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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C89EC it is the complementary color #D37613. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C89EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C89EC shade: #3189E7, #429BFA, #53ADFF, #64BFFF and #75D1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C89EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C89EC shade: #2C89EC, #1B77D9, #0A65C6, #0053B3 and #0041A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C89EC shade: #2D89EB, #2D55EB, #372DEB, #6A2DEB and #9E2DEB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C89EC shade: #2D89EB, #2D55EB and #2D2DEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C89EC shade matches the following richer shades: #2D89EB and #1A88FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C89EC shade: #2D89EB, #3F89D8, #528AC6, #648BB3 and #778BA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C89EC shade: #2DEBE5, #2DBFEB, #2D8CEB, #2D59EB and #332DEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C89EC shade: #1060B5, #1474DA, #2D89EB, #529EEE and #78B3F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C89EC shade: #2C89EC, #B22DEB and #D8EB2D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C89EC shade: #2C89EC, #EB2D8C and #8CEB2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C89EC shade: #2C89EC, #B22DEB, #EB8C2D and #66EB2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C89EC shade: #2C89EC, #EB2DEB, #EB8C2D and #2DEB2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 42 / 0 / 7

HEX #2C89EC

RGB 44 137 236

HSL 210.94, 0.83%, 0.55%

LAB 56.57, 8.1, -57.4

 

Complementary color

CMYK 0 / 44 / 91 / 17

HEX #D37613

RGB 211 118 19

HSL 30.94, 0.83%, 0.45%

LAB 58.84, 30.47, 62.35

 

CMYK 79 / 41 / 0 / 9

HEX #3189E7

RGB 49 137 231

HSL 210.99, 0.79%, 0.55%

LAB 56.4, 6.73, -54.88

 

CMYK 74 / 38 / 0 / 2

HEX #429BFA

RGB 66 155 250

HSL 210.98, 0.95%, 0.62%

LAB 62.93, 4.78, -54.94

 

CMYK 67 / 32 / 0 / 0

HEX #53ADFF

RGB 83 173 255

HSL 208.6, 1%, 0.66%

LAB 68.71, -1.51, -48.48

 

CMYK 61 / 25 / 0 / 0

HEX #64BFFF

RGB 100 191 255

HSL 204.77, 1%, 0.7%

LAB 74.31, -8.63, -39.67

 

CMYK 54 / 18 / 0 / 0

HEX #75D1FF

RGB 117 209 255

HSL 200, 1%, 0.73%

LAB 79.96, -14.91, -30.89

 

CMYK 81 / 42 / 0 / 7

HEX #2C89EC

RGB 44 137 236

HSL 210.94, 0.83%, 0.55%

LAB 56.57, 8.1, -57.4

 

CMYK 88 / 45 / 0 / 15

HEX #1B77D9

RGB 27 119 217

HSL 210.95, 0.78%, 0.48%

LAB 50.02, 10.69, -57.27

 

CMYK 95 / 49 / 0 / 22

HEX #0A65C6

RGB 10 101 198

HSL 210.96, 0.9%, 0.41%

LAB 43.43, 13.86, -57.04

 

CMYK 100 / 54 / 0 / 30

HEX #0053B3

RGB 0 83 179

HSL 212.18, 1%, 0.35%

LAB 36.82, 17.67, -56.66

 

CMYK 100 / 59 / 0 / 37

HEX #0041A0

RGB 0 65 160

HSL 215.63, 1%, 0.31%

LAB 30.2, 22.1, -56.08

 

CMYK 81 / 42 / 0 / 8

HEX #2D89EB

RGB 45 137 235

HSL 210.95, 0.83%, 0.55%

LAB 56.53, 7.82, -56.9

 

CMYK 81 / 64 / 0 / 8

HEX #2D55EB

RGB 45 85 235

HSL 227.37, 0.83%, 0.55%

LAB 42.84, 40.38, -79.09

 

CMYK 77 / 81 / 0 / 8

HEX #372DEB

RGB 55 45 235

HSL 243.16, 0.83%, 0.55%

LAB 35.37, 63.06, -91.4

 

CMYK 55 / 81 / 0 / 8

HEX #6A2DEB

RGB 106 45 235

HSL 259.26, 0.83%, 0.55%

LAB 39.48, 67.3, -84.48

 

CMYK 33 / 81 / 0 / 8

HEX #9E2DEB

RGB 158 45 235

HSL 275.68, 0.83%, 0.55%

LAB 45.83, 74.05, -73.82

 

CMYK 81 / 42 / 0 / 8

HEX #2D89EB

RGB 45 137 235

HSL 210.95, 0.83%, 0.55%

LAB 56.53, 7.82, -56.9

 

CMYK 81 / 64 / 0 / 8

HEX #2D55EB

RGB 45 85 235

HSL 227.37, 0.83%, 0.55%

LAB 42.84, 40.38, -79.09

 

CMYK 81 / 81 / 0 / 8

HEX #2D2DEB

RGB 45 45 235

HSL 240, 0.83%, 0.55%

LAB 34.87, 62.54, -92.26

 

CMYK 81 / 42 / 0 / 8

HEX #2D89EB

RGB 45 137 235

HSL 210.95, 0.83%, 0.55%

LAB 56.53, 7.82, -56.9

 

CMYK 90 / 46 / 0 / 0

HEX #1A88FE

RGB 26 136 254

HSL 211.05, 0.99%, 0.55%

LAB 57.06, 14.26, -66.58

 

CMYK 81 / 42 / 0 / 8

HEX #2D89EB

RGB 45 137 235

HSL 210.95, 0.83%, 0.55%

LAB 56.53, 7.82, -56.9

 

CMYK 71 / 37 / 0 / 15

HEX #3F89D8

RGB 63 137 216

HSL 210.98, 0.66%, 0.55%

LAB 55.99, 3.01, -47.12

 

CMYK 59 / 30 / 0 / 22

HEX #528AC6

RGB 82 138 198

HSL 211.03, 0.5%, 0.55%

LAB 56.14, -0.43, -36.69

 

CMYK 44 / 22 / 0 / 30

HEX #648BB3

RGB 100 139 179

HSL 210.38, 0.34%, 0.55%

LAB 56.52, -2.69, -25.23

 

CMYK 26 / 14 / 0 / 37

HEX #778BA1

RGB 119 139 161

HSL 211.43, 0.18%, 0.55%

LAB 57.04, -2.01, -14.03

 

CMYK 81 / 0 / 3 / 8

HEX #2DEBE5

RGB 45 235 229

HSL 178.11, 0.83%, 0.55%

LAB 84.81, -45.01, -9.93

 

CMYK 81 / 19 / 0 / 8

HEX #2DBFEB

RGB 45 191 235

HSL 193.89, 0.83%, 0.55%

LAB 72.11, -22.38, -32.41

 

CMYK 81 / 40 / 0 / 8

HEX #2D8CEB

RGB 45 140 235

HSL 210, 0.83%, 0.55%

LAB 57.38, 6.01, -55.55

 

CMYK 81 / 62 / 0 / 8

HEX #2D59EB

RGB 45 89 235

HSL 226.11, 0.83%, 0.55%

LAB 43.8, 37.89, -77.52

 

CMYK 78 / 81 / 0 / 8

HEX #332DEB

RGB 51 45 235

HSL 241.89, 0.83%, 0.55%

LAB 35.16, 62.84, -91.77

 

CMYK 91 / 47 / 0 / 29

HEX #1060B5

RGB 16 96 181

HSL 210.91, 0.84%, 0.39%

LAB 40.92, 10.54, -51.2

 

CMYK 91 / 47 / 0 / 15

HEX #1474DA

RGB 20 116 218

HSL 210.91, 0.83%, 0.47%

LAB 49.13, 12.58, -59.27

 

CMYK 81 / 42 / 0 / 8

HEX #2D89EB

RGB 45 137 235

HSL 210.95, 0.83%, 0.55%

LAB 56.53, 7.82, -56.9

 

CMYK 66 / 34 / 0 / 7

HEX #529EEE

RGB 82 158 238

HSL 210.77, 0.82%, 0.63%

LAB 63.69, 1.2, -47.12

 

CMYK 50 / 26 / 0 / 5

HEX #78B3F2

RGB 120 179 242

HSL 210.98, 0.82%, 0.71%

LAB 71.31, -1.99, -37.25

 

CMYK 81 / 42 / 0 / 7

HEX #2C89EC

RGB 44 137 236

HSL 210.94, 0.83%, 0.55%

LAB 56.57, 8.1, -57.4

 

CMYK 24 / 81 / 0 / 8

HEX #B22DEB

RGB 178 45 235

HSL 282, 0.83%, 0.55%

LAB 48.69, 77.14, -69.05

 

CMYK 8 / 0 / 81 / 8

HEX #D8EB2D

RGB 216 235 45

HSL 66, 0.83%, 0.55%

LAB 89.02, -27.35, 80.79

 

CMYK 81 / 42 / 0 / 7

HEX #2C89EC

RGB 44 137 236

HSL 210.94, 0.83%, 0.55%

LAB 56.57, 8.1, -57.4

 

CMYK 0 / 81 / 40 / 8

HEX #EB2D8C

RGB 235 45 140

HSL 330, 0.83%, 0.55%

LAB 53.42, 75.26, -5.72

 

CMYK 40 / 0 / 81 / 8

HEX #8CEB2D

RGB 140 235 45

HSL 90, 0.83%, 0.55%

LAB 84.58, -55.74, 75.17

 

CMYK 81 / 42 / 0 / 7

HEX #2C89EC

RGB 44 137 236

HSL 210.94, 0.83%, 0.55%

LAB 56.57, 8.1, -57.4

 

CMYK 24 / 81 / 0 / 8

HEX #B22DEB

RGB 178 45 235

HSL 282, 0.83%, 0.55%

LAB 48.69, 77.14, -69.05

 

CMYK 0 / 40 / 81 / 8

HEX #EB8C2D

RGB 235 140 45

HSL 30, 0.83%, 0.55%

LAB 66.98, 29.44, 62.11

 

CMYK 57 / 0 / 81 / 8

HEX #66EB2D

RGB 102 235 45

HSL 102, 0.83%, 0.55%

LAB 83.14, -66.71, 73.34

 

CMYK 81 / 42 / 0 / 7

HEX #2C89EC

RGB 44 137 236

HSL 210.94, 0.83%, 0.55%

LAB 56.57, 8.1, -57.4

 

CMYK 0 / 81 / 0 / 8

HEX #EB2DEB

RGB 235 45 235

HSL 300, 0.83%, 0.55%

LAB 57.6, 86.93, -54.24

 

CMYK 0 / 40 / 81 / 8

HEX #EB8C2D

RGB 235 140 45

HSL 30, 0.83%, 0.55%

LAB 66.98, 29.44, 62.11

 

CMYK 81 / 0 / 81 / 8

HEX #2DEB2D

RGB 45 235 45

HSL 120, 0.83%, 0.55%

LAB 81.93, -76.95, 71.77

 

Description

Color code: HEX #2C89EC | qconv.com Color code: HEX #2C89EC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 137 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 137 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 42 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 42% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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