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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23581B it is the complementary color #DCA7E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23581B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23581B shade: #285816, #396A29, #4A7C3C, #5B8E4F and #6CA062

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23581B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23581B shade: #23581B, #124608, #013400, #002200 and #001000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23581B shade: #23591B, #34591B, #45591B, #56591B and #594C1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23581B shade: #23591B, #1B5924, #1B5934, #1B5945 and #1B5956

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23581B shade matches the following richer shades: #23591B, #1C6312 and #156C08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23581B shade: #23591B, #2A5025, #31462E, #383D38 and #3F3341

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23581B shade: #45591B, #34591B, #23591B, #1B5923 and #1B5934

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23581B shade: #0A1A08, #173A11, #23591B, #307925 and #3C982E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23581B shade: #23581B, #1B5559 and #591B3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23581B shade: #23581B, #1B2359 and #591B23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23581B shade: #23581B, #1B5559, #511B59 and #591F1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23581B shade: #23581B, #1B4259, #511B59 and #59321B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 69 / 65

HEX #23581B

RGB 35 88 27

HSL 112.13, 0.53%, 0.23%

LAB 32.74, -30.8, 29.25

 

Complementary color

CMYK 4 / 27 / 0 / 11

HEX #DCA7E4

RGB 220 167 228

HSL 292.13, 0.53%, 0.77%

LAB 75.11, 29.76, -23.18

 

CMYK 55 / 0 / 75 / 65

HEX #285816

RGB 40 88 22

HSL 103.64, 0.6%, 0.22%

LAB 32.89, -29.74, 31.82

 

CMYK 46 / 0 / 61 / 58

HEX #396A29

RGB 57 106 41

HSL 105.23, 0.44%, 0.29%

LAB 40.14, -30.03, 30.85

 

CMYK 40 / 0 / 52 / 51

HEX #4A7C3C

RGB 74 124 60

HSL 106.88, 0.35%, 0.36%

LAB 47.23, -30.02, 29.56

 

CMYK 36 / 0 / 44 / 44

HEX #5B8E4F

RGB 91 142 79

HSL 108.57, 0.29%, 0.43%

LAB 54.17, -29.88, 28.24

 

CMYK 33 / 0 / 39 / 37

HEX #6CA062

RGB 108 160 98

HSL 110.32, 0.25%, 0.51%

LAB 60.97, -29.68, 26.97

 

CMYK 60 / 0 / 69 / 65

HEX #23581B

RGB 35 88 27

HSL 112.13, 0.53%, 0.23%

LAB 32.74, -30.8, 29.25

 

CMYK 74 / 0 / 89 / 73

HEX #124608

RGB 18 70 8

HSL 110.32, 0.79%, 0.15%

LAB 25.34, -29.82, 29.78

 

CMYK 98 / 0 / 100 / 80

HEX #013400

RGB 1 52 0

HSL 118.85, 1%, 0.1%

LAB 17.75, -27.74, 24.74

 

CMYK 100 / 0 / 100 / 87

HEX #002200

RGB 0 34 0

HSL 120, 1%, 0.07%

LAB 10.14, -20.27, 14.75

 

CMYK 100 / 0 / 100 / 94

HEX #001000

RGB 0 16 0

HSL 120, 1%, 0.03%

LAB 3.35, -6.84, 4.89

 

CMYK 61 / 0 / 70 / 65

HEX #23591B

RGB 35 89 27

HSL 112.26, 0.53%, 0.23%

LAB 33.1, -31.23, 29.64

 

CMYK 42 / 0 / 70 / 65

HEX #34591B

RGB 52 89 27

HSL 95.81, 0.53%, 0.23%

LAB 33.89, -25.38, 30.73

 

CMYK 22 / 0 / 70 / 65

HEX #45591B

RGB 69 89 27

HSL 79.35, 0.53%, 0.23%

LAB 34.98, -18.21, 32.24

 

CMYK 3 / 0 / 70 / 65

HEX #56591B

RGB 86 89 27

HSL 62.9, 0.53%, 0.23%

LAB 36.37, -10.25, 34.12

 

CMYK 0 / 15 / 70 / 65

HEX #594C1B

RGB 89 76 27

HSL 47.42, 0.53%, 0.23%

LAB 32.64, -1.05, 30.26

 

CMYK 61 / 0 / 70 / 65

HEX #23591B

RGB 35 89 27

HSL 112.26, 0.53%, 0.23%

LAB 33.1, -31.23, 29.64

 

CMYK 70 / 0 / 60 / 65

HEX #1B5924

RGB 27 89 36

HSL 128.71, 0.53%, 0.23%

LAB 32.93, -32.16, 24.71

 

CMYK 70 / 0 / 42 / 65

HEX #1B5934

RGB 27 89 52

HSL 144.19, 0.53%, 0.23%

LAB 33.19, -29.24, 15.79

 

CMYK 70 / 0 / 22 / 65

HEX #1B5945

RGB 27 89 69

HSL 160.65, 0.53%, 0.23%

LAB 33.58, -25.13, 5.86

 

CMYK 70 / 0 / 3 / 65

HEX #1B5956

RGB 27 89 86

HSL 177.1, 0.53%, 0.23%

LAB 34.09, -20.13, -4.05

 

CMYK 61 / 0 / 70 / 65

HEX #23591B

RGB 35 89 27

HSL 112.26, 0.53%, 0.23%

LAB 33.1, -31.23, 29.64

 

CMYK 72 / 0 / 82 / 61

HEX #1C6312

RGB 28 99 18

HSL 112.59, 0.69%, 0.23%

LAB 36.39, -37.87, 36.83

 

CMYK 81 / 0 / 93 / 58

HEX #156C08

RGB 21 108 8

HSL 112.2, 0.86%, 0.23%

LAB 39.42, -42.97, 42.49

 

CMYK 61 / 0 / 70 / 65

HEX #23591B

RGB 35 89 27

HSL 112.26, 0.53%, 0.23%

LAB 33.1, -31.23, 29.64

 

CMYK 48 / 0 / 54 / 69

HEX #2A5025

RGB 42 80 37

HSL 113.02, 0.37%, 0.23%

LAB 30.31, -23.45, 21.1

 

CMYK 30 / 0 / 34 / 73

HEX #31462E

RGB 49 70 46

HSL 112.5, 0.21%, 0.23%

LAB 27.38, -13.8, 11.9

 

CMYK 8 / 0 / 8 / 76

HEX #383D38

RGB 56 61 56

HSL 120, 0.04%, 0.23%

LAB 25.15, -3.25, 2.36

 

CMYK 3 / 22 / 0 / 75

HEX #3F3341

RGB 63 51 65

HSL 291.43, 0.12%, 0.23%

LAB 23.02, 8.41, -6.72

 

CMYK 22 / 0 / 70 / 65

HEX #45591B

RGB 69 89 27

HSL 79.35, 0.53%, 0.23%

LAB 34.98, -18.21, 32.24

 

CMYK 42 / 0 / 70 / 65

HEX #34591B

RGB 52 89 27

HSL 95.81, 0.53%, 0.23%

LAB 33.89, -25.38, 30.73

 

CMYK 61 / 0 / 70 / 65

HEX #23591B

RGB 35 89 27

HSL 112.26, 0.53%, 0.23%

LAB 33.1, -31.23, 29.64

 

CMYK 70 / 0 / 61 / 65

HEX #1B5923

RGB 27 89 35

HSL 127.74, 0.53%, 0.23%

LAB 32.92, -32.31, 25.24

 

CMYK 70 / 0 / 42 / 65

HEX #1B5934

RGB 27 89 52

HSL 144.19, 0.53%, 0.23%

LAB 33.19, -29.24, 15.79

 

CMYK 62 / 0 / 69 / 90

HEX #0A1A08

RGB 10 26 8

HSL 113.33, 0.53%, 0.07%

LAB 7.41, -9.9, 7.64

 

CMYK 60 / 0 / 71 / 77

HEX #173A11

RGB 23 58 17

HSL 111.22, 0.55%, 0.15%

LAB 21.01, -22.25, 21.2

 

CMYK 61 / 0 / 70 / 65

HEX #23591B

RGB 35 89 27

HSL 112.26, 0.53%, 0.23%

LAB 33.1, -31.23, 29.64

 

CMYK 60 / 0 / 69 / 53

HEX #307925

RGB 48 121 37

HSL 112.14, 0.53%, 0.31%

LAB 44.85, -39.67, 37.91

 

CMYK 61 / 0 / 70 / 40

HEX #3C982E

RGB 60 152 46

HSL 112.08, 0.54%, 0.39%

LAB 55.7, -47.63, 45.75

 

CMYK 60 / 0 / 69 / 65

HEX #23581B

RGB 35 88 27

HSL 112.13, 0.53%, 0.23%

LAB 32.74, -30.8, 29.25

 

CMYK 70 / 4 / 0 / 65

HEX #1B5559

RGB 27 85 89

HSL 183.87, 0.53%, 0.23%

LAB 32.81, -16.96, -7.84

 

CMYK 0 / 70 / 33 / 65

HEX #591B3C

RGB 89 27 60

HSL 328.06, 0.53%, 0.23%

LAB 20.96, 32.05, -6.03

 

CMYK 60 / 0 / 69 / 65

HEX #23581B

RGB 35 88 27

HSL 112.13, 0.53%, 0.23%

LAB 32.74, -30.8, 29.25

 

CMYK 70 / 61 / 0 / 65

HEX #1B2359

RGB 27 35 89

HSL 232.26, 0.53%, 0.23%

LAB 16.29, 16.28, -33.71

 

CMYK 0 / 70 / 61 / 65

HEX #591B23

RGB 89 27 35

HSL 352.26, 0.53%, 0.23%

LAB 20.16, 29.15, 10.28

 

CMYK 60 / 0 / 69 / 65

HEX #23581B

RGB 35 88 27

HSL 112.13, 0.53%, 0.23%

LAB 32.74, -30.8, 29.25

 

CMYK 70 / 4 / 0 / 65

HEX #1B5559

RGB 27 85 89

HSL 183.87, 0.53%, 0.23%

LAB 32.81, -16.96, -7.84

 

CMYK 9 / 70 / 0 / 65

HEX #511B59

RGB 81 27 89

HSL 292.26, 0.53%, 0.23%

LAB 21.04, 34.79, -25.73

 

CMYK 0 / 65 / 70 / 65

HEX #591F1B

RGB 89 31 27

HSL 3.87, 0.53%, 0.23%

LAB 20.76, 26.46, 16.55

 

CMYK 60 / 0 / 69 / 65

HEX #23581B

RGB 35 88 27

HSL 112.13, 0.53%, 0.23%

LAB 32.74, -30.8, 29.25

 

CMYK 70 / 26 / 0 / 65

HEX #1B4259

RGB 27 66 89

HSL 202.26, 0.53%, 0.23%

LAB 26.31, -5.53, -17.79

 

CMYK 9 / 70 / 0 / 65

HEX #511B59

RGB 81 27 89

HSL 292.26, 0.53%, 0.23%

LAB 21.04, 34.79, -25.73

 

CMYK 0 / 44 / 70 / 65

HEX #59321B

RGB 89 50 27

HSL 22.26, 0.53%, 0.23%

LAB 25.21, 15.27, 21.92

 

Description

Color code: HEX #23581B | qconv.com Color code: HEX #23581B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 88 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 88 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 69 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 69% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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