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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B6DE2 it is the complementary color #D4921D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B6DE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B6DE2 shade: #306DDD, #417FF0, #5291FF, #63A3FF and #74B5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B6DE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B6DE2 shade: #2B6DE2, #1A5BCF, #0949BC, #0037A9 and #002596

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B6DE2 shade: #2C6DE2, #2C3CE2, #4C2CE2, #7D2CE2 and #AE2CE2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B6DE2 shade: #2C6DE2, #2C3CE2 and #2C2CE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B6DE2 shade matches the following richer shades: #2C6DE2 and #1868F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B6DE2 shade: #2C6DE2, #3F73CE, #5278BB, #667DA8 and #798394

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B6DE2 shade: #2CD0E2, #2C9FE2, #2C6EE2, #2C3EE2 and #4A2CE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B6DE2 shade: #164AA5, #1B5AC9, #2C6DE2, #5086E7 and #749FEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B6DE2 shade: #2B6DE2, #C32CE2 and #B7E22C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B6DE2 shade: #2B6DE2, #E22C6E and #6EE22C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B6DE2 shade: #2B6DE2, #C32CE2, #E29F2C and #4AE22C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B6DE2 shade: #2B6DE2, #E22CC9, #E29F2C and #2CE244

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 52 / 0 / 11

HEX #2B6DE2

RGB 43 109 226

HSL 218.36, 0.76%, 0.53%

LAB 48.19, 21.68, -65.3

 

Complementary color

CMYK 0 / 31 / 86 / 17

HEX #D4921D

RGB 212 146 29

HSL 38.36, 0.76%, 0.47%

LAB 65.47, 16.05, 64.93

 

CMYK 78 / 51 / 0 / 13

HEX #306DDD

RGB 48 109 221

HSL 218.84, 0.72%, 0.53%

LAB 47.99, 20.28, -62.78

 

CMYK 73 / 47 / 0 / 6

HEX #417FF0

RGB 65 127 240

HSL 218.74, 0.85%, 0.6%

LAB 54.65, 17.94, -62.67

 

CMYK 68 / 43 / 0 / 0

HEX #5291FF

RGB 82 145 255

HSL 218.15, 1%, 0.66%

LAB 61.01, 14.62, -60.7

 

CMYK 61 / 36 / 0 / 0

HEX #63A3FF

RGB 99 163 255

HSL 215.38, 1%, 0.69%

LAB 66.57, 6.83, -51.82

 

CMYK 55 / 29 / 0 / 0

HEX #74B5FF

RGB 116 181 255

HSL 211.94, 1%, 0.73%

LAB 72.22, -0.08, -42.89

 

CMYK 81 / 52 / 0 / 11

HEX #2B6DE2

RGB 43 109 226

HSL 218.36, 0.76%, 0.53%

LAB 48.19, 21.68, -65.3

 

CMYK 87 / 56 / 0 / 19

HEX #1A5BCF

RGB 26 91 207

HSL 218.45, 0.78%, 0.46%

LAB 41.54, 24.73, -65.28

 

CMYK 95 / 61 / 0 / 26

HEX #0949BC

RGB 9 73 188

HSL 218.55, 0.91%, 0.39%

LAB 34.91, 28.37, -65.07

 

CMYK 100 / 67 / 0 / 34

HEX #0037A9

RGB 0 55 169

HSL 220.47, 1%, 0.33%

LAB 28.37, 32.58, -64.51

 

CMYK 100 / 75 / 0 / 41

HEX #002596

RGB 0 37 150

HSL 225.2, 1%, 0.29%

LAB 22.04, 36.97, -63.41

 

CMYK 81 / 52 / 0 / 11

HEX #2C6DE2

RGB 44 109 226

HSL 218.57, 0.76%, 0.53%

LAB 48.21, 21.77, -65.25

 

CMYK 81 / 73 / 0 / 11

HEX #2C3CE2

RGB 44 60 226

HSL 234.73, 0.76%, 0.53%

LAB 36.48, 52.06, -84.47

 

CMYK 66 / 81 / 0 / 11

HEX #4C2CE2

RGB 76 44 226

HSL 250.55, 0.76%, 0.53%

LAB 35.65, 62.39, -85.77

 

CMYK 45 / 81 / 0 / 11

HEX #7D2CE2

RGB 125 44 226

HSL 266.7, 0.76%, 0.53%

LAB 40.66, 67.75, -77.35

 

CMYK 23 / 81 / 0 / 11

HEX #AE2CE2

RGB 174 44 226

HSL 282.86, 0.76%, 0.53%

LAB 47.35, 75.06, -66.14

 

CMYK 81 / 52 / 0 / 11

HEX #2C6DE2

RGB 44 109 226

HSL 218.57, 0.76%, 0.53%

LAB 48.21, 21.77, -65.25

 

CMYK 81 / 73 / 0 / 11

HEX #2C3CE2

RGB 44 60 226

HSL 234.73, 0.76%, 0.53%

LAB 36.48, 52.06, -84.47

 

CMYK 81 / 81 / 0 / 11

HEX #2C2CE2

RGB 44 44 226

HSL 240, 0.76%, 0.53%

LAB 33.62, 60.26, -89.2

 

CMYK 81 / 52 / 0 / 11

HEX #2C6DE2

RGB 44 109 226

HSL 218.57, 0.76%, 0.53%

LAB 48.21, 21.77, -65.25

 

CMYK 90 / 58 / 0 / 4

HEX #1868F5

RGB 24 104 245

HSL 218.28, 0.92%, 0.53%

LAB 47.86, 30.83, -76.51

 

CMYK 81 / 52 / 0 / 11

HEX #2C6DE2

RGB 44 109 226

HSL 218.57, 0.76%, 0.53%

LAB 48.21, 21.77, -65.25

 

CMYK 69 / 44 / 0 / 19

HEX #3F73CE

RGB 63 115 206

HSL 218.18, 0.59%, 0.53%

LAB 49.22, 12.87, -52.25

 

CMYK 56 / 36 / 0 / 27

HEX #5278BB

RGB 82 120 187

HSL 218.29, 0.44%, 0.53%

LAB 50.47, 6.69, -39.32

 

CMYK 39 / 26 / 0 / 34

HEX #667DA8

RGB 102 125 168

HSL 219.09, 0.28%, 0.53%

LAB 52.2, 2.86, -25.56

 

CMYK 18 / 11 / 0 / 42

HEX #798394

RGB 121 131 148

HSL 217.78, 0.11%, 0.53%

LAB 54.49, 0.11, -10.36

 

CMYK 81 / 8 / 0 / 11

HEX #2CD0E2

RGB 44 208 226

HSL 185.93, 0.76%, 0.53%

LAB 76.76, -33.7, -20.43

 

CMYK 81 / 30 / 0 / 11

HEX #2C9FE2

RGB 44 159 226

HSL 202.09, 0.76%, 0.53%

LAB 62.36, -8.4, -42.68

 

CMYK 81 / 51 / 0 / 11

HEX #2C6EE2

RGB 44 110 226

HSL 218.24, 0.76%, 0.53%

LAB 48.48, 21.13, -64.82

 

CMYK 81 / 73 / 0 / 11

HEX #2C3EE2

RGB 44 62 226

HSL 234.07, 0.76%, 0.53%

LAB 36.88, 50.94, -83.81

 

CMYK 67 / 81 / 0 / 11

HEX #4A2CE2

RGB 74 44 226

HSL 249.89, 0.76%, 0.53%

LAB 35.49, 62.23, -86.04

 

CMYK 87 / 55 / 0 / 35

HEX #164AA5

RGB 22 74 165

HSL 218.18, 0.76%, 0.37%

LAB 33.53, 19.13, -53.66

 

CMYK 87 / 55 / 0 / 21

HEX #1B5AC9

RGB 27 90 201

HSL 218.28, 0.76%, 0.45%

LAB 40.84, 23.11, -62.97

 

CMYK 81 / 52 / 0 / 11

HEX #2C6DE2

RGB 44 109 226

HSL 218.57, 0.76%, 0.53%

LAB 48.21, 21.77, -65.25

 

CMYK 65 / 42 / 0 / 9

HEX #5086E7

RGB 80 134 231

HSL 218.54, 0.76%, 0.61%

LAB 56.61, 12.67, -54.49

 

CMYK 51 / 33 / 0 / 7

HEX #749FEC

RGB 116 159 236

HSL 218.5, 0.76%, 0.69%

LAB 65.41, 6.6, -43.21

 

CMYK 81 / 52 / 0 / 11

HEX #2B6DE2

RGB 43 109 226

HSL 218.36, 0.76%, 0.53%

LAB 48.19, 21.68, -65.3

 

CMYK 14 / 81 / 0 / 11

HEX #C32CE2

RGB 195 44 226

HSL 289.78, 0.76%, 0.53%

LAB 50.56, 78.61, -60.79

 

CMYK 19 / 0 / 81 / 11

HEX #B7E22C

RGB 183 226 44

HSL 74.18, 0.76%, 0.53%

LAB 84.3, -36.43, 76.06

 

CMYK 81 / 52 / 0 / 11

HEX #2B6DE2

RGB 43 109 226

HSL 218.36, 0.76%, 0.53%

LAB 48.19, 21.68, -65.3

 

CMYK 0 / 81 / 51 / 11

HEX #E22C6E

RGB 226 44 110

HSL 338.24, 0.76%, 0.53%

LAB 50.8, 70.72, 8.35

 

CMYK 51 / 0 / 81 / 11

HEX #6EE22C

RGB 110 226 44

HSL 98.24, 0.76%, 0.53%

LAB 80.68, -61.49, 71.44

 

CMYK 81 / 52 / 0 / 11

HEX #2B6DE2

RGB 43 109 226

HSL 218.36, 0.76%, 0.53%

LAB 48.19, 21.68, -65.3

 

CMYK 14 / 81 / 0 / 11

HEX #C32CE2

RGB 195 44 226

HSL 289.78, 0.76%, 0.53%

LAB 50.56, 78.61, -60.79

 

CMYK 0 / 30 / 81 / 11

HEX #E29F2C

RGB 226 159 44

HSL 37.91, 0.76%, 0.53%

LAB 70.28, 15.53, 65.01

 

CMYK 67 / 0 / 81 / 11

HEX #4AE22C

RGB 74 226 44

HSL 110.11, 0.76%, 0.53%

LAB 79.63, -69.98, 70.09

 

CMYK 81 / 52 / 0 / 11

HEX #2B6DE2

RGB 43 109 226

HSL 218.36, 0.76%, 0.53%

LAB 48.19, 21.68, -65.3

 

CMYK 0 / 81 / 11 / 11

HEX #E22CC9

RGB 226 44 201

HSL 308.24, 0.76%, 0.53%

LAB 54.23, 80.57, -40.38

 

CMYK 0 / 30 / 81 / 11

HEX #E29F2C

RGB 226 159 44

HSL 37.91, 0.76%, 0.53%

LAB 70.28, 15.53, 65.01

 

CMYK 81 / 0 / 70 / 11

HEX #2CE244

RGB 44 226 68

HSL 127.91, 0.76%, 0.53%

LAB 79.24, -72.84, 61.82

 

Description

Color code: HEX #2B6DE2 | qconv.com Color code: HEX #2B6DE2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 109 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 109 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 52 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 52% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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