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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30AA41 it is the complementary color #CF55BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30AA41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30AA41 shade: #35AA3C, #46BC4F, #57CE62, #68E075 and #79F288

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30AA41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30AA41 shade: #30AA41, #1F982E, #0E861B, #007408 and #006200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30AA41 shade: #30AB41, #40AB30, #61AB30, #82AB30 and #A3AB30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30AA41 shade: #30AB41, #30AB62, #30AB83, #30ABA4 and #3090AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30AA41 shade matches the following richer shades: #30AB41, #1EBC34 and #0CCE27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30AA41 shade: #30AB41, #41994E, #53875A, #657567 and #776474

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30AA41 shade: #61AB30, #40AB30, #30AB40, #30AB61 and #30AB82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30AA41 shade: #1E6A28, #278A35, #30AB41, #3CC84F and #5CD16C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30AA41 shade: #30AA41, #3082AB and #AB3050

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30AA41 shade: #30AA41, #4030AB and #AB4030

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30AA41 shade: #30AA41, #3082AB, #AB309A and #AB5930

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30AA41 shade: #30AA41, #305DAB, #AB309A and #AB7E30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 62 / 33

HEX #30AA41

RGB 48 170 65

HSL 128.36, 0.56%, 0.43%

LAB 61.45, -54.63, 43.68

 

Complementary color

CMYK 0 / 59 / 8 / 19

HEX #CF55BE

RGB 207 85 190

HSL 308.36, 0.56%, 0.57%

LAB 55.56, 60.77, -32.17

 

CMYK 69 / 0 / 65 / 33

HEX #35AA3C

RGB 53 170 60

HSL 123.59, 0.52%, 0.44%

LAB 61.51, -54.28, 46.02

 

CMYK 63 / 0 / 58 / 26

HEX #46BC4F

RGB 70 188 79

HSL 124.58, 0.47%, 0.51%

LAB 67.9, -55, 44.81

 

CMYK 58 / 0 / 52 / 19

HEX #57CE62

RGB 87 206 98

HSL 125.55, 0.55%, 0.57%

LAB 74.22, -55.38, 43.5

 

CMYK 54 / 0 / 48 / 12

HEX #68E075

RGB 104 224 117

HSL 126.5, 0.66%, 0.64%

LAB 80.48, -55.53, 42.17

 

CMYK 50 / 0 / 44 / 5

HEX #79F288

RGB 121 242 136

HSL 127.44, 0.82%, 0.71%

LAB 86.68, -55.54, 40.87

 

CMYK 72 / 0 / 62 / 33

HEX #30AA41

RGB 48 170 65

HSL 128.36, 0.56%, 0.43%

LAB 61.45, -54.63, 43.68

 

CMYK 80 / 0 / 70 / 40

HEX #1F982E

RGB 31 152 46

HSL 127.44, 0.66%, 0.36%

LAB 55.02, -53.29, 44.82

 

CMYK 90 / 0 / 80 / 47

HEX #0E861B

RGB 14 134 27

HSL 126.5, 0.81%, 0.29%

LAB 48.54, -51.1, 45.39

 

CMYK 100 / 0 / 93 / 55

HEX #007408

RGB 0 116 8

HSL 124.14, 1%, 0.23%

LAB 42.01, -47.82, 44.63

 

CMYK 100 / 0 / 100 / 62

HEX #006200

RGB 0 98 0

HSL 120, 1%, 0.19%

LAB 35.47, -42.76, 41.27

 

CMYK 72 / 0 / 62 / 33

HEX #30AB41

RGB 48 171 65

HSL 128.29, 0.56%, 0.43%

LAB 61.77, -54.97, 44.05

 

CMYK 63 / 0 / 72 / 33

HEX #40AB30

RGB 64 171 48

HSL 112.2, 0.56%, 0.43%

LAB 62.02, -53.43, 51.59

 

CMYK 43 / 0 / 72 / 33

HEX #61AB30

RGB 97 171 48

HSL 96.1, 0.56%, 0.43%

LAB 63.24, -44.04, 53.23

 

CMYK 24 / 0 / 72 / 33

HEX #82AB30

RGB 130 171 48

HSL 80, 0.56%, 0.43%

LAB 65.03, -31.92, 55.61

 

CMYK 5 / 0 / 72 / 33

HEX #A3AB30

RGB 163 171 48

HSL 63.9, 0.56%, 0.43%

LAB 67.37, -18.17, 58.7

 

CMYK 72 / 0 / 62 / 33

HEX #30AB41

RGB 48 171 65

HSL 128.29, 0.56%, 0.43%

LAB 61.77, -54.97, 44.05

 

CMYK 72 / 0 / 43 / 33

HEX #30AB62

RGB 48 171 98

HSL 144.39, 0.56%, 0.43%

LAB 62.2, -50.01, 28.15

 

CMYK 72 / 0 / 23 / 33

HEX #30AB83

RGB 48 171 131

HSL 160.49, 0.56%, 0.43%

LAB 62.84, -43.03, 11.08

 

CMYK 72 / 0 / 4 / 33

HEX #30ABA4

RGB 48 171 164

HSL 176.59, 0.56%, 0.43%

LAB 63.7, -34.31, -6.06

 

CMYK 72 / 16 / 0 / 33

HEX #3090AB

RGB 48 144 171

HSL 193.17, 0.56%, 0.43%

LAB 55.6, -18.63, -22.25

 

CMYK 72 / 0 / 62 / 33

HEX #30AB41

RGB 48 171 65

HSL 128.29, 0.56%, 0.43%

LAB 61.77, -54.97, 44.05

 

CMYK 84 / 0 / 72 / 26

HEX #1EBC34

RGB 30 188 52

HSL 128.35, 0.72%, 0.43%

LAB 66.89, -64.24, 54.89

 

CMYK 94 / 0 / 81 / 19

HEX #0CCE27

RGB 12 206 39

HSL 128.35, 0.89%, 0.43%

LAB 72.47, -71.64, 64.48

 

CMYK 72 / 0 / 62 / 33

HEX #30AB41

RGB 48 171 65

HSL 128.29, 0.56%, 0.43%

LAB 61.77, -54.97, 44.05

 

CMYK 58 / 0 / 49 / 40

HEX #41994E

RGB 65 153 78

HSL 128.86, 0.4%, 0.43%

LAB 56.54, -42.8, 31.53

 

CMYK 39 / 0 / 33 / 47

HEX #53875A

RGB 83 135 90

HSL 128.08, 0.24%, 0.43%

LAB 51.73, -27.4, 18.87

 

CMYK 14 / 0 / 12 / 54

HEX #657567

RGB 101 117 103

HSL 127.5, 0.07%, 0.43%

LAB 47.58, -8.9, 5.73

 

CMYK 0 / 16 / 3 / 53

HEX #776474

RGB 119 100 116

HSL 309.47, 0.09%, 0.43%

LAB 44.66, 10.64, -6.14

 

CMYK 43 / 0 / 72 / 33

HEX #61AB30

RGB 97 171 48

HSL 96.1, 0.56%, 0.43%

LAB 63.24, -44.04, 53.23

 

CMYK 63 / 0 / 72 / 33

HEX #40AB30

RGB 64 171 48

HSL 112.2, 0.56%, 0.43%

LAB 62.02, -53.43, 51.59

 

CMYK 72 / 0 / 63 / 33

HEX #30AB40

RGB 48 171 64

HSL 127.8, 0.56%, 0.43%

LAB 61.76, -55.09, 44.49

 

CMYK 72 / 0 / 43 / 33

HEX #30AB61

RGB 48 171 97

HSL 143.9, 0.56%, 0.43%

LAB 62.18, -50.19, 28.66

 

CMYK 72 / 0 / 24 / 33

HEX #30AB82

RGB 48 171 130

HSL 160, 0.56%, 0.43%

LAB 62.82, -43.27, 11.6

 

CMYK 72 / 0 / 62 / 58

HEX #1E6A28

RGB 30 106 40

HSL 127.89, 0.56%, 0.27%

LAB 39.13, -37.76, 29.93

 

CMYK 72 / 0 / 62 / 46

HEX #278A35

RGB 39 138 53

HSL 128.48, 0.56%, 0.35%

LAB 50.53, -46.34, 36.73

 

CMYK 72 / 0 / 62 / 33

HEX #30AB41

RGB 48 171 65

HSL 128.29, 0.56%, 0.43%

LAB 61.77, -54.97, 44.05

 

CMYK 70 / 0 / 61 / 22

HEX #3CC84F

RGB 60 200 79

HSL 128.14, 0.56%, 0.51%

LAB 71.44, -61.19, 48.86

 

CMYK 56 / 0 / 48 / 18

HEX #5CD16C

RGB 92 209 108

HSL 128.21, 0.56%, 0.59%

LAB 75.43, -53.94, 40.16

 

CMYK 72 / 0 / 62 / 33

HEX #30AA41

RGB 48 170 65

HSL 128.36, 0.56%, 0.43%

LAB 61.45, -54.63, 43.68

 

CMYK 72 / 24 / 0 / 33

HEX #3082AB

RGB 48 130 171

HSL 200, 0.56%, 0.43%

LAB 51.31, -10.89, -28.88

 

CMYK 0 / 72 / 53 / 33

HEX #AB3050

RGB 171 48 80

HSL 344.39, 0.56%, 0.43%

LAB 40.17, 51.79, 10.49

 

CMYK 72 / 0 / 62 / 33

HEX #30AA41

RGB 48 170 65

HSL 128.36, 0.56%, 0.43%

LAB 61.45, -54.63, 43.68

 

CMYK 63 / 72 / 0 / 33

HEX #4030AB

RGB 64 48 171

HSL 247.8, 0.56%, 0.43%

LAB 29.77, 42.78, -63.31

 

CMYK 0 / 63 / 72 / 33

HEX #AB4030

RGB 171 64 48

HSL 7.8, 0.56%, 0.43%

LAB 42.06, 42.93, 32.49

 

CMYK 72 / 0 / 62 / 33

HEX #30AA41

RGB 48 170 65

HSL 128.36, 0.56%, 0.43%

LAB 61.45, -54.63, 43.68

 

CMYK 72 / 24 / 0 / 33

HEX #3082AB

RGB 48 130 171

HSL 200, 0.56%, 0.43%

LAB 51.31, -10.89, -28.88

 

CMYK 0 / 72 / 10 / 33

HEX #AB309A

RGB 171 48 154

HSL 308.29, 0.56%, 0.43%

LAB 42.92, 60.67, -31.18

 

CMYK 0 / 48 / 72 / 33

HEX #AB5930

RGB 171 89 48

HSL 20, 0.56%, 0.43%

LAB 47, 30.26, 38.03

 

CMYK 72 / 0 / 62 / 33

HEX #30AA41

RGB 48 170 65

HSL 128.36, 0.56%, 0.43%

LAB 61.45, -54.63, 43.68

 

CMYK 72 / 46 / 0 / 33

HEX #305DAB

RGB 48 93 171

HSL 218.05, 0.56%, 0.43%

LAB 40.24, 11.74, -46.35

 

CMYK 0 / 72 / 10 / 33

HEX #AB309A

RGB 171 48 154

HSL 308.29, 0.56%, 0.43%

LAB 42.92, 60.67, -31.18

 

CMYK 0 / 26 / 72 / 33

HEX #AB7E30

RGB 171 126 48

HSL 38.05, 0.56%, 0.43%

LAB 55.88, 9.63, 47.48

 

Description

Color code: HEX #30AA41 | qconv.com Color code: HEX #30AA41 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 170 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 170 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 62 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 62% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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