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Color name
HEX #2C920E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C920E it is the complementary color #D36DF1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C920E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C920E shade: #319209, #42A41C, #53B62F, #64C842 and #75DA55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C920E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C920E shade: #2C920E, #1B8000, #0A6E00, #005C00 and #004A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C920E shade: #2B900D, #4E900D, #72900D, #908B0D and #90680D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C920E shade: #2B900D, #0D9012, #0D9036, #0D9059 and #0D907D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C920E shade matches the following richer shades: #2B900D and #249D00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C920E shade: #2B900D, #32831A, #397727, #406A33 and #475D40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C920E shade: #72900D, #4F900D, #2C900D, #0D9011 and #0D9034

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C920E shade: #144506, #1F6A09, #2B900D, #36B610 and #41DC14

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C920E shade: #2C920E, #0D908C and #900D60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C920E shade: #2C920E, #0D2C90 and #900D2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C920E shade: #2C920E, #0D908C, #720D90 and #900D11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C920E shade: #2C920E, #0D6D90, #720D90 and #90300D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 90 / 43

HEX #2C920E

RGB 44 146 14

HSL 106.36, 0.83%, 0.31%

LAB 53.09, -51.23, 53.23

 

Complementary color

CMYK 12 / 55 / 0 / 5

HEX #D36DF1

RGB 211 109 241

HSL 286.36, 0.83%, 0.69%

LAB 62.62, 59.86, -49.81

 

CMYK 66 / 0 / 94 / 43

HEX #319209

RGB 49 146 9

HSL 102.48, 0.88%, 0.3%

LAB 53.2, -50.3, 54.27

 

CMYK 60 / 0 / 83 / 36

HEX #42A41C

RGB 66 164 28

HSL 103.24, 0.71%, 0.38%

LAB 59.7, -51.77, 55.99

 

CMYK 54 / 0 / 74 / 29

HEX #53B62F

RGB 83 182 47

HSL 104, 0.59%, 0.45%

LAB 66.14, -52.69, 56.32

 

CMYK 50 / 0 / 67 / 22

HEX #64C842

RGB 100 200 66

HSL 104.78, 0.55%, 0.52%

LAB 72.5, -53.23, 55.88

 

CMYK 46 / 0 / 61 / 15

HEX #75DA55

RGB 117 218 85

HSL 105.56, 0.64%, 0.59%

LAB 78.8, -53.52, 55.05

 

CMYK 70 / 0 / 90 / 43

HEX #2C920E

RGB 44 146 14

HSL 106.36, 0.83%, 0.31%

LAB 53.09, -51.23, 53.23

 

CMYK 79 / 0 / 100 / 50

HEX #1B8000

RGB 27 128 0

HSL 107.34, 1%, 0.25%

LAB 46.54, -48.9, 50.28

 

CMYK 91 / 0 / 100 / 57

HEX #0A6E00

RGB 10 110 0

HSL 114.55, 1%, 0.22%

LAB 39.94, -45.41, 44.9

 

CMYK 100 / 0 / 100 / 64

HEX #005C00

RGB 0 92 0

HSL 120, 1%, 0.18%

LAB 33.25, -40.92, 39.49

 

CMYK 100 / 0 / 100 / 71

HEX #004A00

RGB 0 74 0

HSL 120, 1%, 0.15%

LAB 26.44, -35.26, 33.91

 

CMYK 70 / 0 / 91 / 44

HEX #2B900D

RGB 43 144 13

HSL 106.26, 0.83%, 0.31%

LAB 52.39, -50.79, 52.81

 

CMYK 46 / 0 / 91 / 44

HEX #4E900D

RGB 78 144 13

HSL 90.23, 0.83%, 0.31%

LAB 53.59, -41.13, 54.32

 

CMYK 21 / 0 / 91 / 44

HEX #72900D

RGB 114 144 13

HSL 73.74, 0.83%, 0.31%

LAB 55.64, -27.15, 56.85

 

CMYK 0 / 3 / 91 / 44

HEX #908B0D

RGB 144 139 13

HSL 57.71, 0.83%, 0.31%

LAB 56.51, -11.2, 58.54

 

CMYK 0 / 28 / 91 / 44

HEX #90680D

RGB 144 104 13

HSL 41.68, 0.83%, 0.31%

LAB 46.79, 8.42, 50.88

 

CMYK 70 / 0 / 91 / 44

HEX #2B900D

RGB 43 144 13

HSL 106.26, 0.83%, 0.31%

LAB 52.39, -50.79, 52.81

 

CMYK 91 / 0 / 88 / 44

HEX #0D9012

RGB 13 144 18

HSL 122.29, 0.83%, 0.31%

LAB 51.92, -54.79, 51.14

 

CMYK 91 / 0 / 63 / 44

HEX #0D9036

RGB 13 144 54

HSL 138.78, 0.83%, 0.31%

LAB 52.17, -51.63, 38.04

 

CMYK 91 / 0 / 38 / 44

HEX #0D9059

RGB 13 144 89

HSL 154.81, 0.83%, 0.31%

LAB 52.68, -45.6, 20.37

 

CMYK 91 / 0 / 13 / 44

HEX #0D907D

RGB 13 144 125

HSL 171.3, 0.83%, 0.31%

LAB 53.51, -36.54, 1.03

 

CMYK 70 / 0 / 91 / 44

HEX #2B900D

RGB 43 144 13

HSL 106.26, 0.83%, 0.31%

LAB 52.39, -50.79, 52.81

 

CMYK 77 / 0 / 100 / 38

HEX #249D00

RGB 36 157 0

HSL 106.24, 1%, 0.31%

LAB 56.57, -56.64, 58.35

 

CMYK 70 / 0 / 91 / 44

HEX #2B900D

RGB 43 144 13

HSL 106.26, 0.83%, 0.31%

LAB 52.39, -50.79, 52.81

 

CMYK 62 / 0 / 80 / 49

HEX #32831A

RGB 50 131 26

HSL 106.29, 0.67%, 0.31%

LAB 48.24, -43.9, 45.7

 

CMYK 52 / 0 / 67 / 53

HEX #397727

RGB 57 119 39

HSL 106.5, 0.51%, 0.31%

LAB 44.53, -36.01, 36.76

 

CMYK 40 / 0 / 52 / 58

HEX #406A33

RGB 64 106 51

HSL 105.82, 0.35%, 0.31%

LAB 40.63, -26.22, 26.2

 

CMYK 24 / 0 / 31 / 64

HEX #475D40

RGB 71 93 64

HSL 105.52, 0.18%, 0.31%

LAB 37, -14.58, 14.03

 

CMYK 21 / 0 / 91 / 44

HEX #72900D

RGB 114 144 13

HSL 73.74, 0.83%, 0.31%

LAB 55.64, -27.15, 56.85

 

CMYK 45 / 0 / 91 / 44

HEX #4F900D

RGB 79 144 13

HSL 89.77, 0.83%, 0.31%

LAB 53.64, -40.79, 54.38

 

CMYK 69 / 0 / 91 / 44

HEX #2C900D

RGB 44 144 13

HSL 105.8, 0.83%, 0.31%

LAB 52.41, -50.59, 52.85

 

CMYK 91 / 0 / 88 / 44

HEX #0D9011

RGB 13 144 17

HSL 121.83, 0.83%, 0.31%

LAB 51.92, -54.84, 51.37

 

CMYK 91 / 0 / 64 / 44

HEX #0D9034

RGB 13 144 52

HSL 137.86, 0.83%, 0.31%

LAB 52.15, -51.89, 38.95

 

CMYK 71 / 0 / 91 / 73

HEX #144506

RGB 20 69 6

HSL 106.67, 0.84%, 0.15%

LAB 25.01, -29.07, 30.3

 

CMYK 71 / 0 / 92 / 58

HEX #1F6A09

RGB 31 106 9

HSL 106.39, 0.84%, 0.23%

LAB 38.93, -40.28, 41.9

 

CMYK 70 / 0 / 91 / 44

HEX #2B900D

RGB 43 144 13

HSL 106.26, 0.83%, 0.31%

LAB 52.39, -50.79, 52.81

 

CMYK 70 / 0 / 91 / 29

HEX #36B610

RGB 54 182 16

HSL 106.27, 0.84%, 0.39%

LAB 65.18, -60.98, 63.28

 

CMYK 70 / 0 / 91 / 14

HEX #41DC14

RGB 65 220 20

HSL 106.5, 0.83%, 0.47%

LAB 77.5, -70.71, 73.13

 

CMYK 70 / 0 / 90 / 43

HEX #2C920E

RGB 44 146 14

HSL 106.36, 0.83%, 0.31%

LAB 53.09, -51.23, 53.23

 

CMYK 91 / 0 / 3 / 44

HEX #0D908C

RGB 13 144 140

HSL 178.17, 0.83%, 0.31%

LAB 53.95, -32.06, -6.97

 

CMYK 0 / 91 / 33 / 44

HEX #900D60

RGB 144 13 96

HSL 321.98, 0.83%, 0.31%

LAB 31.95, 55.85, -12.43

 

CMYK 70 / 0 / 90 / 43

HEX #2C920E

RGB 44 146 14

HSL 106.36, 0.83%, 0.31%

LAB 53.09, -51.23, 53.23

 

CMYK 91 / 69 / 0 / 44

HEX #0D2C90

RGB 13 44 144

HSL 225.8, 0.83%, 0.31%

LAB 23.34, 30.63, -57.54

 

CMYK 0 / 91 / 69 / 44

HEX #900D2C

RGB 144 13 44

HSL 345.8, 0.83%, 0.31%

LAB 30.4, 51.54, 19.72

 

CMYK 70 / 0 / 90 / 43

HEX #2C920E

RGB 44 146 14

HSL 106.36, 0.83%, 0.31%

LAB 53.09, -51.23, 53.23

 

CMYK 91 / 0 / 3 / 44

HEX #0D908C

RGB 13 144 140

HSL 178.17, 0.83%, 0.31%

LAB 53.95, -32.06, -6.97

 

CMYK 21 / 91 / 0 / 44

HEX #720D90

RGB 114 13 144

HSL 286.26, 0.83%, 0.31%

LAB 29.1, 57.23, -47.7

 

CMYK 0 / 91 / 88 / 44

HEX #900D11

RGB 144 13 17

HSL 358.17, 0.83%, 0.31%

LAB 30.05, 50.55, 35.92

 

CMYK 70 / 0 / 90 / 43

HEX #2C920E

RGB 44 146 14

HSL 106.36, 0.83%, 0.31%

LAB 53.09, -51.23, 53.23

 

CMYK 91 / 24 / 0 / 44

HEX #0D6D90

RGB 13 109 144

HSL 196.03, 0.83%, 0.31%

LAB 42.82, -12.34, -26.28

 

CMYK 21 / 91 / 0 / 44

HEX #720D90

RGB 114 13 144

HSL 286.26, 0.83%, 0.31%

LAB 29.1, 57.23, -47.7

 

CMYK 0 / 67 / 91 / 44

HEX #90300D

RGB 144 48 13

HSL 16.03, 0.83%, 0.31%

LAB 34.13, 39.07, 41.04

 

Description

Color code: HEX #2C920E | qconv.com Color code: HEX #2C920E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 146 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 146 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 90 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 90% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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