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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27E055 it is the complementary color #D81FAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27E055. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27E055 shade: #2CE050, #3DF263, #4EFF76, #5FFF89 and #70FF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27E055. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27E055 shade: #27E055, #16CE42, #05BC2F, #00AA1C and #009809

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27E055 shade: #28E056, #2CE028, #5EE028, #8FE028 and #C1E028

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27E055 shade: #28E056, #28E087, #28E0B9, #28D5E0 and #28A4E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27E055 shade matches the following richer shades: #28E056 and #14F44C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27E055 shade: #28E056, #3CCC60, #50B86A, #64A474 and #78917E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27E055 shade: #5FE028, #2EE028, #28E053, #28E084 and #28E0B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27E055 shade: #169F38, #1BC345, #28E056, #4CE572 and #71EA8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27E055 shade: #27E055, #2890E0 and #E02847

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27E055 shade: #27E055, #5328E0 and #E05328

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27E055 shade: #27E055, #2890E0, #E028B5 and #E07828

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27E055 shade: #27E055, #2859E0, #E028B5 and #E0AF28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 62 / 12

HEX #27E055

RGB 39 224 85

HSL 134.92, 0.75%, 0.52%

LAB 78.69, -71.04, 54.4

 

Complementary color

CMYK 0 / 86 / 21 / 15

HEX #D81FAA

RGB 216 31 170

HSL 314.92, 0.75%, 0.48%

LAB 50.07, 77.18, -28.95

 

CMYK 80 / 0 / 64 / 12

HEX #2CE050

RGB 44 224 80

HSL 132, 0.74%, 0.53%

LAB 78.71, -71.07, 56.54

 

CMYK 75 / 0 / 59 / 5

HEX #3DF263

RGB 61 242 99

HSL 132.6, 0.87%, 0.59%

LAB 84.69, -72.48, 55.3

 

CMYK 69 / 0 / 54 / 0

HEX #4EFF76

RGB 78 255 118

HSL 133.56, 1%, 0.65%

LAB 89.13, -71.81, 52.16

 

CMYK 63 / 0 / 46 / 0

HEX #5FFF89

RGB 95 255 137

HSL 135.75, 1%, 0.69%

LAB 89.75, -66.13, 44.13

 

CMYK 56 / 0 / 39 / 0

HEX #70FF9C

RGB 112 255 156

HSL 138.46, 1%, 0.72%

LAB 90.49, -59.61, 35.93

 

CMYK 83 / 0 / 62 / 12

HEX #27E055

RGB 39 224 85

HSL 134.92, 0.75%, 0.52%

LAB 78.69, -71.04, 54.4

 

CMYK 89 / 0 / 68 / 19

HEX #16CE42

RGB 22 206 66

HSL 134.35, 0.81%, 0.45%

LAB 72.7, -69.01, 55.59

 

CMYK 97 / 0 / 75 / 26

HEX #05BC2F

RGB 5 188 47

HSL 133.77, 0.95%, 0.38%

LAB 66.68, -66.29, 56.4

 

CMYK 100 / 0 / 84 / 33

HEX #00AA1C

RGB 0 170 28

HSL 129.88, 1%, 0.33%

LAB 60.63, -62.64, 56.47

 

CMYK 100 / 0 / 94 / 40

HEX #009809

RGB 0 152 9

HSL 123.55, 1%, 0.3%

LAB 54.53, -58.31, 55.1

 

CMYK 82 / 0 / 62 / 12

HEX #28E056

RGB 40 224 86

HSL 135, 0.75%, 0.52%

LAB 78.71, -70.83, 54

 

CMYK 80 / 0 / 82 / 12

HEX #2CE028

RGB 44 224 40

HSL 118.7, 0.75%, 0.52%

LAB 78.46, -74.16, 69.86

 

CMYK 58 / 0 / 82 / 12

HEX #5EE028

RGB 94 224 40

HSL 102.39, 0.75%, 0.52%

LAB 79.53, -65.17, 71.22

 

CMYK 36 / 0 / 82 / 12

HEX #8FE028

RGB 143 224 40

HSL 86.41, 0.75%, 0.52%

LAB 81.46, -50.56, 73.68

 

CMYK 14 / 0 / 82 / 12

HEX #C1E028

RGB 193 224 40

HSL 70.11, 0.75%, 0.52%

LAB 84.38, -31.68, 77.37

 

CMYK 82 / 0 / 62 / 12

HEX #28E056

RGB 40 224 86

HSL 135, 0.75%, 0.52%

LAB 78.71, -70.83, 54

 

CMYK 82 / 0 / 40 / 12

HEX #28E087

RGB 40 224 135

HSL 150.98, 0.75%, 0.52%

LAB 79.34, -63.44, 31.46

 

CMYK 82 / 0 / 17 / 12

HEX #28E0B9

RGB 40 224 185

HSL 167.28, 0.75%, 0.52%

LAB 80.33, -52.48, 6.76

 

CMYK 82 / 5 / 0 / 12

HEX #28D5E0

RGB 40 213 224

HSL 183.59, 0.75%, 0.52%

LAB 78.12, -36.96, -17.3

 

CMYK 82 / 27 / 0 / 12

HEX #28A4E0

RGB 40 164 224

HSL 199.57, 0.75%, 0.52%

LAB 63.66, -12.24, -39.54

 

CMYK 82 / 0 / 62 / 12

HEX #28E056

RGB 40 224 86

HSL 135, 0.75%, 0.52%

LAB 78.71, -70.83, 54

 

CMYK 92 / 0 / 69 / 4

HEX #14F44C

RGB 20 244 76

HSL 135, 0.91%, 0.52%

LAB 84.68, -79.2, 64.49

 

CMYK 82 / 0 / 62 / 12

HEX #28E056

RGB 40 224 86

HSL 135, 0.75%, 0.52%

LAB 78.71, -70.83, 54

 

CMYK 71 / 0 / 53 / 20

HEX #3CCC60

RGB 60 204 96

HSL 135, 0.59%, 0.52%

LAB 72.89, -60.36, 42.67

 

CMYK 57 / 0 / 42 / 28

HEX #50B86A

RGB 80 184 106

HSL 135, 0.42%, 0.52%

LAB 67.3, -47.24, 30.75

 

CMYK 39 / 0 / 29 / 36

HEX #64A474

RGB 100 164 116

HSL 135, 0.26%, 0.52%

LAB 62.1, -31.13, 18.61

 

CMYK 17 / 0 / 13 / 43

HEX #78917E

RGB 120 145 126

HSL 134.4, 0.1%, 0.52%

LAB 57.8, -12.8, 7.16

 

CMYK 58 / 0 / 82 / 12

HEX #5FE028

RGB 95 224 40

HSL 102.07, 0.75%, 0.52%

LAB 79.56, -64.92, 71.26

 

CMYK 79 / 0 / 82 / 12

HEX #2EE028

RGB 46 224 40

HSL 118.04, 0.75%, 0.52%

LAB 78.49, -73.93, 69.89

 

CMYK 82 / 0 / 63 / 12

HEX #28E053

RGB 40 224 83

HSL 134.02, 0.75%, 0.52%

LAB 78.69, -71.17, 55.25

 

CMYK 82 / 0 / 41 / 12

HEX #28E084

RGB 40 224 132

HSL 150, 0.75%, 0.52%

LAB 79.29, -63.99, 32.92

 

CMYK 82 / 0 / 19 / 12

HEX #28E0B5

RGB 40 224 181

HSL 165.98, 0.75%, 0.52%

LAB 80.24, -53.47, 8.75

 

CMYK 86 / 0 / 65 / 38

HEX #169F38

RGB 22 159 56

HSL 134.89, 0.76%, 0.35%

LAB 57.32, -55.53, 42.97

 

CMYK 86 / 0 / 65 / 24

HEX #1BC345

RGB 27 195 69

HSL 135, 0.76%, 0.44%

LAB 69.25, -64.99, 50.61

 

CMYK 82 / 0 / 62 / 12

HEX #28E056

RGB 40 224 86

HSL 135, 0.75%, 0.52%

LAB 78.71, -70.83, 54

 

CMYK 67 / 0 / 50 / 10

HEX #4CE572

RGB 76 229 114

HSL 134.9, 0.75%, 0.6%

LAB 81.18, -63.8, 44.31

 

CMYK 52 / 0 / 39 / 8

HEX #71EA8F

RGB 113 234 143

HSL 134.88, 0.74%, 0.68%

LAB 84.14, -53.27, 34.06

 

CMYK 83 / 0 / 62 / 12

HEX #27E055

RGB 39 224 85

HSL 134.92, 0.75%, 0.52%

LAB 78.69, -71.04, 54.4

 

CMYK 82 / 36 / 0 / 12

HEX #2890E0

RGB 40 144 224

HSL 206.09, 0.75%, 0.52%

LAB 57.83, -0.87, -48.72

 

CMYK 0 / 82 / 68 / 12

HEX #E02847

RGB 224 40 71

HSL 349.89, 0.75%, 0.52%

LAB 49.28, 68.76, 29.91

 

CMYK 83 / 0 / 62 / 12

HEX #27E055

RGB 39 224 85

HSL 134.92, 0.75%, 0.52%

LAB 78.69, -71.04, 54.4

 

CMYK 63 / 82 / 0 / 12

HEX #5328E0

RGB 83 40 224

HSL 254.02, 0.75%, 0.52%

LAB 35.48, 64.08, -84.9

 

CMYK 0 / 63 / 82 / 12

HEX #E05328

RGB 224 83 40

HSL 14.02, 0.75%, 0.52%

LAB 54.22, 53, 52

 

CMYK 83 / 0 / 62 / 12

HEX #27E055

RGB 39 224 85

HSL 134.92, 0.75%, 0.52%

LAB 78.69, -71.04, 54.4

 

CMYK 82 / 36 / 0 / 12

HEX #2890E0

RGB 40 144 224

HSL 206.09, 0.75%, 0.52%

LAB 57.83, -0.87, -48.72

 

CMYK 0 / 82 / 19 / 12

HEX #E028B5

RGB 224 40 181

HSL 314.02, 0.75%, 0.52%

LAB 52.62, 78.41, -31.34

 

CMYK 0 / 46 / 82 / 12

HEX #E07828

RGB 224 120 40

HSL 26.09, 0.75%, 0.52%

LAB 61.16, 35.23, 58.25

 

CMYK 83 / 0 / 62 / 12

HEX #27E055

RGB 39 224 85

HSL 134.92, 0.75%, 0.52%

LAB 78.69, -71.04, 54.4

 

CMYK 82 / 60 / 0 / 12

HEX #2859E0

RGB 40 89 224

HSL 224.02, 0.75%, 0.52%

LAB 42.73, 33.46, -73.05

 

CMYK 0 / 82 / 19 / 12

HEX #E028B5

RGB 224 40 181

HSL 314.02, 0.75%, 0.52%

LAB 52.62, 78.41, -31.34

 

CMYK 0 / 22 / 82 / 12

HEX #E0AF28

RGB 224 175 40

HSL 44.02, 0.75%, 0.52%

LAB 73.97, 6.04, 69.43

 

Description

Color code: HEX #27E055 | qconv.com Color code: HEX #27E055 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 224 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 224 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 62 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 62% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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