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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A7028 it is the complementary color #D58FD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A7028. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A7028 shade: #2F7023, #408236, #519449, #62A65C and #73B86F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A7028. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A7028 shade: #2A7028, #195E15, #084C02, #003A00 and #002800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A7028 shade: #2A7028, #3D7028, #517028, #647028 and #706828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A7028 shade: #2A7028, #287039, #28704D, #287060 and #286C70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A7028 shade matches the following richer shades: #2A7028, #1E7C1C, #13890F and #079503

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A7028 shade: #2A7028, #366434, #415741, #4D4B4D and #593E5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A7028 shade: #517028, #3E7028, #2A7028, #287039 and #28704C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A7028 shade: #133312, #1F521D, #2A7028, #368E33 and #41AD3E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A7028 shade: #2A7028, #286470 and #702847

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A7028 shade: #2A7028, #282A70 and #70282A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A7028 shade: #2A7028, #286470, #6E2870 and #703428

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A7028 shade: #2A7028, #284E70, #6E2870 and #704A28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 64 / 56

HEX #2A7028

RGB 42 112 40

HSL 118.33, 0.47%, 0.3%

LAB 41.59, -37.32, 32.84

 

Complementary color

CMYK 1 / 33 / 0 / 16

HEX #D58FD7

RGB 213 143 215

HSL 298.33, 0.47%, 0.7%

LAB 68.53, 38, -26.17

 

CMYK 58 / 0 / 69 / 56

HEX #2F7023

RGB 47 112 35

HSL 110.65, 0.52%, 0.29%

LAB 41.71, -36.51, 35.41

 

CMYK 51 / 0 / 58 / 49

HEX #408236

RGB 64 130 54

HSL 112.11, 0.41%, 0.36%

LAB 48.66, -36.82, 34.27

 

CMYK 45 / 0 / 51 / 42

HEX #519449

RGB 81 148 73

HSL 113.6, 0.34%, 0.43%

LAB 55.49, -36.84, 32.96

 

CMYK 41 / 0 / 45 / 35

HEX #62A65C

RGB 98 166 92

HSL 115.14, 0.29%, 0.51%

LAB 62.2, -36.72, 31.65

 

CMYK 38 / 0 / 40 / 28

HEX #73B86F

RGB 115 184 111

HSL 116.71, 0.34%, 0.58%

LAB 68.8, -36.53, 30.38

 

CMYK 63 / 0 / 64 / 56

HEX #2A7028

RGB 42 112 40

HSL 118.33, 0.47%, 0.3%

LAB 41.59, -37.32, 32.84

 

CMYK 73 / 0 / 78 / 63

HEX #195E15

RGB 25 94 21

HSL 116.71, 0.63%, 0.23%

LAB 34.53, -36.4, 33.78

 

CMYK 89 / 0 / 97 / 70

HEX #084C02

RGB 8 76 2

HSL 115.14, 0.95%, 0.15%

LAB 27.37, -34.45, 33.97

 

CMYK 100 / 0 / 100 / 77

HEX #003A00

RGB 0 58 0

HSL 120, 1%, 0.11%

LAB 20.15, -30.03, 27.52

 

CMYK 100 / 0 / 100 / 84

HEX #002800

RGB 0 40 0

HSL 120, 1%, 0.08%

LAB 12.72, -23.74, 18.31

 

CMYK 63 / 0 / 64 / 56

HEX #2A7028

RGB 42 112 40

HSL 118.33, 0.47%, 0.3%

LAB 41.59, -37.32, 32.84

 

CMYK 46 / 0 / 64 / 56

HEX #3D7028

RGB 61 112 40

HSL 102.5, 0.47%, 0.3%

LAB 42.36, -31.5, 33.92

 

CMYK 28 / 0 / 64 / 56

HEX #517028

RGB 81 112 40

HSL 85.83, 0.47%, 0.3%

LAB 43.49, -23.82, 35.5

 

CMYK 11 / 0 / 64 / 56

HEX #647028

RGB 100 112 40

HSL 70, 0.47%, 0.3%

LAB 44.87, -15.57, 37.41

 

CMYK 0 / 7 / 64 / 56

HEX #706828

RGB 112 104 40

HSL 53.33, 0.47%, 0.3%

LAB 43.51, -5.55, 36.22

 

CMYK 63 / 0 / 64 / 56

HEX #2A7028

RGB 42 112 40

HSL 118.33, 0.47%, 0.3%

LAB 41.59, -37.32, 32.84

 

CMYK 64 / 0 / 49 / 56

HEX #287039

RGB 40 112 57

HSL 134.17, 0.47%, 0.3%

LAB 41.74, -35.32, 24.04

 

CMYK 64 / 0 / 31 / 56

HEX #28704D

RGB 40 112 77

HSL 150.83, 0.47%, 0.3%

LAB 42.12, -31.3, 12.99

 

CMYK 64 / 0 / 14 / 56

HEX #287060

RGB 40 112 96

HSL 166.67, 0.47%, 0.3%

LAB 42.59, -26.5, 2.3

 

CMYK 64 / 4 / 0 / 56

HEX #286C70

RGB 40 108 112

HSL 183.33, 0.47%, 0.3%

LAB 41.76, -19.71, -8.59

 

CMYK 63 / 0 / 64 / 56

HEX #2A7028

RGB 42 112 40

HSL 118.33, 0.47%, 0.3%

LAB 41.59, -37.32, 32.84

 

CMYK 76 / 0 / 77 / 51

HEX #1E7C1C

RGB 30 124 28

HSL 118.75, 0.63%, 0.3%

LAB 45.32, -45.64, 41.95

 

CMYK 86 / 0 / 89 / 46

HEX #13890F

RGB 19 137 15

HSL 118.03, 0.8%, 0.3%

LAB 49.57, -52.24, 49.78

 

CMYK 95 / 0 / 98 / 42

HEX #079503

RGB 7 149 3

HSL 118.36, 0.96%, 0.3%

LAB 53.54, -57.19, 55.28

 

CMYK 63 / 0 / 64 / 56

HEX #2A7028

RGB 42 112 40

HSL 118.33, 0.47%, 0.3%

LAB 41.59, -37.32, 32.84

 

CMYK 46 / 0 / 48 / 61

HEX #366434

RGB 54 100 52

HSL 117.5, 0.32%, 0.3%

LAB 38.1, -26.68, 22.37

 

CMYK 25 / 0 / 25 / 66

HEX #415741

RGB 65 87 65

HSL 120, 0.14%, 0.3%

LAB 34.64, -13.38, 10.12

 

CMYK 0 / 3 / 0 / 70

HEX #4D4B4D

RGB 77 75 77

HSL 300, 0.01%, 0.3%

LAB 32.14, 1.26, -0.9

 

CMYK 1 / 31 / 0 / 65

HEX #593E5A

RGB 89 62 90

HSL 297.86, 0.18%, 0.3%

LAB 30.17, 17.21, -12.06

 

CMYK 28 / 0 / 64 / 56

HEX #517028

RGB 81 112 40

HSL 85.83, 0.47%, 0.3%

LAB 43.49, -23.82, 35.5

 

CMYK 45 / 0 / 64 / 56

HEX #3E7028

RGB 62 112 40

HSL 101.67, 0.47%, 0.3%

LAB 42.41, -31.15, 33.99

 

CMYK 63 / 0 / 64 / 56

HEX #2A7028

RGB 42 112 40

HSL 118.33, 0.47%, 0.3%

LAB 41.59, -37.32, 32.84

 

CMYK 64 / 0 / 49 / 56

HEX #287039

RGB 40 112 57

HSL 134.17, 0.47%, 0.3%

LAB 41.74, -35.32, 24.04

 

CMYK 64 / 0 / 32 / 56

HEX #28704C

RGB 40 112 76

HSL 150, 0.47%, 0.3%

LAB 42.09, -31.53, 13.56

 

CMYK 63 / 0 / 65 / 80

HEX #133312

RGB 19 51 18

HSL 118.18, 0.48%, 0.14%

LAB 18.14, -20.06, 17.23

 

CMYK 62 / 0 / 65 / 68

HEX #1F521D

RGB 31 82 29

HSL 117.74, 0.48%, 0.22%

LAB 30.44, -29.12, 25.59

 

CMYK 63 / 0 / 64 / 56

HEX #2A7028

RGB 42 112 40

HSL 118.33, 0.47%, 0.3%

LAB 41.59, -37.32, 32.84

 

CMYK 62 / 0 / 64 / 44

HEX #368E33

RGB 54 142 51

HSL 118.02, 0.47%, 0.38%

LAB 52.25, -44.82, 39.74

 

CMYK 62 / 0 / 64 / 32

HEX #41AD3E

RGB 65 173 62

HSL 118.38, 0.47%, 0.46%

LAB 62.81, -52.6, 46.67

 

CMYK 63 / 0 / 64 / 56

HEX #2A7028

RGB 42 112 40

HSL 118.33, 0.47%, 0.3%

LAB 41.59, -37.32, 32.84

 

CMYK 64 / 11 / 0 / 56

HEX #286470

RGB 40 100 112

HSL 190, 0.47%, 0.3%

LAB 39.13, -15.3, -12.56

 

CMYK 0 / 64 / 37 / 56

HEX #702847

RGB 112 40 71

HSL 334.17, 0.47%, 0.3%

LAB 27.89, 35.09, -2.71

 

CMYK 63 / 0 / 64 / 56

HEX #2A7028

RGB 42 112 40

HSL 118.33, 0.47%, 0.3%

LAB 41.59, -37.32, 32.84

 

CMYK 64 / 63 / 0 / 56

HEX #282A70

RGB 40 42 112

HSL 238.33, 0.47%, 0.3%

LAB 21.12, 22.57, -40.92

 

CMYK 0 / 64 / 63 / 56

HEX #70282A

RGB 112 40 42

HSL 358.33, 0.47%, 0.3%

LAB 27.1, 32.05, 15.52

 

CMYK 63 / 0 / 64 / 56

HEX #2A7028

RGB 42 112 40

HSL 118.33, 0.47%, 0.3%

LAB 41.59, -37.32, 32.84

 

CMYK 64 / 11 / 0 / 56

HEX #286470

RGB 40 100 112

HSL 190, 0.47%, 0.3%

LAB 39.13, -15.3, -12.56

 

CMYK 2 / 64 / 0 / 56

HEX #6E2870

RGB 110 40 112

HSL 298.33, 0.47%, 0.3%

LAB 29.42, 41.17, -27.13

 

CMYK 0 / 54 / 64 / 56

HEX #703428

RGB 112 52 40

HSL 10, 0.47%, 0.3%

LAB 29.55, 25.44, 19.93

 

CMYK 63 / 0 / 64 / 56

HEX #2A7028

RGB 42 112 40

HSL 118.33, 0.47%, 0.3%

LAB 41.59, -37.32, 32.84

 

CMYK 64 / 30 / 0 / 56

HEX #284E70

RGB 40 78 112

HSL 208.33, 0.47%, 0.3%

LAB 31.97, -2.02, -23.61

 

CMYK 2 / 64 / 0 / 56

HEX #6E2870

RGB 110 40 112

HSL 298.33, 0.47%, 0.3%

LAB 29.42, 41.17, -27.13

 

CMYK 0 / 34 / 64 / 56

HEX #704A28

RGB 112 74 40

HSL 28.33, 0.47%, 0.3%

LAB 34.99, 12.35, 26.55

 

Description

Color code: HEX #2A7028 | qconv.com Color code: HEX #2A7028 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 112 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 112 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 64 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 64% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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