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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D7028 it is the complementary color #C28FD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D7028. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D7028 shade: #427023, #538236, #649449, #75A65C and #86B86F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D7028. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D7028 shade: #3D7028, #2C5E15, #1B4C02, #0A3A00 and #002800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D7028 shade: #3D7028, #507028, #647028, #706928 and #705528

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D7028 shade: #3D7028, #2A7028, #28703A, #28704D and #287061

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D7028 shade matches the following richer shades: #3D7028, #387C1C, #33890F and #2E9503

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D7028 shade: #3D7028, #426434, #475741, #4C4B4D and #523E5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D7028 shade: #647028, #517028, #3E7028, #2A7028 and #287039

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D7028 shade: #1C3312, #2C521D, #3D7028, #4E8E33 and #5EAD3E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D7028 shade: #3D7028, #287069 and #70285A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D7028 shade: #3D7028, #283E70 and #70283E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D7028 shade: #3D7028, #287069, #5A2870 and #70282F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D7028 shade: #3D7028, #286270, #5A2870 and #703628

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 64 / 56

HEX #3D7028

RGB 61 112 40

HSL 102.5, 0.47%, 0.3%

LAB 42.36, -31.5, 33.92

 

Complementary color

CMYK 10 / 33 / 0 / 16

HEX #C28FD7

RGB 194 143 215

HSL 282.5, 0.47%, 0.7%

LAB 66.54, 32.02, -29.41

 

CMYK 41 / 0 / 69 / 56

HEX #427023

RGB 66 112 35

HSL 95.84, 0.52%, 0.29%

LAB 42.56, -30.21, 36.58

 

CMYK 36 / 0 / 58 / 49

HEX #538236

RGB 83 130 54

HSL 97.11, 0.41%, 0.36%

LAB 49.58, -30.35, 35.58

 

CMYK 32 / 0 / 51 / 42

HEX #649449

RGB 100 148 73

HSL 98.4, 0.34%, 0.43%

LAB 56.46, -30.33, 34.36

 

CMYK 30 / 0 / 45 / 35

HEX #75A65C

RGB 117 166 92

HSL 99.73, 0.29%, 0.51%

LAB 63.2, -30.23, 33.12

 

CMYK 27 / 0 / 40 / 28

HEX #86B86F

RGB 134 184 111

HSL 101.1, 0.34%, 0.58%

LAB 69.82, -30.09, 31.9

 

CMYK 46 / 0 / 64 / 56

HEX #3D7028

RGB 61 112 40

HSL 102.5, 0.47%, 0.3%

LAB 42.36, -31.5, 33.92

 

CMYK 53 / 0 / 78 / 63

HEX #2C5E15

RGB 44 94 21

HSL 101.1, 0.63%, 0.23%

LAB 35.19, -31.13, 34.67

 

CMYK 64 / 0 / 97 / 70

HEX #1B4C02

RGB 27 76 2

HSL 99.73, 0.95%, 0.15%

LAB 27.86, -30.22, 34.59

 

CMYK 83 / 0 / 100 / 77

HEX #0A3A00

RGB 10 58 0

HSL 109.66, 1%, 0.11%

LAB 20.4, -27.75, 27.88

 

CMYK 100 / 0 / 100 / 84

HEX #002800

RGB 0 40 0

HSL 120, 1%, 0.08%

LAB 12.72, -23.74, 18.31

 

CMYK 46 / 0 / 64 / 56

HEX #3D7028

RGB 61 112 40

HSL 102.5, 0.47%, 0.3%

LAB 42.36, -31.5, 33.92

 

CMYK 29 / 0 / 64 / 56

HEX #507028

RGB 80 112 40

HSL 86.67, 0.47%, 0.3%

LAB 43.43, -24.24, 35.41

 

CMYK 11 / 0 / 64 / 56

HEX #647028

RGB 100 112 40

HSL 70, 0.47%, 0.3%

LAB 44.87, -15.57, 37.41

 

CMYK 0 / 6 / 64 / 56

HEX #706928

RGB 112 105 40

HSL 54.17, 0.47%, 0.3%

LAB 43.8, -6.12, 36.55

 

CMYK 0 / 24 / 64 / 56

HEX #705528

RGB 112 85 40

HSL 37.5, 0.47%, 0.3%

LAB 38.01, 5.67, 30.07

 

CMYK 46 / 0 / 64 / 56

HEX #3D7028

RGB 61 112 40

HSL 102.5, 0.47%, 0.3%

LAB 42.36, -31.5, 33.92

 

CMYK 63 / 0 / 64 / 56

HEX #2A7028

RGB 42 112 40

HSL 118.33, 0.47%, 0.3%

LAB 41.59, -37.32, 32.84

 

CMYK 64 / 0 / 48 / 56

HEX #28703A

RGB 40 112 58

HSL 135, 0.47%, 0.3%

LAB 41.76, -35.14, 23.5

 

CMYK 64 / 0 / 31 / 56

HEX #28704D

RGB 40 112 77

HSL 150.83, 0.47%, 0.3%

LAB 42.12, -31.3, 12.99

 

CMYK 64 / 0 / 13 / 56

HEX #287061

RGB 40 112 97

HSL 167.5, 0.47%, 0.3%

LAB 42.62, -26.23, 1.74

 

CMYK 46 / 0 / 64 / 56

HEX #3D7028

RGB 61 112 40

HSL 102.5, 0.47%, 0.3%

LAB 42.36, -31.5, 33.92

 

CMYK 55 / 0 / 77 / 51

HEX #387C1C

RGB 56 124 28

HSL 102.5, 0.63%, 0.3%

LAB 46.1, -39.35, 42.97

 

CMYK 63 / 0 / 89 / 46

HEX #33890F

RGB 51 137 15

HSL 102.3, 0.8%, 0.3%

LAB 50.25, -46.44, 50.64

 

CMYK 69 / 0 / 98 / 42

HEX #2E9503

RGB 46 149 3

HSL 102.33, 0.96%, 0.3%

LAB 54.11, -52.15, 55.98

 

CMYK 46 / 0 / 64 / 56

HEX #3D7028

RGB 61 112 40

HSL 102.5, 0.47%, 0.3%

LAB 42.36, -31.5, 33.92

 

CMYK 34 / 0 / 48 / 61

HEX #426434

RGB 66 100 52

HSL 102.5, 0.32%, 0.3%

LAB 38.76, -22.31, 23.33

 

CMYK 18 / 0 / 25 / 66

HEX #475741

RGB 71 87 65

HSL 103.64, 0.14%, 0.3%

LAB 35.08, -10.97, 10.78

 

CMYK 1 / 3 / 0 / 70

HEX #4C4B4D

RGB 76 75 77

HSL 270, 0.01%, 0.3%

LAB 32.04, 0.85, -1.05

 

CMYK 9 / 31 / 0 / 65

HEX #523E5A

RGB 82 62 90

HSL 282.86, 0.18%, 0.3%

LAB 29.36, 14.56, -13.39

 

CMYK 11 / 0 / 64 / 56

HEX #647028

RGB 100 112 40

HSL 70, 0.47%, 0.3%

LAB 44.87, -15.57, 37.41

 

CMYK 28 / 0 / 64 / 56

HEX #517028

RGB 81 112 40

HSL 85.83, 0.47%, 0.3%

LAB 43.49, -23.82, 35.5

 

CMYK 45 / 0 / 64 / 56

HEX #3E7028

RGB 62 112 40

HSL 101.67, 0.47%, 0.3%

LAB 42.41, -31.15, 33.99

 

CMYK 63 / 0 / 64 / 56

HEX #2A7028

RGB 42 112 40

HSL 118.33, 0.47%, 0.3%

LAB 41.59, -37.32, 32.84

 

CMYK 64 / 0 / 49 / 56

HEX #287039

RGB 40 112 57

HSL 134.17, 0.47%, 0.3%

LAB 41.74, -35.32, 24.04

 

CMYK 45 / 0 / 65 / 80

HEX #1C3312

RGB 28 51 18

HSL 101.82, 0.48%, 0.14%

LAB 18.62, -16.64, 17.92

 

CMYK 46 / 0 / 65 / 68

HEX #2C521D

RGB 44 82 29

HSL 103.02, 0.48%, 0.22%

LAB 31.02, -24.81, 26.41

 

CMYK 46 / 0 / 64 / 56

HEX #3D7028

RGB 61 112 40

HSL 102.5, 0.47%, 0.3%

LAB 42.36, -31.5, 33.92

 

CMYK 45 / 0 / 64 / 44

HEX #4E8E33

RGB 78 142 51

HSL 102.2, 0.47%, 0.38%

LAB 53.17, -37.85, 41.03

 

CMYK 46 / 0 / 64 / 32

HEX #5EAD3E

RGB 94 173 62

HSL 102.7, 0.47%, 0.46%

LAB 63.85, -44.66, 48.11

 

CMYK 46 / 0 / 64 / 56

HEX #3D7028

RGB 61 112 40

HSL 102.5, 0.47%, 0.3%

LAB 42.36, -31.5, 33.92

 

CMYK 64 / 0 / 6 / 56

HEX #287069

RGB 40 112 105

HSL 174.17, 0.47%, 0.3%

LAB 42.85, -23.94, -2.73

 

CMYK 0 / 64 / 20 / 56

HEX #70285A

RGB 112 40 90

HSL 318.33, 0.47%, 0.3%

LAB 28.64, 37.86, -14.11

 

CMYK 46 / 0 / 64 / 56

HEX #3D7028

RGB 61 112 40

HSL 102.5, 0.47%, 0.3%

LAB 42.36, -31.5, 33.92

 

CMYK 64 / 45 / 0 / 56

HEX #283E70

RGB 40 62 112

HSL 221.67, 0.47%, 0.3%

LAB 26.92, 8.64, -31.57

 

CMYK 0 / 64 / 45 / 56

HEX #70283E

RGB 112 40 62

HSL 341.67, 0.47%, 0.3%

LAB 27.6, 33.99, 2.87

 

CMYK 46 / 0 / 64 / 56

HEX #3D7028

RGB 61 112 40

HSL 102.5, 0.47%, 0.3%

LAB 42.36, -31.5, 33.92

 

CMYK 64 / 0 / 6 / 56

HEX #287069

RGB 40 112 105

HSL 174.17, 0.47%, 0.3%

LAB 42.85, -23.94, -2.73

 

CMYK 20 / 64 / 0 / 56

HEX #5A2870

RGB 90 40 112

HSL 281.67, 0.47%, 0.3%

LAB 26.34, 35.72, -32.22

 

CMYK 0 / 64 / 58 / 56

HEX #70282F

RGB 112 40 47

HSL 354.17, 0.47%, 0.3%

LAB 27.21, 32.46, 12.34

 

CMYK 46 / 0 / 64 / 56

HEX #3D7028

RGB 61 112 40

HSL 102.5, 0.47%, 0.3%

LAB 42.36, -31.5, 33.92

 

CMYK 64 / 13 / 0 / 56

HEX #286270

RGB 40 98 112

HSL 191.67, 0.47%, 0.3%

LAB 38.47, -14.16, -13.56

 

CMYK 20 / 64 / 0 / 56

HEX #5A2870

RGB 90 40 112

HSL 281.67, 0.47%, 0.3%

LAB 26.34, 35.72, -32.22

 

CMYK 0 / 52 / 64 / 56

HEX #703628

RGB 112 54 40

HSL 11.67, 0.47%, 0.3%

LAB 30, 24.3, 20.5

 

Description

Color code: HEX #3D7028 | qconv.com Color code: HEX #3D7028 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 112 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 112 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 64 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 64% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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