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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23597F it is the complementary color #DCA680. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23597F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23597F shade: #28597A, #396B8D, #4A7DA0, #5B8FB3 and #6CA1C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23597F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23597F shade: #23597F, #12476C, #013559, #002346 and #001133

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23597F shade: #235980, #234080, #232780, #372380 and #502380

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23597F shade: #235980, #234080, #232780 and #232380

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23597F shade matches the following richer shades: #235980, #155B8D and #085E9A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23597F shade: #235980, #305772, #3D5565, #4A5258 and #57504B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23597F shade: #238073, #237380, #235A80, #234280 and #232980

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23597F shade: #112C3F, #1A435F, #235980, #2B70A0 and #3487C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23597F shade: #23597F, #5A2380 and #808023

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23597F shade: #23597F, #80235A and #5A8023

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23597F shade: #23597F, #5A2380, #804823 and #488023

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23597F shade: #23597F, #762380, #804823 and #2C8023

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 30 / 0 / 50

HEX #23597F

RGB 35 89 127

HSL 204.78, 0.57%, 0.32%

LAB 36.05, -4.36, -26.53

 

Complementary color

CMYK 0 / 25 / 42 / 14

HEX #DCA680

RGB 220 166 128

HSL 24.78, 0.57%, 0.68%

LAB 72.26, 15.09, 27.39

 

CMYK 67 / 27 / 0 / 52

HEX #28597A

RGB 40 89 122

HSL 204.15, 0.51%, 0.32%

LAB 35.99, -5.32, -23.54

 

CMYK 60 / 24 / 0 / 45

HEX #396B8D

RGB 57 107 141

HSL 204.29, 0.42%, 0.39%

LAB 43.22, -6.18, -23.77

 

CMYK 54 / 22 / 0 / 37

HEX #4A7DA0

RGB 74 125 160

HSL 204.42, 0.37%, 0.46%

LAB 50.29, -6.79, -23.99

 

CMYK 49 / 20 / 0 / 30

HEX #5B8FB3

RGB 91 143 179

HSL 204.55, 0.37%, 0.53%

LAB 57.2, -7.24, -24.22

 

CMYK 45 / 19 / 0 / 22

HEX #6CA1C6

RGB 108 161 198

HSL 204.67, 0.44%, 0.6%

LAB 63.96, -7.58, -24.46

 

CMYK 72 / 30 / 0 / 50

HEX #23597F

RGB 35 89 127

HSL 204.78, 0.57%, 0.32%

LAB 36.05, -4.36, -26.53

 

CMYK 83 / 34 / 0 / 58

HEX #12476C

RGB 18 71 108

HSL 204.67, 0.71%, 0.25%

LAB 28.69, -2.7, -26.28

 

CMYK 99 / 40 / 0 / 65

HEX #013559

RGB 1 53 89

HSL 204.55, 0.98%, 0.18%

LAB 21.11, -0.39, -26.01

 

CMYK 100 / 50 / 0 / 73

HEX #002346

RGB 0 35 70

HSL 210, 1%, 0.14%

LAB 13.5, 3.78, -25.34

 

CMYK 100 / 67 / 0 / 80

HEX #001133

RGB 0 17 51

HSL 220, 1%, 0.1%

LAB 5.78, 7.77, -24.25

 

CMYK 73 / 30 / 0 / 50

HEX #235980

RGB 35 89 128

HSL 205.16, 0.57%, 0.32%

LAB 36.1, -3.98, -27.07

 

CMYK 73 / 50 / 0 / 50

HEX #234080

RGB 35 64 128

HSL 221.29, 0.57%, 0.32%

LAB 28.33, 12.56, -39.41

 

CMYK 73 / 70 / 0 / 50

HEX #232780

RGB 35 39 128

HSL 237.42, 0.57%, 0.32%

LAB 21.46, 29.75, -50.59

 

CMYK 57 / 73 / 0 / 50

HEX #372380

RGB 55 35 128

HSL 252.9, 0.57%, 0.32%

LAB 22.21, 35.21, -49.3

 

CMYK 38 / 73 / 0 / 50

HEX #502380

RGB 80 35 128

HSL 269.03, 0.57%, 0.32%

LAB 25.16, 39.94, -44.36

 

CMYK 73 / 30 / 0 / 50

HEX #235980

RGB 35 89 128

HSL 205.16, 0.57%, 0.32%

LAB 36.1, -3.98, -27.07

 

CMYK 73 / 50 / 0 / 50

HEX #234080

RGB 35 64 128

HSL 221.29, 0.57%, 0.32%

LAB 28.33, 12.56, -39.41

 

CMYK 73 / 70 / 0 / 50

HEX #232780

RGB 35 39 128

HSL 237.42, 0.57%, 0.32%

LAB 21.46, 29.75, -50.59

 

CMYK 73 / 73 / 0 / 50

HEX #232380

RGB 35 35 128

HSL 240, 0.57%, 0.32%

LAB 20.51, 32.33, -52.15

 

CMYK 73 / 30 / 0 / 50

HEX #235980

RGB 35 89 128

HSL 205.16, 0.57%, 0.32%

LAB 36.1, -3.98, -27.07

 

CMYK 85 / 35 / 0 / 45

HEX #155B8D

RGB 21 91 141

HSL 205, 0.74%, 0.32%

LAB 37.05, -1.97, -33.53

 

CMYK 95 / 39 / 0 / 40

HEX #085E9A

RGB 8 94 154

HSL 204.66, 0.9%, 0.32%

LAB 38.53, 0.48, -39.02

 

CMYK 73 / 30 / 0 / 50

HEX #235980

RGB 35 89 128

HSL 205.16, 0.57%, 0.32%

LAB 36.1, -3.98, -27.07

 

CMYK 58 / 24 / 0 / 55

HEX #305772

RGB 48 87 114

HSL 204.55, 0.41%, 0.32%

LAB 35.32, -5.2, -19.6

 

CMYK 40 / 16 / 0 / 60

HEX #3D5565

RGB 61 85 101

HSL 204, 0.25%, 0.32%

LAB 34.86, -4.56, -12.14

 

CMYK 16 / 7 / 0 / 65

HEX #4A5258

RGB 74 82 88

HSL 205.71, 0.09%, 0.32%

LAB 34.39, -1.75, -4.59

 

CMYK 0 / 8 / 14 / 66

HEX #57504B

RGB 87 80 75

HSL 25, 0.07%, 0.32%

LAB 34.54, 1.9, 3.98

 

CMYK 73 / 0 / 10 / 50

HEX #238073

RGB 35 128 115

HSL 171.61, 0.57%, 0.32%

LAB 48.3, -29.82, -0.7

 

CMYK 73 / 10 / 0 / 50

HEX #237380

RGB 35 115 128

HSL 188.39, 0.57%, 0.32%

LAB 44.49, -19.14, -14.12

 

CMYK 73 / 30 / 0 / 50

HEX #235A80

RGB 35 90 128

HSL 204.52, 0.57%, 0.32%

LAB 36.42, -4.61, -26.57

 

CMYK 73 / 48 / 0 / 50

HEX #234280

RGB 35 66 128

HSL 220, 0.57%, 0.32%

LAB 28.93, 11.18, -38.45

 

CMYK 73 / 68 / 0 / 50

HEX #232980

RGB 35 41 128

HSL 236.13, 0.57%, 0.32%

LAB 21.95, 28.43, -49.78

 

CMYK 73 / 30 / 0 / 75

HEX #112C3F

RGB 17 44 63

HSL 204.78, 0.58%, 0.16%

LAB 16.89, -3.06, -15.08

 

CMYK 73 / 29 / 0 / 63

HEX #1A435F

RGB 26 67 95

HSL 204.35, 0.57%, 0.24%

LAB 26.91, -4.07, -20.74

 

CMYK 73 / 30 / 0 / 50

HEX #235980

RGB 35 89 128

HSL 205.16, 0.57%, 0.32%

LAB 36.1, -3.98, -27.07

 

CMYK 73 / 30 / 0 / 37

HEX #2B70A0

RGB 43 112 160

HSL 204.62, 0.58%, 0.4%

LAB 45.14, -5.01, -32.1

 

CMYK 73 / 30 / 0 / 25

HEX #3487C0

RGB 52 135 192

HSL 204.43, 0.57%, 0.48%

LAB 53.88, -5.84, -36.9

 

CMYK 72 / 30 / 0 / 50

HEX #23597F

RGB 35 89 127

HSL 204.78, 0.57%, 0.32%

LAB 36.05, -4.36, -26.53

 

CMYK 30 / 73 / 0 / 50

HEX #5A2380

RGB 90 35 128

HSL 275.48, 0.57%, 0.32%

LAB 26.55, 42.06, -42.04

 

CMYK 0 / 0 / 73 / 50

HEX #808023

RGB 128 128 35

HSL 60, 0.57%, 0.32%

LAB 52.01, -11.83, 47.66

 

CMYK 72 / 30 / 0 / 50

HEX #23597F

RGB 35 89 127

HSL 204.78, 0.57%, 0.32%

LAB 36.05, -4.36, -26.53

 

CMYK 0 / 73 / 30 / 50

HEX #80235A

RGB 128 35 90

HSL 324.52, 0.57%, 0.32%

LAB 30.71, 44.87, -10.7

 

CMYK 30 / 0 / 73 / 50

HEX #5A8023

RGB 90 128 35

HSL 84.52, 0.57%, 0.32%

LAB 49.17, -28.42, 43.9

 

CMYK 72 / 30 / 0 / 50

HEX #23597F

RGB 35 89 127

HSL 204.78, 0.57%, 0.32%

LAB 36.05, -4.36, -26.53

 

CMYK 30 / 73 / 0 / 50

HEX #5A2380

RGB 90 35 128

HSL 275.48, 0.57%, 0.32%

LAB 26.55, 42.06, -42.04

 

CMYK 0 / 44 / 73 / 50

HEX #804823

RGB 128 72 35

HSL 23.87, 0.57%, 0.32%

LAB 36.64, 20.56, 31.82

 

CMYK 44 / 0 / 73 / 50

HEX #488023

RGB 72 128 35

HSL 96.13, 0.57%, 0.32%

LAB 48.18, -35.25, 42.57

 

CMYK 72 / 30 / 0 / 50

HEX #23597F

RGB 35 89 127

HSL 204.78, 0.57%, 0.32%

LAB 36.05, -4.36, -26.53

 

CMYK 8 / 73 / 0 / 50

HEX #762380

RGB 118 35 128

HSL 293.55, 0.57%, 0.32%

LAB 30.91, 48.43, -34.8

 

CMYK 0 / 44 / 73 / 50

HEX #804823

RGB 128 72 35

HSL 23.87, 0.57%, 0.32%

LAB 36.64, 20.56, 31.82

 

CMYK 66 / 0 / 73 / 50

HEX #2C8023

RGB 44 128 35

HSL 114.19, 0.57%, 0.32%

LAB 47.1, -43.57, 41.11

 

Description

Color code: HEX #23597F | qconv.com Color code: HEX #23597F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 89 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 89 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 30 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 30% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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