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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2973E9 it is the complementary color #D68C16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2973E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2973E9 shade: #2E73E4, #3F85F7, #5097FF, #61A9FF and #72BBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2973E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2973E9 shade: #2973E9, #1861D6, #074FC3, #003DB0 and #002B9D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2973E9 shade: #2A73E8, #2A40E8, #472AE8, #7B2AE8 and #AE2AE8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2973E9 shade: #2A73E8, #2A40E8 and #2A2AE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2973E9 shade matches the following richer shades: #2A73E8 and #176FFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2973E9 shade: #2A73E8, #3D78D5, #507CC2, #6380AF and #76859C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2973E9 shade: #2ADCE8, #2AA9E8, #2A76E8, #2A44E8 and #442AE8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2973E9 shade: #124EAE, #165FD3, #2A73E8, #508CEC and #75A4F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2973E9 shade: #2973E9, #C22AE8 and #C2E82A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2973E9 shade: #2973E9, #E82A76 and #76E82A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2973E9 shade: #2973E9, #C22AE8, #E89C2A and #50E82A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2973E9 shade: #2973E9, #E82AD5, #E89C2A and #2AE83D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 51 / 0 / 9

HEX #2973E9

RGB 41 115 233

HSL 216.88, 0.81%, 0.54%

LAB 50.23, 20.35, -65.92

 

Complementary color

CMYK 0 / 35 / 90 / 16

HEX #D68C16

RGB 214 140 22

HSL 36.88, 0.81%, 0.46%

LAB 64.25, 20.01, 65.86

 

CMYK 80 / 50 / 0 / 11

HEX #2E73E4

RGB 46 115 228

HSL 217.25, 0.77%, 0.54%

LAB 50.03, 18.91, -63.44

 

CMYK 74 / 46 / 0 / 3

HEX #3F85F7

RGB 63 133 247

HSL 217.17, 0.92%, 0.61%

LAB 56.63, 16.53, -63.37

 

CMYK 69 / 41 / 0 / 0

HEX #5097FF

RGB 80 151 255

HSL 215.66, 1%, 0.66%

LAB 62.56, 10.76, -58.24

 

CMYK 62 / 34 / 0 / 0

HEX #61A9FF

RGB 97 169 255

HSL 212.66, 1%, 0.69%

LAB 68.12, 3.04, -49.38

 

CMYK 55 / 27 / 0 / 0

HEX #72BBFF

RGB 114 187 255

HSL 208.94, 1%, 0.72%

LAB 73.76, -3.79, -40.48

 

CMYK 82 / 51 / 0 / 9

HEX #2973E9

RGB 41 115 233

HSL 216.88, 0.81%, 0.54%

LAB 50.23, 20.35, -65.92

 

CMYK 89 / 55 / 0 / 16

HEX #1861D6

RGB 24 97 214

HSL 216.95, 0.8%, 0.47%

LAB 43.65, 23.42, -65.86

 

CMYK 96 / 59 / 0 / 24

HEX #074FC3

RGB 7 79 195

HSL 217.02, 0.93%, 0.4%

LAB 37.07, 27.08, -65.63

 

CMYK 100 / 65 / 0 / 31

HEX #003DB0

RGB 0 61 176

HSL 219.2, 1%, 0.35%

LAB 30.57, 31.34, -65.08

 

CMYK 100 / 73 / 0 / 38

HEX #002B9D

RGB 0 43 157

HSL 223.57, 1%, 0.31%

LAB 24.2, 35.8, -64.12

 

CMYK 82 / 50 / 0 / 9

HEX #2A73E8

RGB 42 115 232

HSL 216.95, 0.81%, 0.54%

LAB 50.19, 20.05, -65.43

 

CMYK 82 / 72 / 0 / 9

HEX #2A40E8

RGB 42 64 232

HSL 233.05, 0.81%, 0.54%

LAB 37.82, 51.69, -85.67

 

CMYK 69 / 82 / 0 / 9

HEX #472AE8

RGB 71 42 232

HSL 249.16, 0.81%, 0.54%

LAB 35.64, 64.51, -89.23

 

CMYK 47 / 82 / 0 / 9

HEX #7B2AE8

RGB 123 42 232

HSL 265.58, 0.81%, 0.54%

LAB 40.72, 69.59, -80.66

 

CMYK 25 / 82 / 0 / 9

HEX #AE2AE8

RGB 174 42 232

HSL 281.68, 0.81%, 0.54%

LAB 47.6, 76.75, -69.14

 

CMYK 82 / 50 / 0 / 9

HEX #2A73E8

RGB 42 115 232

HSL 216.95, 0.81%, 0.54%

LAB 50.19, 20.05, -65.43

 

CMYK 82 / 72 / 0 / 9

HEX #2A40E8

RGB 42 64 232

HSL 233.05, 0.81%, 0.54%

LAB 37.82, 51.69, -85.67

 

CMYK 82 / 82 / 0 / 9

HEX #2A2AE8

RGB 42 42 232

HSL 240, 0.81%, 0.54%

LAB 33.93, 62.85, -92.12

 

CMYK 82 / 50 / 0 / 9

HEX #2A73E8

RGB 42 115 232

HSL 216.95, 0.81%, 0.54%

LAB 50.19, 20.05, -65.43

 

CMYK 91 / 56 / 0 / 2

HEX #176FFB

RGB 23 111 251

HSL 216.84, 0.97%, 0.54%

LAB 50.12, 28.61, -76.18

 

CMYK 82 / 50 / 0 / 9

HEX #2A73E8

RGB 42 115 232

HSL 216.95, 0.81%, 0.54%

LAB 50.19, 20.05, -65.43

 

CMYK 71 / 44 / 0 / 16

HEX #3D78D5

RGB 61 120 213

HSL 216.71, 0.64%, 0.54%

LAB 50.95, 11.99, -53.46

 

CMYK 59 / 36 / 0 / 24

HEX #507CC2

RGB 80 124 194

HSL 216.84, 0.48%, 0.54%

LAB 51.86, 6.17, -41.16

 

CMYK 43 / 27 / 0 / 31

HEX #6380AF

RGB 99 128 175

HSL 217.11, 0.32%, 0.54%

LAB 53.15, 2.28, -28.14

 

CMYK 24 / 15 / 0 / 39

HEX #76859C

RGB 118 133 156

HSL 216.32, 0.16%, 0.54%

LAB 55.1, -0.13, -14.08

 

CMYK 82 / 5 / 0 / 9

HEX #2ADCE8

RGB 42 220 232

HSL 183.79, 0.81%, 0.54%

LAB 80.46, -37.65, -18.04

 

CMYK 82 / 27 / 0 / 9

HEX #2AA9E8

RGB 42 169 232

HSL 199.89, 0.81%, 0.54%

LAB 65.51, -12.01, -41.04

 

CMYK 82 / 49 / 0 / 9

HEX #2A76E8

RGB 42 118 232

HSL 216, 0.81%, 0.54%

LAB 51.01, 18.16, -64.11

 

CMYK 82 / 71 / 0 / 9

HEX #2A44E8

RGB 42 68 232

HSL 231.79, 0.81%, 0.54%

LAB 38.64, 49.39, -84.31

 

CMYK 71 / 82 / 0 / 9

HEX #442AE8

RGB 68 42 232

HSL 248.21, 0.81%, 0.54%

LAB 35.42, 64.3, -89.6

 

CMYK 90 / 55 / 0 / 32

HEX #124EAE

RGB 18 78 174

HSL 216.92, 0.81%, 0.38%

LAB 35.27, 19.79, -56.21

 

CMYK 90 / 55 / 0 / 17

HEX #165FD3

RGB 22 95 211

HSL 216.83, 0.81%, 0.46%

LAB 42.85, 23.45, -65.45

 

CMYK 82 / 50 / 0 / 9

HEX #2A73E8

RGB 42 115 232

HSL 216.95, 0.81%, 0.54%

LAB 50.19, 20.05, -65.43

 

CMYK 66 / 41 / 0 / 7

HEX #508CEC

RGB 80 140 236

HSL 216.92, 0.8%, 0.62%

LAB 58.53, 10.78, -54.21

 

CMYK 51 / 32 / 0 / 6

HEX #75A4F0

RGB 117 164 240

HSL 217.07, 0.8%, 0.7%

LAB 66.99, 5.16, -42.91

 

CMYK 82 / 51 / 0 / 9

HEX #2973E9

RGB 41 115 233

HSL 216.88, 0.81%, 0.54%

LAB 50.23, 20.35, -65.92

 

CMYK 16 / 82 / 0 / 9

HEX #C22AE8

RGB 194 42 232

HSL 288, 0.81%, 0.54%

LAB 50.63, 79.98, -64.09

 

CMYK 16 / 0 / 82 / 9

HEX #C2E82A

RGB 194 232 42

HSL 72, 0.81%, 0.54%

LAB 86.68, -34.89, 78.9

 

CMYK 82 / 51 / 0 / 9

HEX #2973E9

RGB 41 115 233

HSL 216.88, 0.81%, 0.54%

LAB 50.23, 20.35, -65.92

 

CMYK 0 / 82 / 49 / 9

HEX #E82A76

RGB 232 42 118

HSL 336, 0.81%, 0.54%

LAB 51.97, 73.33, 5.33

 

CMYK 49 / 0 / 82 / 9

HEX #76E82A

RGB 118 232 42

HSL 96, 0.81%, 0.54%

LAB 82.77, -61.49, 73.96

 

CMYK 82 / 51 / 0 / 9

HEX #2973E9

RGB 41 115 233

HSL 216.88, 0.81%, 0.54%

LAB 50.23, 20.35, -65.92

 

CMYK 16 / 82 / 0 / 9

HEX #C22AE8

RGB 194 42 232

HSL 288, 0.81%, 0.54%

LAB 50.63, 79.98, -64.09

 

CMYK 0 / 33 / 82 / 9

HEX #E89C2A

RGB 232 156 42

HSL 36, 0.81%, 0.54%

LAB 70.25, 19.63, 65.92

 

CMYK 66 / 0 / 82 / 9

HEX #50E82A

RGB 80 232 42

HSL 108, 0.81%, 0.54%

LAB 81.61, -70.81, 72.48

 

CMYK 82 / 51 / 0 / 9

HEX #2973E9

RGB 41 115 233

HSL 216.88, 0.81%, 0.54%

LAB 50.23, 20.35, -65.92

 

CMYK 0 / 82 / 8 / 9

HEX #E82AD5

RGB 232 42 213

HSL 306, 0.81%, 0.54%

LAB 55.7, 83.84, -44.85

 

CMYK 0 / 33 / 82 / 9

HEX #E89C2A

RGB 232 156 42

HSL 36, 0.81%, 0.54%

LAB 70.25, 19.63, 65.92

 

CMYK 82 / 0 / 74 / 9

HEX #2AE83D

RGB 42 232 61

HSL 126, 0.81%, 0.54%

LAB 81.04, -75.39, 66.13

 

Description

Color code: HEX #2973E9 | qconv.com Color code: HEX #2973E9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 115 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 115 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 51 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 51% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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