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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #22AB99 it is the complementary color #DD5466. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #22AB99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #22AB99 shade: #27AB94, #38BDA7, #49CFBA, #5AE1CD and #6BF3E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #22AB99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #22AB99 shade: #22AB99, #119986, #008773, #007560 and #00634D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #22AB99 shade: #21AA98, #21AA73, #21AA4E, #21AA29 and #3EAA21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #22AB99 shade: #21AA98, #2197AA, #2172AA, #214DAA and #2128AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #22AB99 shade matches the following richer shades: #21AA98, #11BAA4 and #00CBB0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #22AB99 shade: #21AA98, #32998C, #428980, #537873 and #636867

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #22AB99 shade: #21AA4F, #21AA73, #21AA98, #2198AA and #2173AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #22AB99 shade: #14655A, #1A8779, #21AA98, #28CCB7 and #44DAC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #22AB99 shade: #22AB99, #2A21AA and #AA6121

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #22AB99 shade: #22AB99, #9821AA and #AA9821

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #22AB99 shade: #22AB99, #2A21AA, #AA2133 and #A1AA21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #22AB99 shade: #22AB99, #5321AA, #AA2133 and #78AA21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 11 / 33

HEX #22AB99

RGB 34 171 153

HSL 172.12, 0.67%, 0.4%

LAB 63.15, -39.02, -0.75

 

Complementary color

CMYK 0 / 62 / 54 / 13

HEX #DD5466

RGB 221 84 102

HSL 352.12, 0.67%, 0.6%

LAB 54.73, 54.82, 18.47

 

CMYK 77 / 0 / 13 / 33

HEX #27AB94

RGB 39 171 148

HSL 169.55, 0.63%, 0.41%

LAB 63.09, -39.86, 1.96

 

CMYK 70 / 0 / 12 / 26

HEX #38BDA7

RGB 56 189 167

HSL 170.08, 0.54%, 0.48%

LAB 69.49, -40.6, 0.8

 

CMYK 65 / 0 / 10 / 19

HEX #49CFBA

RGB 73 207 186

HSL 170.6, 0.58%, 0.55%

LAB 75.82, -41.09, -0.24

 

CMYK 60 / 0 / 9 / 12

HEX #5AE1CD

RGB 90 225 205

HSL 171.11, 0.69%, 0.62%

LAB 82.07, -41.4, -1.19

 

CMYK 56 / 0 / 8 / 5

HEX #6BF3E0

RGB 107 243 224

HSL 171.62, 0.85%, 0.69%

LAB 88.26, -41.6, -2.07

 

CMYK 80 / 0 / 11 / 33

HEX #22AB99

RGB 34 171 153

HSL 172.12, 0.67%, 0.4%

LAB 63.15, -39.02, -0.75

 

CMYK 89 / 0 / 12 / 40

HEX #119986

RGB 17 153 134

HSL 171.62, 0.8%, 0.33%

LAB 56.71, -37.74, 0.54

 

CMYK 100 / 0 / 15 / 47

HEX #008773

RGB 0 135 115

HSL 171.11, 1%, 0.26%

LAB 50.18, -36.1, 1.97

 

CMYK 100 / 0 / 18 / 54

HEX #007560

RGB 0 117 96

HSL 169.23, 1%, 0.23%

LAB 43.61, -33.57, 3.69

 

CMYK 100 / 0 / 22 / 61

HEX #00634D

RGB 0 99 77

HSL 166.67, 1%, 0.19%

LAB 36.85, -30.96, 5.51

 

CMYK 81 / 0 / 11 / 33

HEX #21AA98

RGB 33 170 152

HSL 172.12, 0.67%, 0.4%

LAB 62.79, -38.95, -0.72

 

CMYK 81 / 0 / 32 / 33

HEX #21AA73

RGB 33 170 115

HSL 155.91, 0.67%, 0.4%

LAB 61.92, -48.22, 18.58

 

CMYK 81 / 0 / 54 / 33

HEX #21AA4E

RGB 33 170 78

HSL 139.71, 0.67%, 0.4%

LAB 61.33, -55.08, 37.27

 

CMYK 81 / 0 / 76 / 33

HEX #21AA29

RGB 33 170 41

HSL 123.5, 0.67%, 0.4%

LAB 60.99, -59.24, 52.89

 

CMYK 64 / 0 / 81 / 33

HEX #3EAA21

RGB 62 170 33

HSL 107.3, 0.67%, 0.4%

LAB 61.55, -54.6, 56.23

 

CMYK 81 / 0 / 11 / 33

HEX #21AA98

RGB 33 170 152

HSL 172.12, 0.67%, 0.4%

LAB 62.79, -38.95, -0.72

 

CMYK 81 / 11 / 0 / 33

HEX #2197AA

RGB 33 151 170

HSL 188.32, 0.67%, 0.4%

LAB 57.42, -24.39, -18.91

 

CMYK 81 / 33 / 0 / 33

HEX #2172AA

RGB 33 114 170

HSL 204.53, 0.67%, 0.4%

LAB 45.99, -3.76, -36.65

 

CMYK 81 / 55 / 0 / 33

HEX #214DAA

RGB 33 77 170

HSL 220.73, 0.67%, 0.4%

LAB 35.07, 20.06, -54.13

 

CMYK 81 / 76 / 0 / 33

HEX #2128AA

RGB 33 40 170

HSL 236.93, 0.67%, 0.4%

LAB 25.99, 43.84, -69.02

 

CMYK 81 / 0 / 11 / 33

HEX #21AA98

RGB 33 170 152

HSL 172.12, 0.67%, 0.4%

LAB 62.79, -38.95, -0.72

 

CMYK 91 / 0 / 12 / 27

HEX #11BAA4

RGB 17 186 164

HSL 172.19, 0.83%, 0.4%

LAB 67.96, -43.73, 0.16

 

CMYK 100 / 0 / 13 / 20

HEX #00CBB0

RGB 0 203 176

HSL 172.02, 1%, 0.4%

LAB 73.45, -48.19, 1.6

 

CMYK 81 / 0 / 11 / 33

HEX #21AA98

RGB 33 170 152

HSL 172.12, 0.67%, 0.4%

LAB 62.79, -38.95, -0.72

 

CMYK 67 / 0 / 8 / 40

HEX #32998C

RGB 50 153 140

HSL 172.43, 0.51%, 0.4%

LAB 57.42, -32.34, -1.78

 

CMYK 52 / 0 / 7 / 46

HEX #428980

RGB 66 137 128

HSL 172.39, 0.35%, 0.4%

LAB 52.52, -24.6, -2.01

 

CMYK 31 / 0 / 4 / 53

HEX #537873

RGB 83 120 115

HSL 171.89, 0.18%, 0.4%

LAB 47.64, -14.2, -1.46

 

CMYK 5 / 0 / 1 / 59

HEX #636867

RGB 99 104 103

HSL 168, 0.02%, 0.4%

LAB 43.55, -2.13, -0.11

 

CMYK 81 / 0 / 54 / 33

HEX #21AA4F

RGB 33 170 79

HSL 140.15, 0.67%, 0.4%

LAB 61.34, -54.93, 36.79

 

CMYK 81 / 0 / 32 / 33

HEX #21AA73

RGB 33 170 115

HSL 155.91, 0.67%, 0.4%

LAB 61.92, -48.22, 18.58

 

CMYK 81 / 0 / 11 / 33

HEX #21AA98

RGB 33 170 152

HSL 172.12, 0.67%, 0.4%

LAB 62.79, -38.95, -0.72

 

CMYK 81 / 11 / 0 / 33

HEX #2198AA

RGB 33 152 170

HSL 187.88, 0.67%, 0.4%

LAB 57.73, -24.9, -18.44

 

CMYK 81 / 32 / 0 / 33

HEX #2173AA

RGB 33 115 170

HSL 204.09, 0.67%, 0.4%

LAB 46.29, -4.37, -36.17

 

CMYK 80 / 0 / 11 / 60

HEX #14655A

RGB 20 101 90

HSL 171.85, 0.67%, 0.24%

LAB 38.19, -26.13, -0.51

 

CMYK 81 / 0 / 10 / 47

HEX #1A8779

RGB 26 135 121

HSL 172.29, 0.68%, 0.32%

LAB 50.6, -32.53, -0.87

 

CMYK 81 / 0 / 11 / 33

HEX #21AA98

RGB 33 170 152

HSL 172.12, 0.67%, 0.4%

LAB 62.79, -38.95, -0.72

 

CMYK 80 / 0 / 10 / 20

HEX #28CCB7

RGB 40 204 183

HSL 172.32, 0.67%, 0.48%

LAB 74.23, -44.67, -1.02

 

CMYK 69 / 0 / 9 / 15

HEX #44DAC6

RGB 68 218 198

HSL 172, 0.67%, 0.56%

LAB 79.3, -43.57, -1.59

 

CMYK 80 / 0 / 11 / 33

HEX #22AB99

RGB 34 171 153

HSL 172.12, 0.67%, 0.4%

LAB 63.15, -39.02, -0.75

 

CMYK 75 / 81 / 0 / 33

HEX #2A21AA

RGB 42 33 170

HSL 243.94, 0.67%, 0.4%

LAB 25.21, 48.19, -70.3

 

CMYK 0 / 43 / 81 / 33

HEX #AA6121

RGB 170 97 33

HSL 28.03, 0.67%, 0.4%

LAB 48.52, 24.79, 46.77

 

CMYK 80 / 0 / 11 / 33

HEX #22AB99

RGB 34 171 153

HSL 172.12, 0.67%, 0.4%

LAB 63.15, -39.02, -0.75

 

CMYK 11 / 81 / 0 / 33

HEX #9821AA

RGB 152 33 170

HSL 292.12, 0.67%, 0.4%

LAB 39.01, 63.94, -47.18

 

CMYK 0 / 11 / 81 / 33

HEX #AA9821

RGB 170 152 33

HSL 52.12, 0.67%, 0.4%

LAB 62.6, -5.79, 59.57

 

CMYK 80 / 0 / 11 / 33

HEX #22AB99

RGB 34 171 153

HSL 172.12, 0.67%, 0.4%

LAB 63.15, -39.02, -0.75

 

CMYK 75 / 81 / 0 / 33

HEX #2A21AA

RGB 42 33 170

HSL 243.94, 0.67%, 0.4%

LAB 25.21, 48.19, -70.3

 

CMYK 0 / 81 / 70 / 33

HEX #AA2133

RGB 170 33 51

HSL 352.12, 0.67%, 0.4%

LAB 37.61, 54.54, 25.38

 

CMYK 5 / 0 / 81 / 33

HEX #A1AA21

RGB 161 170 33

HSL 63.94, 0.67%, 0.4%

LAB 66.85, -19.18, 63.02

 

CMYK 80 / 0 / 11 / 33

HEX #22AB99

RGB 34 171 153

HSL 172.12, 0.67%, 0.4%

LAB 63.15, -39.02, -0.75

 

CMYK 51 / 81 / 0 / 33

HEX #5321AA

RGB 83 33 170

HSL 261.9, 0.67%, 0.4%

LAB 28.98, 52.48, -63.95

 

CMYK 0 / 81 / 70 / 33

HEX #AA2133

RGB 170 33 51

HSL 352.12, 0.67%, 0.4%

LAB 37.61, 54.54, 25.38

 

CMYK 29 / 0 / 81 / 33

HEX #78AA21

RGB 120 170 33

HSL 81.9, 0.67%, 0.4%

LAB 64.04, -36.18, 59.44

 

Description

Color code: HEX #22AB99 | qconv.com Color code: HEX #22AB99 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 171 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 171 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 11 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 11% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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