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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A7097 it is the complementary color #D58F68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A7097. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A7097 shade: #2F7092, #4082A5, #5194B8, #62A6CB and #73B8DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A7097. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A7097 shade: #2A7097, #195E84, #084C71, #003A5E and #00284B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A7097 shade: #2A7097, #2A5397, #2A3597, #3C2A97 and #5A2A97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A7097 shade: #2A7097, #2A5397, #2A3597 and #2A2A97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A7097 shade matches the following richer shades: #2A7097, #1A74A6 and #0B79B6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A7097 shade: #2A7097, #3A6B87, #496777, #596268 and #695E58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A7097 shade: #2A9783, #2A8E97, #2A7197, #2A5497 and #2A3797

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A7097 shade: #184056, #215876, #2A7097, #3388B7 and #489CCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A7097 shade: #2A7097, #662A97 and #97912A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A7097 shade: #2A7097, #972A71 and #71972A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A7097 shade: #2A7097, #662A97, #97502A and #5B972A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A7097 shade: #2A7097, #862A97, #97502A and #3A972A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 26 / 0 / 41

HEX #2A7097

RGB 42 112 151

HSL 201.47, 0.56%, 0.38%

LAB 44.68, -8.41, -27.5

 

Complementary color

CMYK 0 / 33 / 51 / 16

HEX #D58F68

RGB 213 143 104

HSL 21.47, 0.56%, 0.62%

LAB 65.59, 22.29, 31.48

 

CMYK 68 / 23 / 0 / 43

HEX #2F7092

RGB 47 112 146

HSL 200.61, 0.51%, 0.38%

LAB 44.61, -9.36, -24.62

 

CMYK 61 / 21 / 0 / 35

HEX #4082A5

RGB 64 130 165

HSL 200.79, 0.44%, 0.45%

LAB 51.58, -10.19, -24.94

 

CMYK 56 / 20 / 0 / 28

HEX #5194B8

RGB 81 148 184

HSL 200.97, 0.42%, 0.52%

LAB 58.41, -10.79, -25.24

 

CMYK 52 / 18 / 0 / 20

HEX #62A6CB

RGB 98 166 203

HSL 201.14, 0.5%, 0.59%

LAB 65.11, -11.24, -25.53

 

CMYK 48 / 17 / 0 / 13

HEX #73B8DE

RGB 115 184 222

HSL 201.31, 0.62%, 0.66%

LAB 71.69, -11.6, -25.81

 

CMYK 72 / 26 / 0 / 41

HEX #2A7097

RGB 42 112 151

HSL 201.47, 0.56%, 0.38%

LAB 44.68, -8.41, -27.5

 

CMYK 81 / 29 / 0 / 48

HEX #195E84

RGB 25 94 132

HSL 201.31, 0.68%, 0.31%

LAB 37.62, -6.94, -27.15

 

CMYK 93 / 33 / 0 / 56

HEX #084C71

RGB 8 76 113

HSL 201.14, 0.87%, 0.24%

LAB 30.43, -4.82, -26.71

 

CMYK 100 / 38 / 0 / 63

HEX #003A5E

RGB 0 58 94

HSL 202.98, 1%, 0.18%

LAB 23.12, -1.73, -26.11

 

CMYK 100 / 47 / 0 / 71

HEX #00284B

RGB 0 40 75

HSL 208, 1%, 0.15%

LAB 15.62, 2.4, -25.37

 

CMYK 72 / 26 / 0 / 41

HEX #2A7097

RGB 42 112 151

HSL 201.47, 0.56%, 0.38%

LAB 44.68, -8.41, -27.5

 

CMYK 72 / 45 / 0 / 41

HEX #2A5397

RGB 42 83 151

HSL 217.43, 0.56%, 0.38%

LAB 35.82, 9.78, -41.51

 

CMYK 72 / 65 / 0 / 41

HEX #2A3597

RGB 42 53 151

HSL 233.94, 0.56%, 0.38%

LAB 27.5, 29.92, -54.98

 

CMYK 60 / 72 / 0 / 41

HEX #3C2A97

RGB 60 42 151

HSL 249.91, 0.56%, 0.38%

LAB 26.31, 39.27, -56.88

 

CMYK 40 / 72 / 0 / 41

HEX #5A2A97

RGB 90 42 151

HSL 266.42, 0.56%, 0.38%

LAB 29.57, 44.47, -51.41

 

CMYK 72 / 26 / 0 / 41

HEX #2A7097

RGB 42 112 151

HSL 201.47, 0.56%, 0.38%

LAB 44.68, -8.41, -27.5

 

CMYK 72 / 45 / 0 / 41

HEX #2A5397

RGB 42 83 151

HSL 217.43, 0.56%, 0.38%

LAB 35.82, 9.78, -41.51

 

CMYK 72 / 65 / 0 / 41

HEX #2A3597

RGB 42 53 151

HSL 233.94, 0.56%, 0.38%

LAB 27.5, 29.92, -54.98

 

CMYK 72 / 72 / 0 / 41

HEX #2A2A97

RGB 42 42 151

HSL 240, 0.56%, 0.38%

LAB 24.9, 36.92, -59.25

 

CMYK 72 / 26 / 0 / 41

HEX #2A7097

RGB 42 112 151

HSL 201.47, 0.56%, 0.38%

LAB 44.68, -8.41, -27.5

 

CMYK 84 / 30 / 0 / 35

HEX #1A74A6

RGB 26 116 166

HSL 201.43, 0.73%, 0.38%

LAB 46.26, -7.15, -33.89

 

CMYK 94 / 34 / 0 / 29

HEX #0B79B6

RGB 11 121 182

HSL 201.4, 0.89%, 0.38%

LAB 48.42, -4.96, -39.82

 

CMYK 72 / 26 / 0 / 41

HEX #2A7097

RGB 42 112 151

HSL 201.47, 0.56%, 0.38%

LAB 44.68, -8.41, -27.5

 

CMYK 57 / 21 / 0 / 47

HEX #3A6B87

RGB 58 107 135

HSL 201.82, 0.4%, 0.38%

LAB 43.01, -7.95, -20.5

 

CMYK 39 / 13 / 0 / 53

HEX #496777

RGB 73 103 119

HSL 200.87, 0.24%, 0.38%

LAB 41.92, -6.53, -12.44

 

CMYK 14 / 6 / 0 / 59

HEX #596268

RGB 89 98 104

HSL 204, 0.08%, 0.38%

LAB 40.99, -2.09, -4.59

 

CMYK 0 / 10 / 16 / 59

HEX #695E58

RGB 105 94 88

HSL 21.18, 0.09%, 0.38%

LAB 40.76, 3.3, 5.04

 

CMYK 72 / 0 / 13 / 41

HEX #2A9783

RGB 42 151 131

HSL 168.99, 0.56%, 0.38%

LAB 56.35, -35.1, 1.78

 

CMYK 72 / 6 / 0 / 41

HEX #2A8E97

RGB 42 142 151

HSL 184.95, 0.56%, 0.38%

LAB 54.1, -24.87, -13.04

 

CMYK 72 / 25 / 0 / 41

HEX #2A7197

RGB 42 113 151

HSL 200.92, 0.56%, 0.38%

LAB 44.99, -9, -27.01

 

CMYK 72 / 44 / 0 / 41

HEX #2A5497

RGB 42 84 151

HSL 216.88, 0.56%, 0.38%

LAB 36.11, 9.12, -41.03

 

CMYK 72 / 64 / 0 / 41

HEX #2A3797

RGB 42 55 151

HSL 232.84, 0.56%, 0.38%

LAB 28, 28.6, -54.15

 

CMYK 72 / 26 / 0 / 66

HEX #184056

RGB 24 64 86

HSL 201.29, 0.56%, 0.22%

LAB 25.36, -5.97, -17.31

 

CMYK 72 / 25 / 0 / 54

HEX #215876

RGB 33 88 118

HSL 201.18, 0.56%, 0.3%

LAB 35.22, -7.42, -22.28

 

CMYK 72 / 26 / 0 / 41

HEX #2A7097

RGB 42 112 151

HSL 201.47, 0.56%, 0.38%

LAB 44.68, -8.41, -27.5

 

CMYK 72 / 26 / 0 / 28

HEX #3388B7

RGB 51 136 183

HSL 201.36, 0.56%, 0.46%

LAB 53.74, -9.71, -31.98

 

CMYK 65 / 23 / 0 / 20

HEX #489CCB

RGB 72 156 203

HSL 201.53, 0.56%, 0.54%

LAB 61.19, -10.91, -31.65

 

CMYK 72 / 26 / 0 / 41

HEX #2A7097

RGB 42 112 151

HSL 201.47, 0.56%, 0.38%

LAB 44.68, -8.41, -27.5

 

CMYK 32 / 72 / 0 / 41

HEX #662A97

RGB 102 42 151

HSL 273.03, 0.56%, 0.38%

LAB 31.15, 46.86, -48.77

 

CMYK 0 / 4 / 72 / 41

HEX #97912A

RGB 151 145 42

HSL 56.7, 0.56%, 0.38%

LAB 58.97, -10.2, 52.43

 

CMYK 72 / 26 / 0 / 41

HEX #2A7097

RGB 42 112 151

HSL 201.47, 0.56%, 0.38%

LAB 44.68, -8.41, -27.5

 

CMYK 0 / 72 / 25 / 41

HEX #972A71

RGB 151 42 113

HSL 320.92, 0.56%, 0.38%

LAB 36.79, 51.76, -15.75

 

CMYK 25 / 0 / 72 / 41

HEX #71972A

RGB 113 151 42

HSL 80.92, 0.56%, 0.38%

LAB 57.86, -29.66, 50.36

 

CMYK 72 / 26 / 0 / 41

HEX #2A7097

RGB 42 112 151

HSL 201.47, 0.56%, 0.38%

LAB 44.68, -8.41, -27.5

 

CMYK 32 / 72 / 0 / 41

HEX #662A97

RGB 102 42 151

HSL 273.03, 0.56%, 0.38%

LAB 31.15, 46.86, -48.77

 

CMYK 0 / 47 / 72 / 41

HEX #97502A

RGB 151 80 42

HSL 20.92, 0.56%, 0.38%

LAB 41.97, 26.47, 34.86

 

CMYK 40 / 0 / 72 / 41

HEX #5B972A

RGB 91 151 42

HSL 93.03, 0.56%, 0.38%

LAB 56.61, -38.05, 48.7

 

CMYK 72 / 26 / 0 / 41

HEX #2A7097

RGB 42 112 151

HSL 201.47, 0.56%, 0.38%

LAB 44.68, -8.41, -27.5

 

CMYK 11 / 72 / 0 / 41

HEX #862A97

RGB 134 42 151

HSL 290.64, 0.56%, 0.38%

LAB 35.9, 53.76, -40.87

 

CMYK 0 / 47 / 72 / 41

HEX #97502A

RGB 151 80 42

HSL 20.92, 0.56%, 0.38%

LAB 41.97, 26.47, 34.86

 

CMYK 62 / 0 / 72 / 41

HEX #3A972A

RGB 58 151 42

HSL 111.19, 0.56%, 0.38%

LAB 55.28, -48.11, 46.91

 

Description

Color code: HEX #2A7097 | qconv.com Color code: HEX #2A7097 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 112 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 112 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 26 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 26% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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