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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23476B it is the complementary color #DCB894. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23476B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23476B shade: #284766, #395979, #4A6B8C, #5B7D9F and #6C8FB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23476B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23476B shade: #23476B, #123558, #012345, #001132 and #00001F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23476B shade: #22476B, #22336B, #25226B, #39226B and #4D226B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23476B shade: #22476B, #22336B and #22226B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23476B shade matches the following richer shades: #22476B, #174777, #0B4782 and #00478E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23476B shade: #22476B, #2E4760, #3A4754, #454749 and #51473D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23476B shade: #226B69, #225A6B, #22476B, #22336B and #25226B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23476B shade: #0E1E2D, #18324C, #22476B, #2D5C8A and #3770AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23476B shade: #23476B, #55226B and #646B22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23476B shade: #23476B, #6B2247 and #476B22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23476B shade: #23476B, #55226B, #6B4722 and #386B22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23476B shade: #23476B, #6B226B, #6B4722 and #226B22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 34 / 0 / 58

HEX #23476B

RGB 35 71 107

HSL 210, 0.51%, 0.28%

LAB 29.22, -0.37, -24.77

 

Complementary color

CMYK 0 / 16 / 33 / 14

HEX #DCB894

RGB 220 184 148

HSL 30, 0.51%, 0.72%

LAB 77.06, 7.81, 23.13

 

CMYK 61 / 30 / 0 / 60

HEX #284766

RGB 40 71 102

HSL 210, 0.44%, 0.28%

LAB 29.2, -1.13, -21.6

 

CMYK 53 / 26 / 0 / 53

HEX #395979

RGB 57 89 121

HSL 210, 0.36%, 0.35%

LAB 36.73, -1.87, -21.7

 

CMYK 47 / 24 / 0 / 45

HEX #4A6B8C

RGB 74 107 140

HSL 210, 0.31%, 0.42%

LAB 44.04, -2.4, -21.84

 

CMYK 43 / 21 / 0 / 38

HEX #5B7D9F

RGB 91 125 159

HSL 210, 0.27%, 0.49%

LAB 51.15, -2.79, -22.01

 

CMYK 39 / 20 / 0 / 30

HEX #6C8FB2

RGB 108 143 178

HSL 210, 0.31%, 0.56%

LAB 58.08, -3.1, -22.21

 

CMYK 67 / 34 / 0 / 58

HEX #23476B

RGB 35 71 107

HSL 210, 0.51%, 0.28%

LAB 29.22, -0.37, -24.77

 

CMYK 80 / 40 / 0 / 65

HEX #123558

RGB 18 53 88

HSL 210, 0.66%, 0.21%

LAB 21.5, 1.2, -24.7

 

CMYK 99 / 49 / 0 / 73

HEX #012345

RGB 1 35 69

HSL 210, 0.97%, 0.14%

LAB 13.46, 3.46, -24.71

 

CMYK 100 / 66 / 0 / 80

HEX #001132

RGB 0 17 50

HSL 219.6, 1%, 0.1%

LAB 5.7, 7.22, -23.64

 

CMYK 100 / 100 / 0 / 88

HEX #00001F

RGB 0 0 31

HSL 240, 1%, 0.06%

LAB 0.89, 6.28, -16.61

 

CMYK 68 / 34 / 0 / 58

HEX #22476B

RGB 34 71 107

HSL 209.59, 0.52%, 0.28%

LAB 29.18, -0.56, -24.84

 

CMYK 68 / 52 / 0 / 58

HEX #22336B

RGB 34 51 107

HSL 226.03, 0.52%, 0.28%

LAB 22.89, 13.2, -34.84

 

CMYK 65 / 68 / 0 / 58

HEX #25226B

RGB 37 34 107

HSL 242.47, 0.52%, 0.28%

LAB 18.36, 25.65, -42.19

 

CMYK 47 / 68 / 0 / 58

HEX #39226B

RGB 57 34 107

HSL 258.9, 0.52%, 0.28%

LAB 20.34, 29.6, -38.87

 

CMYK 28 / 68 / 0 / 58

HEX #4D226B

RGB 77 34 107

HSL 275.34, 0.52%, 0.28%

LAB 22.94, 34.35, -34.54

 

CMYK 68 / 34 / 0 / 58

HEX #22476B

RGB 34 71 107

HSL 209.59, 0.52%, 0.28%

LAB 29.18, -0.56, -24.84

 

CMYK 68 / 52 / 0 / 58

HEX #22336B

RGB 34 51 107

HSL 226.03, 0.52%, 0.28%

LAB 22.89, 13.2, -34.84

 

CMYK 68 / 68 / 0 / 58

HEX #22226B

RGB 34 34 107

HSL 240, 0.52%, 0.28%

LAB 18.12, 25.16, -42.58

 

CMYK 68 / 34 / 0 / 58

HEX #22476B

RGB 34 71 107

HSL 209.59, 0.52%, 0.28%

LAB 29.18, -0.56, -24.84

 

CMYK 81 / 40 / 0 / 53

HEX #174777

RGB 23 71 119

HSL 210, 0.68%, 0.28%

LAB 29.46, 2.41, -31.99

 

CMYK 92 / 45 / 0 / 49

HEX #0B4782

RGB 11 71 130

HSL 209.75, 0.84%, 0.28%

LAB 29.89, 5.85, -38.2

 

CMYK 100 / 50 / 0 / 44

HEX #00478E

RGB 0 71 142

HSL 210, 1%, 0.28%

LAB 30.54, 10.31, -44.56

 

CMYK 68 / 34 / 0 / 58

HEX #22476B

RGB 34 71 107

HSL 209.59, 0.52%, 0.28%

LAB 29.18, -0.56, -24.84

 

CMYK 52 / 26 / 0 / 62

HEX #2E4760

RGB 46 71 96

HSL 210, 0.35%, 0.28%

LAB 29.24, -1.71, -17.68

 

CMYK 31 / 15 / 0 / 67

HEX #3A4754

RGB 58 71 84

HSL 210, 0.18%, 0.28%

LAB 29.53, -1.7, -9.45

 

CMYK 5 / 3 / 0 / 71

HEX #454749

RGB 69 71 73

HSL 210, 0.03%, 0.28%

LAB 30.04, -0.37, -1.49

 

CMYK 0 / 12 / 25 / 68

HEX #51473D

RGB 81 71 61

HSL 30, 0.14%, 0.28%

LAB 30.86, 2.36, 7.56

 

CMYK 68 / 0 / 2 / 58

HEX #226B69

RGB 34 107 105

HSL 178.36, 0.52%, 0.28%

LAB 41.02, -22.46, -5.47

 

CMYK 68 / 16 / 0 / 58

HEX #225A6B

RGB 34 90 107

HSL 193.97, 0.52%, 0.28%

LAB 35.43, -12.39, -15.14

 

CMYK 68 / 34 / 0 / 58

HEX #22476B

RGB 34 71 107

HSL 209.59, 0.52%, 0.28%

LAB 29.18, -0.56, -24.84

 

CMYK 68 / 52 / 0 / 58

HEX #22336B

RGB 34 51 107

HSL 226.03, 0.52%, 0.28%

LAB 22.89, 13.2, -34.84

 

CMYK 65 / 68 / 0 / 58

HEX #25226B

RGB 37 34 107

HSL 242.47, 0.52%, 0.28%

LAB 18.36, 25.65, -42.19

 

CMYK 69 / 33 / 0 / 82

HEX #0E1E2D

RGB 14 30 45

HSL 209.03, 0.53%, 0.12%

LAB 10.64, -1.09, -12.08

 

CMYK 68 / 34 / 0 / 70

HEX #18324C

RGB 24 50 76

HSL 210, 0.52%, 0.2%

LAB 20.03, -0.49, -19

 

CMYK 68 / 34 / 0 / 58

HEX #22476B

RGB 34 71 107

HSL 209.59, 0.52%, 0.28%

LAB 29.18, -0.56, -24.84

 

CMYK 67 / 33 / 0 / 46

HEX #2D5C8A

RGB 45 92 138

HSL 209.68, 0.51%, 0.36%

LAB 37.93, -0.43, -30.28

 

CMYK 68 / 34 / 0 / 33

HEX #3770AA

RGB 55 112 170

HSL 210.26, 0.51%, 0.44%

LAB 46.05, 0.49, -36.52

 

CMYK 67 / 34 / 0 / 58

HEX #23476B

RGB 35 71 107

HSL 210, 0.51%, 0.28%

LAB 29.22, -0.37, -24.77

 

CMYK 21 / 68 / 0 / 58

HEX #55226B

RGB 85 34 107

HSL 281.92, 0.52%, 0.28%

LAB 24.12, 36.38, -32.59

 

CMYK 7 / 0 / 68 / 58

HEX #646B22

RGB 100 107 34

HSL 65.75, 0.52%, 0.28%

LAB 43.27, -13.29, 38.49

 

CMYK 67 / 34 / 0 / 58

HEX #23476B

RGB 35 71 107

HSL 210, 0.51%, 0.28%

LAB 29.22, -0.37, -24.77

 

CMYK 0 / 68 / 34 / 58

HEX #6B2247

RGB 107 34 71

HSL 329.59, 0.52%, 0.28%

LAB 25.94, 36.27, -5.72

 

CMYK 34 / 0 / 68 / 58

HEX #476B22

RGB 71 107 34

HSL 89.59, 0.52%, 0.28%

LAB 41.17, -25.98, 35.62

 

CMYK 67 / 34 / 0 / 58

HEX #23476B

RGB 35 71 107

HSL 210, 0.51%, 0.28%

LAB 29.22, -0.37, -24.77

 

CMYK 21 / 68 / 0 / 58

HEX #55226B

RGB 85 34 107

HSL 281.92, 0.52%, 0.28%

LAB 24.12, 36.38, -32.59

 

CMYK 0 / 34 / 68 / 58

HEX #6B4722

RGB 107 71 34

HSL 30.41, 0.52%, 0.28%

LAB 33.45, 11.36, 28

 

CMYK 48 / 0 / 68 / 58

HEX #386B22

RGB 56 107 34

HSL 101.92, 0.52%, 0.28%

LAB 40.36, -31.61, 34.51

 

CMYK 67 / 34 / 0 / 58

HEX #23476B

RGB 35 71 107

HSL 210, 0.51%, 0.28%

LAB 29.22, -0.37, -24.77

 

CMYK 0 / 68 / 0 / 58

HEX #6B226B

RGB 107 34 107

HSL 300, 0.52%, 0.28%

LAB 27.66, 42.13, -26.74

 

CMYK 0 / 34 / 68 / 58

HEX #6B4722

RGB 107 71 34

HSL 30.41, 0.52%, 0.28%

LAB 33.45, 11.36, 28

 

CMYK 68 / 0 / 68 / 58

HEX #226B22

RGB 34 107 34

HSL 120, 0.52%, 0.28%

LAB 39.53, -38.02, 33.36

 

Description

Color code: HEX #23476B | qconv.com Color code: HEX #23476B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 71 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 71 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 34 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 34% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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