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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30581B it is the complementary color #CFA7E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30581B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30581B shade: #355816, #466A29, #577C3C, #688E4F and #79A062

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30581B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30581B shade: #30581B, #1F4608, #0E3400, #002200 and #001000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30581B shade: #30591B, #41591B, #52591B, #59501B and #593F1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30581B shade: #30591B, #20591B, #1B5927, #1B5938 and #1B5949

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30581B shade matches the following richer shades: #30591B, #2E6312 and #2B6C08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30581B shade: #30591B, #335025, #36462E, #393D38 and #3C3341

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30581B shade: #52591B, #41591B, #31591B, #20591B and #1B5926

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30581B shade: #0E1A08, #1F3A11, #30591B, #427925 and #53982E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30581B shade: #30581B, #1B5950 and #591B4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30581B shade: #30581B, #1B3159 and #591B31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30581B shade: #30581B, #1B5950, #431B59 and #591B24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30581B shade: #30581B, #1B5059, #431B59 and #59241B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 69 / 65

HEX #30581B

RGB 48 88 27

HSL 99.34, 0.53%, 0.23%

LAB 33.32, -26.42, 30.06

 

Complementary color

CMYK 9 / 27 / 0 / 11

HEX #CFA7E4

RGB 207 167 228

HSL 279.34, 0.53%, 0.77%

LAB 73.87, 25.6, -25.18

 

CMYK 40 / 0 / 75 / 65

HEX #355816

RGB 53 88 22

HSL 91.82, 0.6%, 0.22%

LAB 33.55, -24.96, 32.71

 

CMYK 34 / 0 / 61 / 58

HEX #466A29

RGB 70 106 41

HSL 93.23, 0.44%, 0.29%

LAB 40.85, -25.19, 31.84

 

CMYK 30 / 0 / 52 / 51

HEX #577C3C

RGB 87 124 60

HSL 94.69, 0.35%, 0.36%

LAB 47.97, -25.21, 30.62

 

CMYK 27 / 0 / 44 / 44

HEX #688E4F

RGB 104 142 79

HSL 96.19, 0.29%, 0.43%

LAB 54.92, -25.13, 29.35

 

CMYK 24 / 0 / 39 / 37

HEX #79A062

RGB 121 160 98

HSL 97.74, 0.25%, 0.51%

LAB 61.73, -25.01, 28.11

 

CMYK 45 / 0 / 69 / 65

HEX #30581B

RGB 48 88 27

HSL 99.34, 0.53%, 0.23%

LAB 33.32, -26.42, 30.06

 

CMYK 56 / 0 / 89 / 73

HEX #1F4608

RGB 31 70 8

HSL 97.74, 0.79%, 0.15%

LAB 25.83, -25.9, 30.42

 

CMYK 73 / 0 / 100 / 80

HEX #0E3400

RGB 14 52 0

HSL 103.85, 1%, 0.1%

LAB 18.14, -24.33, 25.3

 

CMYK 100 / 0 / 100 / 87

HEX #002200

RGB 0 34 0

HSL 120, 1%, 0.07%

LAB 10.14, -20.27, 14.75

 

CMYK 100 / 0 / 100 / 94

HEX #001000

RGB 0 16 0

HSL 120, 1%, 0.03%

LAB 3.35, -6.84, 4.89

 

CMYK 46 / 0 / 70 / 65

HEX #30591B

RGB 48 89 27

HSL 99.68, 0.53%, 0.23%

LAB 33.67, -26.9, 30.44

 

CMYK 27 / 0 / 70 / 65

HEX #41591B

RGB 65 89 27

HSL 83.23, 0.53%, 0.23%

LAB 34.7, -19.99, 31.85

 

CMYK 8 / 0 / 70 / 65

HEX #52591B

RGB 82 89 27

HSL 66.77, 0.53%, 0.23%

LAB 36.02, -12.17, 33.65

 

CMYK 0 / 10 / 70 / 65

HEX #59501B

RGB 89 80 27

HSL 51.29, 0.53%, 0.23%

LAB 33.86, -3.48, 31.57

 

CMYK 0 / 29 / 70 / 65

HEX #593F1B

RGB 89 63 27

HSL 34.84, 0.53%, 0.23%

LAB 28.79, 7.06, 26.03

 

CMYK 46 / 0 / 70 / 65

HEX #30591B

RGB 48 89 27

HSL 99.68, 0.53%, 0.23%

LAB 33.67, -26.9, 30.44

 

CMYK 64 / 0 / 70 / 65

HEX #20591B

RGB 32 89 27

HSL 115.16, 0.53%, 0.23%

LAB 32.99, -32.08, 29.49

 

CMYK 70 / 0 / 56 / 65

HEX #1B5927

RGB 27 89 39

HSL 131.61, 0.53%, 0.23%

LAB 32.97, -31.68, 23.1

 

CMYK 70 / 0 / 37 / 65

HEX #1B5938

RGB 27 89 56

HSL 148.06, 0.53%, 0.23%

LAB 33.27, -28.36, 13.47

 

CMYK 70 / 0 / 18 / 65

HEX #1B5949

RGB 27 89 73

HSL 164.52, 0.53%, 0.23%

LAB 33.69, -24.03, 3.52

 

CMYK 46 / 0 / 70 / 65

HEX #30591B

RGB 48 89 27

HSL 99.68, 0.53%, 0.23%

LAB 33.67, -26.9, 30.44

 

CMYK 54 / 0 / 82 / 61

HEX #2E6312

RGB 46 99 18

HSL 99.26, 0.69%, 0.23%

LAB 37.02, -32.85, 37.65

 

CMYK 60 / 0 / 93 / 58

HEX #2B6C08

RGB 43 108 8

HSL 99, 0.86%, 0.23%

LAB 40.01, -37.97, 43.23

 

CMYK 46 / 0 / 70 / 65

HEX #30591B

RGB 48 89 27

HSL 99.68, 0.53%, 0.23%

LAB 33.67, -26.9, 30.44

 

CMYK 36 / 0 / 54 / 69

HEX #335025

RGB 51 80 37

HSL 100.47, 0.37%, 0.23%

LAB 30.82, -20.02, 21.84

 

CMYK 23 / 0 / 34 / 73

HEX #36462E

RGB 54 70 46

HSL 100, 0.21%, 0.23%

LAB 27.74, -11.71, 12.45

 

CMYK 7 / 0 / 8 / 76

HEX #393D38

RGB 57 61 56

HSL 108, 0.04%, 0.23%

LAB 25.24, -2.83, 2.5

 

CMYK 8 / 22 / 0 / 75

HEX #3C3341

RGB 60 51 65

HSL 278.57, 0.12%, 0.23%

LAB 22.69, 7.18, -7.26

 

CMYK 8 / 0 / 70 / 65

HEX #52591B

RGB 82 89 27

HSL 66.77, 0.53%, 0.23%

LAB 36.02, -12.17, 33.65

 

CMYK 27 / 0 / 70 / 65

HEX #41591B

RGB 65 89 27

HSL 83.23, 0.53%, 0.23%

LAB 34.7, -19.99, 31.85

 

CMYK 45 / 0 / 70 / 65

HEX #31591B

RGB 49 89 27

HSL 98.71, 0.53%, 0.23%

LAB 33.73, -26.53, 30.51

 

CMYK 64 / 0 / 70 / 65

HEX #20591B

RGB 32 89 27

HSL 115.16, 0.53%, 0.23%

LAB 32.99, -32.08, 29.49

 

CMYK 70 / 0 / 57 / 65

HEX #1B5926

RGB 27 89 38

HSL 130.65, 0.53%, 0.23%

LAB 32.96, -31.84, 23.64

 

CMYK 46 / 0 / 69 / 90

HEX #0E1A08

RGB 14 26 8

HSL 100, 0.53%, 0.07%

LAB 7.68, -8.74, 8.05

 

CMYK 47 / 0 / 71 / 77

HEX #1F3A11

RGB 31 58 17

HSL 99.51, 0.55%, 0.15%

LAB 21.42, -19.26, 21.77

 

CMYK 46 / 0 / 70 / 65

HEX #30591B

RGB 48 89 27

HSL 99.68, 0.53%, 0.23%

LAB 33.67, -26.9, 30.44

 

CMYK 45 / 0 / 69 / 53

HEX #427925

RGB 66 121 37

HSL 99.29, 0.53%, 0.31%

LAB 45.59, -34.09, 38.92

 

CMYK 45 / 0 / 70 / 40

HEX #53982E

RGB 83 152 46

HSL 99.06, 0.54%, 0.39%

LAB 56.58, -40.91, 46.94

 

CMYK 45 / 0 / 69 / 65

HEX #30581B

RGB 48 88 27

HSL 99.34, 0.53%, 0.23%

LAB 33.32, -26.42, 30.06

 

CMYK 70 / 0 / 10 / 65

HEX #1B5950

RGB 27 89 80

HSL 171.29, 0.53%, 0.23%

LAB 33.89, -21.99, -0.57

 

CMYK 0 / 70 / 17 / 65

HEX #591B4A

RGB 89 27 74

HSL 314.52, 0.53%, 0.23%

LAB 21.59, 34.24, -14.67

 

CMYK 45 / 0 / 69 / 65

HEX #30581B

RGB 48 88 27

HSL 99.34, 0.53%, 0.23%

LAB 33.32, -26.42, 30.06

 

CMYK 70 / 45 / 0 / 65

HEX #1B3159

RGB 27 49 89

HSL 218.71, 0.53%, 0.23%

LAB 20.64, 6.07, -26.71

 

CMYK 0 / 70 / 45 / 65

HEX #591B31

RGB 89 27 49

HSL 338.71, 0.53%, 0.23%

LAB 20.56, 30.6, 1.03

 

CMYK 45 / 0 / 69 / 65

HEX #30581B

RGB 48 88 27

HSL 99.34, 0.53%, 0.23%

LAB 33.32, -26.42, 30.06

 

CMYK 70 / 0 / 10 / 65

HEX #1B5950

RGB 27 89 80

HSL 171.29, 0.53%, 0.23%

LAB 33.89, -21.99, -0.57

 

CMYK 25 / 70 / 0 / 65

HEX #431B59

RGB 67 27 89

HSL 278.71, 0.53%, 0.23%

LAB 18.79, 31.04, -29.44

 

CMYK 0 / 70 / 60 / 65

HEX #591B24

RGB 89 27 36

HSL 351.29, 0.53%, 0.23%

LAB 20.18, 29.24, 9.61

 

CMYK 45 / 0 / 69 / 65

HEX #30581B

RGB 48 88 27

HSL 99.34, 0.53%, 0.23%

LAB 33.32, -26.42, 30.06

 

CMYK 70 / 10 / 0 / 65

HEX #1B5059

RGB 27 80 89

HSL 188.71, 0.53%, 0.23%

LAB 31.09, -14.11, -10.44

 

CMYK 25 / 70 / 0 / 65

HEX #431B59

RGB 67 27 89

HSL 278.71, 0.53%, 0.23%

LAB 18.79, 31.04, -29.44

 

CMYK 0 / 60 / 70 / 65

HEX #59241B

RGB 89 36 27

HSL 8.71, 0.53%, 0.23%

LAB 21.82, 23.7, 17.85

 

Description

Color code: HEX #30581B | qconv.com Color code: HEX #30581B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 88 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 88 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 69 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 69% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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