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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2798CD it is the complementary color #D86732. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2798CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2798CD shade: #2C98C8, #3DAADB, #4EBCEE, #5FCEFF and #70E0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2798CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2798CD shade: #2798CD, #1686BA, #0574A7, #006294 and #005081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2798CD shade: #2798CD, #276BCD, #273ECD, #3C27CD and #6927CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2798CD shade: #2798CD, #276BCD, #273ECD and #2727CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2798CD shade matches the following richer shades: #2798CD and #139FE1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2798CD shade: #2798CD, #3A91B9, #4E8AA6, #628392 and #767B7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2798CD shade: #27CDA9, #27C5CD, #2798CD, #276CCD and #2740CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2798CD shade: #196588, #207EAA, #2798CD, #42AADB and #65BAE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2798CD shade: #2798CD, #7D27CD and #CDBF27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2798CD shade: #2798CD, #CD2798 and #98CD27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2798CD shade: #2798CD, #7D27CD, #CD5B27 and #77CD27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2798CD shade: #2798CD, #AF27CD, #CD5B27 and #45CD27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 26 / 0 / 20

HEX #2798CD

RGB 39 152 205

HSL 199.16, 0.68%, 0.48%

LAB 59.25, -12.38, -35.86

 

Complementary color

CMYK 0 / 52 / 77 / 15

HEX #D86732

RGB 216 103 50

HSL 19.16, 0.68%, 0.52%

LAB 56.61, 41.05, 49.2

 

CMYK 78 / 24 / 0 / 22

HEX #2C98C8

RGB 44 152 200

HSL 198.46, 0.64%, 0.48%

LAB 59.12, -13.63, -33.24

 

CMYK 72 / 22 / 0 / 14

HEX #3DAADB

RGB 61 170 219

HSL 198.61, 0.69%, 0.55%

LAB 65.64, -14.94, -33.66

 

CMYK 67 / 21 / 0 / 7

HEX #4EBCEE

RGB 78 188 238

HSL 198.75, 0.82%, 0.62%

LAB 72.07, -15.98, -34.04

 

CMYK 63 / 19 / 0 / 0

HEX #5FCEFF

RGB 95 206 255

HSL 198.38, 1%, 0.69%

LAB 78.34, -17.41, -33.44

 

CMYK 56 / 12 / 0 / 0

HEX #70E0FF

RGB 112 224 255

HSL 193.01, 1%, 0.72%

LAB 83.95, -23.51, -24.79

 

CMYK 81 / 26 / 0 / 20

HEX #2798CD

RGB 39 152 205

HSL 199.16, 0.68%, 0.48%

LAB 59.25, -12.38, -35.86

 

CMYK 88 / 28 / 0 / 27

HEX #1686BA

RGB 22 134 186

HSL 199.02, 0.79%, 0.41%

LAB 52.69, -10.46, -35.38

 

CMYK 97 / 31 / 0 / 35

HEX #0574A7

RGB 5 116 167

HSL 198.89, 0.94%, 0.34%

LAB 46.06, -8.03, -34.81

 

CMYK 100 / 34 / 0 / 42

HEX #006294

RGB 0 98 148

HSL 200.27, 1%, 0.29%

LAB 39.37, -4.89, -34.11

 

CMYK 100 / 38 / 0 / 49

HEX #005081

RGB 0 80 129

HSL 202.79, 1%, 0.25%

LAB 32.53, -1.3, -33.37

 

CMYK 81 / 26 / 0 / 20

HEX #2798CD

RGB 39 152 205

HSL 199.16, 0.68%, 0.48%

LAB 59.25, -12.38, -35.86

 

CMYK 81 / 48 / 0 / 20

HEX #276BCD

RGB 39 107 205

HSL 215.42, 0.68%, 0.48%

LAB 46.12, 14.6, -56.71

 

CMYK 81 / 70 / 0 / 20

HEX #273ECD

RGB 39 62 205

HSL 231.69, 0.68%, 0.48%

LAB 34.57, 43.42, -75.53

 

CMYK 71 / 81 / 0 / 20

HEX #3C27CD

RGB 60 39 205

HSL 247.59, 0.68%, 0.48%

LAB 31.39, 57.3, -80.75

 

CMYK 49 / 81 / 0 / 20

HEX #6927CD

RGB 105 39 205

HSL 263.86, 0.68%, 0.48%

LAB 35.72, 61.91, -73.46

 

CMYK 81 / 26 / 0 / 20

HEX #2798CD

RGB 39 152 205

HSL 199.16, 0.68%, 0.48%

LAB 59.25, -12.38, -35.86

 

CMYK 81 / 48 / 0 / 20

HEX #276BCD

RGB 39 107 205

HSL 215.42, 0.68%, 0.48%

LAB 46.12, 14.6, -56.71

 

CMYK 81 / 70 / 0 / 20

HEX #273ECD

RGB 39 62 205

HSL 231.69, 0.68%, 0.48%

LAB 34.57, 43.42, -75.53

 

CMYK 81 / 81 / 0 / 20

HEX #2727CD

RGB 39 39 205

HSL 240, 0.68%, 0.48%

LAB 30.13, 55.97, -82.87

 

CMYK 81 / 26 / 0 / 20

HEX #2798CD

RGB 39 152 205

HSL 199.16, 0.68%, 0.48%

LAB 59.25, -12.38, -35.86

 

CMYK 92 / 29 / 0 / 12

HEX #139FE1

RGB 19 159 225

HSL 199.22, 0.84%, 0.48%

LAB 61.97, -10.45, -42.75

 

CMYK 81 / 26 / 0 / 20

HEX #2798CD

RGB 39 152 205

HSL 199.16, 0.68%, 0.48%

LAB 59.25, -12.38, -35.86

 

CMYK 69 / 22 / 0 / 27

HEX #3A91B9

RGB 58 145 185

HSL 198.9, 0.52%, 0.48%

LAB 56.74, -13.04, -28.45

 

CMYK 53 / 17 / 0 / 35

HEX #4E8AA6

RGB 78 138 166

HSL 199.09, 0.36%, 0.48%

LAB 54.61, -11.4, -20.81

 

CMYK 33 / 10 / 0 / 43

HEX #628392

RGB 98 131 146

HSL 198.75, 0.2%, 0.48%

LAB 52.84, -7.81, -11.82

 

CMYK 6 / 2 / 0 / 51

HEX #767B7E

RGB 118 123 126

HSL 202.5, 0.03%, 0.48%

LAB 51.29, -1.24, -2.29

 

CMYK 81 / 0 / 18 / 20

HEX #27CDA9

RGB 39 205 169

HSL 166.99, 0.68%, 0.48%

LAB 74.16, -48.85, 6.45

 

CMYK 81 / 4 / 0 / 20

HEX #27C5CD

RGB 39 197 205

HSL 182.89, 0.68%, 0.48%

LAB 72.74, -35.31, -15.16

 

CMYK 81 / 26 / 0 / 20

HEX #2798CD

RGB 39 152 205

HSL 199.16, 0.68%, 0.48%

LAB 59.25, -12.38, -35.86

 

CMYK 81 / 47 / 0 / 20

HEX #276CCD

RGB 39 108 205

HSL 215.06, 0.68%, 0.48%

LAB 46.4, 13.96, -56.25

 

CMYK 81 / 69 / 0 / 20

HEX #2740CD

RGB 39 64 205

HSL 230.96, 0.68%, 0.48%

LAB 35.02, 42.2, -74.8

 

CMYK 82 / 26 / 0 / 47

HEX #196588

RGB 25 101 136

HSL 198.92, 0.69%, 0.32%

LAB 40.07, -9.64, -25.75

 

CMYK 81 / 26 / 0 / 33

HEX #207EAA

RGB 32 126 170

HSL 199.13, 0.68%, 0.4%

LAB 49.65, -10.93, -30.9

 

CMYK 81 / 26 / 0 / 20

HEX #2798CD

RGB 39 152 205

HSL 199.16, 0.68%, 0.48%

LAB 59.25, -12.38, -35.86

 

CMYK 70 / 22 / 0 / 14

HEX #42AADB

RGB 66 170 219

HSL 199.22, 0.68%, 0.56%

LAB 65.77, -14.26, -33.45

 

CMYK 55 / 17 / 0 / 12

HEX #65BAE1

RGB 101 186 225

HSL 198.87, 0.67%, 0.64%

LAB 71.77, -14.84, -27.37

 

CMYK 81 / 26 / 0 / 20

HEX #2798CD

RGB 39 152 205

HSL 199.16, 0.68%, 0.48%

LAB 59.25, -12.38, -35.86

 

CMYK 39 / 81 / 0 / 20

HEX #7D27CD

RGB 125 39 205

HSL 271.08, 0.68%, 0.48%

LAB 38.23, 64.64, -69.24

 

CMYK 0 / 7 / 81 / 20

HEX #CDBF27

RGB 205 191 39

HSL 54.94, 0.68%, 0.48%

LAB 76.31, -10.57, 71.02

 

CMYK 81 / 26 / 0 / 20

HEX #2798CD

RGB 39 152 205

HSL 199.16, 0.68%, 0.48%

LAB 59.25, -12.38, -35.86

 

CMYK 0 / 81 / 26 / 20

HEX #CD2798

RGB 205 39 152

HSL 319.16, 0.68%, 0.48%

LAB 47.88, 70.94, -21.81

 

CMYK 26 / 0 / 81 / 20

HEX #98CD27

RGB 152 205 39

HSL 79.16, 0.68%, 0.48%

LAB 76.37, -39.25, 69.59

 

CMYK 81 / 26 / 0 / 20

HEX #2798CD

RGB 39 152 205

HSL 199.16, 0.68%, 0.48%

LAB 59.25, -12.38, -35.86

 

CMYK 39 / 81 / 0 / 20

HEX #7D27CD

RGB 125 39 205

HSL 271.08, 0.68%, 0.48%

LAB 38.23, 64.64, -69.24

 

CMYK 0 / 56 / 81 / 20

HEX #CD5B27

RGB 205 91 39

HSL 18.8, 0.68%, 0.48%

LAB 52.52, 42.37, 49.74

 

CMYK 42 / 0 / 81 / 20

HEX #77CD27

RGB 119 205 39

HSL 91.08, 0.68%, 0.48%

LAB 74.65, -51.06, 67.4

 

CMYK 81 / 26 / 0 / 20

HEX #2798CD

RGB 39 152 205

HSL 199.16, 0.68%, 0.48%

LAB 59.25, -12.38, -35.86

 

CMYK 15 / 81 / 0 / 20

HEX #AF27CD

RGB 175 39 205

HSL 289.16, 0.68%, 0.48%

LAB 45.6, 72.74, -56.94

 

CMYK 0 / 56 / 81 / 20

HEX #CD5B27

RGB 205 91 39

HSL 18.8, 0.68%, 0.48%

LAB 52.52, 42.37, 49.74

 

CMYK 66 / 0 / 81 / 20

HEX #45CD27

RGB 69 205 39

HSL 109.16, 0.68%, 0.48%

LAB 72.94, -64.5, 65.2

 

Description

Color code: HEX #2798CD | qconv.com Color code: HEX #2798CD | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 152 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 152 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 26 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 26% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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