.92

 

CMYK 40 / 14 / 0 / 78

HEX #223139

RGB 34 49 57

HSL 200.87, 0.25%, 0.18%

LAB 19.36, -3.78, -7.07

 

CMYK 40 / 25 / 0 / 78

HEX #222B39

RGB 34 43 57

HSL 216.52, 0.25%, 0.18%

LAB 17.29, 0.34, -10.22

 

CMYK 40 / 37 / 0 / 78

HEX #222439

RGB 34 36 57

HSL 234.78, 0.25%, 0.18%

LAB 14.94, 5.35, -13.86

 

CMYK 33 / 40 / 0 / 78

HEX #262239

RGB 38 34 57

HSL 250.43, 0.25%, 0.18%

LAB 14.69, 8.25, -14.22

 

CMYK 40 / 4 / 0 / 78

HEX #223739

RGB 34 55 57

HSL 185.22, 0.25%, 0.18%

LAB 21.46, -7.7, -3.92

 

CMYK 40 / 14 / 0 / 78

HEX #223139

RGB 34 49 57

HSL 200.87, 0.25%, 0.18%

LAB 19.36, -3.78, -7.07

 

CMYK 40 / 25 / 0 / 78

HEX #222B39

RGB 34 43 57

HSL 216.52, 0.25%, 0.18%

LAB 17.29, 0.34, -10.22

 

CMYK 40 / 37 / 0 / 78

HEX #222439

RGB 34 36 57

HSL 234.78, 0.25%, 0.18%

LAB 14.94, 5.35, -13.86

 

CMYK 40 / 40 / 0 / 78

HEX #222239

RGB 34 34 57

HSL 240, 0.25%, 0.18%

LAB 14.28, 6.81, -14.88

 

CMYK 40 / 4 / 0 / 78

HEX #223739

RGB 34 55 57

HSL 185.22, 0.25%, 0.18%

LAB 21.46, -7.7, -3.92

 

CMYK 59 / 5 / 0 / 75

HEX #1A3D40

RGB 26 61 64

HSL 184.74, 0.42%, 0.18%

LAB 23.43, -11.59, -5.72

 

CMYK 74 / 7 / 0 / 72

HEX #134348

RGB 19 67 72

HSL 185.66, 0.58%, 0.18%

LAB 25.63, -13.94, -7.74

 

CMYK 85 / 8 / 0 / 69

HEX #0C494F

RGB 12 73 79

HSL 185.37, 0.74%, 0.18%

LAB 27.87, -15.96, -8.94

 

CMYK 95 / 9 / 0 / 66

HEX #044F57

RGB 4 79 87

HSL 185.78, 0.91%, 0.18%

LAB 30.17, -17.25, -10.61

 

CMYK 40 / 4 / 0 / 78

HEX #223739

RGB 34 55 57

HSL 185.22, 0.25%, 0.18%

LAB 21.46, -7.7, -3.92

 

CMYK 16 / 0 / 0 / 81

HEX #293131

RGB 41 49 49

HSL 180, 0.09%, 0.18%

LAB 19.6, -3.42, -1.16

 

CMYK 0 / 12 / 14 / 81

HEX #312B2A

RGB 49 43 42

HSL 8.57, 0.08%, 0.18%

LAB 18.13, 2.52, 1.65

 

CMYK 0 / 36 / 38 / 78

HEX #382423

RGB 56 36 35

HSL 2.86, 0.23%, 0.18%

LAB 16.62, 9.37, 4.51

 

CMYK 0 / 53 / 58 / 75

HEX #401E1B

RGB 64 30 27

HSL 4.86, 0.41%, 0.18%

LAB 15.99, 16.09, 9.5

 

CMYK 40 / 0 / 18 / 78

HEX #22392F

RGB 34 57 47

HSL 153.91, 0.25%, 0.18%

LAB 21.84, -11.76, 3.39

 

CMYK 40 / 0 / 7 / 78

HEX #223935

RGB 34 57 53

HSL 169.57, 0.25%, 0.18%

LAB 22.03, -10.13, -0.37

 

CMYK 40 / 4 / 0 / 78

HEX #223739

RGB 34 55 57

HSL 185.22, 0.25%, 0.18%

LAB 21.46, -7.7, -3.92

 

CMYK 40 / 14 / 0 / 78

HEX #223139

RGB 34 49 57

HSL 200.87, 0.25%, 0.18%

LAB 19.36, -3.78, -7.07

 

CMYK 40 / 25 / 0 / 78

HEX #222B39

RGB 34 43 57

HSL 216.52, 0.25%, 0.18%

LAB 17.29, 0.34, -10.22

 

CMYK 40 / 0 / 0 / 98

HEX #030505

RGB 3 5 5

HSL 180, 0.25%, 0.02%

LAB 1.25, -0.52, -0.18

 

CMYK 42 / 3 / 0 / 88

HEX #121E1F

RGB 18 30 31

HSL 184.62, 0.27%, 0.1%

LAB 10.23, -4.94, -2.39

 

CMYK 40 / 4 / 0 / 78

HEX #223739

RGB 34 55 57

HSL 185.22, 0.25%, 0.18%

LAB 21.46, -7.7, -3.92

 

CMYK 41 / 4 / 0 / 67

HEX #315053

RGB 49 80 83

HSL 185.29, 0.26%, 0.26%

LAB 31.84, -10.54, -5.4

 

CMYK 40 / 3 / 0 / 58

HEX #41696C

RGB 65 105 108

HSL 184.19, 0.25%, 0.34%

LAB 41.7, -13.17, -6.14

 

CMYK 40 / 4 / 0 / 78

HEX #223739

RGB 34 55 57

HSL 185.22, 0.25%, 0.18%

LAB 21.46, -7.7, -3.92

 

CMYK 30 / 40 / 0 / 78

HEX #282239

RGB 40 34 57

HSL 255.65, 0.25%, 0.18%

LAB 14.9, 8.98, -13.87

 

CMYK 0 / 12 / 40 / 78

HEX #393222

RGB 57 50 34

HSL 41.74, 0.25%, 0.18%

LAB 21.08, 0.2, 11.34

 

CMYK 40 / 4 / 0 / 78

HEX #223739

RGB 34 55 57

HSL 185.22, 0.25%, 0.18%

LAB 21.46, -7.7, -3.92

 

CMYK 0 / 40 / 4 / 78

HEX #392237

RGB 57 34 55

HSL 305.22, 0.25%, 0.18%

LAB 16.94, 15.13, -9.14

 

CMYK 4 / 0 / 40 / 78

HEX #373922

RGB 55 57 34

HSL 65.22, 0.25%, 0.18%

LAB 23.18, -5.33, 14.08

 

CMYK 40 / 4 / 0 / 78

HEX #223739

RGB 34 55 57

HSL 185.22, 0.25%, 0.18%

LAB 21.46, -7.7, -3.92

 

CMYK 30 / 40 / 0 / 78

HEX #282239

RGB 40 34 57

HSL 255.65, 0.25%, 0.18%

LAB 14.9, 8.98, -13.87

 

CMYK 0 / 37 / 40 / 78

HEX #392422

RGB 57 36 34

HSL 5.22, 0.25%, 0.18%

LAB 16.73, 9.69, 5.4

 

CMYK 12 / 0 / 40 / 78

HEX #323922

RGB 50 57 34

HSL 78.26, 0.25%, 0.18%

LAB 22.72, -7.72, 13.39

 

CMYK 40 / 4 / 0 / 78

HEX #223739

RGB 34 55 57

HSL 185.22, 0.25%, 0.18%

LAB 21.46, -7.7, -3.92

 

CMYK 18 / 40 / 0 / 78

HEX #2F2239

RGB 47 34 57

HSL 273.91, 0.25%, 0.18%

LAB 15.72, 11.65, -12.54

 

CMYK 0 / 37 / 40 / 78

HEX #392422

RGB 57 36 34

HSL 5.22, 0.25%, 0.18%

LAB 16.73, 9.69, 5.4

 

CMYK 25 / 0 / 40 / 78

HEX #2B3922

RGB 43 57 34

HSL 96.52, 0.25%, 0.18%

LAB 22.14, -10.95, 12.52

 

Description

Color code: HEX #223739 | qconv.com Color code: HEX #223739 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 55 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 55 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 4 magenta, none yellow and 78 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 4% 0% 78% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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