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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E9B5C it is the complementary color #D164A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E9B5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E9B5C shade: #339B57, #44AD6A, #55BF7D, #66D190 and #77E3A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E9B5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E9B5C shade: #2E9B5C, #1D8949, #0C7736, #006523 and #005310

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E9B5C shade: #2D995B, #2D993E, #3A992D, #57992D and #74992D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E9B5C shade: #2D995B, #2D9978, #2D9994, #2D8099 and #2D6399

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E9B5C shade matches the following richer shades: #2D995B, #1DA958 and #0DB956

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E9B5C shade: #2D995B, #3D895D, #4D7860, #5E6862 and #6E5865

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E9B5C shade: #3A992D, #2D993D, #2D995A, #2D9977 and #2D9993

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E9B5C shade: #1A5935, #247948, #2D995B, #37B86D and #4ECA83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E9B5C shade: #2E9B5C, #2D5699 and #992F2D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E9B5C shade: #2E9B5C, #5A2D99 and #995A2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E9B5C shade: #2E9B5C, #2D5699, #992D6C and #996F2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E9B5C shade: #2E9B5C, #2D3699, #992D6C and #99902D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 41 / 39

HEX #2E9B5C

RGB 46 155 92

HSL 145.32, 0.54%, 0.39%

LAB 56.88, -45.25, 24.39

 

Complementary color

CMYK 0 / 52 / 22 / 18

HEX #D164A3

RGB 209 100 163

HSL 325.32, 0.54%, 0.61%

LAB 57.38, 50.3, -13.75

 

CMYK 67 / 0 / 44 / 39

HEX #339B57

RGB 51 155 87

HSL 140.77, 0.5%, 0.4%

LAB 56.91, -45.25, 27.16

 

CMYK 61 / 0 / 39 / 32

HEX #44AD6A

RGB 68 173 106

HSL 141.71, 0.44%, 0.47%

LAB 63.47, -45.51, 25.67

 

CMYK 55 / 0 / 35 / 25

HEX #55BF7D

RGB 85 191 125

HSL 142.64, 0.45%, 0.54%

LAB 69.95, -45.56, 24.3

 

CMYK 51 / 0 / 31 / 18

HEX #66D190

RGB 102 209 144

HSL 143.55, 0.54%, 0.61%

LAB 76.34, -45.48, 23.03

 

CMYK 48 / 0 / 28 / 11

HEX #77E3A3

RGB 119 227 163

HSL 144.44, 0.66%, 0.68%

LAB 82.65, -45.32, 21.86

 

CMYK 70 / 0 / 41 / 39

HEX #2E9B5C

RGB 46 155 92

HSL 145.32, 0.54%, 0.39%

LAB 56.88, -45.25, 24.39

 

CMYK 79 / 0 / 47 / 46

HEX #1D8949

RGB 29 137 73

HSL 144.44, 0.65%, 0.33%

LAB 50.26, -44.5, 26.03

 

CMYK 90 / 0 / 55 / 53

HEX #0C7736

RGB 12 119 54

HSL 143.55, 0.82%, 0.26%

LAB 43.56, -43.1, 27.82

 

CMYK 100 / 0 / 65 / 60

HEX #006523

RGB 0 101 35

HSL 140.79, 1%, 0.2%

LAB 36.8, -40.76, 29.64

 

CMYK 100 / 0 / 81 / 67

HEX #005310

RGB 0 83 16

HSL 131.57, 1%, 0.16%

LAB 29.97, -36.92, 31.06

 

CMYK 71 / 0 / 41 / 40

HEX #2D995B

RGB 45 153 91

HSL 145.56, 0.55%, 0.39%

LAB 56.18, -44.82, 24.01

 

CMYK 71 / 0 / 59 / 40

HEX #2D993E

RGB 45 153 62

HSL 129.44, 0.55%, 0.39%

LAB 55.77, -49.51, 38.52

 

CMYK 62 / 0 / 71 / 40

HEX #3A992D

RGB 58 153 45

HSL 112.78, 0.55%, 0.39%

LAB 55.96, -48.59, 46.41

 

CMYK 43 / 0 / 71 / 40

HEX #57992D

RGB 87 153 45

HSL 96.67, 0.55%, 0.39%

LAB 57.07, -40.08, 47.92

 

CMYK 24 / 0 / 71 / 40

HEX #74992D

RGB 116 153 45

HSL 80.56, 0.55%, 0.39%

LAB 58.68, -29.2, 50.08

 

CMYK 71 / 0 / 41 / 40

HEX #2D995B

RGB 45 153 91

HSL 145.56, 0.55%, 0.39%

LAB 56.18, -44.82, 24.01

 

CMYK 71 / 0 / 22 / 40

HEX #2D9978

RGB 45 153 120

HSL 161.67, 0.55%, 0.39%

LAB 56.78, -38.41, 8.66

 

CMYK 71 / 0 / 3 / 40

HEX #2D9994

RGB 45 153 148

HSL 177.22, 0.55%, 0.39%

LAB 57.54, -30.81, -6.18

 

CMYK 71 / 16 / 0 / 40

HEX #2D8099

RGB 45 128 153

HSL 193.89, 0.55%, 0.39%

LAB 49.85, -16.37, -20.67

 

CMYK 71 / 35 / 0 / 40

HEX #2D6399

RGB 45 99 153

HSL 210, 0.55%, 0.39%

LAB 40.87, 0.7, -34.67

 

CMYK 71 / 0 / 41 / 40

HEX #2D995B

RGB 45 153 91

HSL 145.56, 0.55%, 0.39%

LAB 56.18, -44.82, 24.01

 

CMYK 83 / 0 / 48 / 34

HEX #1DA958

RGB 29 169 88

HSL 145.29, 0.71%, 0.39%

LAB 61.08, -53.57, 31.89

 

CMYK 93 / 0 / 54 / 27

HEX #0DB956

RGB 13 185 86

HSL 145.47, 0.87%, 0.39%

LAB 66.1, -60.54, 39.1

 

CMYK 71 / 0 / 41 / 40

HEX #2D995B

RGB 45 153 91

HSL 145.56, 0.55%, 0.39%

LAB 56.18, -44.82, 24.01

 

CMYK 55 / 0 / 32 / 46

HEX #3D895D

RGB 61 137 93

HSL 145.26, 0.38%, 0.39%

LAB 51.47, -34.21, 16.65

 

CMYK 36 / 0 / 20 / 53

HEX #4D7860

RGB 77 120 96

HSL 146.51, 0.22%, 0.39%

LAB 46.78, -20.57, 8.52

 

CMYK 10 / 0 / 6 / 59

HEX #5E6862

RGB 94 104 98

HSL 144, 0.05%, 0.39%

LAB 43.01, -5.11, 2.07

 

CMYK 0 / 20 / 8 / 57

HEX #6E5865

RGB 110 88 101

HSL 324.55, 0.11%, 0.39%

LAB 39.97, 11.44, -4.04

 

CMYK 62 / 0 / 71 / 40

HEX #3A992D

RGB 58 153 45

HSL 112.78, 0.55%, 0.39%

LAB 55.96, -48.59, 46.41

 

CMYK 71 / 0 / 60 / 40

HEX #2D993D

RGB 45 153 61

HSL 128.89, 0.55%, 0.39%

LAB 55.76, -49.64, 38.99

 

CMYK 71 / 0 / 41 / 40

HEX #2D995A

RGB 45 153 90

HSL 145, 0.55%, 0.39%

LAB 56.17, -45.01, 24.53

 

CMYK 71 / 0 / 22 / 40

HEX #2D9977

RGB 45 153 119

HSL 161.11, 0.55%, 0.39%

LAB 56.75, -38.66, 9.19

 

CMYK 71 / 0 / 4 / 40

HEX #2D9993

RGB 45 153 147

HSL 176.67, 0.55%, 0.39%

LAB 57.51, -31.1, -5.65

 

CMYK 71 / 0 / 40 / 65

HEX #1A5935

RGB 26 89 53

HSL 145.71, 0.55%, 0.23%

LAB 33.18, -29.24, 15.17

 

CMYK 70 / 0 / 40 / 53

HEX #247948

RGB 36 121 72

HSL 145.41, 0.54%, 0.31%

LAB 44.97, -37.15, 19.73

 

CMYK 71 / 0 / 41 / 40

HEX #2D995B

RGB 45 153 91

HSL 145.56, 0.55%, 0.39%

LAB 56.18, -44.82, 24.01

 

CMYK 70 / 0 / 41 / 28

HEX #37B86D

RGB 55 184 109

HSL 145.12, 0.54%, 0.47%

LAB 66.67, -51.8, 28.24

 

CMYK 61 / 0 / 35 / 21

HEX #4ECA83

RGB 78 202 131

HSL 145.65, 0.54%, 0.55%

LAB 73.22, -50.46, 25.5

 

CMYK 70 / 0 / 41 / 39

HEX #2E9B5C

RGB 46 155 92

HSL 145.32, 0.54%, 0.39%

LAB 56.88, -45.25, 24.39

 

CMYK 71 / 44 / 0 / 40

HEX #2D5699

RGB 45 86 153

HSL 217.22, 0.55%, 0.39%

LAB 36.95, 9.04, -40.89

 

CMYK 0 / 69 / 71 / 40

HEX #992F2D

RGB 153 47 45

HSL 1.11, 0.55%, 0.39%

LAB 35.97, 43.92, 26.34

 

CMYK 70 / 0 / 41 / 39

HEX #2E9B5C

RGB 46 155 92

HSL 145.32, 0.54%, 0.39%

LAB 56.88, -45.25, 24.39

 

CMYK 41 / 71 / 0 / 40

HEX #5A2D99

RGB 90 45 153

HSL 265, 0.55%, 0.39%

LAB 30.28, 43.47, -51.48

 

CMYK 0 / 41 / 71 / 40

HEX #995A2D

RGB 153 90 45

HSL 25, 0.55%, 0.39%

LAB 44.62, 21.87, 36.27

 

CMYK 70 / 0 / 41 / 39

HEX #2E9B5C

RGB 46 155 92

HSL 145.32, 0.54%, 0.39%

LAB 56.88, -45.25, 24.39

 

CMYK 71 / 44 / 0 / 40

HEX #2D5699

RGB 45 86 153

HSL 217.22, 0.55%, 0.39%

LAB 36.95, 9.04, -40.89

 

CMYK 0 / 71 / 29 / 40

HEX #992D6C

RGB 153 45 108

HSL 325, 0.55%, 0.39%

LAB 37.36, 50.52, -11.71

 

CMYK 0 / 27 / 71 / 40

HEX #996F2D

RGB 153 111 45

HSL 36.67, 0.55%, 0.39%

LAB 49.89, 9.83, 41.97

 

CMYK 70 / 0 / 41 / 39

HEX #2E9B5C

RGB 46 155 92

HSL 145.32, 0.54%, 0.39%

LAB 56.88, -45.25, 24.39

 

CMYK 71 / 65 / 0 / 40

HEX #2D3699

RGB 45 54 153

HSL 235, 0.55%, 0.39%

LAB 28.1, 30.39, -55.2

 

CMYK 0 / 71 / 29 / 40

HEX #992D6C

RGB 153 45 108

HSL 325, 0.55%, 0.39%

LAB 37.36, 50.52, -11.71

 

CMYK 0 / 6 / 71 / 40

HEX #99902D

RGB 153 144 45

HSL 55, 0.55%, 0.39%

LAB 58.89, -8.61, 51.22

 

Description

Color code: HEX #2E9B5C | qconv.com Color code: HEX #2E9B5C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 155 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 155 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 41 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 41% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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