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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BB2F2 it is the complementary color #D44D0D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BB2F2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BB2F2 shade: #30B2ED, #41C4FF, #52D6FF, #63E8FF and #74FAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BB2F2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BB2F2 shade: #2BB2F2, #1AA0DF, #098ECC, #007CB9 and #006AA6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BB2F2 shade: #2CB2F1, #2C7CF1, #2C47F1, #452CF1 and #7B2CF1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BB2F2 shade: #2CB2F1, #2C7CF1, #2C47F1 and #2C2CF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BB2F2 shade matches the following richer shades: #2CB2F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BB2F2 shade: #2CB2F1, #3EABDF, #50A5CD, #629EBB and #7498A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BB2F2 shade: #2CF1C6, #2CE7F1, #2CB3F1, #2C7EF1 and #2C49F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BB2F2 shade: #0C85BE, #0EA0E5, #2CB2F1, #52C0F4 and #79CEF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BB2F2 shade: #2BB2F2, #922CF1 and #F1E12C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BB2F2 shade: #2BB2F2, #F12CB3 and #B3F12C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BB2F2 shade: #2BB2F2, #922CF1, #F16A2C and #8BF12C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BB2F2 shade: #2BB2F2, #CD2CF1, #F16A2C and #50F12C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 26 / 0 / 5

HEX #2BB2F2

RGB 43 178 242

HSL 199.3, 0.88%, 0.56%

LAB 68.58, -13.35, -41.69

 

Complementary color

CMYK 0 / 64 / 94 / 17

HEX #D44D0D

RGB 212 77 13

HSL 19.3, 0.88%, 0.44%

LAB 51.08, 50.85, 58.52

 

CMYK 80 / 25 / 0 / 7

HEX #30B2ED

RGB 48 178 237

HSL 198.73, 0.84%, 0.56%

LAB 68.45, -14.63, -39.17

 

CMYK 75 / 23 / 0 / 0

HEX #41C4FF

RGB 65 196 255

HSL 198.63, 1%, 0.63%

LAB 74.71, -16.41, -39.12

 

CMYK 68 / 16 / 0 / 0

HEX #52D6FF

RGB 82 214 255

HSL 194.22, 1%, 0.66%

LAB 80.24, -23.47, -30.55

 

CMYK 61 / 9 / 0 / 0

HEX #63E8FF

RGB 99 232 255

HSL 188.85, 1%, 0.69%

LAB 85.8, -29.71, -22.02

 

CMYK 55 / 2 / 0 / 0

HEX #74FAFF

RGB 116 250 255

HSL 182.16, 1%, 0.73%

LAB 91.37, -35.23, -13.58

 

CMYK 82 / 26 / 0 / 5

HEX #2BB2F2

RGB 43 178 242

HSL 199.3, 0.88%, 0.56%

LAB 68.58, -13.35, -41.69

 

CMYK 88 / 28 / 0 / 13

HEX #1AA0DF

RGB 26 160 223

HSL 199.19, 0.79%, 0.49%

LAB 62.24, -11.37, -41.21

 

CMYK 96 / 30 / 0 / 20

HEX #098ECC

RGB 9 142 204

HSL 199.08, 0.92%, 0.42%

LAB 55.85, -8.95, -40.65

 

CMYK 100 / 33 / 0 / 27

HEX #007CB9

RGB 0 124 185

HSL 199.78, 1%, 0.36%

LAB 49.4, -6.01, -40.01

 

CMYK 100 / 36 / 0 / 35

HEX #006AA6

RGB 0 106 166

HSL 201.69, 1%, 0.33%

LAB 42.86, -2.6, -39.29

 

CMYK 82 / 26 / 0 / 5

HEX #2CB2F1

RGB 44 178 241

HSL 199.19, 0.88%, 0.56%

LAB 68.55, -13.61, -41.19

 

CMYK 82 / 49 / 0 / 5

HEX #2C7CF1

RGB 44 124 241

HSL 215.63, 0.88%, 0.56%

LAB 53.28, 17.96, -65.47

 

CMYK 82 / 71 / 0 / 5

HEX #2C47F1

RGB 44 71 241

HSL 231.78, 0.88%, 0.56%

LAB 40.23, 50.83, -86.77

 

CMYK 71 / 82 / 0 / 5

HEX #452CF1

RGB 69 44 241

HSL 247.61, 0.88%, 0.56%

LAB 36.78, 66.06, -92.45

 

CMYK 49 / 82 / 0 / 5

HEX #7B2CF1

RGB 123 44 241

HSL 264.06, 0.88%, 0.56%

LAB 41.79, 71.04, -84.01

 

CMYK 82 / 26 / 0 / 5

HEX #2CB2F1

RGB 44 178 241

HSL 199.19, 0.88%, 0.56%

LAB 68.55, -13.61, -41.19

 

CMYK 82 / 49 / 0 / 5

HEX #2C7CF1

RGB 44 124 241

HSL 215.63, 0.88%, 0.56%

LAB 53.28, 17.96, -65.47

 

CMYK 82 / 71 / 0 / 5

HEX #2C47F1

RGB 44 71 241

HSL 231.78, 0.88%, 0.56%

LAB 40.23, 50.83, -86.77

 

CMYK 82 / 82 / 0 / 5

HEX #2C2CF1

RGB 44 44 241

HSL 240, 0.88%, 0.56%

LAB 35.38, 64.71, -94.82

 

CMYK 82 / 26 / 0 / 5

HEX #2CB2F1

RGB 44 178 241

HSL 199.19, 0.88%, 0.56%

LAB 68.55, -13.61, -41.19

 

CMYK 82 / 26 / 0 / 5

HEX #2CB2F1

RGB 44 178 241

HSL 199.19, 0.88%, 0.56%

LAB 68.55, -13.61, -41.19

 

CMYK 72 / 23 / 0 / 13

HEX #3EABDF

RGB 62 171 223

HSL 199.38, 0.72%, 0.56%

LAB 66.12, -14.03, -35.11

 

CMYK 61 / 20 / 0 / 20

HEX #50A5CD

RGB 80 165 205

HSL 199.2, 0.56%, 0.56%

LAB 64.18, -13.77, -28.12

 

CMYK 48 / 16 / 0 / 27

HEX #629EBB

RGB 98 158 187

HSL 199.55, 0.4%, 0.56%

LAB 62.2, -11.53, -21.04

 

CMYK 31 / 10 / 0 / 34

HEX #7498A8

RGB 116 152 168

HSL 198.46, 0.23%, 0.56%

LAB 60.78, -8.47, -12.4

 

CMYK 82 / 0 / 18 / 5

HEX #2CF1C6

RGB 44 241 198

HSL 166.9, 0.88%, 0.56%

LAB 85.77, -55.75, 7.74

 

CMYK 82 / 4 / 0 / 5

HEX #2CE7F1

RGB 44 231 241

HSL 183.05, 0.88%, 0.56%

LAB 83.99, -39.86, -17.49

 

CMYK 82 / 26 / 0 / 5

HEX #2CB3F1

RGB 44 179 241

HSL 198.88, 0.88%, 0.56%

LAB 68.84, -14.15, -40.74

 

CMYK 82 / 48 / 0 / 5

HEX #2C7EF1

RGB 44 126 241

HSL 215.03, 0.88%, 0.56%

LAB 53.82, 16.71, -64.59

 

CMYK 82 / 70 / 0 / 5

HEX #2C49F1

RGB 44 73 241

HSL 231.17, 0.88%, 0.56%

LAB 40.66, 49.67, -86.07

 

CMYK 94 / 30 / 0 / 25

HEX #0C85BE

RGB 12 133 190

HSL 199.21, 0.88%, 0.4%

LAB 52.48, -8.91, -38.01

 

CMYK 94 / 30 / 0 / 10

HEX #0EA0E5

RGB 14 160 229

HSL 199.26, 0.88%, 0.48%

LAB 62.42, -9.75, -44.27

 

CMYK 82 / 26 / 0 / 5

HEX #2CB2F1

RGB 44 178 241

HSL 199.19, 0.88%, 0.56%

LAB 68.55, -13.61, -41.19

 

CMYK 66 / 21 / 0 / 4

HEX #52C0F4

RGB 82 192 244

HSL 199.26, 0.88%, 0.64%

LAB 73.56, -15.58, -34.96

 

CMYK 51 / 16 / 0 / 4

HEX #79CEF6

RGB 121 206 246

HSL 199.2, 0.87%, 0.72%

LAB 78.96, -15.08, -27.6

 

CMYK 82 / 26 / 0 / 5

HEX #2BB2F2

RGB 43 178 242

HSL 199.3, 0.88%, 0.56%

LAB 68.58, -13.35, -41.69

 

CMYK 39 / 82 / 0 / 5

HEX #922CF1

RGB 146 44 241

HSL 271.07, 0.88%, 0.56%

LAB 44.61, 73.94, -79.27

 

CMYK 0 / 7 / 82 / 5

HEX #F1E12C

RGB 241 225 44

HSL 55.13, 0.88%, 0.56%

LAB 88.32, -12.2, 81.21

 

CMYK 82 / 26 / 0 / 5

HEX #2BB2F2

RGB 43 178 242

HSL 199.3, 0.88%, 0.56%

LAB 68.58, -13.35, -41.69

 

CMYK 0 / 82 / 26 / 5

HEX #F12CB3

RGB 241 44 179

HSL 318.88, 0.88%, 0.56%

LAB 55.84, 80.93, -24.94

 

CMYK 26 / 0 / 82 / 5

HEX #B3F12C

RGB 179 241 44

HSL 78.88, 0.88%, 0.56%

LAB 88.29, -44.57, 79.48

 

CMYK 82 / 26 / 0 / 5

HEX #2BB2F2

RGB 43 178 242

HSL 199.3, 0.88%, 0.56%

LAB 68.58, -13.35, -41.69

 

CMYK 39 / 82 / 0 / 5

HEX #922CF1

RGB 146 44 241

HSL 271.07, 0.88%, 0.56%

LAB 44.61, 73.94, -79.27

 

CMYK 0 / 56 / 82 / 5

HEX #F16A2C

RGB 241 106 44

HSL 18.88, 0.88%, 0.56%

LAB 60.95, 48.81, 57.38

 

CMYK 42 / 0 / 82 / 5

HEX #8BF12C

RGB 139 241 44

HSL 91.07, 0.88%, 0.56%

LAB 86.3, -58.42, 76.95

 

CMYK 82 / 26 / 0 / 5

HEX #2BB2F2

RGB 43 178 242

HSL 199.3, 0.88%, 0.56%

LAB 68.58, -13.35, -41.69

 

CMYK 15 / 82 / 0 / 5

HEX #CD2CF1

RGB 205 44 241

HSL 289.04, 0.88%, 0.56%

LAB 53.09, 82.89, -65.09

 

CMYK 0 / 56 / 82 / 5

HEX #F16A2C

RGB 241 106 44

HSL 18.88, 0.88%, 0.56%

LAB 60.95, 48.81, 57.38

 

CMYK 67 / 0 / 82 / 5

HEX #50F12C

RGB 80 241 44

HSL 109.04, 0.88%, 0.56%

LAB 84.38, -73.54, 74.5

 

Description

Color code: HEX #2BB2F2 | qconv.com Color code: HEX #2BB2F2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 178 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 178 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 26 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 26% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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