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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #28C9BC it is the complementary color #D73643. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #28C9BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #28C9BC shade: #2DC9B7, #3EDBCA, #4FEDDD, #60FFF0 and #71FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #28C9BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #28C9BC shade: #28C9BC, #17B7A9, #06A596, #009383 and #008170

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #28C9BC shade: #27C8BB, #27C88F, #27C864, #27C839 and #41C827

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #28C9BC shade: #27C8BB, #27A9C8, #277EC8, #2753C8 and #2727C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #28C9BC shade matches the following richer shades: #27C8BB, #14DBCB and #00EEDB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #28C9BC shade: #27C8BB, #3AB4AA, #4EA19A, #618D8A and #757A7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #28C9BC shade: #27C865, #27C88F, #27C8BA, #27AAC8 and #277FC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #28C9BC shade: #19837A, #20A59A, #27C8BB, #3FD9CC and #62E0D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #28C9BC shade: #28C9BC, #3A27C8 and #C87A27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #28C9BC shade: #28C9BC, #BA27C8 and #C8BA27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #28C9BC shade: #28C9BC, #3A27C8, #C82734 and #B5C827

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #28C9BC shade: #28C9BC, #6A27C8, #C82734 and #85C827

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 6 / 21

HEX #28C9BC

RGB 40 201 188

HSL 175.16, 0.67%, 0.47%

LAB 73.45, -41.99, -4.86

 

Complementary color

CMYK 0 / 75 / 69 / 16

HEX #D73643

RGB 215 54 67

HSL 355.16, 0.67%, 0.53%

LAB 48.87, 62.15, 31.4

 

CMYK 78 / 0 / 9 / 21

HEX #2DC9B7

RGB 45 201 183

HSL 173.08, 0.63%, 0.48%

LAB 73.38, -42.9, -2.24

 

CMYK 72 / 0 / 8 / 14

HEX #3EDBCA

RGB 62 219 202

HSL 173.5, 0.69%, 0.55%

LAB 79.59, -43.74, -3.32

 

CMYK 67 / 0 / 7 / 7

HEX #4FEDDD

RGB 79 237 221

HSL 173.92, 0.81%, 0.62%

LAB 85.73, -44.35, -4.3

 

CMYK 62 / 0 / 6 / 0

HEX #60FFF0

RGB 96 255 240

HSL 174.34, 1%, 0.69%

LAB 91.82, -44.79, -5.2

 

CMYK 56 / 0 / 0 / 0

HEX #71FFFF

RGB 113 255 255

HSL 180, 1%, 0.72%

LAB 92.69, -38.08, -11.63

 

CMYK 80 / 0 / 6 / 21

HEX #28C9BC

RGB 40 201 188

HSL 175.16, 0.67%, 0.47%

LAB 73.45, -41.99, -4.86

 

CMYK 87 / 0 / 8 / 28

HEX #17B7A9

RGB 23 183 169

HSL 174.75, 0.78%, 0.4%

LAB 67.21, -40.69, -3.69

 

CMYK 96 / 0 / 9 / 35

HEX #06A596

RGB 6 165 150

HSL 174.34, 0.93%, 0.34%

LAB 60.91, -38.99, -2.38

 

CMYK 100 / 0 / 11 / 42

HEX #009383

RGB 0 147 131

HSL 173.47, 1%, 0.29%

LAB 54.56, -36.79, -0.9

 

CMYK 100 / 0 / 13 / 49

HEX #008170

RGB 0 129 112

HSL 172.09, 1%, 0.25%

LAB 48.1, -34.29, 0.71

 

CMYK 81 / 0 / 7 / 22

HEX #27C8BB

RGB 39 200 187

HSL 175.16, 0.67%, 0.47%

LAB 73.11, -41.92, -4.83

 

CMYK 81 / 0 / 29 / 22

HEX #27C88F

RGB 39 200 143

HSL 158.76, 0.67%, 0.47%

LAB 72.04, -53.06, 17.41

 

CMYK 81 / 0 / 50 / 22

HEX #27C864

RGB 39 200 100

HSL 142.73, 0.67%, 0.47%

LAB 71.32, -61.28, 38.72

 

CMYK 81 / 0 / 72 / 22

HEX #27C839

RGB 39 200 57

HSL 126.71, 0.67%, 0.47%

LAB 70.9, -66.49, 57.2

 

CMYK 68 / 0 / 81 / 22

HEX #41C827

RGB 65 200 39

HSL 110.31, 0.67%, 0.47%

LAB 71.27, -63.68, 63.62

 

CMYK 81 / 0 / 7 / 22

HEX #27C8BB

RGB 39 200 187

HSL 175.16, 0.67%, 0.47%

LAB 73.11, -41.92, -4.83

 

CMYK 81 / 16 / 0 / 22

HEX #27A9C8

RGB 39 169 200

HSL 191.55, 0.67%, 0.47%

LAB 64.14, -23.17, -25.49

 

CMYK 81 / 37 / 0 / 22

HEX #277EC8

RGB 39 126 200

HSL 207.58, 0.67%, 0.47%

LAB 51.29, 0.87, -45.56

 

CMYK 81 / 59 / 0 / 22

HEX #2753C8

RGB 39 83 200

HSL 223.6, 0.67%, 0.47%

LAB 39.22, 28.25, -65

 

CMYK 81 / 81 / 0 / 22

HEX #2727C8

RGB 39 39 200

HSL 240, 0.67%, 0.47%

LAB 29.54, 54.43, -80.93

 

CMYK 81 / 0 / 7 / 22

HEX #27C8BB

RGB 39 200 187

HSL 175.16, 0.67%, 0.47%

LAB 73.11, -41.92, -4.83

 

CMYK 91 / 0 / 7 / 14

HEX #14DBCB

RGB 20 219 203

HSL 175.18, 0.83%, 0.47%

LAB 79.11, -46.87, -4.61

 

CMYK 100 / 0 / 8 / 7

HEX #00EEDB

RGB 0 238 219

HSL 175.21, 1%, 0.47%

LAB 85.13, -51, -4.22

 

CMYK 81 / 0 / 7 / 22

HEX #27C8BB

RGB 39 200 187

HSL 175.16, 0.67%, 0.47%

LAB 73.11, -41.92, -4.83

 

CMYK 68 / 0 / 6 / 29

HEX #3AB4AA

RGB 58 180 170

HSL 175.08, 0.51%, 0.47%

LAB 66.86, -35.42, -4.7

 

CMYK 52 / 0 / 4 / 37

HEX #4EA19A

RGB 78 161 154

HSL 174.94, 0.35%, 0.47%

LAB 61.17, -26.95, -4.1

 

CMYK 31 / 0 / 2 / 45

HEX #618D8A

RGB 97 141 138

HSL 175.91, 0.18%, 0.47%

LAB 55.51, -15.66, -3.23

 

CMYK 4 / 0 / 0 / 52

HEX #757A7A

RGB 117 122 122

HSL 180, 0.02%, 0.47%

LAB 50.81, -1.87, -0.66

 

CMYK 81 / 0 / 50 / 22

HEX #27C865

RGB 39 200 101

HSL 143.11, 0.67%, 0.47%

LAB 71.34, -61.13, 38.25

 

CMYK 81 / 0 / 29 / 22

HEX #27C88F

RGB 39 200 143

HSL 158.76, 0.67%, 0.47%

LAB 72.04, -53.06, 17.41

 

CMYK 81 / 0 / 7 / 22

HEX #27C8BA

RGB 39 200 186

HSL 174.78, 0.67%, 0.47%

LAB 73.08, -42.2, -4.33

 

CMYK 81 / 15 / 0 / 22

HEX #27AAC8

RGB 39 170 200

HSL 191.18, 0.67%, 0.47%

LAB 64.44, -23.69, -25.03

 

CMYK 81 / 37 / 0 / 22

HEX #277FC8

RGB 39 127 200

HSL 207.2, 0.67%, 0.47%

LAB 51.59, 0.26, -45.1

 

CMYK 81 / 0 / 7 / 49

HEX #19837A

RGB 25 131 122

HSL 174.91, 0.68%, 0.31%

LAB 49.31, -30.45, -3.36

 

CMYK 81 / 0 / 7 / 35

HEX #20A59A

RGB 32 165 154

HSL 175.04, 0.68%, 0.39%

LAB 61.26, -36.22, -4.09

 

CMYK 81 / 0 / 7 / 22

HEX #27C8BB

RGB 39 200 187

HSL 175.16, 0.67%, 0.47%

LAB 73.11, -41.92, -4.83

 

CMYK 71 / 0 / 6 / 15

HEX #3FD9CC

RGB 63 217 204

HSL 174.94, 0.67%, 0.55%

LAB 79.07, -42.19, -5.15

 

CMYK 56 / 0 / 5 / 12

HEX #62E0D5

RGB 98 224 213

HSL 174.76, 0.67%, 0.63%

LAB 82.22, -37.46, -5.19

 

CMYK 80 / 0 / 6 / 21

HEX #28C9BC

RGB 40 201 188

HSL 175.16, 0.67%, 0.47%

LAB 73.45, -41.99, -4.86

 

CMYK 71 / 81 / 0 / 22

HEX #3A27C8

RGB 58 39 200

HSL 247.08, 0.67%, 0.47%

LAB 30.69, 55.68, -79

 

CMYK 0 / 39 / 81 / 22

HEX #C87A27

RGB 200 122 39

HSL 30.93, 0.67%, 0.47%

LAB 58.36, 24.18, 54.9

 

CMYK 80 / 0 / 6 / 21

HEX #28C9BC

RGB 40 201 188

HSL 175.16, 0.67%, 0.47%

LAB 73.45, -41.99, -4.86

 

CMYK 7 / 81 / 0 / 22

HEX #BA27C8

RGB 186 39 200

HSL 294.78, 0.67%, 0.47%

LAB 47.05, 73.87, -51.61

 

CMYK 0 / 7 / 81 / 22

HEX #C8BA27

RGB 200 186 39

HSL 54.78, 0.67%, 0.47%

LAB 74.54, -10.18, 69.31

 

CMYK 80 / 0 / 6 / 21

HEX #28C9BC

RGB 40 201 188

HSL 175.16, 0.67%, 0.47%

LAB 73.45, -41.99, -4.86

 

CMYK 71 / 81 / 0 / 22

HEX #3A27C8

RGB 58 39 200

HSL 247.08, 0.67%, 0.47%

LAB 30.69, 55.68, -79

 

CMYK 0 / 81 / 74 / 22

HEX #C82734

RGB 200 39 52

HSL 355.16, 0.67%, 0.47%

LAB 44.2, 61.57, 34.04

 

CMYK 10 / 0 / 81 / 22

HEX #B5C827

RGB 181 200 39

HSL 67.08, 0.67%, 0.47%

LAB 76.85, -25.27, 70.74

 

CMYK 80 / 0 / 6 / 21

HEX #28C9BC

RGB 40 201 188

HSL 175.16, 0.67%, 0.47%

LAB 73.45, -41.99, -4.86

 

CMYK 47 / 81 / 0 / 22

HEX #6A27C8

RGB 106 39 200

HSL 264.97, 0.67%, 0.47%

LAB 35.37, 60.81, -71.11

 

CMYK 0 / 81 / 74 / 22

HEX #C82734

RGB 200 39 52

HSL 355.16, 0.67%, 0.47%

LAB 44.2, 61.57, 34.04

 

CMYK 34 / 0 / 81 / 22

HEX #85C827

RGB 133 200 39

HSL 84.97, 0.67%, 0.47%

LAB 73.83, -44.17, 66.91

 

Description

Color code: HEX #28C9BC | qconv.com Color code: HEX #28C9BC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 201 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 201 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 6 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 6% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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