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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BD68B it is the complementary color #D42974. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BD68B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BD68B shade: #30D686, #41E899, #52FAAC, #63FFBF and #74FFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BD68B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BD68B shade: #2BD68B, #1AC478, #09B265, #00A052 and #008E3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BD68B shade: #28D68A, #28D65B, #28D62C, #53D628 and #82D628

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BD68B shade: #28D68A, #28D6B8, #28C4D6, #2895D6 and #2867D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BD68B shade matches the following richer shades: #28D68A and #14EA8C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BD68B shade: #28D68A, #3DC187, #52AC85, #669882 and #7B8380

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BD68B shade: #28D62B, #28D659, #28D688, #28D6B6 and #28C7D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BD68B shade: #1B905D, #22B373, #28D68A, #4BDC9D and #6EE3AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BD68B shade: #2BD68B, #2854D6 and #D64228

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BD68B shade: #2BD68B, #8828D6 and #D68828

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BD68B shade: #2BD68B, #2854D6, #D62876 and #D6AA28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BD68B shade: #2BD68B, #3128D6, #D62876 and #CDD628

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 35 / 16

HEX #2BD68B

RGB 43 214 139

HSL 153.68, 0.68%, 0.5%

LAB 76.36, -58.79, 25.44

 

Complementary color

CMYK 0 / 81 / 45 / 17

HEX #D42974

RGB 212 41 116

HSL 333.68, 0.68%, 0.5%

LAB 48.06, 68.4, 0.41

 

CMYK 78 / 0 / 37 / 16

HEX #30D686

RGB 48 214 134

HSL 151.08, 0.67%, 0.51%

LAB 76.34, -59.23, 28.02

 

CMYK 72 / 0 / 34 / 9

HEX #41E899

RGB 65 232 153

HSL 151.62, 0.78%, 0.58%

LAB 82.45, -59.98, 26.51

 

CMYK 67 / 0 / 31 / 2

HEX #52FAAC

RGB 82 250 172

HSL 152.14, 0.94%, 0.65%

LAB 88.52, -60.48, 25.11

 

CMYK 61 / 0 / 25 / 0

HEX #63FFBF

RGB 99 255 191

HSL 155.38, 1%, 0.69%

LAB 90.75, -55.67, 18.57

 

CMYK 55 / 0 / 18 / 0

HEX #74FFD2

RGB 116 255 210

HSL 160.58, 1%, 0.73%

LAB 91.63, -48.31, 10.12

 

CMYK 80 / 0 / 35 / 16

HEX #2BD68B

RGB 43 214 139

HSL 153.68, 0.68%, 0.5%

LAB 76.36, -58.79, 25.44

 

CMYK 87 / 0 / 39 / 23

HEX #1AC478

RGB 26 196 120

HSL 153.18, 0.77%, 0.44%

LAB 70.21, -57.55, 27.08

 

CMYK 95 / 0 / 43 / 30

HEX #09B265

RGB 9 178 101

HSL 152.66, 0.9%, 0.37%

LAB 64.03, -55.81, 28.87

 

CMYK 100 / 0 / 49 / 37

HEX #00A052

RGB 0 160 82

HSL 150.75, 1%, 0.31%

LAB 57.8, -53.46, 30.79

 

CMYK 100 / 0 / 56 / 44

HEX #008E3F

RGB 0 142 63

HSL 146.62, 1%, 0.28%

LAB 51.5, -50.51, 32.79

 

CMYK 81 / 0 / 36 / 16

HEX #28D68A

RGB 40 214 138

HSL 153.79, 0.69%, 0.5%

LAB 76.3, -59.29, 25.87

 

CMYK 81 / 0 / 57 / 16

HEX #28D65B

RGB 40 214 91

HSL 137.59, 0.69%, 0.5%

LAB 75.64, -67.08, 48.23

 

CMYK 81 / 0 / 79 / 16

HEX #28D62C

RGB 40 214 44

HSL 121.38, 0.69%, 0.5%

LAB 75.28, -71.49, 65.81

 

CMYK 61 / 0 / 81 / 16

HEX #53D628

RGB 83 214 40

HSL 105.17, 0.69%, 0.5%

LAB 76.12, -64.4, 68

 

CMYK 39 / 0 / 81 / 16

HEX #82D628

RGB 130 214 40

HSL 88.97, 0.69%, 0.5%

LAB 77.87, -50.95, 70.24

 

CMYK 81 / 0 / 36 / 16

HEX #28D68A

RGB 40 214 138

HSL 153.79, 0.69%, 0.5%

LAB 76.3, -59.29, 25.87

 

CMYK 81 / 0 / 14 / 16

HEX #28D6B8

RGB 40 214 184

HSL 169.66, 0.69%, 0.5%

LAB 77.28, -48.64, 2.9

 

CMYK 81 / 8 / 0 / 16

HEX #28C4D6

RGB 40 196 214

HSL 186.21, 0.69%, 0.5%

LAB 72.75, -32.01, -20.04

 

CMYK 81 / 30 / 0 / 16

HEX #2895D6

RGB 40 149 214

HSL 202.41, 0.69%, 0.5%

LAB 58.79, -7.4, -41.62

 

CMYK 81 / 52 / 0 / 16

HEX #2867D6

RGB 40 103 214

HSL 218.28, 0.69%, 0.5%

LAB 45.64, 20.7, -62.61

 

CMYK 81 / 0 / 36 / 16

HEX #28D68A

RGB 40 214 138

HSL 153.79, 0.69%, 0.5%

LAB 76.3, -59.29, 25.87

 

CMYK 91 / 0 / 40 / 8

HEX #14EA8C

RGB 20 234 140

HSL 153.64, 0.84%, 0.5%

LAB 82.32, -67.31, 32.84

 

CMYK 81 / 0 / 36 / 16

HEX #28D68A

RGB 40 214 138

HSL 153.79, 0.69%, 0.5%

LAB 76.3, -59.29, 25.87

 

CMYK 68 / 0 / 30 / 24

HEX #3DC187

RGB 61 193 135

HSL 153.64, 0.52%, 0.5%

LAB 70.09, -49.17, 19.06

 

CMYK 52 / 0 / 23 / 33

HEX #52AC85

RGB 82 172 133

HSL 154, 0.35%, 0.5%

LAB 64.15, -36.35, 11.97

 

CMYK 33 / 0 / 14 / 40

HEX #669882

RGB 102 152 130

HSL 153.6, 0.2%, 0.5%

LAB 58.88, -21.73, 6.27

 

CMYK 6 / 0 / 2 / 49

HEX #7B8380

RGB 123 131 128

HSL 157.5, 0.03%, 0.5%

LAB 54.03, -3.56, 0.59

 

CMYK 81 / 0 / 80 / 16

HEX #28D62B

RGB 40 214 43

HSL 121.03, 0.69%, 0.5%

LAB 75.28, -71.55, 66.09

 

CMYK 81 / 0 / 58 / 16

HEX #28D659

RGB 40 214 89

HSL 136.9, 0.69%, 0.5%

LAB 75.62, -67.33, 49.11

 

CMYK 81 / 0 / 36 / 16

HEX #28D688

RGB 40 214 136

HSL 153.1, 0.69%, 0.5%

LAB 76.27, -59.68, 26.86

 

CMYK 81 / 0 / 15 / 16

HEX #28D6B6

RGB 40 214 182

HSL 168.97, 0.69%, 0.5%

LAB 77.23, -49.16, 3.9

 

CMYK 81 / 7 / 0 / 16

HEX #28C7D6

RGB 40 199 214

HSL 185.17, 0.69%, 0.5%

LAB 73.64, -33.44, -18.68

 

CMYK 81 / 0 / 35 / 44

HEX #1B905D

RGB 27 144 93

HSL 153.85, 0.68%, 0.34%

LAB 52.92, -43.46, 18.48

 

CMYK 81 / 0 / 36 / 30

HEX #22B373

RGB 34 179 115

HSL 153.52, 0.68%, 0.42%

LAB 64.82, -51.58, 22.52

 

CMYK 81 / 0 / 36 / 16

HEX #28D68A

RGB 40 214 138

HSL 153.79, 0.69%, 0.5%

LAB 76.3, -59.29, 25.87

 

CMYK 66 / 0 / 29 / 14

HEX #4BDC9D

RGB 75 220 157

HSL 153.93, 0.67%, 0.58%

LAB 79.11, -53, 19.89

 

CMYK 52 / 0 / 23 / 11

HEX #6EE3AF

RGB 110 227 175

HSL 153.33, 0.68%, 0.66%

LAB 82.57, -45.11, 15.43

 

CMYK 80 / 0 / 35 / 16

HEX #2BD68B

RGB 43 214 139

HSL 153.68, 0.68%, 0.5%

LAB 76.36, -58.79, 25.44

 

CMYK 81 / 61 / 0 / 16

HEX #2854D6

RGB 40 84 214

HSL 224.83, 0.69%, 0.5%

LAB 40.65, 32.95, -70.74

 

CMYK 0 / 69 / 81 / 16

HEX #D64228

RGB 214 66 40

HSL 8.97, 0.69%, 0.5%

LAB 49.91, 56.56, 47.36

 

CMYK 80 / 0 / 35 / 16

HEX #2BD68B

RGB 43 214 139

HSL 153.68, 0.68%, 0.5%

LAB 76.36, -58.79, 25.44

 

CMYK 36 / 81 / 0 / 16

HEX #8828D6

RGB 136 40 214

HSL 273.1, 0.69%, 0.5%

LAB 40.58, 67.9, -70.53

 

CMYK 0 / 36 / 81 / 16

HEX #D68828

RGB 214 136 40

HSL 33.1, 0.69%, 0.5%

LAB 63.39, 22.61, 59.73

 

CMYK 80 / 0 / 35 / 16

HEX #2BD68B

RGB 43 214 139

HSL 153.68, 0.68%, 0.5%

LAB 76.36, -58.79, 25.44

 

CMYK 81 / 61 / 0 / 16

HEX #2854D6

RGB 40 84 214

HSL 224.83, 0.69%, 0.5%

LAB 40.65, 32.95, -70.74

 

CMYK 0 / 81 / 45 / 16

HEX #D62876

RGB 214 40 118

HSL 333.1, 0.69%, 0.5%

LAB 48.41, 69.32, -0.25

 

CMYK 0 / 21 / 81 / 16

HEX #D6AA28

RGB 214 170 40

HSL 44.83, 0.69%, 0.5%

LAB 71.69, 4.34, 67.05

 

CMYK 80 / 0 / 35 / 16

HEX #2BD68B

RGB 43 214 139

HSL 153.68, 0.68%, 0.5%

LAB 76.36, -58.79, 25.44

 

CMYK 77 / 81 / 0 / 16

HEX #3128D6

RGB 49 40 214

HSL 243.1, 0.69%, 0.5%

LAB 31.87, 58.76, -85.21

 

CMYK 0 / 81 / 45 / 16

HEX #D62876

RGB 214 40 118

HSL 333.1, 0.69%, 0.5%

LAB 48.41, 69.32, -0.25

 

CMYK 4 / 0 / 81 / 16

HEX #CDD628

RGB 205 214 40

HSL 63.1, 0.69%, 0.5%

LAB 82.5, -22, 76.09

 

Description

Color code: HEX #2BD68B | qconv.com Color code: HEX #2BD68B | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 214 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 214 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 35 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 35% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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