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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33C64F it is the complementary color #CC39B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33C64F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33C64F shade: #38C64A, #49D85D, #5AEA70, #6BFC83 and #7CFF96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33C64F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33C64F shade: #33C64F, #22B43C, #11A229, #009016 and #007E03

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33C64F shade: #33C64F, #3EC633, #66C633, #8EC633 and #B6C633

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33C64F shade: #33C64F, #33C677, #33C69E, #33C6C6 and #339EC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33C64F shade matches the following richer shades: #33C64F, #1FDA42 and #0AEF36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33C64F shade: #33C64F, #47B25B, #5B9E68, #6F8A74 and #847581

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33C64F shade: #66C633, #3FC633, #33C64E, #33C675 and #33C69C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33C64F shade: #228535, #2AA542, #33C64F, #51D269 and #71DA85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33C64F shade: #33C64F, #338EC6 and #C63353

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33C64F shade: #33C64F, #4E33C6 and #C64E33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33C64F shade: #33C64F, #338EC6, #C633AB and #C66B33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33C64F shade: #33C64F, #3361C6, #C633AB and #C69733

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 60 / 22

HEX #33C64F

RGB 51 198 79

HSL 131.43, 0.59%, 0.49%

LAB 70.63, -61.97, 47.88

 

Complementary color

CMYK 0 / 72 / 14 / 20

HEX #CC39B0

RGB 204 57 176

HSL 311.43, 0.59%, 0.51%

LAB 50.57, 68.71, -31.87

 

CMYK 72 / 0 / 63 / 22

HEX #38C64A

RGB 56 198 74

HSL 127.61, 0.56%, 0.5%

LAB 70.68, -61.77, 50.17

 

CMYK 66 / 0 / 57 / 15

HEX #49D85D

RGB 73 216 93

HSL 128.39, 0.65%, 0.57%

LAB 76.87, -62.62, 48.92

 

CMYK 62 / 0 / 52 / 8

HEX #5AEA70

RGB 90 234 112

HSL 129.17, 0.77%, 0.64%

LAB 83.01, -63.14, 47.59

 

CMYK 58 / 0 / 48 / 1

HEX #6BFC83

RGB 107 252 131

HSL 129.93, 0.96%, 0.7%

LAB 89.1, -63.42, 46.25

 

CMYK 51 / 0 / 41 / 0

HEX #7CFF96

RGB 124 255 150

HSL 131.91, 1%, 0.74%

LAB 90.78, -57.79, 39.34

 

CMYK 74 / 0 / 60 / 22

HEX #33C64F

RGB 51 198 79

HSL 131.43, 0.59%, 0.49%

LAB 70.63, -61.97, 47.88

 

CMYK 81 / 0 / 67 / 29

HEX #22B43C

RGB 34 180 60

HSL 130.68, 0.68%, 0.42%

LAB 64.41, -60.55, 49.11

 

CMYK 90 / 0 / 75 / 36

HEX #11A229

RGB 17 162 41

HSL 129.93, 0.81%, 0.35%

LAB 58.15, -58.41, 49.98

 

CMYK 100 / 0 / 85 / 44

HEX #009016

RGB 0 144 22

HSL 129.17, 1%, 0.28%

LAB 51.84, -55.46, 50

 

CMYK 100 / 0 / 98 / 51

HEX #007E03

RGB 0 126 3

HSL 121.43, 1%, 0.25%

LAB 45.54, -51, 48.7

 

CMYK 74 / 0 / 60 / 22

HEX #33C64F

RGB 51 198 79

HSL 131.43, 0.59%, 0.49%

LAB 70.63, -61.97, 47.88

 

CMYK 69 / 0 / 74 / 22

HEX #3EC633

RGB 62 198 51

HSL 115.51, 0.59%, 0.49%

LAB 70.63, -62.83, 59.21

 

CMYK 48 / 0 / 74 / 22

HEX #66C633

RGB 102 198 51

HSL 99.18, 0.59%, 0.49%

LAB 71.86, -53.01, 60.85

 

CMYK 28 / 0 / 74 / 22

HEX #8EC633

RGB 142 198 51

HSL 82.86, 0.59%, 0.49%

LAB 73.79, -39.38, 63.39

 

CMYK 8 / 0 / 74 / 22

HEX #B6C633

RGB 182 198 51

HSL 66.53, 0.59%, 0.49%

LAB 76.42, -23.41, 66.82

 

CMYK 74 / 0 / 60 / 22

HEX #33C64F

RGB 51 198 79

HSL 131.43, 0.59%, 0.49%

LAB 70.63, -61.97, 47.88

 

CMYK 74 / 0 / 40 / 22

HEX #33C677

RGB 51 198 119

HSL 147.76, 0.59%, 0.49%

LAB 71.16, -55.81, 28.92

 

CMYK 74 / 0 / 20 / 22

HEX #33C69E

RGB 51 198 158

HSL 163.67, 0.59%, 0.49%

LAB 71.93, -47.4, 9.22

 

CMYK 74 / 0 / 0 / 22

HEX #33C6C6

RGB 51 198 198

HSL 180, 0.59%, 0.49%

LAB 73, -36.7, -10.94

 

CMYK 74 / 20 / 0 / 22

HEX #339EC6

RGB 51 158 198

HSL 196.33, 0.59%, 0.49%

LAB 60.99, -16.76, -29.22

 

CMYK 74 / 0 / 60 / 22

HEX #33C64F

RGB 51 198 79

HSL 131.43, 0.59%, 0.49%

LAB 70.63, -61.97, 47.88

 

CMYK 86 / 0 / 70 / 15

HEX #1FDA42

RGB 31 218 66

HSL 131.23, 0.75%, 0.49%

LAB 76.57, -71.89, 59.73

 

CMYK 96 / 0 / 77 / 6

HEX #0AEF36

RGB 10 239 54

HSL 131.53, 0.92%, 0.49%

LAB 82.95, -79.91, 70.13

 

CMYK 74 / 0 / 60 / 22

HEX #33C64F

RGB 51 198 79

HSL 131.43, 0.59%, 0.49%

LAB 70.63, -61.97, 47.88

 

CMYK 60 / 0 / 49 / 30

HEX #47B25B

RGB 71 178 91

HSL 131.21, 0.43%, 0.49%

LAB 64.91, -49.36, 35.36

 

CMYK 42 / 0 / 34 / 38

HEX #5B9E68

RGB 91 158 104

HSL 131.64, 0.27%, 0.49%

LAB 59.6, -33.29, 21.73

 

CMYK 20 / 0 / 16 / 46

HEX #6F8A74

RGB 111 138 116

HSL 131.11, 0.11%, 0.49%

LAB 54.88, -14.23, 8.64

 

CMYK 0 / 11 / 2 / 48

HEX #847581

RGB 132 117 129

HSL 312, 0.06%, 0.49%

LAB 50.94, 8.08, -4.45

 

CMYK 48 / 0 / 74 / 22

HEX #66C633

RGB 102 198 51

HSL 99.18, 0.59%, 0.49%

LAB 71.86, -53.01, 60.85

 

CMYK 68 / 0 / 74 / 22

HEX #3FC633

RGB 63 198 51

HSL 115.1, 0.59%, 0.49%

LAB 70.65, -62.64, 59.24

 

CMYK 74 / 0 / 61 / 22

HEX #33C64E

RGB 51 198 78

HSL 131.02, 0.59%, 0.49%

LAB 70.62, -62.1, 48.32

 

CMYK 74 / 0 / 41 / 22

HEX #33C675

RGB 51 198 117

HSL 146.94, 0.59%, 0.49%

LAB 71.13, -56.18, 29.91

 

CMYK 74 / 0 / 21 / 22

HEX #33C69C

RGB 51 198 156

HSL 162.86, 0.59%, 0.49%

LAB 71.89, -47.89, 10.23

 

CMYK 74 / 0 / 60 / 48

HEX #228535

RGB 34 133 53

HSL 131.52, 0.59%, 0.33%

LAB 48.73, -45.41, 34.61

 

CMYK 75 / 0 / 60 / 35

HEX #2AA542

RGB 42 165 66

HSL 131.71, 0.59%, 0.41%

LAB 59.7, -53.77, 41.18

 

CMYK 74 / 0 / 60 / 22

HEX #33C64F

RGB 51 198 79

HSL 131.43, 0.59%, 0.49%

LAB 70.63, -61.97, 47.88

 

CMYK 61 / 0 / 50 / 18

HEX #51D269

RGB 81 210 105

HSL 131.16, 0.59%, 0.57%

LAB 75.37, -57.25, 41.48

 

CMYK 48 / 0 / 39 / 15

HEX #71DA85

RGB 113 218 133

HSL 131.43, 0.59%, 0.65%

LAB 79.24, -48.37, 32.68

 

CMYK 74 / 0 / 60 / 22

HEX #33C64F

RGB 51 198 79

HSL 131.43, 0.59%, 0.49%

LAB 70.63, -61.97, 47.88

 

CMYK 74 / 28 / 0 / 22

HEX #338EC6

RGB 51 142 198

HSL 202.86, 0.59%, 0.49%

LAB 56.21, -7.89, -36.65

 

CMYK 0 / 74 / 58 / 22

HEX #C63353

RGB 198 51 83

HSL 346.94, 0.59%, 0.49%

LAB 45.63, 59.06, 16.92

 

CMYK 74 / 0 / 60 / 22

HEX #33C64F

RGB 51 198 79

HSL 131.43, 0.59%, 0.49%

LAB 70.63, -61.97, 47.88

 

CMYK 61 / 74 / 0 / 22

HEX #4E33C6

RGB 78 51 198

HSL 251.02, 0.59%, 0.49%

LAB 34.12, 51.26, -72.11

 

CMYK 0 / 61 / 74 / 22

HEX #C64E33

RGB 198 78 51

HSL 11.02, 0.59%, 0.49%

LAB 49.12, 46.4, 39.98

 

CMYK 74 / 0 / 60 / 22

HEX #33C64F

RGB 51 198 79

HSL 131.43, 0.59%, 0.49%

LAB 70.63, -61.97, 47.88

 

CMYK 74 / 28 / 0 / 22

HEX #338EC6

RGB 51 142 198

HSL 202.86, 0.59%, 0.49%

LAB 56.21, -7.89, -36.65

 

CMYK 0 / 74 / 14 / 22

HEX #C633AB

RGB 198 51 171

HSL 311.02, 0.59%, 0.49%

LAB 48.65, 68.52, -32

 

CMYK 0 / 46 / 74 / 22

HEX #C66B33

RGB 198 107 51

HSL 22.86, 0.59%, 0.49%

LAB 54.82, 31.89, 46.05

 

CMYK 74 / 0 / 60 / 22

HEX #33C64F

RGB 51 198 79

HSL 131.43, 0.59%, 0.49%

LAB 70.63, -61.97, 47.88

 

CMYK 74 / 51 / 0 / 22

HEX #3361C6

RGB 51 97 198

HSL 221.22, 0.59%, 0.49%

LAB 43.26, 19.7, -57.27

 

CMYK 0 / 74 / 14 / 22

HEX #C633AB

RGB 198 51 171

HSL 311.02, 0.59%, 0.49%

LAB 48.65, 68.52, -32

 

CMYK 0 / 24 / 74 / 22

HEX #C69733

RGB 198 151 51

HSL 40.82, 0.59%, 0.49%

LAB 65.26, 7.96, 56.6

 

Description

Color code: HEX #33C64F | qconv.com Color code: HEX #33C64F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 198 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 198 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 60 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 60% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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