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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F974B it is the complementary color #D068B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F974B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F974B shade: #349746, #45A959, #56BB6C, #67CD7F and #78DF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F974B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F974B shade: #2F974B, #1E8538, #0D7325, #006112 and #004F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F974B shade: #2E984B, #2E982E, #4B982E, #67982E and #84982E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F974B shade: #2E984B, #2E9867, #2E9883, #2E8F98 and #2E7398

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F974B shade matches the following richer shades: #2E984B, #1EA843 and #0EB83C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F974B shade: #2E984B, #3E8852, #4E7759, #5F6761 and #6F5768

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F974B shade: #4A982E, #2E982E, #2E984A, #2E9866 and #2E9883

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F974B shade: #1B592B, #25783B, #2E984B, #38B75A and #50C970

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F974B shade: #2F974B, #2E6698 and #982E3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F974B shade: #2F974B, #4A2E98 and #984A2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F974B shade: #2F974B, #2E6698, #982E7C and #985F2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F974B shade: #2F974B, #2E4798, #982E7C and #987F2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 50 / 41

HEX #2F974B

RGB 47 151 75

HSL 136.15, 0.53%, 0.39%

LAB 55.32, -46.5, 31.46

 

Complementary color

CMYK 0 / 50 / 13 / 18

HEX #D068B4

RGB 208 104 180

HSL 316.15, 0.53%, 0.61%

LAB 58.61, 50.6, -21.71

 

CMYK 66 / 0 / 54 / 41

HEX #349746

RGB 52 151 70

HSL 130.91, 0.49%, 0.4%

LAB 55.39, -46.25, 34.14

 

CMYK 59 / 0 / 47 / 34

HEX #45A959

RGB 69 169 89

HSL 132, 0.42%, 0.47%

LAB 61.97, -46.58, 32.67

 

CMYK 54 / 0 / 42 / 27

HEX #56BB6C

RGB 86 187 108

HSL 133.07, 0.43%, 0.54%

LAB 68.46, -46.65, 31.26

 

CMYK 50 / 0 / 38 / 20

HEX #67CD7F

RGB 103 205 127

HSL 134.12, 0.5%, 0.6%

LAB 74.87, -46.58, 29.94

 

CMYK 46 / 0 / 35 / 13

HEX #78DF92

RGB 120 223 146

HSL 135.15, 0.62%, 0.67%

LAB 81.21, -46.43, 28.69

 

CMYK 69 / 0 / 50 / 41

HEX #2F974B

RGB 47 151 75

HSL 136.15, 0.53%, 0.39%

LAB 55.32, -46.5, 31.46

 

CMYK 77 / 0 / 58 / 48

HEX #1E8538

RGB 30 133 56

HSL 135.15, 0.63%, 0.32%

LAB 48.68, -45.65, 33.04

 

CMYK 89 / 0 / 68 / 55

HEX #0D7325

RGB 13 115 37

HSL 134.12, 0.8%, 0.25%

LAB 41.97, -44.04, 34.53

 

CMYK 100 / 0 / 81 / 62

HEX #006112

RGB 0 97 18

HSL 131.13, 1%, 0.19%

LAB 35.19, -41.33, 35.49

 

CMYK 100 / 0 / 100 / 69

HEX #004F00

RGB 0 79 0

HSL 120, 1%, 0.15%

LAB 28.36, -36.85, 35.56

 

CMYK 70 / 0 / 51 / 40

HEX #2E984B

RGB 46 152 75

HSL 136.42, 0.54%, 0.39%

LAB 55.63, -47.07, 31.83

 

CMYK 70 / 0 / 70 / 40

HEX #2E982E

RGB 46 152 46

HSL 120, 0.54%, 0.39%

LAB 55.31, -50.78, 45.22

 

CMYK 51 / 0 / 70 / 40

HEX #4B982E

RGB 75 152 46

HSL 103.58, 0.54%, 0.39%

LAB 56.24, -43.45, 46.48

 

CMYK 32 / 0 / 70 / 40

HEX #67982E

RGB 103 152 46

HSL 87.74, 0.54%, 0.39%

LAB 57.6, -33.78, 48.32

 

CMYK 13 / 0 / 70 / 40

HEX #84982E

RGB 132 152 46

HSL 71.32, 0.54%, 0.39%

LAB 59.49, -21.98, 50.86

 

CMYK 70 / 0 / 51 / 40

HEX #2E984B

RGB 46 152 75

HSL 136.42, 0.54%, 0.39%

LAB 55.63, -47.07, 31.83

 

CMYK 70 / 0 / 32 / 40

HEX #2E9867

RGB 46 152 103

HSL 152.26, 0.54%, 0.39%

LAB 56.1, -41.78, 17.29

 

CMYK 70 / 0 / 14 / 40

HEX #2E9883

RGB 46 152 131

HSL 168.11, 0.54%, 0.39%

LAB 56.76, -34.96, 2.38

 

CMYK 70 / 6 / 0 / 40

HEX #2E8F98

RGB 46 143 152

HSL 185.09, 0.54%, 0.39%

LAB 54.55, -24.5, -12.94

 

CMYK 70 / 24 / 0 / 40

HEX #2E7398

RGB 46 115 152

HSL 200.94, 0.54%, 0.39%

LAB 45.78, -9.19, -26.37

 

CMYK 70 / 0 / 51 / 40

HEX #2E984B

RGB 46 152 75

HSL 136.42, 0.54%, 0.39%

LAB 55.63, -47.07, 31.83

 

CMYK 82 / 0 / 60 / 34

HEX #1EA843

RGB 30 168 67

HSL 136.09, 0.7%, 0.39%

LAB 60.5, -56.29, 41.59

 

CMYK 92 / 0 / 67 / 28

HEX #0EB83C

RGB 14 184 60

HSL 136.24, 0.86%, 0.39%

LAB 65.51, -63.5, 50.26

 

CMYK 70 / 0 / 51 / 40

HEX #2E984B

RGB 46 152 75

HSL 136.42, 0.54%, 0.39%

LAB 55.63, -47.07, 31.83

 

CMYK 54 / 0 / 40 / 47

HEX #3E8852

RGB 62 136 82

HSL 136.22, 0.37%, 0.39%

LAB 50.97, -35.66, 22.18

 

CMYK 34 / 0 / 25 / 53

HEX #4E7759

RGB 78 119 89

HSL 136.1, 0.21%, 0.39%

LAB 46.36, -21.18, 12.05

 

CMYK 8 / 0 / 6 / 60

HEX #5F6761

RGB 95 103 97

HSL 135, 0.04%, 0.39%

LAB 42.76, -4.35, 2.32

 

CMYK 0 / 22 / 6 / 56

HEX #6F5768

RGB 111 87 104

HSL 317.5, 0.12%, 0.39%

LAB 39.91, 13.03, -5.98

 

CMYK 51 / 0 / 70 / 40

HEX #4A982E

RGB 74 152 46

HSL 104.15, 0.54%, 0.39%

LAB 56.2, -43.75, 46.43

 

CMYK 70 / 0 / 70 / 40

HEX #2E982E

RGB 46 152 46

HSL 120, 0.54%, 0.39%

LAB 55.31, -50.78, 45.22

 

CMYK 70 / 0 / 51 / 40

HEX #2E984A

RGB 46 152 74

HSL 135.85, 0.54%, 0.39%

LAB 55.62, -47.23, 32.33

 

CMYK 70 / 0 / 33 / 40

HEX #2E9866

RGB 46 152 102

HSL 151.7, 0.54%, 0.39%

LAB 56.08, -42, 17.82

 

CMYK 70 / 0 / 14 / 40

HEX #2E9883

RGB 46 152 131

HSL 168.11, 0.54%, 0.39%

LAB 56.76, -34.96, 2.38

 

CMYK 70 / 0 / 52 / 65

HEX #1B592B

RGB 27 89 43

HSL 135.48, 0.53%, 0.23%

LAB 33.03, -31, 20.9

 

CMYK 69 / 0 / 51 / 53

HEX #25783B

RGB 37 120 59

HSL 135.9, 0.53%, 0.31%

LAB 44.44, -38.95, 26.31

 

CMYK 70 / 0 / 51 / 40

HEX #2E984B

RGB 46 152 75

HSL 136.42, 0.54%, 0.39%

LAB 55.63, -47.07, 31.83

 

CMYK 69 / 0 / 51 / 28

HEX #38B75A

RGB 56 183 90

HSL 136.06, 0.53%, 0.47%

LAB 66.09, -54.44, 37.25

 

CMYK 60 / 0 / 44 / 21

HEX #50C970

RGB 80 201 112

HSL 135.87, 0.53%, 0.55%

LAB 72.66, -52.99, 34.59

 

CMYK 69 / 0 / 50 / 41

HEX #2F974B

RGB 47 151 75

HSL 136.15, 0.53%, 0.39%

LAB 55.32, -46.5, 31.46

 

CMYK 70 / 33 / 0 / 40

HEX #2E6698

RGB 46 102 152

HSL 208.3, 0.54%, 0.39%

LAB 41.77, -1.37, -32.65

 

CMYK 0 / 70 / 61 / 40

HEX #982E3C

RGB 152 46 60

HSL 352.08, 0.54%, 0.39%

LAB 35.9, 44.94, 16.79

 

CMYK 69 / 0 / 50 / 41

HEX #2F974B

RGB 47 151 75

HSL 136.15, 0.53%, 0.39%

LAB 55.32, -46.5, 31.46

 

CMYK 51 / 70 / 0 / 40

HEX #4A2E98

RGB 74 46 152

HSL 255.85, 0.54%, 0.39%

LAB 28.58, 39.62, -53.71

 

CMYK 0 / 51 / 70 / 40

HEX #984A2E

RGB 152 74 46

HSL 15.85, 0.54%, 0.39%

LAB 40.85, 30.41, 31.42

 

CMYK 69 / 0 / 50 / 41

HEX #2F974B

RGB 47 151 75

HSL 136.15, 0.53%, 0.39%

LAB 55.32, -46.5, 31.46

 

CMYK 70 / 33 / 0 / 40

HEX #2E6698

RGB 46 102 152

HSL 208.3, 0.54%, 0.39%

LAB 41.77, -1.37, -32.65

 

CMYK 0 / 70 / 18 / 40

HEX #982E7C

RGB 152 46 124

HSL 315.85, 0.54%, 0.39%

LAB 37.99, 52.06, -20.77

 

CMYK 0 / 38 / 70 / 40

HEX #985F2E

RGB 152 95 46

HSL 27.74, 0.54%, 0.39%

LAB 45.71, 18.63, 36.91

 

CMYK 69 / 0 / 50 / 41

HEX #2F974B

RGB 47 151 75

HSL 136.15, 0.53%, 0.39%

LAB 55.32, -46.5, 31.46

 

CMYK 70 / 53 / 0 / 40

HEX #2E4798

RGB 46 71 152

HSL 225.85, 0.54%, 0.39%

LAB 32.6, 18.81, -47.28

 

CMYK 0 / 70 / 18 / 40

HEX #982E7C

RGB 152 46 124

HSL 315.85, 0.54%, 0.39%

LAB 37.99, 52.06, -20.77

 

CMYK 0 / 16 / 70 / 40

HEX #987F2E

RGB 152 127 46

HSL 45.85, 0.54%, 0.39%

LAB 54.08, 0.35, 45.87

 

Description

Color code: HEX #2F974B | qconv.com Color code: HEX #2F974B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 151 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 151 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 50 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 50% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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