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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27E1C7 it is the complementary color #D81E38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27E1C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27E1C7 shade: #2CE1C2, #3DF3D5, #4EFFE8, #5FFFFB and #70FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27E1C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27E1C7 shade: #27E1C7, #16CFB4, #05BDA1, #00AB8E and #00997B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27E1C7 shade: #27E1C7, #27E195, #27E163, #27E131 and #50E127

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27E1C7 shade: #27E1C7, #27C9E1, #2797E1, #2765E1 and #2732E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27E1C7 shade matches the following richer shades: #27E1C7 and #13F5D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27E1C7 shade: #27E1C7, #3BCDB9, #4FBAAB, #62A69C and #76928E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27E1C7 shade: #27E162, #27E194, #27E1C5, #27CBE1 and #279AE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27E1C7 shade: #15A08D, #1AC5AD, #27E1C7, #4BE6D0 and #70EBDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27E1C7 shade: #27E1C7, #3027E1 and #E17B27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27E1C7 shade: #27E1C7, #C527E1 and #E1C527

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27E1C7 shade: #27E1C7, #3027E1, #E12743 and #D8E127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27E1C7 shade: #27E1C7, #6827E1, #E12743 and #A0E127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 12 / 12

HEX #27E1C7

RGB 39 225 199

HSL 171.61, 0.76%, 0.52%

LAB 80.96, -49.38, 0.26

 

Complementary color

CMYK 0 / 86 / 74 / 15

HEX #D81E38

RGB 216 30 56

HSL 351.61, 0.76%, 0.48%

LAB 46.73, 68.14, 35.41

 

CMYK 80 / 0 / 14 / 12

HEX #2CE1C2

RGB 44 225 194

HSL 169.72, 0.75%, 0.53%

LAB 80.89, -50.27, 2.82

 

CMYK 75 / 0 / 12 / 5

HEX #3DF3D5

RGB 61 243 213

HSL 170.11, 0.88%, 0.6%

LAB 86.95, -51.21, 1.64

 

CMYK 69 / 0 / 9 / 0

HEX #4EFFE8

RGB 78 255 232

HSL 172.2, 1%, 0.65%

LAB 91.22, -49.4, -1.98

 

CMYK 63 / 0 / 2 / 0

HEX #5FFFFB

RGB 95 255 251

HSL 178.5, 1%, 0.69%

LAB 92.1, -42.09, -10.49

 

CMYK 56 / 0 / 0 / 0

HEX #70FFFF

RGB 112 255 255

HSL 180, 1%, 0.72%

LAB 92.66, -38.26, -11.68

 

CMYK 83 / 0 / 12 / 12

HEX #27E1C7

RGB 39 225 199

HSL 171.61, 0.76%, 0.52%

LAB 80.96, -49.38, 0.26

 

CMYK 89 / 0 / 13 / 19

HEX #16CFB4

RGB 22 207 180

HSL 171.24, 0.81%, 0.45%

LAB 74.88, -48, 1.54

 

CMYK 97 / 0 / 15 / 26

HEX #05BDA1

RGB 5 189 161

HSL 170.87, 0.95%, 0.38%

LAB 68.75, -46.27, 2.95

 

CMYK 100 / 0 / 17 / 33

HEX #00AB8E

RGB 0 171 142

HSL 169.82, 1%, 0.34%

LAB 62.57, -44.06, 4.52

HEX #00AB8E

CMYK 100 / 0 / 20 / 40

HEX #00997B

RGB 0 153 123

HSL 168.24, 1%, 0.3%

LAB 56.3, -41.64, 6.2

HEX #00997B

CMYK 83 / 0 / 12 / 12

HEX #27E1C7

RGB 39 225 199

HSL 171.61, 0.76%, 0.52%

LAB 80.96, -49.38, 0.26

 

CMYK 83 / 0 / 34 / 12

HEX #27E195

RGB 39 225 149

HSL 155.48, 0.76%, 0.52%

LAB 79.87, -61.15, 25

 

CMYK 83 / 0 / 56 / 12

HEX #27E163

RGB 39 225 99

HSL 139.35, 0.76%, 0.52%

LAB 79.15, -69.63, 48.72

 

CMYK 83 / 0 / 78 / 12

HEX #27E131

RGB 39 225 49

HSL 123.23, 0.76%, 0.52%

LAB 78.75, -74.48, 67.66

 

CMYK 64 / 0 / 83 / 12

HEX #50E127

RGB 80 225 39

HSL 106.77, 0.76%, 0.52%

LAB 79.44, -68.71, 71.25

 

CMYK 83 / 0 / 12 / 12

HEX #27E1C7

RGB 39 225 199

HSL 171.61, 0.76%, 0.52%

LAB 80.96, -49.38, 0.26

 

CMYK 83 / 11 / 0 / 12

HEX #27C9E1

RGB 39 201 225

HSL 187.74, 0.76%, 0.52%

LAB 74.6, -31.06, -23.18

 

CMYK 83 / 33 / 0 / 12

HEX #2797E1

RGB 39 151 225

HSL 203.87, 0.76%, 0.52%

LAB 59.89, -4.65, -46.02

 

CMYK 83 / 55 / 0 / 12

HEX #2765E1

RGB 39 101 225

HSL 220, 0.76%, 0.52%

LAB 45.87, 26.07, -68.49

 

CMYK 83 / 78 / 0 / 12

HEX #2732E1

RGB 39 50 225

HSL 236.45, 0.76%, 0.52%

LAB 34.29, 56.8, -87.52

 

CMYK 83 / 0 / 12 / 12

HEX #27E1C7

RGB 39 225 199

HSL 171.61, 0.76%, 0.52%

LAB 80.96, -49.38, 0.26

 

CMYK 92 / 0 / 13 / 4

HEX #13F5D5

RGB 19 245 213

HSL 171.5, 0.92%, 0.52%

LAB 87.12, -54.98, 1.84

 

CMYK 83 / 0 / 12 / 12

HEX #27E1C7

RGB 39 225 199

HSL 171.61, 0.76%, 0.52%

LAB 80.96, -49.38, 0.26

 

CMYK 71 / 0 / 10 / 20

HEX #3BCDB9

RGB 59 205 185

HSL 171.78, 0.59%, 0.52%

LAB 74.88, -42.5, -1.1

 

CMYK 58 / 0 / 8 / 27

HEX #4FBAAB

RGB 79 186 171

HSL 171.59, 0.44%, 0.52%

LAB 69.27, -34.32, -1.64

 

CMYK 41 / 0 / 6 / 35

HEX #62A69C

RGB 98 166 156

HSL 171.18, 0.28%, 0.52%

LAB 63.56, -23.99, -1.6

 

CMYK 19 / 0 / 3 / 43

HEX #76928E

RGB 118 146 142

HSL 171.43, 0.11%, 0.52%

LAB 58.38, -10.69, -1.16

 

CMYK 83 / 0 / 56 / 12

HEX #27E162

RGB 39 225 98

HSL 139.03, 0.76%, 0.52%

LAB 79.14, -69.76, 49.17

 

CMYK 83 / 0 / 34 / 12

HEX #27E194

RGB 39 225 148

HSL 155.16, 0.76%, 0.52%

LAB 79.85, -61.35, 25.49

 

CMYK 83 / 0 / 12 / 12

HEX #27E1C5

RGB 39 225 197

HSL 170.97, 0.76%, 0.52%

LAB 80.91, -49.9, 1.24

 

CMYK 83 / 10 / 0 / 12

HEX #27CBE1

RGB 39 203 225

HSL 187.1, 0.76%, 0.52%

LAB 75.19, -32.02, -22.28

 

CMYK 83 / 32 / 0 / 12

HEX #279AE1

RGB 39 154 225

HSL 202.9, 0.76%, 0.52%

LAB 60.76, -6.37, -44.64

 

CMYK 87 / 0 / 12 / 37

HEX #15A08D

RGB 21 160 141

HSL 171.8, 0.77%, 0.35%

LAB 59.18, -38.59, 0.18

 

CMYK 87 / 0 / 12 / 23

HEX #1AC5AD

RGB 26 197 173

HSL 171.58, 0.77%, 0.44%

LAB 71.67, -45.45, 0.66

 

CMYK 83 / 0 / 12 / 12

HEX #27E1C7

RGB 39 225 199

HSL 171.61, 0.76%, 0.52%

LAB 80.96, -49.38, 0.26

 

CMYK 67 / 0 / 10 / 10

HEX #4BE6D0

RGB 75 230 208

HSL 171.48, 0.76%, 0.6%

LAB 83.25, -45.23, -1.09

 

CMYK 52 / 0 / 7 / 8

HEX #70EBDA

RGB 112 235 218

HSL 171.71, 0.75%, 0.68%

LAB 85.97, -38.48, -2.27

 

CMYK 83 / 0 / 12 / 12

HEX #27E1C7

RGB 39 225 199

HSL 171.61, 0.76%, 0.52%

LAB 80.96, -49.38, 0.26

 

CMYK 79 / 83 / 0 / 12

HEX #3027E1

RGB 48 39 225

HSL 242.9, 0.76%, 0.52%

LAB 32.95, 62.37, -89.73

 

CMYK 0 / 45 / 83 / 12

HEX #E17B27

RGB 225 123 39

HSL 27.1, 0.76%, 0.52%

LAB 61.93, 34.05, 59.36

 

CMYK 83 / 0 / 12 / 12

HEX #27E1C7

RGB 39 225 199

HSL 171.61, 0.76%, 0.52%

LAB 80.96, -49.38, 0.26

 

CMYK 12 / 83 / 0 / 12

HEX #C527E1

RGB 197 39 225

HSL 290.97, 0.76%, 0.52%

LAB 50.4, 79.99, -60.47

 

CMYK 0 / 12 / 83 / 12

HEX #E1C527

RGB 225 197 39

HSL 50.97, 0.76%, 0.52%

LAB 79.66, -5.02, 74.59

 

CMYK 83 / 0 / 12 / 12

HEX #27E1C7

RGB 39 225 199

HSL 171.61, 0.76%, 0.52%

LAB 80.96, -49.38, 0.26

 

CMYK 79 / 83 / 0 / 12

HEX #3027E1

RGB 48 39 225

HSL 242.9, 0.76%, 0.52%

LAB 32.95, 62.37, -89.73

 

CMYK 0 / 83 / 70 / 12

HEX #E12743

RGB 225 39 67

HSL 350.97, 0.76%, 0.52%

LAB 49.33, 69.08, 32.4

 

CMYK 4 / 0 / 83 / 12

HEX #D8E127

RGB 216 225 39

HSL 62.9, 0.76%, 0.52%

LAB 86.3, -22.77, 79.89

 

CMYK 83 / 0 / 12 / 12

HEX #27E1C7

RGB 39 225 199

HSL 171.61, 0.76%, 0.52%

LAB 80.96, -49.38, 0.26

 

CMYK 54 / 83 / 0 / 12

HEX #6827E1

RGB 104 39 225

HSL 260.97, 0.76%, 0.52%

LAB 37.54, 66.76, -82

 

CMYK 0 / 83 / 70 / 12

HEX #E12743

RGB 225 39 67

HSL 350.97, 0.76%, 0.52%

LAB 49.33, 69.08, 32.4

 

CMYK 29 / 0 / 83 / 12

HEX #A0E127

RGB 160 225 39

HSL 80.97, 0.76%, 0.52%

LAB 82.63, -44.94, 75.29

 

Description

Color code: HEX #27E1C7 | qconv.com Color code: HEX #27E1C7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 225 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 225 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 12 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 12% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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