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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DD7A9 it is the complementary color #D22856. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DD7A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DD7A9 shade: #32D7A4, #43E9B7, #54FBCA, #65FFDD and #76FFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DD7A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DD7A9 shade: #2DD7A9, #1CC596, #0BB383, #00A170 and #008F5D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DD7A9 shade: #2DD7A9, #2DD77B, #2DD74D, #3AD72D and #68D72D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DD7A9 shade: #2DD7A9, #2DD7D6, #2DA9D7, #2D7BD7 and #2D4DD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DD7A9 shade matches the following richer shades: #2DD7A9 and #18EBB2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DD7A9 shade: #2DD7A9, #41C29F, #55AE96, #699A8D and #7D8683

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DD7A9 shade: #2DD74C, #2DD779, #2DD7A6, #2DD7D4 and #2DACD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DD7A9 shade: #1C9574, #23B78F, #2DD7A9, #4FDDB7 and #72E4C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DD7A9 shade: #2DD7A9, #2D3BD7 and #D7622D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DD7A9 shade: #2DD7A9, #A62DD7 and #D7A62D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DD7A9 shade: #2DD7A9, #2D3BD7, #D72D5D and #D7C82D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DD7A9 shade: #2DD7A9, #512DD7, #D72D5D and #B2D72D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 21 / 16

HEX #2DD7A9

RGB 45 215 169

HSL 163.76, 0.68%, 0.51%

LAB 77.29, -52.34, 10.93

 

Complementary color

CMYK 0 / 81 / 59 / 18

HEX #D22856

RGB 210 40 86

HSL 343.76, 0.68%, 0.49%

LAB 46.83, 65.85, 17.08

 

CMYK 77 / 0 / 24 / 16

HEX #32D7A4

RGB 50 215 164

HSL 161.45, 0.67%, 0.52%

LAB 77.26, -52.99, 13.54

 

CMYK 71 / 0 / 21 / 9

HEX #43E9B7

RGB 67 233 183

HSL 161.93, 0.79%, 0.59%

LAB 83.38, -53.68, 12.24

 

CMYK 67 / 0 / 20 / 2

HEX #54FBCA

RGB 84 251 202

HSL 162.4, 0.95%, 0.66%

LAB 89.46, -54.16, 11.03

 

CMYK 60 / 0 / 13 / 0

HEX #65FFDD

RGB 101 255 221

HSL 166.75, 1%, 0.7%

LAB 91.46, -48.63, 4.14

 

CMYK 54 / 0 / 6 / 0

HEX #76FFF0

RGB 118 255 240

HSL 173.43, 1%, 0.73%

LAB 92.43, -40.93, -4.23

 

CMYK 79 / 0 / 21 / 16

HEX #2DD7A9

RGB 45 215 169

HSL 163.76, 0.68%, 0.51%

LAB 77.29, -52.34, 10.93

 

CMYK 86 / 0 / 24 / 23

HEX #1CC596

RGB 28 197 150

HSL 163.31, 0.75%, 0.44%

LAB 71.13, -51.21, 12.36

 

CMYK 94 / 0 / 27 / 30

HEX #0BB383

RGB 11 179 131

HSL 162.86, 0.88%, 0.37%

LAB 64.92, -49.66, 13.94

 

CMYK 100 / 0 / 30 / 37

HEX #00A170

RGB 0 161 112

HSL 161.74, 1%, 0.32%

LAB 58.66, -47.64, 15.7

 

CMYK 100 / 0 / 35 / 44

HEX #008F5D

RGB 0 143 93

HSL 159.02, 1%, 0.28%

LAB 52.33, -45.09, 17.64

 

CMYK 79 / 0 / 21 / 16

HEX #2DD7A9

RGB 45 215 169

HSL 163.76, 0.68%, 0.51%

LAB 77.29, -52.34, 10.93

 

CMYK 79 / 0 / 43 / 16

HEX #2DD77B

RGB 45 215 123

HSL 147.53, 0.68%, 0.51%

LAB 76.43, -61.96, 33.75

 

CMYK 79 / 0 / 64 / 16

HEX #2DD74D

RGB 45 215 77

HSL 131.29, 0.68%, 0.51%

LAB 75.88, -68.49, 54.65

 

CMYK 73 / 0 / 79 / 16

HEX #3AD72D

RGB 58 215 45

HSL 115.41, 0.68%, 0.51%

LAB 75.88, -69.31, 66.19

 

CMYK 52 / 0 / 79 / 16

HEX #68D72D

RGB 104 215 45

HSL 99.18, 0.68%, 0.51%

LAB 77.12, -59.13, 67.8

 

CMYK 79 / 0 / 21 / 16

HEX #2DD7A9

RGB 45 215 169

HSL 163.76, 0.68%, 0.51%

LAB 77.29, -52.34, 10.93

 

CMYK 79 / 0 / 0 / 16

HEX #2DD7D6

RGB 45 215 214

HSL 179.65, 0.68%, 0.51%

LAB 78.47, -40.41, -11.42

 

CMYK 79 / 21 / 0 / 16

HEX #2DA9D7

RGB 45 169 215

HSL 196.24, 0.68%, 0.51%

LAB 64.84, -17.58, -32.72

 

CMYK 79 / 43 / 0 / 16

HEX #2D7BD7

RGB 45 123 215

HSL 212.47, 0.68%, 0.51%

LAB 51.42, 8.93, -53.88

 

CMYK 79 / 64 / 0 / 16

HEX #2D4DD7

RGB 45 77 215

HSL 228.71, 0.68%, 0.51%

LAB 39.19, 38.18, -73.69

 

CMYK 79 / 0 / 21 / 16

HEX #2DD7A9

RGB 45 215 169

HSL 163.76, 0.68%, 0.51%

LAB 77.29, -52.34, 10.93

 

CMYK 90 / 0 / 24 / 8

HEX #18EBB2

RGB 24 235 178

HSL 163.79, 0.84%, 0.51%

LAB 83.35, -59.5, 14.73

 

CMYK 79 / 0 / 21 / 16

HEX #2DD7A9

RGB 45 215 169

HSL 163.76, 0.68%, 0.51%

LAB 77.29, -52.34, 10.93

 

CMYK 66 / 0 / 18 / 24

HEX #41C29F

RGB 65 194 159

HSL 163.72, 0.51%, 0.51%

LAB 71.02, -43.45, 7.4

 

CMYK 51 / 0 / 14 / 32

HEX #55AE96

RGB 85 174 150

HSL 163.82, 0.35%, 0.51%

LAB 65.28, -32.64, 4.18

 

CMYK 32 / 0 / 8 / 40

HEX #699A8D

RGB 105 154 141

HSL 164.08, 0.2%, 0.51%

LAB 59.92, -19.38, 1.57

 

CMYK 7 / 0 / 2 / 47

HEX #7D8683

RGB 125 134 131

HSL 160, 0.04%, 0.51%

LAB 55.12, -3.91, 0.47

 

CMYK 79 / 0 / 65 / 16

HEX #2DD74C

RGB 45 215 76

HSL 130.94, 0.68%, 0.51%

LAB 75.87, -68.59, 55.06

 

CMYK 79 / 0 / 44 / 16

HEX #2DD779

RGB 45 215 121

HSL 146.82, 0.68%, 0.51%

LAB 76.4, -62.31, 34.71

 

CMYK 79 / 0 / 23 / 16

HEX #2DD7A6

RGB 45 215 166

HSL 162.71, 0.68%, 0.51%

LAB 77.23, -53.05, 12.43

 

CMYK 79 / 0 / 1 / 16

HEX #2DD7D4

RGB 45 215 212

HSL 178.94, 0.68%, 0.51%

LAB 78.41, -40.99, -10.43

 

CMYK 79 / 20 / 0 / 16

HEX #2DACD7

RGB 45 172 215

HSL 195.18, 0.68%, 0.51%

LAB 65.72, -19.17, -31.35

 

CMYK 81 / 0 / 22 / 42

HEX #1C9574

RGB 28 149 116

HSL 163.64, 0.68%, 0.35%

LAB 55.08, -39.94, 8.47

 

CMYK 81 / 0 / 22 / 28

HEX #23B78F

RGB 35 183 143

HSL 163.78, 0.68%, 0.43%

LAB 66.68, -46.68, 9.88

 

CMYK 79 / 0 / 21 / 16

HEX #2DD7A9

RGB 45 215 169

HSL 163.76, 0.68%, 0.51%

LAB 77.29, -52.34, 10.93

 

CMYK 64 / 0 / 17 / 13

HEX #4FDDB7

RGB 79 221 183

HSL 163.94, 0.68%, 0.59%

LAB 80.06, -46.93, 7.53

 

CMYK 50 / 0 / 14 / 11

HEX #72E4C5

RGB 114 228 197

HSL 163.68, 0.68%, 0.67%

LAB 83.49, -39.84, 5.2

 

CMYK 79 / 0 / 21 / 16

HEX #2DD7A9

RGB 45 215 169

HSL 163.76, 0.68%, 0.51%

LAB 77.29, -52.34, 10.93

 

CMYK 79 / 73 / 0 / 16

HEX #2D3BD7

RGB 45 59 215

HSL 235.06, 0.68%, 0.51%

LAB 35.19, 49.04, -80.29

 

CMYK 0 / 54 / 79 / 16

HEX #D7622D

RGB 215 98 45

HSL 18.71, 0.68%, 0.51%

LAB 55.45, 42.96, 50.35

 

CMYK 79 / 0 / 21 / 16

HEX #2DD7A9

RGB 45 215 169

HSL 163.76, 0.68%, 0.51%

LAB 77.29, -52.34, 10.93

 

CMYK 23 / 79 / 0 / 16

HEX #A62DD7

RGB 166 45 215

HSL 282.71, 0.68%, 0.51%

LAB 45.48, 71.32, -62.95

 

CMYK 0 / 23 / 79 / 16

HEX #D7A62D

RGB 215 166 45

HSL 42.71, 0.68%, 0.51%

LAB 70.81, 7.07, 64.69

 

CMYK 79 / 0 / 21 / 16

HEX #2DD7A9

RGB 45 215 169

HSL 163.76, 0.68%, 0.51%

LAB 77.29, -52.34, 10.93

 

CMYK 79 / 73 / 0 / 16

HEX #2D3BD7

RGB 45 59 215

HSL 235.06, 0.68%, 0.51%

LAB 35.19, 49.04, -80.29

 

CMYK 0 / 79 / 57 / 16

HEX #D72D5D

RGB 215 45 93

HSL 343.06, 0.68%, 0.51%

LAB 48.4, 66.34, 15.08

 

CMYK 0 / 7 / 79 / 16

HEX #D7C82D

RGB 215 200 45

HSL 54.71, 0.68%, 0.51%

LAB 79.58, -10.66, 72.53

 

CMYK 79 / 0 / 21 / 16

HEX #2DD7A9

RGB 45 215 169

HSL 163.76, 0.68%, 0.51%

LAB 77.29, -52.34, 10.93

 

CMYK 62 / 79 / 0 / 16

HEX #512DD7

RGB 81 45 215

HSL 252.71, 0.68%, 0.51%

LAB 35.07, 59.35, -80.41

 

CMYK 0 / 79 / 57 / 16

HEX #D72D5D

RGB 215 45 93

HSL 343.06, 0.68%, 0.51%

LAB 48.4, 66.34, 15.08

 

CMYK 17 / 0 / 79 / 16

HEX #B2D72D

RGB 178 215 45

HSL 73.06, 0.68%, 0.51%

LAB 80.88, -33.35, 72.62

 

Description

Color code: HEX #2DD7A9 | qconv.com Color code: HEX #2DD7A9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 215 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 215 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 21 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 21% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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