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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #276CCD it is the complementary color #D89332. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #276CCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #276CCD shade: #2C6CC8, #3D7EDB, #4E90EE, #5FA2FF and #70B4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #276CCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #276CCD shade: #276CCD, #165ABA, #0548A7, #003694 and #002481

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #276CCD shade: #276CCD, #273FCD, #3B27CD, #6827CD and #9527CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #276CCD shade: #276CCD, #273FCD and #2727CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #276CCD shade matches the following richer shades: #276CCD and #1369E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #276CCD shade: #276CCD, #3A6FB9, #4E73A6, #627692 and #76797E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #276CCD shade: #27C5CD, #2798CD, #276CCD, #2740CD and #3A27CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #276CCD shade: #194788, #205AAA, #276CCD, #4282DB and #6599E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #276CCD shade: #276CCD, #A927CD and #AFCD27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #276CCD shade: #276CCD, #CD276C and #6CCD27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #276CCD shade: #276CCD, #A927CD, #CD8827 and #4BCD27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #276CCD shade: #276CCD, #CD27BF, #CD8827 and #27CD35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 47 / 0 / 20

HEX #276CCD

RGB 39 108 205

HSL 215.06, 0.68%, 0.48%

LAB 46.4, 13.96, -56.25

 

Complementary color

CMYK 0 / 32 / 77 / 15

HEX #D89332

RGB 216 147 50

HSL 35.06, 0.68%, 0.52%

LAB 66.29, 17.9, 58.69

 

CMYK 78 / 46 / 0 / 22

HEX #2C6CC8

RGB 44 108 200

HSL 215.38, 0.64%, 0.48%

LAB 46.22, 12.57, -53.67

 

CMYK 72 / 42 / 0 / 14

HEX #3D7EDB

RGB 61 126 219

HSL 215.32, 0.69%, 0.55%

LAB 52.98, 10.46, -53.61

 

CMYK 67 / 39 / 0 / 7

HEX #4E90EE

RGB 78 144 238

HSL 215.25, 0.82%, 0.62%

LAB 59.65, 8.76, -53.53

 

CMYK 63 / 36 / 0 / 0

HEX #5FA2FF

RGB 95 162 255

HSL 214.88, 1%, 0.69%

LAB 66.13, 6.71, -52.53

 

CMYK 56 / 29 / 0 / 0

HEX #70B4FF

RGB 112 180 255

HSL 211.47, 1%, 0.72%

LAB 71.76, -0.33, -43.61

 

CMYK 81 / 47 / 0 / 20

HEX #276CCD

RGB 39 108 205

HSL 215.06, 0.68%, 0.48%

LAB 46.4, 13.96, -56.25

 

CMYK 88 / 52 / 0 / 27

HEX #165ABA

RGB 22 90 186

HSL 215.12, 0.79%, 0.41%

LAB 39.63, 16.85, -56.21

 

CMYK 97 / 57 / 0 / 35

HEX #0548A7

RGB 5 72 167

HSL 215.19, 0.94%, 0.34%

LAB 32.83, 20.4, -56.02

 

CMYK 100 / 64 / 0 / 42

HEX #003694

RGB 0 54 148

HSL 218.11, 1%, 0.29%

LAB 26.09, 24.77, -55.5

 

CMYK 100 / 72 / 0 / 49

HEX #002481

RGB 0 36 129

HSL 223.26, 1%, 0.25%

LAB 19.42, 29.45, -54.63

 

CMYK 81 / 47 / 0 / 20

HEX #276CCD

RGB 39 108 205

HSL 215.06, 0.68%, 0.48%

LAB 46.4, 13.96, -56.25

 

CMYK 81 / 69 / 0 / 20

HEX #273FCD

RGB 39 63 205

HSL 231.33, 0.68%, 0.48%

LAB 34.79, 42.81, -75.17

 

CMYK 71 / 81 / 0 / 20

HEX #3B27CD

RGB 59 39 205

HSL 247.23, 0.68%, 0.48%

LAB 31.32, 57.22, -80.87

 

CMYK 49 / 81 / 0 / 20

HEX #6827CD

RGB 104 39 205

HSL 263.49, 0.68%, 0.48%

LAB 35.6, 61.78, -73.66

 

CMYK 27 / 81 / 0 / 20

HEX #9527CD

RGB 149 39 205

HSL 279.76, 0.68%, 0.48%

LAB 41.61, 68.33, -63.59

 

CMYK 81 / 47 / 0 / 20

HEX #276CCD

RGB 39 108 205

HSL 215.06, 0.68%, 0.48%

LAB 46.4, 13.96, -56.25

 

CMYK 81 / 69 / 0 / 20

HEX #273FCD

RGB 39 63 205

HSL 231.33, 0.68%, 0.48%

LAB 34.79, 42.81, -75.17

 

CMYK 81 / 81 / 0 / 20

HEX #2727CD

RGB 39 39 205

HSL 240, 0.68%, 0.48%

LAB 30.13, 55.97, -82.87

 

CMYK 81 / 47 / 0 / 20

HEX #276CCD

RGB 39 108 205

HSL 215.06, 0.68%, 0.48%

LAB 46.4, 13.96, -56.25

 

CMYK 92 / 53 / 0 / 12

HEX #1369E1

RGB 19 105 225

HSL 214.95, 0.84%, 0.48%

LAB 46.55, 22.29, -67.41

 

CMYK 81 / 47 / 0 / 20

HEX #276CCD

RGB 39 108 205

HSL 215.06, 0.68%, 0.48%

LAB 46.4, 13.96, -56.25

 

CMYK 69 / 40 / 0 / 27

HEX #3A6FB9

RGB 58 111 185

HSL 214.96, 0.52%, 0.48%

LAB 46.67, 7, -44.25

 

CMYK 53 / 31 / 0 / 35

HEX #4E73A6

RGB 78 115 166

HSL 214.77, 0.36%, 0.48%

LAB 47.8, 1.99, -31.35

 

CMYK 33 / 19 / 0 / 43

HEX #627692

RGB 98 118 146

HSL 215, 0.2%, 0.48%

LAB 49.04, -0.29, -17.59

 

CMYK 6 / 4 / 0 / 51

HEX #76797E

RGB 118 121 126

HSL 217.5, 0.03%, 0.48%

LAB 50.73, -0.08, -3.13

 

CMYK 81 / 4 / 0 / 20

HEX #27C5CD

RGB 39 197 205

HSL 182.89, 0.68%, 0.48%

LAB 72.74, -35.31, -15.16

 

CMYK 81 / 26 / 0 / 20

HEX #2798CD

RGB 39 152 205

HSL 199.16, 0.68%, 0.48%

LAB 59.25, -12.38, -35.86

 

CMYK 81 / 47 / 0 / 20

HEX #276CCD

RGB 39 108 205

HSL 215.06, 0.68%, 0.48%

LAB 46.4, 13.96, -56.25

 

CMYK 81 / 69 / 0 / 20

HEX #2740CD

RGB 39 64 205

HSL 230.96, 0.68%, 0.48%

LAB 35.02, 42.2, -74.8

 

CMYK 72 / 81 / 0 / 20

HEX #3A27CD

RGB 58 39 205

HSL 246.87, 0.68%, 0.48%

LAB 31.25, 57.15, -80.99

 

CMYK 82 / 48 / 0 / 47

HEX #194788

RGB 25 71 136

HSL 215.14, 0.69%, 0.32%

LAB 30.62, 9.62, -40.72

 

CMYK 81 / 47 / 0 / 33

HEX #205AAA

RGB 32 90 170

HSL 214.78, 0.68%, 0.4%

LAB 38.76, 11.31, -48.17

 

CMYK 81 / 47 / 0 / 20

HEX #276CCD

RGB 39 108 205

HSL 215.06, 0.68%, 0.48%

LAB 46.4, 13.96, -56.25

 

CMYK 70 / 41 / 0 / 14

HEX #4282DB

RGB 66 130 219

HSL 214.9, 0.68%, 0.56%

LAB 54.28, 8.72, -51.52

 

CMYK 55 / 32 / 0 / 12

HEX #6599E1

RGB 101 153 225

HSL 214.84, 0.67%, 0.64%

LAB 62.5, 3.4, -41.77

 

CMYK 81 / 47 / 0 / 20

HEX #276CCD

RGB 39 108 205

HSL 215.06, 0.68%, 0.48%

LAB 46.4, 13.96, -56.25

 

CMYK 18 / 81 / 0 / 20

HEX #A927CD

RGB 169 39 205

HSL 286.99, 0.68%, 0.48%

LAB 44.65, 71.69, -58.51

 

CMYK 15 / 0 / 81 / 20

HEX #AFCD27

RGB 175 205 39

HSL 70.84, 0.68%, 0.48%

LAB 77.83, -30.13, 71.44

 

CMYK 81 / 47 / 0 / 20

HEX #276CCD

RGB 39 108 205

HSL 215.06, 0.68%, 0.48%

LAB 46.4, 13.96, -56.25

 

CMYK 0 / 81 / 47 / 20

HEX #CD276C

RGB 205 39 108

HSL 335.06, 0.68%, 0.48%

LAB 46.33, 66.43, 2.65

 

CMYK 47 / 0 / 81 / 20

HEX #6CCD27

RGB 108 205 39

HSL 95.06, 0.68%, 0.48%

LAB 74.19, -54.54, 66.81

 

CMYK 81 / 47 / 0 / 20

HEX #276CCD

RGB 39 108 205

HSL 215.06, 0.68%, 0.48%

LAB 46.4, 13.96, -56.25

 

CMYK 18 / 81 / 0 / 20

HEX #A927CD

RGB 169 39 205

HSL 286.99, 0.68%, 0.48%

LAB 44.65, 71.69, -58.51

 

CMYK 0 / 34 / 81 / 20

HEX #CD8827

RGB 205 136 39

HSL 35.06, 0.68%, 0.48%

LAB 62.28, 18.72, 58.69

 

CMYK 63 / 0 / 81 / 20

HEX #4BCD27

RGB 75 205 39

HSL 106.99, 0.68%, 0.48%

LAB 73.09, -63.24, 65.4

 

CMYK 81 / 47 / 0 / 20

HEX #276CCD

RGB 39 108 205

HSL 215.06, 0.68%, 0.48%

LAB 46.4, 13.96, -56.25

 

CMYK 0 / 81 / 7 / 20

HEX #CD27BF

RGB 205 39 191

HSL 305.06, 0.68%, 0.48%

LAB 49.73, 76.12, -41.94

 

CMYK 0 / 34 / 81 / 20

HEX #CD8827

RGB 205 136 39

HSL 35.06, 0.68%, 0.48%

LAB 62.28, 18.72, 58.69

 

CMYK 81 / 0 / 74 / 20

HEX #27CD35

RGB 39 205 53

HSL 125.06, 0.68%, 0.48%

LAB 72.46, -68.33, 60.23

 

Description

Color code: HEX #276CCD | qconv.com Color code: HEX #276CCD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 108 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 108 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 47 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 47% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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