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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38C64A it is the complementary color #C739B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38C64A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38C64A shade: #3DC645, #4ED858, #5FEA6B, #70FC7E and #81FF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38C64A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38C64A shade: #38C64A, #27B437, #16A224, #059011 and #007E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38C64A shade: #38C64A, #4CC638, #73C638, #99C638 and #C0C638

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38C64A shade: #38C64A, #38C670, #38C697, #38C6BD and #38A9C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38C64A shade matches the following richer shades: #38C64A, #23DB3A and #0EF02B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38C64A shade: #38C64A, #4CB259, #619D69, #758978 and #8A7487

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38C64A shade: #73C638, #4DC638, #38C648, #38C66E and #38C694

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38C64A shade: #258632, #2FA63E, #38C64A, #58CF67 and #78D984

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38C64A shade: #38C64A, #3899C6 and #C63860

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38C64A shade: #38C64A, #4838C6 and #C64838

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38C64A shade: #38C64A, #3899C6, #C638B6 and #C66538

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38C64A shade: #38C64A, #386EC6, #C638B6 and #C69038

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 63 / 22

HEX #38C64A

RGB 56 198 74

HSL 127.61, 0.56%, 0.5%

LAB 70.68, -61.77, 50.17

 

Complementary color

CMYK 0 / 71 / 9 / 22

HEX #C739B5

RGB 199 57 181

HSL 307.61, 0.56%, 0.5%

LAB 49.98, 68.27, -35.77

 

CMYK 69 / 0 / 65 / 22

HEX #3DC645

RGB 61 198 69

HSL 123.5, 0.55%, 0.51%

LAB 70.74, -61.43, 52.41

 

CMYK 64 / 0 / 59 / 15

HEX #4ED858

RGB 78 216 88

HSL 124.35, 0.64%, 0.58%

LAB 76.94, -62.24, 51.28

 

CMYK 59 / 0 / 54 / 8

HEX #5FEA6B

RGB 95 234 107

HSL 125.18, 0.77%, 0.65%

LAB 83.09, -62.72, 50.03

 

CMYK 56 / 0 / 50 / 1

HEX #70FC7E

RGB 112 252 126

HSL 126, 0.96%, 0.71%

LAB 89.19, -62.97, 48.74

 

CMYK 49 / 0 / 43 / 0

HEX #81FF91

RGB 129 255 145

HSL 127.62, 1%, 0.75%

LAB 90.89, -57.29, 41.94

 

CMYK 72 / 0 / 63 / 22

HEX #38C64A

RGB 56 198 74

HSL 127.61, 0.56%, 0.5%

LAB 70.68, -61.77, 50.17

 

CMYK 78 / 0 / 69 / 29

HEX #27B437

RGB 39 180 55

HSL 126.81, 0.64%, 0.43%

LAB 64.44, -60.42, 51.22

 

CMYK 86 / 0 / 78 / 36

HEX #16A224

RGB 22 162 36

HSL 126, 0.76%, 0.36%

LAB 58.17, -58.37, 51.77

 

CMYK 97 / 0 / 88 / 44

HEX #059011

RGB 5 144 17

HSL 125.18, 0.93%, 0.29%

LAB 51.86, -55.38, 51.3

 

CMYK 100 / 0 / 100 / 51

HEX #007E00

RGB 0 126 0

HSL 120, 1%, 0.25%

LAB 45.53, -51.12, 49.34

 

CMYK 72 / 0 / 63 / 22

HEX #38C64A

RGB 56 198 74

HSL 127.61, 0.56%, 0.5%

LAB 70.68, -61.77, 50.17

 

CMYK 62 / 0 / 72 / 22

HEX #4CC638

RGB 76 198 56

HSL 111.55, 0.56%, 0.5%

LAB 71.02, -59.53, 57.94

 

CMYK 42 / 0 / 72 / 22

HEX #73C638

RGB 115 198 56

HSL 95.07, 0.56%, 0.5%

LAB 72.44, -48.6, 59.84

 

CMYK 23 / 0 / 72 / 22

HEX #99C638

RGB 153 198 56

HSL 79.01, 0.56%, 0.5%

LAB 74.47, -34.88, 62.55

 

CMYK 3 / 0 / 72 / 22

HEX #C0C638

RGB 192 198 56

HSL 62.54, 0.56%, 0.5%

LAB 77.21, -18.98, 66.15

 

CMYK 72 / 0 / 63 / 22

HEX #38C64A

RGB 56 198 74

HSL 127.61, 0.56%, 0.5%

LAB 70.68, -61.77, 50.17

 

CMYK 72 / 0 / 43 / 22

HEX #38C670

RGB 56 198 112

HSL 143.66, 0.56%, 0.5%

LAB 71.14, -56.34, 32.52

 

CMYK 72 / 0 / 24 / 22

HEX #38C697

RGB 56 198 151

HSL 160.14, 0.56%, 0.5%

LAB 71.87, -48.4, 12.92

 

CMYK 72 / 0 / 5 / 22

HEX #38C6BD

RGB 56 198 189

HSL 176.2, 0.56%, 0.5%

LAB 72.83, -38.67, -6.3

 

CMYK 72 / 15 / 0 / 22

HEX #38A9C6

RGB 56 169 198

HSL 192.25, 0.56%, 0.5%

LAB 64.4, -21.92, -23.96

 

CMYK 72 / 0 / 63 / 22

HEX #38C64A

RGB 56 198 74

HSL 127.61, 0.56%, 0.5%

LAB 70.68, -61.77, 50.17

 

CMYK 84 / 0 / 74 / 14

HEX #23DB3A

RGB 35 219 58

HSL 127.5, 0.72%, 0.5%

LAB 76.88, -72.5, 62.93

 

CMYK 94 / 0 / 82 / 6

HEX #0EF02B

RGB 14 240 43

HSL 127.7, 0.89%, 0.5%

LAB 83.23, -80.67, 73.38

 

CMYK 72 / 0 / 63 / 22

HEX #38C64A

RGB 56 198 74

HSL 127.61, 0.56%, 0.5%

LAB 70.68, -61.77, 50.17

 

CMYK 57 / 0 / 50 / 30

HEX #4CB259

RGB 76 178 89

HSL 127.65, 0.4%, 0.5%

LAB 65.04, -48.47, 36.57

 

CMYK 38 / 0 / 33 / 38

HEX #619D69

RGB 97 157 105

HSL 128, 0.24%, 0.5%

LAB 59.59, -30.76, 21.23

 

CMYK 15 / 0 / 12 / 46

HEX #758978

RGB 117 137 120

HSL 129, 0.08%, 0.5%

LAB 55.1, -10.72, 6.71

 

CMYK 0 / 16 / 2 / 46

HEX #8A7487

RGB 138 116 135

HSL 308.18, 0.09%, 0.5%

LAB 51.43, 12.1, -7.18

 

CMYK 42 / 0 / 72 / 22

HEX #73C638

RGB 115 198 56

HSL 95.07, 0.56%, 0.5%

LAB 72.44, -48.6, 59.84

 

CMYK 61 / 0 / 72 / 22

HEX #4DC638

RGB 77 198 56

HSL 111.13, 0.56%, 0.5%

LAB 71.04, -59.3, 57.97

 

CMYK 72 / 0 / 64 / 22

HEX #38C648

RGB 56 198 72

HSL 126.76, 0.56%, 0.5%

LAB 70.66, -61.99, 51.02

 

CMYK 72 / 0 / 44 / 22

HEX #38C66E

RGB 56 198 110

HSL 142.82, 0.56%, 0.5%

LAB 71.11, -56.68, 33.5

 

CMYK 72 / 0 / 25 / 22

HEX #38C694

RGB 56 198 148

HSL 158.87, 0.56%, 0.5%

LAB 71.8, -49.09, 14.44

 

CMYK 72 / 0 / 63 / 47

HEX #258632

RGB 37 134 50

HSL 128.04, 0.57%, 0.34%

LAB 49.1, -45.63, 36.52

 

CMYK 72 / 0 / 63 / 35

HEX #2FA63E

RGB 47 166 62

HSL 127.56, 0.56%, 0.42%

LAB 60.09, -53.77, 43.5

 

CMYK 72 / 0 / 63 / 22

HEX #38C64A

RGB 56 198 74

HSL 127.61, 0.56%, 0.5%

LAB 70.68, -61.77, 50.17

 

CMYK 57 / 0 / 50 / 19

HEX #58CF67

RGB 88 207 103

HSL 127.56, 0.55%, 0.58%

LAB 74.62, -54.84, 41.58

 

CMYK 45 / 0 / 39 / 15

HEX #78D984

RGB 120 217 132

HSL 127.42, 0.56%, 0.66%

LAB 79.2, -46.2, 33.19

 

CMYK 72 / 0 / 63 / 22

HEX #38C64A

RGB 56 198 74

HSL 127.61, 0.56%, 0.5%

LAB 70.68, -61.77, 50.17

 

CMYK 72 / 23 / 0 / 22

HEX #3899C6

RGB 56 153 198

HSL 199.01, 0.56%, 0.5%

LAB 59.62, -13.39, -31.33

 

CMYK 0 / 72 / 52 / 22

HEX #C63860

RGB 198 56 96

HSL 343.1, 0.56%, 0.5%

LAB 46.55, 58.32, 10.18

 

CMYK 72 / 0 / 63 / 22

HEX #38C64A

RGB 56 198 74

HSL 127.61, 0.56%, 0.5%

LAB 70.68, -61.77, 50.17

 

CMYK 64 / 72 / 0 / 22

HEX #4838C6

RGB 72 56 198

HSL 246.76, 0.56%, 0.5%

LAB 34.57, 47.85, -71.39

 

CMYK 0 / 64 / 72 / 22

HEX #C64838

RGB 198 72 56

HSL 6.76, 0.56%, 0.5%

LAB 48.17, 49.32, 36.16

 

CMYK 72 / 0 / 63 / 22

HEX #38C64A

RGB 56 198 74

HSL 127.61, 0.56%, 0.5%

LAB 70.68, -61.77, 50.17

 

CMYK 72 / 23 / 0 / 22

HEX #3899C6

RGB 56 153 198

HSL 199.01, 0.56%, 0.5%

LAB 59.62, -13.39, -31.33

 

CMYK 0 / 72 / 8 / 22

HEX #C638B6

RGB 198 56 182

HSL 306.76, 0.56%, 0.5%

LAB 49.75, 68.53, -36.73

 

CMYK 0 / 49 / 72 / 22

HEX #C66538

RGB 198 101 56

HSL 19.01, 0.56%, 0.5%

LAB 53.6, 35.28, 42.24

 

CMYK 72 / 0 / 63 / 22

HEX #38C64A

RGB 56 198 74

HSL 127.61, 0.56%, 0.5%

LAB 70.68, -61.77, 50.17

 

CMYK 72 / 44 / 0 / 22

HEX #386EC6

RGB 56 110 198

HSL 217.18, 0.56%, 0.5%

LAB 47.07, 12.07, -51.13

 

CMYK 0 / 72 / 8 / 22

HEX #C638B6

RGB 198 56 182

HSL 306.76, 0.56%, 0.5%

LAB 49.75, 68.53, -36.73

 

CMYK 0 / 27 / 72 / 22

HEX #C69038

RGB 198 144 56

HSL 37.18, 0.56%, 0.5%

LAB 63.54, 12.01, 52.77

 

Description

Color code: HEX #38C64A | qconv.com Color code: HEX #38C64A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 198 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 198 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 63 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 63% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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