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Color name
HEX #2DBB1F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DBB1F it is the complementary color #D244E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DBB1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DBB1F shade: #32BB1A, #43CD2D, #54DF40, #65F153 and #76FF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DBB1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DBB1F shade: #2DBB1F, #1CA90C, #0B9700, #008500 and #007300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DBB1F shade: #2CBC1E, #57BC1E, #82BC1E, #ACBC1E and #BCA21E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DBB1F shade: #2CBC1E, #1EBC3B, #1EBC65, #1EBC90 and #1EBCBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DBB1F shade matches the following richer shades: #2CBC1E and #1ECE0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DBB1F shade: #2CBC1E, #3BAA30, #499942, #588753 and #677565

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DBB1F shade: #82BC1E, #58BC1E, #2EBC1E, #1EBC39 and #1EBC63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DBB1F shade: #1B7513, #249918, #2CBC1E, #38DC28 and #59E14B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DBB1F shade: #2DBB1F, #1EACBC and #BC1E6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DBB1F shade: #2DBB1F, #1E2EBC and #BC1E2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DBB1F shade: #2DBB1F, #1EACBC, #AC1EBC and #BC2E1E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DBB1F shade: #2DBB1F, #1E7DBC, #AC1EBC and #BC5D1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 83 / 27

HEX #2DBB1F

RGB 45 187 31

HSL 114.62, 0.72%, 0.43%

LAB 66.67, -63.47, 61.37

 

Complementary color

CMYK 6 / 70 / 0 / 12

HEX #D244E0

RGB 210 68 224

HSL 294.62, 0.72%, 0.57%

LAB 55.3, 73.83, -51.95

 

CMYK 73 / 0 / 86 / 27

HEX #32BB1A

RGB 50 187 26

HSL 111.06, 0.76%, 0.42%

LAB 66.74, -62.91, 62.67

 

CMYK 67 / 0 / 78 / 20

HEX #43CD2D

RGB 67 205 45

HSL 111.75, 0.64%, 0.49%

LAB 72.92, -64.56, 63.44

 

CMYK 62 / 0 / 71 / 13

HEX #54DF40

RGB 84 223 64

HSL 112.45, 0.71%, 0.56%

LAB 79.06, -65.68, 63.33

 

CMYK 58 / 0 / 66 / 5

HEX #65F153

RGB 101 241 83

HSL 113.16, 0.85%, 0.64%

LAB 85.15, -66.41, 62.72

 

CMYK 54 / 0 / 60 / 0

HEX #76FF66

RGB 118 255 102

HSL 113.73, 1%, 0.7%

LAB 90.01, -65.44, 60.48

 

CMYK 76 / 0 / 83 / 27

HEX #2DBB1F

RGB 45 187 31

HSL 114.62, 0.72%, 0.43%

LAB 66.67, -63.47, 61.37

 

CMYK 83 / 0 / 93 / 34

HEX #1CA90C

RGB 28 169 12

HSL 113.89, 0.87%, 0.35%

LAB 60.47, -61.03, 59.75

 

CMYK 93 / 0 / 100 / 41

HEX #0B9700

RGB 11 151 0

HSL 115.63, 1%, 0.3%

LAB 54.24, -57.61, 56.36

 

CMYK 100 / 0 / 100 / 48

HEX #008500

RGB 0 133 0

HSL 120, 1%, 0.26%

LAB 47.98, -53.15, 51.3

 

CMYK 100 / 0 / 100 / 55

HEX #007300

RGB 0 115 0

HSL 120, 1%, 0.23%

LAB 41.63, -47.88, 46.21

 

CMYK 77 / 0 / 84 / 26

HEX #2CBC1E

RGB 44 188 30

HSL 114.68, 0.72%, 0.43%

LAB 66.97, -63.98, 61.89

 

CMYK 54 / 0 / 84 / 26

HEX #57BC1E

RGB 87 188 30

HSL 98.35, 0.72%, 0.43%

LAB 68.08, -54.75, 63.31

 

CMYK 31 / 0 / 84 / 26

HEX #82BC1E

RGB 130 188 30

HSL 82.03, 0.72%, 0.43%

LAB 70.04, -40.47, 65.78

 

CMYK 9 / 0 / 84 / 26

HEX #ACBC1E

RGB 172 188 30

HSL 66.08, 0.72%, 0.43%

LAB 72.78, -23.51, 69.22

 

CMYK 0 / 14 / 84 / 26

HEX #BCA21E

RGB 188 162 30

HSL 50.13, 0.72%, 0.43%

LAB 67, -3.17, 64.88

 

CMYK 77 / 0 / 84 / 26

HEX #2CBC1E

RGB 44 188 30

HSL 114.68, 0.72%, 0.43%

LAB 66.97, -63.98, 61.89

 

CMYK 84 / 0 / 69 / 26

HEX #1EBC3B

RGB 30 188 59

HSL 131.01, 0.72%, 0.43%

LAB 66.94, -63.59, 52.24

 

CMYK 84 / 0 / 46 / 26

HEX #1EBC65

RGB 30 188 101

HSL 146.96, 0.72%, 0.43%

LAB 67.41, -57.91, 33.27

 

CMYK 84 / 0 / 23 / 26

HEX #1EBC90

RGB 30 188 144

HSL 163.29, 0.72%, 0.43%

LAB 68.21, -48.92, 11.49

 

CMYK 84 / 0 / 1 / 26

HEX #1EBCBA

RGB 30 188 186

HSL 179.24, 0.72%, 0.43%

LAB 69.32, -37.52, -9.92

 

CMYK 77 / 0 / 84 / 26

HEX #2CBC1E

RGB 44 188 30

HSL 114.68, 0.72%, 0.43%

LAB 66.97, -63.98, 61.89

 

CMYK 85 / 0 / 94 / 19

HEX #1ECE0C

RGB 30 206 12

HSL 114.43, 0.89%, 0.43%

LAB 72.53, -71.48, 69.81

 

CMYK 77 / 0 / 84 / 26

HEX #2CBC1E

RGB 44 188 30

HSL 114.68, 0.72%, 0.43%

LAB 66.97, -63.98, 61.89

 

CMYK 65 / 0 / 72 / 33

HEX #3BAA30

RGB 59 170 48

HSL 114.59, 0.56%, 0.43%

LAB 61.56, -54.2, 51.07

 

CMYK 52 / 0 / 57 / 40

HEX #499942

RGB 73 153 66

HSL 115.17, 0.4%, 0.43%

LAB 56.68, -42.33, 37.85

 

CMYK 35 / 0 / 39 / 47

HEX #588753

RGB 88 135 83

HSL 114.23, 0.24%, 0.43%

LAB 51.87, -26.91, 23.03

 

CMYK 12 / 0 / 14 / 54

HEX #677565

RGB 103 117 101

HSL 112.5, 0.07%, 0.43%

LAB 47.68, -8.54, 7.08

 

CMYK 31 / 0 / 84 / 26

HEX #82BC1E

RGB 130 188 30

HSL 82.03, 0.72%, 0.43%

LAB 70.04, -40.47, 65.78

 

CMYK 53 / 0 / 84 / 26

HEX #58BC1E

RGB 88 188 30

HSL 97.97, 0.72%, 0.43%

LAB 68.12, -54.47, 63.35

 

CMYK 76 / 0 / 84 / 26

HEX #2EBC1E

RGB 46 188 30

HSL 113.92, 0.72%, 0.43%

LAB 67.01, -63.68, 61.94

 

CMYK 84 / 0 / 70 / 26

HEX #1EBC39

RGB 30 188 57

HSL 130.25, 0.72%, 0.43%

LAB 66.93, -63.79, 53.02

 

CMYK 84 / 0 / 47 / 26

HEX #1EBC63

RGB 30 188 99

HSL 146.2, 0.72%, 0.43%

LAB 67.38, -58.25, 34.25

 

CMYK 77 / 0 / 84 / 54

HEX #1B7513

RGB 27 117 19

HSL 115.1, 0.72%, 0.27%

LAB 42.77, -44.42, 42.57

 

CMYK 76 / 0 / 84 / 40

HEX #249918

RGB 36 153 24

HSL 114.42, 0.73%, 0.35%

LAB 55.3, -54.54, 52.78

 

CMYK 77 / 0 / 84 / 26

HEX #2CBC1E

RGB 44 188 30

HSL 114.68, 0.72%, 0.43%

LAB 66.97, -63.98, 61.89

 

CMYK 75 / 0 / 82 / 14

HEX #38DC28

RGB 56 220 40

HSL 114.67, 0.72%, 0.51%

LAB 77.39, -71.41, 68.94

 

CMYK 60 / 0 / 67 / 12

HEX #59E14B

RGB 89 225 75

HSL 114.4, 0.71%, 0.59%

LAB 79.89, -64.34, 60.1

 

CMYK 76 / 0 / 83 / 27

HEX #2DBB1F

RGB 45 187 31

HSL 114.62, 0.72%, 0.43%

LAB 66.67, -63.47, 61.37

 

CMYK 84 / 9 / 0 / 26

HEX #1EACBC

RGB 30 172 188

HSL 186.08, 0.72%, 0.43%

LAB 64.49, -29.33, -18.29

 

CMYK 0 / 84 / 42 / 26

HEX #BC1E6D

RGB 188 30 109

HSL 330, 0.72%, 0.43%

LAB 42.34, 64.39, -4.2

 

CMYK 76 / 0 / 83 / 27

HEX #2DBB1F

RGB 45 187 31

HSL 114.62, 0.72%, 0.43%

LAB 66.67, -63.47, 61.37

 

CMYK 84 / 76 / 0 / 26

HEX #1E2EBC

RGB 30 46 188

HSL 233.92, 0.72%, 0.43%

LAB 29.06, 46.37, -74.69

 

CMYK 0 / 84 / 76 / 26

HEX #BC1E2E

RGB 188 30 46

HSL 353.92, 0.72%, 0.43%

LAB 40.92, 60.21, 33.24

 

CMYK 76 / 0 / 83 / 27

HEX #2DBB1F

RGB 45 187 31

HSL 114.62, 0.72%, 0.43%

LAB 66.67, -63.47, 61.37

 

CMYK 84 / 9 / 0 / 26

HEX #1EACBC

RGB 30 172 188

HSL 186.08, 0.72%, 0.43%

LAB 64.49, -29.33, -18.29

 

CMYK 9 / 84 / 0 / 26

HEX #AC1EBC

RGB 172 30 188

HSL 293.92, 0.72%, 0.43%

LAB 43.26, 71.45, -50.84

 

CMYK 0 / 76 / 84 / 26

HEX #BC2E1E

RGB 188 46 30

HSL 6.08, 0.72%, 0.43%

LAB 42.37, 55.18, 43.56

 

CMYK 76 / 0 / 83 / 27

HEX #2DBB1F

RGB 45 187 31

HSL 114.62, 0.72%, 0.43%

LAB 66.67, -63.47, 61.37

 

CMYK 84 / 34 / 0 / 26

HEX #1E7DBC

RGB 30 125 188

HSL 203.92, 0.72%, 0.43%

LAB 50.19, -3.87, -40.46

 

CMYK 9 / 84 / 0 / 26

HEX #AC1EBC

RGB 172 30 188

HSL 293.92, 0.72%, 0.43%

LAB 43.26, 71.45, -50.84

 

CMYK 0 / 51 / 84 / 26

HEX #BC5D1E

RGB 188 93 30

HSL 23.92, 0.72%, 0.43%

LAB 50.23, 34.39, 50.55

 

Description

Color code: HEX #2DBB1F | qconv.com Color code: HEX #2DBB1F | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 187 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 187 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 83 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 83% 27% C M Y K

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