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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A9783 it is the complementary color #D5687C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A9783. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A9783 shade: #2F977E, #40A991, #51BBA4, #62CDB7 and #73DFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A9783. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A9783 shade: #2A9783, #198570, #08735D, #00614A and #004F37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A9783 shade: #2A9783, #2A9765, #2A9748, #2A972B and #47972A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A9783 shade: #2A9783, #2A8D97, #2A7097, #2A5397 and #2A3697

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A9783 shade matches the following richer shades: #2A9783, #1AA68D and #0BB697

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A9783 shade: #2A9783, #3A8779, #49776F, #596865 and #69585B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A9783 shade: #2A9747, #2A9764, #2A9781, #2A8F97 and #2A7297

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A9783 shade: #18564B, #217667, #2A9783, #33B79F and #48CBB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A9783 shade: #2A9783, #2A2A97 and #97562A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A9783 shade: #2A9783, #812A97 and #97812A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A9783 shade: #2A9783, #2A2A97, #972A40 and #97972A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A9783 shade: #2A9783, #4B2A97, #972A40 and #76972A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 13 / 41

HEX #2A9783

RGB 42 151 131

HSL 168.99, 0.56%, 0.38%

LAB 56.35, -35.1, 1.78

 

Complementary color

CMYK 0 / 51 / 42 / 16

HEX #D5687C

RGB 213 104 124

HSL 348.99, 0.56%, 0.62%

LAB 57.56, 44.79, 9.31

 

CMYK 69 / 0 / 17 / 41

HEX #2F977E

RGB 47 151 126

HSL 165.58, 0.53%, 0.39%

LAB 56.33, -35.67, 4.61

 

CMYK 62 / 0 / 14 / 34

HEX #40A991

RGB 64 169 145

HSL 166.29, 0.45%, 0.46%

LAB 62.94, -36, 3.48

 

CMYK 57 / 0 / 12 / 27

HEX #51BBA4

RGB 81 187 164

HSL 166.98, 0.44%, 0.53%

LAB 69.45, -36.16, 2.47

 

CMYK 52 / 0 / 11 / 20

HEX #62CDB7

RGB 98 205 183

HSL 167.66, 0.52%, 0.59%

LAB 75.87, -36.2, 1.55

 

CMYK 48 / 0 / 9 / 13

HEX #73DFCA

RGB 115 223 202

HSL 168.33, 0.63%, 0.66%

LAB 82.21, -36.18, 0.69

 

CMYK 72 / 0 / 13 / 41

HEX #2A9783

RGB 42 151 131

HSL 168.99, 0.56%, 0.38%

LAB 56.35, -35.1, 1.78

 

CMYK 81 / 0 / 16 / 48

HEX #198570

RGB 25 133 112

HSL 168.33, 0.68%, 0.31%

LAB 49.68, -34.28, 3.04

 

CMYK 93 / 0 / 19 / 55

HEX #08735D

RGB 8 115 93

HSL 167.66, 0.87%, 0.24%

LAB 42.92, -32.97, 4.5

 

CMYK 100 / 0 / 24 / 62

HEX #00614A

RGB 0 97 74

HSL 165.77, 1%, 0.19%

LAB 36.07, -30.91, 6.24

 

CMYK 100 / 0 / 30 / 69

HEX #004F37

RGB 0 79 55

HSL 161.77, 1%, 0.15%

LAB 29.08, -28.18, 8.25

 

CMYK 72 / 0 / 13 / 41

HEX #2A9783

RGB 42 151 131

HSL 168.99, 0.56%, 0.38%

LAB 56.35, -35.1, 1.78

 

CMYK 72 / 0 / 33 / 41

HEX #2A9765

RGB 42 151 101

HSL 152.48, 0.56%, 0.38%

LAB 55.65, -42.47, 17.77

 

CMYK 72 / 0 / 52 / 41

HEX #2A9748

RGB 42 151 72

HSL 136.51, 0.56%, 0.38%

LAB 55.17, -47.89, 32.79

 

CMYK 72 / 0 / 72 / 41

HEX #2A972B

RGB 42 151 43

HSL 120.55, 0.56%, 0.38%

LAB 54.87, -51.47, 45.95

 

CMYK 53 / 0 / 72 / 41

HEX #47972A

RGB 71 151 42

HSL 104.04, 0.56%, 0.38%

LAB 55.73, -44.58, 47.51

 

CMYK 72 / 0 / 13 / 41

HEX #2A9783

RGB 42 151 131

HSL 168.99, 0.56%, 0.38%

LAB 56.35, -35.1, 1.78

 

CMYK 72 / 7 / 0 / 41

HEX #2A8D97

RGB 42 141 151

HSL 185.5, 0.56%, 0.38%

LAB 53.79, -24.36, -13.52

 

CMYK 72 / 26 / 0 / 41

HEX #2A7097

RGB 42 112 151

HSL 201.47, 0.56%, 0.38%

LAB 44.68, -8.41, -27.5

 

CMYK 72 / 45 / 0 / 41

HEX #2A5397

RGB 42 83 151

HSL 217.43, 0.56%, 0.38%

LAB 35.82, 9.78, -41.51

 

CMYK 72 / 64 / 0 / 41

HEX #2A3697

RGB 42 54 151

HSL 233.39, 0.56%, 0.38%

LAB 27.75, 29.26, -54.56

 

CMYK 72 / 0 / 13 / 41

HEX #2A9783

RGB 42 151 131

HSL 168.99, 0.56%, 0.38%

LAB 56.35, -35.1, 1.78

 

CMYK 84 / 0 / 15 / 35

HEX #1AA68D

RGB 26 166 141

HSL 169.29, 0.73%, 0.38%

LAB 61.15, -40.84, 3.04

 

CMYK 94 / 0 / 17 / 29

HEX #0BB697

RGB 11 182 151

HSL 169.12, 0.89%, 0.38%

LAB 66.34, -45.82, 4.96

 

CMYK 72 / 0 / 13 / 41

HEX #2A9783

RGB 42 151 131

HSL 168.99, 0.56%, 0.38%

LAB 56.35, -35.1, 1.78

 

CMYK 57 / 0 / 10 / 47

HEX #3A8779

RGB 58 135 121

HSL 169.09, 0.4%, 0.38%

LAB 51.39, -27.3, 0.38

 

CMYK 39 / 0 / 7 / 53

HEX #49776F

RGB 73 119 111

HSL 169.57, 0.24%, 0.38%

LAB 46.66, -17.75, -0.58

 

CMYK 14 / 0 / 3 / 59

HEX #596865

RGB 89 104 101

HSL 168, 0.08%, 0.38%

LAB 42.71, -6.34, -0.23

 

CMYK 0 / 16 / 13 / 59

HEX #69585B

RGB 105 88 91

HSL 349.41, 0.09%, 0.38%

LAB 39.14, 7.5, 0.85

 

CMYK 72 / 0 / 53 / 41

HEX #2A9747

RGB 42 151 71

HSL 135.96, 0.56%, 0.38%

LAB 55.16, -48.04, 33.29

 

CMYK 72 / 0 / 34 / 41

HEX #2A9764

RGB 42 151 100

HSL 151.93, 0.56%, 0.38%

LAB 55.63, -42.68, 18.3

 

CMYK 72 / 0 / 15 / 41

HEX #2A9781

RGB 42 151 129

HSL 167.89, 0.56%, 0.38%

LAB 56.3, -35.64, 2.84

 

CMYK 72 / 5 / 0 / 41

HEX #2A8F97

RGB 42 143 151

HSL 184.4, 0.56%, 0.38%

LAB 54.42, -25.38, -12.57

 

CMYK 72 / 25 / 0 / 41

HEX #2A7297

RGB 42 114 151

HSL 200.37, 0.56%, 0.38%

LAB 45.31, -9.59, -26.53

 

CMYK 72 / 0 / 13 / 66

HEX #18564B

RGB 24 86 75

HSL 169.35, 0.56%, 0.22%

LAB 32.61, -22.49, 0.69

 

CMYK 72 / 0 / 13 / 54

HEX #217667

RGB 33 118 103

HSL 169.41, 0.56%, 0.3%

LAB 44.6, -28.74, 1.01

 

CMYK 72 / 0 / 13 / 41

HEX #2A9783

RGB 42 151 131

HSL 168.99, 0.56%, 0.38%

LAB 56.35, -35.1, 1.78

 

CMYK 72 / 0 / 13 / 28

HEX #33B79F

RGB 51 183 159

HSL 169.09, 0.56%, 0.46%

LAB 67.33, -40.74, 2.05

 

CMYK 65 / 0 / 12 / 20

HEX #48CBB3

RGB 72 203 179

HSL 169.01, 0.56%, 0.54%

LAB 74.41, -41.26, 1.48

 

CMYK 72 / 0 / 13 / 41

HEX #2A9783

RGB 42 151 131

HSL 168.99, 0.56%, 0.38%

LAB 56.35, -35.1, 1.78

 

CMYK 72 / 72 / 0 / 41

HEX #2A2A97

RGB 42 42 151

HSL 240, 0.56%, 0.38%

LAB 24.9, 36.92, -59.25

 

CMYK 0 / 43 / 72 / 41

HEX #97562A

RGB 151 86 42

HSL 24.22, 0.56%, 0.38%

LAB 43.36, 23.1, 36.38

 

CMYK 72 / 0 / 13 / 41

HEX #2A9783

RGB 42 151 131

HSL 168.99, 0.56%, 0.38%

LAB 56.35, -35.1, 1.78

 

CMYK 15 / 72 / 0 / 41

HEX #812A97

RGB 129 42 151

HSL 287.89, 0.56%, 0.38%

LAB 35.12, 52.64, -42.17

 

CMYK 0 / 15 / 72 / 41

HEX #97812A

RGB 151 129 42

HSL 47.89, 0.56%, 0.38%

LAB 54.5, -1.45, 48

 

CMYK 72 / 0 / 13 / 41

HEX #2A9783

RGB 42 151 131

HSL 168.99, 0.56%, 0.38%

LAB 56.35, -35.1, 1.78

 

CMYK 72 / 72 / 0 / 41

HEX #2A2A97

RGB 42 42 151

HSL 240, 0.56%, 0.38%

LAB 24.9, 36.92, -59.25

 

CMYK 0 / 72 / 58 / 41

HEX #972A40

RGB 151 42 64

HSL 347.89, 0.56%, 0.38%

LAB 35.21, 46.52, 13.28

 

CMYK 0 / 0 / 72 / 41

HEX #97972A

RGB 151 151 42

HSL 60, 0.56%, 0.38%

LAB 60.68, -13.39, 54.09

 

CMYK 72 / 0 / 13 / 41

HEX #2A9783

RGB 42 151 131

HSL 168.99, 0.56%, 0.38%

LAB 56.35, -35.1, 1.78

 

CMYK 50 / 72 / 0 / 41

HEX #4B2A97

RGB 75 42 151

HSL 258.17, 0.56%, 0.38%

LAB 27.81, 41.7, -54.36

 

CMYK 0 / 72 / 58 / 41

HEX #972A40

RGB 151 42 64

HSL 347.89, 0.56%, 0.38%

LAB 35.21, 46.52, 13.28

 

CMYK 22 / 0 / 72 / 41

HEX #76972A

RGB 118 151 42

HSL 78.17, 0.56%, 0.38%

LAB 58.18, -27.62, 50.79

 

Description

Color code: HEX #2A9783 | qconv.com Color code: HEX #2A9783 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 151 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 151 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 13 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 13% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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