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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F7226 it is the complementary color #D08DD9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F7226. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F7226 shade: #347221, #458434, #569647, #67A85A and #78BA6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F7226. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F7226 shade: #2F7226, #1E6013, #0D4E00, #003C00 and #002A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F7226 shade: #2F7226, #437226, #587226, #6D7226 and #726326

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F7226 shade: #2F7226, #267231, #267246, #26725B and #26726F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F7226 shade matches the following richer shades: #2F7226, #257F19, #1C8B0D and #129701

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F7226 shade: #2F7226, #386632, #42593F, #4B4D4B and #554157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F7226 shade: #597226, #447226, #307226, #267230 and #267244

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F7226 shade: #153411, #22531B, #2F7226, #3C9130 and #48B03A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F7226 shade: #2F7226, #266D72 and #72264F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F7226 shade: #2F7226, #263072 and #722630

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F7226 shade: #2F7226, #266D72, #682672 and #722B26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F7226 shade: #2F7226, #265672, #682672 and #724226

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 67 / 55

HEX #2F7226

RGB 47 114 38

HSL 112.89, 0.5%, 0.3%

LAB 42.43, -37.01, 34.79

 

Complementary color

CMYK 4 / 35 / 0 / 15

HEX #D08DD9

RGB 208 141 217

HSL 292.89, 0.5%, 0.7%

LAB 67.63, 37.88, -28.71

 

CMYK 54 / 0 / 71 / 55

HEX #347221

RGB 52 114 33

HSL 105.93, 0.55%, 0.29%

LAB 42.57, -36.05, 37.29

 

CMYK 48 / 0 / 61 / 48

HEX #458434

RGB 69 132 52

HSL 107.25, 0.43%, 0.36%

LAB 49.52, -36.35, 36.31

 

CMYK 43 / 0 / 53 / 41

HEX #569647

RGB 86 150 71

HSL 108.61, 0.36%, 0.43%

LAB 56.33, -36.39, 35.07

 

CMYK 39 / 0 / 46 / 34

HEX #67A85A

RGB 103 168 90

HSL 110, 0.31%, 0.51%

LAB 63.03, -36.29, 33.79

 

CMYK 35 / 0 / 41 / 27

HEX #78BA6D

RGB 120 186 109

HSL 111.43, 0.36%, 0.58%

LAB 69.62, -36.11, 32.53

 

CMYK 59 / 0 / 67 / 55

HEX #2F7226

RGB 47 114 38

HSL 112.89, 0.5%, 0.3%

LAB 42.43, -37.01, 34.79

 

CMYK 69 / 0 / 80 / 62

HEX #1E6013

RGB 30 96 19

HSL 111.43, 0.67%, 0.23%

LAB 35.38, -36.18, 35.48

 

CMYK 83 / 0 / 100 / 69

HEX #0D4E00

RGB 13 78 0

HSL 110, 1%, 0.15%

LAB 28.21, -34.48, 35.53

 

CMYK 100 / 0 / 100 / 76

HEX #003C00

RGB 0 60 0

HSL 120, 1%, 0.12%

LAB 20.95, -30.7, 28.41

 

CMYK 100 / 0 / 100 / 84

HEX #002A00

RGB 0 42 0

HSL 120, 1%, 0.08%

LAB 13.57, -24.56, 19.44

 

CMYK 59 / 0 / 67 / 55

HEX #2F7226

RGB 47 114 38

HSL 112.89, 0.5%, 0.3%

LAB 42.43, -37.01, 34.79

 

CMYK 41 / 0 / 67 / 55

HEX #437226

RGB 67 114 38

HSL 97.11, 0.5%, 0.3%

LAB 43.31, -30.48, 36.02

 

CMYK 23 / 0 / 67 / 55

HEX #587226

RGB 88 114 38

HSL 80.53, 0.5%, 0.3%

LAB 44.59, -22.07, 37.78

 

CMYK 4 / 0 / 67 / 55

HEX #6D7226

RGB 109 114 38

HSL 63.95, 0.5%, 0.3%

LAB 46.21, -12.71, 39.99

 

CMYK 0 / 13 / 67 / 55

HEX #726326

RGB 114 99 38

HSL 48.16, 0.5%, 0.3%

LAB 42.22, -1.85, 35.86

 

CMYK 59 / 0 / 67 / 55

HEX #2F7226

RGB 47 114 38

HSL 112.89, 0.5%, 0.3%

LAB 42.43, -37.01, 34.79

 

CMYK 67 / 0 / 57 / 55

HEX #267231

RGB 38 114 49

HSL 128.68, 0.5%, 0.3%

LAB 42.26, -37.9, 29.01

 

CMYK 67 / 0 / 39 / 55

HEX #267246

RGB 38 114 70

HSL 145.26, 0.5%, 0.3%

LAB 42.6, -34.16, 17.73

 

CMYK 67 / 0 / 20 / 55

HEX #26725B

RGB 38 114 91

HSL 161.84, 0.5%, 0.3%

LAB 43.07, -29.22, 5.98

 

CMYK 67 / 0 / 3 / 55

HEX #26726F

RGB 38 114 111

HSL 177.63, 0.5%, 0.3%

LAB 43.65, -23.55, -5.18

 

CMYK 59 / 0 / 67 / 55

HEX #2F7226

RGB 47 114 38

HSL 112.89, 0.5%, 0.3%

LAB 42.43, -37.01, 34.79

 

CMYK 71 / 0 / 80 / 50

HEX #257F19

RGB 37 127 25

HSL 112.94, 0.67%, 0.3%

LAB 46.5, -45.56, 44.23

 

CMYK 80 / 0 / 91 / 45

HEX #1C8B0D

RGB 28 139 13

HSL 112.86, 0.83%, 0.3%

LAB 50.38, -51.8, 50.97

 

CMYK 88 / 0 / 99 / 41

HEX #129701

RGB 18 151 1

HSL 113.2, 0.99%, 0.3%

LAB 54.31, -57.03, 56.27

 

CMYK 59 / 0 / 67 / 55

HEX #2F7226

RGB 47 114 38

HSL 112.89, 0.5%, 0.3%

LAB 42.43, -37.01, 34.79

 

CMYK 45 / 0 / 51 / 60

HEX #386632

RGB 56 102 50

HSL 113.08, 0.34%, 0.3%

LAB 38.85, -27.27, 24.46

 

CMYK 26 / 0 / 29 / 65

HEX #42593F

RGB 66 89 63

HSL 113.08, 0.17%, 0.3%

LAB 35.32, -14.52, 12.3

 

CMYK 3 / 0 / 3 / 70

HEX #4B4D4B

RGB 75 77 75

HSL 120, 0.01%, 0.3%

LAB 32.51, -1.25, 0.9

 

CMYK 2 / 25 / 0 / 66

HEX #554157

RGB 85 65 87

HSL 294.55, 0.14%, 0.3%

LAB 30.4, 13.09, -9.83

 

CMYK 22 / 0 / 67 / 55

HEX #597226

RGB 89 114 38

HSL 79.74, 0.5%, 0.3%

LAB 44.66, -21.64, 37.87

 

CMYK 40 / 0 / 67 / 55

HEX #447226

RGB 68 114 38

HSL 96.32, 0.5%, 0.3%

LAB 43.37, -30.11, 36.09

 

CMYK 58 / 0 / 67 / 55

HEX #307226

RGB 48 114 38

HSL 112.11, 0.5%, 0.3%

LAB 42.46, -36.73, 34.85

 

CMYK 67 / 0 / 58 / 55

HEX #267230

RGB 38 114 48

HSL 127.89, 0.5%, 0.3%

LAB 42.25, -38.04, 29.52

 

CMYK 67 / 0 / 40 / 55

HEX #267244

RGB 38 114 68

HSL 143.68, 0.5%, 0.3%

LAB 42.56, -34.57, 18.84

 

CMYK 60 / 0 / 67 / 80

HEX #153411

RGB 21 52 17

HSL 113.14, 0.51%, 0.14%

LAB 18.61, -20.02, 18.4

 

CMYK 59 / 0 / 67 / 67

HEX #22531B

RGB 34 83 27

HSL 112.5, 0.51%, 0.22%

LAB 30.89, -28.92, 27.18

 

CMYK 59 / 0 / 67 / 55

HEX #2F7226

RGB 47 114 38

HSL 112.89, 0.5%, 0.3%

LAB 42.43, -37.01, 34.79

 

CMYK 59 / 0 / 67 / 43

HEX #3C9130

RGB 60 145 48

HSL 112.58, 0.5%, 0.38%

LAB 53.41, -44.77, 42.44

 

CMYK 59 / 0 / 67 / 31

HEX #48B03A

RGB 72 176 58

HSL 112.88, 0.5%, 0.46%

LAB 63.94, -52.43, 49.69

 

CMYK 59 / 0 / 67 / 55

HEX #2F7226

RGB 47 114 38

HSL 112.89, 0.5%, 0.3%

LAB 42.43, -37.01, 34.79

 

CMYK 67 / 4 / 0 / 55

HEX #266D72

RGB 38 109 114

HSL 183.95, 0.5%, 0.3%

LAB 42.1, -19.98, -9.3

 

CMYK 0 / 67 / 31 / 55

HEX #72264F

RGB 114 38 79

HSL 327.63, 0.5%, 0.3%

LAB 28.19, 37.79, -7.53

 

CMYK 59 / 0 / 67 / 55

HEX #2F7226

RGB 47 114 38

HSL 112.89, 0.5%, 0.3%

LAB 42.43, -37.01, 34.79

 

CMYK 67 / 58 / 0 / 55

HEX #263072

RGB 38 48 114

HSL 232.11, 0.5%, 0.3%

LAB 22.8, 18.79, -39.49

 

CMYK 0 / 67 / 58 / 55

HEX #722630

RGB 114 38 48

HSL 352.11, 0.5%, 0.3%

LAB 27.23, 34.28, 11.78

 

CMYK 59 / 0 / 67 / 55

HEX #2F7226

RGB 47 114 38

HSL 112.89, 0.5%, 0.3%

LAB 42.43, -37.01, 34.79

 

CMYK 67 / 4 / 0 / 55

HEX #266D72

RGB 38 109 114

HSL 183.95, 0.5%, 0.3%

LAB 42.1, -19.98, -9.3

 

CMYK 9 / 67 / 0 / 55

HEX #682672

RGB 104 38 114

HSL 292.11, 0.5%, 0.3%

LAB 28.23, 40.89, -30.35

 

CMYK 0 / 62 / 67 / 55

HEX #722B26

RGB 114 43 38

HSL 3.95, 0.5%, 0.3%

LAB 27.97, 31, 19.3

 

CMYK 59 / 0 / 67 / 55

HEX #2F7226

RGB 47 114 38

HSL 112.89, 0.5%, 0.3%

LAB 42.43, -37.01, 34.79

 

CMYK 67 / 25 / 0 / 55

HEX #265672

RGB 38 86 114

HSL 202.11, 0.5%, 0.3%

LAB 34.56, -6.74, -20.81

 

CMYK 9 / 67 / 0 / 55

HEX #682672

RGB 104 38 114

HSL 292.11, 0.5%, 0.3%

LAB 28.23, 40.89, -30.35

 

CMYK 0 / 42 / 67 / 55

HEX #724226

RGB 114 66 38

HSL 22.11, 0.5%, 0.3%

LAB 33.17, 17.96, 25.62

 

Description

Color code: HEX #2F7226 | qconv.com Color code: HEX #2F7226 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 114 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 114 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 67 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 67% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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