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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #273770 it is the complementary color #D8C88F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #273770. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #273770 shade: #2C376B, #3D497E, #4E5B91, #5F6DA4 and #707FB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #273770. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #273770 shade: #273770, #16255D, #05134A, #000137 and #000024

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #273770 shade: #273771, #2B2771, #3F2771, #532771 and #662771

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #273770 shade: #273771 and #272771

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #273770 shade matches the following richer shades: #273771, #1B307D, #0F2989 and #022396

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #273770 shade: #273771, #343E64, #404558, #4C4C4C and #59533F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #273770 shade: #276071, #274C71, #273871, #2A2771 and #3D2771

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #273770 shade: #121934, #1D2852, #273771, #32468F and #3D56AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #273770 shade: #273770, #6E2771 and #567127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #273770 shade: #273770, #712738 and #387127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #273770 shade: #273770, #6E2771, #716027 and #2A7127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #273770 shade: #273770, #71275D, #716027 and #27713B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 51 / 0 / 56

HEX #273770

RGB 39 55 112

HSL 226.85, 0.48%, 0.3%

LAB 24.74, 13.3, -35.06

 

Complementary color

CMYK 0 / 7 / 34 / 15

HEX #D8C88F

RGB 216 200 143

HSL 46.85, 0.48%, 0.7%

LAB 80.68, -2.78, 30.58

 

CMYK 59 / 49 / 0 / 58

HEX #2C376B

RGB 44 55 107

HSL 229.52, 0.42%, 0.3%

LAB 24.73, 12.51, -31.86

 

CMYK 52 / 42 / 0 / 51

HEX #3D497E

RGB 61 73 126

HSL 228.92, 0.35%, 0.37%

LAB 32.4, 11.17, -31.58

 

CMYK 46 / 37 / 0 / 43

HEX #4E5B91

RGB 78 91 145

HSL 228.36, 0.3%, 0.44%

LAB 39.83, 10.16, -31.4

 

CMYK 42 / 34 / 0 / 36

HEX #5F6DA4

RGB 95 109 164

HSL 227.83, 0.27%, 0.51%

LAB 47.04, 9.37, -31.29

 

CMYK 39 / 31 / 0 / 28

HEX #707FB7

RGB 112 127 183

HSL 227.32, 0.33%, 0.58%

LAB 54.07, 8.72, -31.24

 

CMYK 65 / 51 / 0 / 56

HEX #273770

RGB 39 55 112

HSL 226.85, 0.48%, 0.3%

LAB 24.74, 13.3, -35.06

 

CMYK 76 / 60 / 0 / 64

HEX #16255D

RGB 22 37 93

HSL 227.32, 0.62%, 0.23%

LAB 16.91, 15.59, -35.38

 

CMYK 93 / 74 / 0 / 71

HEX #05134A

RGB 5 19 74

HSL 227.83, 0.87%, 0.15%

LAB 8.93, 18.84, -35.54

 

CMYK 100 / 98 / 0 / 78

HEX #000137

RGB 0 1 55

HSL 238.91, 1%, 0.11%

LAB 2.69, 17.11, -32.18

 

CMYK 100 / 100 / 0 / 86

HEX #000024

RGB 0 0 36

HSL 240, 1%, 0.07%

LAB 1.15, 8.09, -20.19

 

CMYK 65 / 51 / 0 / 56

HEX #273771

RGB 39 55 113

HSL 227.03, 0.49%, 0.3%

LAB 24.81, 13.69, -35.59

 

CMYK 62 / 65 / 0 / 56

HEX #2B2771

RGB 43 39 113

HSL 243.24, 0.49%, 0.3%

LAB 20.66, 25.53, -42.3

 

CMYK 44 / 65 / 0 / 56

HEX #3F2771

RGB 63 39 113

HSL 259.46, 0.49%, 0.3%

LAB 22.65, 29.74, -38.97

 

CMYK 27 / 65 / 0 / 56

HEX #532771

RGB 83 39 113

HSL 275.68, 0.49%, 0.3%

LAB 25.21, 34.67, -34.72

 

CMYK 10 / 65 / 0 / 56

HEX #662771

RGB 102 39 113

HSL 291.08, 0.49%, 0.3%

LAB 28.03, 39.67, -30.05

 

CMYK 65 / 51 / 0 / 56

HEX #273771

RGB 39 55 113

HSL 227.03, 0.49%, 0.3%

LAB 24.81, 13.69, -35.59

 

CMYK 65 / 65 / 0 / 56

HEX #272771

RGB 39 39 113

HSL 240, 0.49%, 0.3%

LAB 20.34, 24.81, -42.83

 

CMYK 65 / 51 / 0 / 56

HEX #273771

RGB 39 55 113

HSL 227.03, 0.49%, 0.3%

LAB 24.81, 13.69, -35.59

 

CMYK 78 / 62 / 0 / 51

HEX #1B307D

RGB 27 48 125

HSL 227.14, 0.64%, 0.3%

LAB 23.09, 21.44, -46.03

 

CMYK 89 / 70 / 0 / 46

HEX #0F2989

RGB 15 41 137

HSL 227.21, 0.8%, 0.3%

LAB 21.92, 30, -55.52

 

CMYK 99 / 77 / 0 / 41

HEX #022396

RGB 2 35 150

HSL 226.62, 0.97%, 0.3%

LAB 21.64, 38.28, -64.06

 

CMYK 65 / 51 / 0 / 56

HEX #273771

RGB 39 55 113

HSL 227.03, 0.49%, 0.3%

LAB 24.81, 13.69, -35.59

 

CMYK 48 / 38 / 0 / 61

HEX #343E64

RGB 52 62 100

HSL 227.5, 0.32%, 0.3%

LAB 27, 7.31, -23.71

 

CMYK 27 / 22 / 0 / 65

HEX #404558

RGB 64 69 88

HSL 227.5, 0.16%, 0.3%

LAB 29.54, 2.84, -11.97

 

CMYK 0 / 0 / 0 / 70

HEX #4C4C4C

RGB 76 76 76

HSL 0, 0%, 0.3%

LAB 32.32, 0, -0

 

CMYK 0 / 7 / 29 / 65

HEX #59533F

RGB 89 83 63

HSL 46.15, 0.17%, 0.3%

LAB 35.34, -1.17, 12.63

 

CMYK 65 / 15 / 0 / 56

HEX #276071

RGB 39 96 113

HSL 193.78, 0.49%, 0.3%

LAB 37.82, -12.87, -15.17

 

CMYK 65 / 33 / 0 / 56

HEX #274C71

RGB 39 76 113

HSL 210, 0.49%, 0.3%

LAB 31.33, -0.57, -25.23

 

CMYK 65 / 50 / 0 / 56

HEX #273871

RGB 39 56 113

HSL 226.22, 0.49%, 0.3%

LAB 25.11, 12.99, -35.11

 

CMYK 63 / 65 / 0 / 56

HEX #2A2771

RGB 42 39 113

HSL 242.43, 0.49%, 0.3%

LAB 20.58, 25.35, -42.43

 

CMYK 46 / 65 / 0 / 56

HEX #3D2771

RGB 61 39 113

HSL 257.84, 0.49%, 0.3%

LAB 22.43, 29.28, -39.35

 

CMYK 65 / 52 / 0 / 80

HEX #121934

RGB 18 25 52

HSL 227.65, 0.49%, 0.14%

LAB 9.58, 6.73, -18.83

 

CMYK 65 / 51 / 0 / 68

HEX #1D2852

RGB 29 40 82

HSL 227.55, 0.48%, 0.22%

LAB 17.4, 10.23, -27.2

 

CMYK 65 / 51 / 0 / 56

HEX #273771

RGB 39 55 113

HSL 227.03, 0.49%, 0.3%

LAB 24.81, 13.69, -35.59

 

CMYK 65 / 51 / 0 / 44

HEX #32468F

RGB 50 70 143

HSL 227.1, 0.48%, 0.38%

LAB 31.9, 16.8, -42.91

 

CMYK 65 / 51 / 0 / 32

HEX #3D56AE

RGB 61 86 174

HSL 226.73, 0.48%, 0.46%

LAB 39.08, 19.5, -49.97

 

CMYK 65 / 51 / 0 / 56

HEX #273770

RGB 39 55 112

HSL 226.85, 0.48%, 0.3%

LAB 24.74, 13.3, -35.06

 

CMYK 3 / 65 / 0 / 56

HEX #6E2771

RGB 110 39 113

HSL 297.57, 0.49%, 0.3%

LAB 29.31, 41.82, -27.95

 

CMYK 24 / 0 / 65 / 56

HEX #567127

RGB 86 113 39

HSL 81.89, 0.49%, 0.3%

LAB 44.14, -22.33, 36.78

 

CMYK 65 / 51 / 0 / 56

HEX #273770

RGB 39 55 112

HSL 226.85, 0.48%, 0.3%

LAB 24.74, 13.3, -35.06

 

CMYK 0 / 65 / 50 / 56

HEX #712738

RGB 113 39 56

HSL 346.22, 0.49%, 0.3%

LAB 27.43, 34.19, 6.67

 

CMYK 50 / 0 / 65 / 56

HEX #387127

RGB 56 113 39

HSL 106.22, 0.49%, 0.3%

LAB 42.46, -33.74, 34.45

 

CMYK 65 / 51 / 0 / 56

HEX #273770

RGB 39 55 112

HSL 226.85, 0.48%, 0.3%

LAB 24.74, 13.3, -35.06

 

CMYK 3 / 65 / 0 / 56

HEX #6E2771

RGB 110 39 113

HSL 297.57, 0.49%, 0.3%

LAB 29.31, 41.82, -27.95

 

CMYK 0 / 15 / 65 / 56

HEX #716027

RGB 113 96 39

HSL 46.22, 0.49%, 0.3%

LAB 41.25, -0.49, 34.27

 

CMYK 63 / 0 / 65 / 56

HEX #2A7127

RGB 42 113 39

HSL 117.57, 0.49%, 0.3%

LAB 41.92, -37.84, 33.7

 

CMYK 65 / 51 / 0 / 56

HEX #273770

RGB 39 55 112

HSL 226.85, 0.48%, 0.3%

LAB 24.74, 13.3, -35.06

 

CMYK 0 / 65 / 18 / 56

HEX #71275D

RGB 113 39 93

HSL 316.22, 0.49%, 0.3%

LAB 28.78, 39.12, -15.85

 

CMYK 0 / 15 / 65 / 56

HEX #716027

RGB 113 96 39

HSL 46.22, 0.49%, 0.3%

LAB 41.25, -0.49, 34.27

 

CMYK 65 / 0 / 48 / 56

HEX #27713B

RGB 39 113 59

HSL 136.22, 0.49%, 0.3%

LAB 42.09, -35.63, 23.36

 

Description

Color code: HEX #273770 | qconv.com Color code: HEX #273770 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 55 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 55 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 51 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 51% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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