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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D842F it is the complementary color #D27BD0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D842F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D842F shade: #32842A, #43963D, #54A850, #65BA63 and #76CC76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D842F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D842F shade: #2D842F, #1C721C, #0B6009, #004E00 and #003C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D842F shade: #2D842F, #43842D, #5A842D, #72842D and #84802D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D842F shade: #2D842F, #2D8447, #2D845E, #2D8476 and #2D7C84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D842F shade matches the following richer shades: #2D842F, #1F9321, #10A113 and #02B006

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D842F shade: #2D842F, #3B763D, #4A684B, #585958 and #674B66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D842F shade: #5A842D, #43842D, #2D842E, #2D8446 and #2D845D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D842F shade: #184719, #226624, #2D842F, #38A33A and #45BF48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D842F shade: #2D842F, #2D7284 and #842D4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D842F shade: #2D842F, #2E2D84 and #842E2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D842F shade: #2D842F, #2D7284, #842D83 and #84402D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D842F shade: #2D842F, #2D5784, #842D83 and #845A2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 64 / 48

HEX #2D842F

RGB 45 132 47

HSL 121.38, 0.49%, 0.35%

LAB 48.59, -43.59, 37.42

 

Complementary color

CMYK 0 / 41 / 1 / 18

HEX #D27BD0

RGB 210 123 208

HSL 301.38, 0.49%, 0.65%

LAB 63.69, 46.34, -29.75

 

CMYK 62 / 0 / 68 / 48

HEX #32842A

RGB 50 132 42

HSL 114.67, 0.52%, 0.34%

LAB 48.7, -42.94, 39.86

 

CMYK 55 / 0 / 59 / 41

HEX #43963D

RGB 67 150 61

HSL 115.96, 0.42%, 0.41%

LAB 55.42, -43.4, 38.76

 

CMYK 50 / 0 / 52 / 34

HEX #54A850

RGB 84 168 80

HSL 117.27, 0.35%, 0.49%

LAB 62.06, -43.55, 37.47

 

CMYK 46 / 0 / 47 / 27

HEX #65BA63

RGB 101 186 99

HSL 118.62, 0.39%, 0.56%

LAB 68.6, -43.52, 36.16

 

CMYK 42 / 0 / 42 / 20

HEX #76CC76

RGB 118 204 118

HSL 120, 0.46%, 0.63%

LAB 75.04, -43.38, 34.88

 

CMYK 66 / 0 / 64 / 48

HEX #2D842F

RGB 45 132 47

HSL 121.38, 0.49%, 0.35%

LAB 48.59, -43.59, 37.42

 

CMYK 75 / 0 / 75 / 55

HEX #1C721C

RGB 28 114 28

HSL 120, 0.61%, 0.28%

LAB 41.79, -42.49, 38.36

 

CMYK 89 / 0 / 91 / 62

HEX #0B6009

RGB 11 96 9

HSL 118.62, 0.83%, 0.21%

LAB 34.92, -40.34, 38.19

 

CMYK 100 / 0 / 100 / 69

HEX #004E00

RGB 0 78 0

HSL 120, 1%, 0.15%

LAB 27.98, -36.54, 35.25

 

CMYK 100 / 0 / 100 / 76

HEX #003C00

RGB 0 60 0

HSL 120, 1%, 0.12%

LAB 20.95, -30.7, 28.41

 

CMYK 66 / 0 / 64 / 48

HEX #2D842F

RGB 45 132 47

HSL 121.38, 0.49%, 0.35%

LAB 48.59, -43.59, 37.42

 

CMYK 49 / 0 / 66 / 48

HEX #43842D

RGB 67 132 45

HSL 104.83, 0.49%, 0.35%

LAB 49.36, -37.76, 39.42

 

CMYK 32 / 0 / 66 / 48

HEX #5A842D

RGB 90 132 45

HSL 88.97, 0.49%, 0.35%

LAB 50.53, -29.54, 41.04

 

CMYK 14 / 0 / 66 / 48

HEX #72842D

RGB 114 132 45

HSL 72.41, 0.49%, 0.35%

LAB 52.14, -19.58, 43.24

 

CMYK 0 / 3 / 66 / 48

HEX #84802D

RGB 132 128 45

HSL 57.24, 0.49%, 0.35%

LAB 52.43, -9.4, 44

 

CMYK 66 / 0 / 64 / 48

HEX #2D842F

RGB 45 132 47

HSL 121.38, 0.49%, 0.35%

LAB 48.59, -43.59, 37.42

 

CMYK 66 / 0 / 46 / 48

HEX #2D8447

RGB 45 132 71

HSL 137.93, 0.49%, 0.35%

LAB 48.9, -40.06, 25.46

 

CMYK 66 / 0 / 29 / 48

HEX #2D845E

RGB 45 132 94

HSL 153.79, 0.49%, 0.35%

LAB 49.34, -35.37, 13.07

 

CMYK 66 / 0 / 11 / 48

HEX #2D8476

RGB 45 132 118

HSL 170.34, 0.49%, 0.35%

LAB 49.94, -29.26, -0.04

 

CMYK 66 / 6 / 0 / 48

HEX #2D7C84

RGB 45 124 132

HSL 185.52, 0.49%, 0.35%

LAB 47.8, -21.05, -11.45

 

CMYK 66 / 0 / 64 / 48

HEX #2D842F

RGB 45 132 47

HSL 121.38, 0.49%, 0.35%

LAB 48.59, -43.59, 37.42

 

CMYK 79 / 0 / 78 / 42

HEX #1F9321

RGB 31 147 33

HSL 121.03, 0.65%, 0.35%

LAB 53.24, -52.79, 48

 

CMYK 90 / 0 / 88 / 37

HEX #10A113

RGB 16 161 19

HSL 121.24, 0.82%, 0.35%

LAB 57.7, -59.56, 56.04

 

CMYK 99 / 0 / 97 / 31

HEX #02B006

RGB 2 176 6

HSL 121.38, 0.98%, 0.35%

LAB 62.57, -65.01, 62.22

 

CMYK 66 / 0 / 64 / 48

HEX #2D842F

RGB 45 132 47

HSL 121.38, 0.49%, 0.35%

LAB 48.59, -43.59, 37.42

 

CMYK 50 / 0 / 48 / 54

HEX #3B763D

RGB 59 118 61

HSL 122.03, 0.33%, 0.35%

LAB 44.55, -32.06, 25.52

 

CMYK 29 / 0 / 28 / 59

HEX #4A684B

RGB 74 104 75

HSL 122, 0.17%, 0.35%

LAB 41, -17.42, 12.9

 

CMYK 1 / 0 / 1 / 65

HEX #585958

RGB 88 89 88

HSL 120, 0.01%, 0.35%

LAB 37.71, -0.61, 0.43

 

CMYK 0 / 27 / 1 / 60

HEX #674B66

RGB 103 75 102

HSL 302.14, 0.16%, 0.35%

LAB 35.74, 16.94, -11.08

 

CMYK 32 / 0 / 66 / 48

HEX #5A842D

RGB 90 132 45

HSL 88.97, 0.49%, 0.35%

LAB 50.53, -29.54, 41.04

 

CMYK 49 / 0 / 66 / 48

HEX #43842D

RGB 67 132 45

HSL 104.83, 0.49%, 0.35%

LAB 49.36, -37.76, 39.42

 

CMYK 66 / 0 / 65 / 48

HEX #2D842E

RGB 45 132 46

HSL 120.69, 0.49%, 0.35%

LAB 48.58, -43.7, 37.88

 

CMYK 66 / 0 / 47 / 48

HEX #2D8446

RGB 45 132 70

HSL 137.24, 0.49%, 0.35%

LAB 48.89, -40.24, 25.99

 

CMYK 66 / 0 / 30 / 48

HEX #2D845D

RGB 45 132 93

HSL 153.1, 0.49%, 0.35%

LAB 49.31, -35.6, 13.61

 

CMYK 66 / 0 / 65 / 72

HEX #184719

RGB 24 71 25

HSL 121.28, 0.49%, 0.19%

LAB 26.07, -26.82, 22.62

 

CMYK 67 / 0 / 65 / 60

HEX #226624

RGB 34 102 36

HSL 121.76, 0.5%, 0.27%

LAB 37.79, -35.8, 30.44

 

CMYK 66 / 0 / 64 / 48

HEX #2D842F

RGB 45 132 47

HSL 121.38, 0.49%, 0.35%

LAB 48.59, -43.59, 37.42

 

CMYK 66 / 0 / 64 / 36

HEX #38A33A

RGB 56 163 58

HSL 121.12, 0.49%, 0.43%

LAB 59.29, -51.4, 44.45

 

CMYK 64 / 0 / 62 / 25

HEX #45BF48

RGB 69 191 72

HSL 121.48, 0.49%, 0.51%

LAB 68.75, -57.12, 48.95

 

CMYK 66 / 0 / 64 / 48

HEX #2D842F

RGB 45 132 47

HSL 121.38, 0.49%, 0.35%

LAB 48.59, -43.59, 37.42

 

CMYK 66 / 14 / 0 / 48

HEX #2D7284

RGB 45 114 132

HSL 192.41, 0.49%, 0.35%

LAB 44.6, -15.61, -16.31

 

CMYK 0 / 66 / 40 / 48

HEX #842D4F

RGB 132 45 79

HSL 336.55, 0.49%, 0.35%

LAB 32.58, 40.48, -0.66

 

CMYK 66 / 0 / 64 / 48

HEX #2D842F

RGB 45 132 47

HSL 121.38, 0.49%, 0.35%

LAB 48.59, -43.59, 37.42

 

CMYK 65 / 66 / 0 / 48

HEX #2E2D84

RGB 46 45 132

HSL 240.69, 0.49%, 0.35%

LAB 24.08, 28.86, -48.79

 

CMYK 0 / 65 / 66 / 48

HEX #842E2D

RGB 132 46 45

HSL 0.69, 0.49%, 0.35%

LAB 31.92, 36.87, 20.48

 

CMYK 66 / 0 / 64 / 48

HEX #2D842F

RGB 45 132 47

HSL 121.38, 0.49%, 0.35%

LAB 48.59, -43.59, 37.42

 

CMYK 66 / 14 / 0 / 48

HEX #2D7284

RGB 45 114 132

HSL 192.41, 0.49%, 0.35%

LAB 44.6, -15.61, -16.31

 

CMYK 0 / 66 / 1 / 48

HEX #842D83

RGB 132 45 131

HSL 300.69, 0.49%, 0.35%

LAB 34.84, 48.32, -30.28

 

CMYK 0 / 52 / 66 / 48

HEX #84402D

RGB 132 64 45

HSL 13.1, 0.49%, 0.35%

LAB 35.52, 27.52, 24.93

 

CMYK 66 / 0 / 64 / 48

HEX #2D842F

RGB 45 132 47

HSL 121.38, 0.49%, 0.35%

LAB 48.59, -43.59, 37.42

 

CMYK 66 / 34 / 0 / 48

HEX #2D5784

RGB 45 87 132

HSL 211.03, 0.49%, 0.35%

LAB 36.06, 0.55, -29.55

 

CMYK 0 / 66 / 1 / 48

HEX #842D83

RGB 132 45 131

HSL 300.69, 0.49%, 0.35%

LAB 34.84, 48.32, -30.28

 

CMYK 0 / 32 / 66 / 48

HEX #845A2D

RGB 132 90 45

HSL 31.03, 0.49%, 0.35%

LAB 41.86, 12.43, 32.4

 

Description

Color code: HEX #2D842F | qconv.com Color code: HEX #2D842F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 132 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 132 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 64 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 64% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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