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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #225AD6 it is the complementary color #DDA529. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #225AD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #225AD6 shade: #275AD1, #386CE4, #497EF7, #5A90FF and #6BA2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #225AD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #225AD6 shade: #225AD6, #1148C3, #0036B0, #00249D and #00128A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #225AD6 shade: #215AD8, #2129D8, #4B21D8, #7C21D8 and #AD21D8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #225AD6 shade: #215AD8, #2129D8 and #2121D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #225AD6 shade matches the following richer shades: #215AD8 and #0D52EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #225AD6 shade: #215AD8, #3562C3, #4A69AF, #5E719B and #727987

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #225AD6 shade: #21BCD8, #218CD8, #215BD8, #212AD8 and #4921D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #225AD6 shade: #163C90, #1C4BB4, #215AD8, #4173E1 and #658DE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #225AD6 shade: #225AD6, #C221D8 and #A4D821

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #225AD6 shade: #225AD6, #D8215B and #5BD821

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #225AD6 shade: #225AD6, #C221D8, #D89E21 and #37D821

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #225AD6 shade: #225AD6, #D821B6, #D89E21 and #21D843

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 58 / 0 / 16

HEX #225AD6

RGB 34 90 214

HSL 221.33, 0.73%, 0.49%

LAB 42.01, 28.61, -68.52

 

Complementary color

CMYK 0 / 25 / 81 / 13

HEX #DDA529

RGB 221 165 41

HSL 41.33, 0.73%, 0.51%

LAB 71.17, 10.08, 66.58

 

CMYK 81 / 57 / 0 / 18

HEX #275AD1

RGB 39 90 209

HSL 222, 0.69%, 0.49%

LAB 41.76, 27.11, -66.06

 

CMYK 75 / 53 / 0 / 11

HEX #386CE4

RGB 56 108 228

HSL 221.86, 0.76%, 0.56%

LAB 48.47, 24.37, -65.95

 

CMYK 70 / 49 / 0 / 3

HEX #497EF7

RGB 73 126 247

HSL 221.72, 0.92%, 0.63%

LAB 55.13, 22.09, -65.77

 

CMYK 65 / 44 / 0 / 0

HEX #5A90FF

RGB 90 144 255

HSL 220.36, 1%, 0.68%

LAB 61.08, 16.46, -60.58

 

CMYK 58 / 36 / 0 / 0

HEX #6BA2FF

RGB 107 162 255

HSL 217.7, 1%, 0.71%

LAB 66.66, 8.89, -51.65

 

CMYK 84 / 58 / 0 / 16

HEX #225AD6

RGB 34 90 214

HSL 221.33, 0.73%, 0.49%

LAB 42.01, 28.61, -68.52

 

CMYK 91 / 63 / 0 / 24

HEX #1148C3

RGB 17 72 195

HSL 221.46, 0.84%, 0.42%

LAB 35.39, 32.08, -68.38

 

CMYK 100 / 69 / 0 / 31

HEX #0036B0

RGB 0 54 176

HSL 221.59, 1%, 0.35%

LAB 28.83, 35.96, -67.95

 

CMYK 100 / 77 / 0 / 38

HEX #00249D

RGB 0 36 157

HSL 226.24, 1%, 0.31%

LAB 22.64, 40.16, -66.71

 

CMYK 100 / 87 / 0 / 46

HEX #00128A

RGB 0 18 138

HSL 232.17, 1%, 0.27%

LAB 16.83, 43.34, -64.59

 

CMYK 85 / 58 / 0 / 15

HEX #215AD8

RGB 33 90 216

HSL 221.31, 0.73%, 0.49%

LAB 42.14, 29.3, -69.45

 

CMYK 85 / 81 / 0 / 15

HEX #2129D8

RGB 33 41 216

HSL 237.38, 0.73%, 0.49%

LAB 31.5, 58.14, -86.99

 

CMYK 65 / 85 / 0 / 15

HEX #4B21D8

RGB 75 33 216

HSL 253.77, 0.73%, 0.49%

LAB 33.01, 63.91, -84.41

 

CMYK 43 / 85 / 0 / 15

HEX #7C21D8

RGB 124 33 216

HSL 269.84, 0.73%, 0.49%

LAB 38.43, 68.86, -75.28

 

CMYK 20 / 85 / 0 / 15

HEX #AD21D8

RGB 173 33 216

HSL 285.9, 0.73%, 0.49%

LAB 45.54, 75.83, -63.38

 

CMYK 85 / 58 / 0 / 15

HEX #215AD8

RGB 33 90 216

HSL 221.31, 0.73%, 0.49%

LAB 42.14, 29.3, -69.45

 

CMYK 85 / 81 / 0 / 15

HEX #2129D8

RGB 33 41 216

HSL 237.38, 0.73%, 0.49%

LAB 31.5, 58.14, -86.99

 

CMYK 85 / 85 / 0 / 15

HEX #2121D8

RGB 33 33 216

HSL 240, 0.73%, 0.49%

LAB 30.32, 61.62, -88.95

 

CMYK 85 / 58 / 0 / 15

HEX #215AD8

RGB 33 90 216

HSL 221.31, 0.73%, 0.49%

LAB 42.14, 29.3, -69.45

 

CMYK 94 / 65 / 0 / 7

HEX #0D52EC

RGB 13 82 236

HSL 221.43, 0.9%, 0.49%

LAB 41.49, 41.02, -81.9

 

CMYK 85 / 58 / 0 / 15

HEX #215AD8

RGB 33 90 216

HSL 221.31, 0.73%, 0.49%

LAB 42.14, 29.3, -69.45

 

CMYK 73 / 50 / 0 / 24

HEX #3562C3

RGB 53 98 195

HSL 220.99, 0.57%, 0.49%

LAB 43.41, 18.19, -55.29

 

CMYK 58 / 40 / 0 / 31

HEX #4A69AF

RGB 74 105 175

HSL 221.58, 0.41%, 0.49%

LAB 45.16, 10.23, -40.79

 

CMYK 39 / 27 / 0 / 39

HEX #5E719B

RGB 94 113 155

HSL 221.31, 0.24%, 0.49%

LAB 47.7, 4.02, -24.98

 

CMYK 16 / 10 / 0 / 47

HEX #727987

RGB 114 121 135

HSL 220, 0.08%, 0.49%

LAB 50.69, 0.48, -8.51

 

CMYK 85 / 13 / 0 / 15

HEX #21BCD8

RGB 33 188 216

HSL 189.18, 0.73%, 0.49%

LAB 70.35, -28, -24.79

 

CMYK 85 / 35 / 0 / 15

HEX #218CD8

RGB 33 140 216

HSL 204.92, 0.73%, 0.49%

LAB 56.13, -2.04, -46.96

 

CMYK 85 / 58 / 0 / 15

HEX #215BD8

RGB 33 91 216

HSL 220.98, 0.73%, 0.49%

LAB 42.4, 28.65, -69.03

 

CMYK 85 / 81 / 0 / 15

HEX #212AD8

RGB 33 42 216

HSL 237.05, 0.73%, 0.49%

LAB 31.66, 57.67, -86.72

 

CMYK 66 / 85 / 0 / 15

HEX #4921D8

RGB 73 33 216

HSL 253.11, 0.73%, 0.49%

LAB 32.84, 63.76, -84.7

 

CMYK 85 / 58 / 0 / 44

HEX #163C90

RGB 22 60 144

HSL 221.31, 0.73%, 0.33%

LAB 27.89, 20.22, -50.08

 

CMYK 84 / 58 / 0 / 29

HEX #1C4BB4

RGB 28 75 180

HSL 221.45, 0.73%, 0.41%

LAB 35.15, 24.89, -59.94

 

CMYK 85 / 58 / 0 / 15

HEX #215AD8

RGB 33 90 216

HSL 221.31, 0.73%, 0.49%

LAB 42.14, 29.3, -69.45

 

CMYK 71 / 49 / 0 / 12

HEX #4173E1

RGB 65 115 225

HSL 221.25, 0.73%, 0.57%

LAB 50.48, 19.99, -61

 

CMYK 56 / 39 / 0 / 9

HEX #658DE7

RGB 101 141 231

HSL 221.54, 0.73%, 0.65%

LAB 59.51, 12.34, -49.81

 

CMYK 84 / 58 / 0 / 16

HEX #225AD6

RGB 34 90 214

HSL 221.33, 0.73%, 0.49%

LAB 42.01, 28.61, -68.52

 

CMYK 10 / 85 / 0 / 15

HEX #C221D8

RGB 194 33 216

HSL 292.79, 0.73%, 0.49%

LAB 48.9, 79.27, -57.78

 

CMYK 24 / 0 / 85 / 15

HEX #A4D821

RGB 164 216 33

HSL 77.05, 0.73%, 0.49%

LAB 80.24, -39.71, 74.67

 

CMYK 84 / 58 / 0 / 16

HEX #225AD6

RGB 34 90 214

HSL 221.33, 0.73%, 0.49%

LAB 42.01, 28.61, -68.52

 

CMYK 0 / 85 / 58 / 15

HEX #D8215B

RGB 216 33 91

HSL 340.98, 0.73%, 0.49%

LAB 47.55, 69.33, 15.16

 

CMYK 58 / 0 / 85 / 15

HEX #5BD821

RGB 91 216 33

HSL 100.98, 0.73%, 0.49%

LAB 76.95, -63.47, 70.53

 

CMYK 84 / 58 / 0 / 16

HEX #225AD6

RGB 34 90 214

HSL 221.33, 0.73%, 0.49%

LAB 42.01, 28.61, -68.52

 

CMYK 10 / 85 / 0 / 15

HEX #C221D8

RGB 194 33 216

HSL 292.79, 0.73%, 0.49%

LAB 48.9, 79.27, -57.78

 

CMYK 0 / 27 / 85 / 15

HEX #D89E21

RGB 216 158 33

HSL 40.98, 0.73%, 0.49%

LAB 68.87, 11.42, 66.8

 

CMYK 75 / 0 / 85 / 15

HEX #37D821

RGB 55 216 33

HSL 112.79, 0.73%, 0.49%

LAB 76.09, -70.68, 69.44

 

CMYK 84 / 58 / 0 / 16

HEX #225AD6

RGB 34 90 214

HSL 221.33, 0.73%, 0.49%

LAB 42.01, 28.61, -68.52

 

CMYK 0 / 85 / 16 / 15

HEX #D821B6

RGB 216 33 182

HSL 311.15, 0.73%, 0.49%

LAB 50.76, 78.32, -34.93

 

CMYK 0 / 27 / 85 / 15

HEX #D89E21

RGB 216 158 33

HSL 40.98, 0.73%, 0.49%

LAB 68.87, 11.42, 66.8

 

CMYK 85 / 0 / 69 / 15

HEX #21D843

RGB 33 216 67

HSL 131.15, 0.73%, 0.49%

LAB 75.97, -71.04, 58.72

 

Description

Color code: HEX #225AD6 | qconv.com Color code: HEX #225AD6 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 90 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 90 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 58 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 58% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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