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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #314C80 it is the complementary color #CEB37F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #314C80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #314C80 shade: #364C7B, #475E8E, #5870A1, #6982B4 and #7A94C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #314C80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #314C80 shade: #314C80, #203A6D, #0F285A, #001647 and #000434

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #314C80 shade: #314C81, #313681, #403181, #563181 and #6C3181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #314C80 shade: #314C81, #313681 and #313181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #314C80 shade matches the following richer shades: #314C81, #22478F, #14439E and #053EAC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #314C80 shade: #314C81, #3F5172, #4D5564, #5C5A56 and #6A5E47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #314C80 shade: #317881, #316281, #314D81, #313781 and #3F3181

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #314C80 shade: #1A2945, #253A63, #314C81, #3C5E9F and #4A70BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #314C80 shade: #314C80, #753181 and #6D8131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #314C80 shade: #314C80, #81314D and #4D8131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #314C80 shade: #314C80, #753181, #816531 and #3D8131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #314C80 shade: #314C80, #813175, #816531 and #31813D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 41 / 0 / 50

HEX #314C80

RGB 49 76 128

HSL 219.49, 0.45%, 0.35%

LAB 32.66, 7.06, -32.46

 

Complementary color

CMYK 0 / 13 / 38 / 19

HEX #CEB37F

RGB 206 179 127

HSL 39.49, 0.45%, 0.65%

LAB 74.12, 2.4, 30.14

 

CMYK 56 / 38 / 0 / 52

HEX #364C7B

RGB 54 76 123

HSL 220.87, 0.39%, 0.35%

LAB 32.66, 6.41, -29.33

 

CMYK 50 / 34 / 0 / 44

HEX #475E8E

RGB 71 94 142

HSL 220.56, 0.33%, 0.42%

LAB 40.08, 5.47, -29.22

 

CMYK 45 / 30 / 0 / 37

HEX #5870A1

RGB 88 112 161

HSL 220.27, 0.29%, 0.49%

LAB 47.28, 4.75, -29.18

 

CMYK 42 / 28 / 0 / 29

HEX #6982B4

RGB 105 130 180

HSL 220, 0.33%, 0.56%

LAB 54.31, 4.17, -29.2

 

CMYK 39 / 26 / 0 / 22

HEX #7A94C7

RGB 122 148 199

HSL 219.74, 0.41%, 0.63%

LAB 61.17, 3.69, -29.25

 

CMYK 62 / 41 / 0 / 50

HEX #314C80

RGB 49 76 128

HSL 219.49, 0.45%, 0.35%

LAB 32.66, 7.06, -32.46

 

CMYK 71 / 47 / 0 / 57

HEX #203A6D

RGB 32 58 109

HSL 219.74, 0.55%, 0.28%

LAB 25.07, 8.68, -32.64

 

CMYK 83 / 56 / 0 / 65

HEX #0F285A

RGB 15 40 90

HSL 220, 0.71%, 0.21%

LAB 17.26, 11.08, -32.83

 

CMYK 100 / 69 / 0 / 72

HEX #001647

RGB 0 22 71

HSL 221.41, 1%, 0.14%

LAB 9.23, 14.52, -32.97

 

CMYK 100 / 92 / 0 / 80

HEX #000434

RGB 0 4 52

HSL 235.38, 1%, 0.1%

LAB 3.02, 14.14, -29.42

 

CMYK 62 / 41 / 0 / 49

HEX #314C81

RGB 49 76 129

HSL 219.75, 0.45%, 0.35%

LAB 32.72, 7.43, -32.99

 

CMYK 62 / 58 / 0 / 49

HEX #313681

RGB 49 54 129

HSL 236.25, 0.45%, 0.35%

LAB 26.38, 22.3, -43.15

 

CMYK 50 / 62 / 0 / 49

HEX #403181

RGB 64 49 129

HSL 251.25, 0.45%, 0.35%

LAB 26.37, 28.71, -43.11

 

CMYK 33 / 62 / 0 / 49

HEX #563181

RGB 86 49 129

HSL 267.75, 0.45%, 0.35%

LAB 28.8, 33.94, -39.06

 

CMYK 16 / 62 / 0 / 49

HEX #6C3181

RGB 108 49 129

HSL 284.25, 0.45%, 0.35%

LAB 31.74, 39.69, -34.2

 

CMYK 62 / 41 / 0 / 49

HEX #314C81

RGB 49 76 129

HSL 219.75, 0.45%, 0.35%

LAB 32.72, 7.43, -32.99

 

CMYK 62 / 58 / 0 / 49

HEX #313681

RGB 49 54 129

HSL 236.25, 0.45%, 0.35%

LAB 26.38, 22.3, -43.15

 

CMYK 62 / 62 / 0 / 49

HEX #313181

RGB 49 49 129

HSL 240, 0.45%, 0.35%

LAB 25.06, 25.66, -45.29

 

CMYK 62 / 41 / 0 / 49

HEX #314C81

RGB 49 76 129

HSL 219.75, 0.45%, 0.35%

LAB 32.72, 7.43, -32.99

 

CMYK 76 / 50 / 0 / 44

HEX #22478F

RGB 34 71 143

HSL 219.63, 0.62%, 0.35%

LAB 31.42, 13.56, -43.73

 

CMYK 87 / 58 / 0 / 38

HEX #14439E

RGB 20 67 158

HSL 219.57, 0.78%, 0.35%

LAB 30.95, 20.92, -53.63

 

CMYK 97 / 64 / 0 / 33

HEX #053EAC

RGB 5 62 172

HSL 219.52, 0.94%, 0.35%

LAB 30.54, 29.25, -62.75

 

CMYK 62 / 41 / 0 / 49

HEX #314C81

RGB 49 76 129

HSL 219.75, 0.45%, 0.35%

LAB 32.72, 7.43, -32.99

 

CMYK 45 / 29 / 0 / 55

HEX #3F5172

RGB 63 81 114

HSL 218.82, 0.29%, 0.35%

LAB 34.31, 2.55, -21.11

 

CMYK 23 / 15 / 0 / 61

HEX #4D5564

RGB 77 85 100

HSL 219.13, 0.13%, 0.35%

LAB 35.97, 0.52, -9.72

 

CMYK 0 / 2 / 7 / 64

HEX #5C5A56

RGB 92 90 86

HSL 40, 0.03%, 0.35%

LAB 38.3, -0.01, 2.59

 

CMYK 0 / 11 / 33 / 58

HEX #6A5E47

RGB 106 94 71

HSL 39.43, 0.2%, 0.35%

LAB 40.45, 0.96, 14.98

 

CMYK 62 / 7 / 0 / 49

HEX #317881

RGB 49 120 129

HSL 186.75, 0.45%, 0.35%

LAB 46.54, -19.11, -11.57

 

CMYK 62 / 24 / 0 / 49

HEX #316281

RGB 49 98 129

HSL 203.25, 0.45%, 0.35%

LAB 39.54, -6.55, -22.28

 

CMYK 62 / 40 / 0 / 49

HEX #314D81

RGB 49 77 129

HSL 219, 0.45%, 0.35%

LAB 33.02, 6.76, -32.51

 

CMYK 62 / 57 / 0 / 49

HEX #313781

RGB 49 55 129

HSL 235.5, 0.45%, 0.35%

LAB 26.65, 21.63, -42.71

 

CMYK 51 / 62 / 0 / 49

HEX #3F3181

RGB 63 49 129

HSL 250.5, 0.45%, 0.35%

LAB 26.27, 28.49, -43.27

 

CMYK 62 / 41 / 0 / 73

HEX #1A2945

RGB 26 41 69

HSL 219.07, 0.45%, 0.19%

LAB 16.68, 3.63, -19.52

 

CMYK 63 / 41 / 0 / 61

HEX #253A63

RGB 37 58 99

HSL 219.68, 0.46%, 0.27%

LAB 24.7, 5.81, -26.76

 

CMYK 62 / 41 / 0 / 49

HEX #314C81

RGB 49 76 129

HSL 219.75, 0.45%, 0.35%

LAB 32.72, 7.43, -32.99

 

CMYK 62 / 41 / 0 / 38

HEX #3C5E9F

RGB 60 94 159

HSL 219.39, 0.45%, 0.43%

LAB 40.36, 8.76, -39.01

 

CMYK 60 / 40 / 0 / 27

HEX #4A70BA

RGB 74 112 186

HSL 219.64, 0.45%, 0.51%

LAB 47.74, 9.61, -43.09

 

CMYK 62 / 41 / 0 / 50

HEX #314C80

RGB 49 76 128

HSL 219.49, 0.45%, 0.35%

LAB 32.66, 7.06, -32.46

 

CMYK 9 / 62 / 0 / 49

HEX #753181

RGB 117 49 129

HSL 291, 0.45%, 0.35%

LAB 33.06, 42.12, -32.02

 

CMYK 16 / 0 / 62 / 49

HEX #6D8131

RGB 109 129 49

HSL 75, 0.45%, 0.35%

LAB 50.89, -19.86, 39.94

 

CMYK 62 / 41 / 0 / 50

HEX #314C80

RGB 49 76 128

HSL 219.49, 0.45%, 0.35%

LAB 32.66, 7.06, -32.46

 

CMYK 0 / 62 / 40 / 49

HEX #81314D

RGB 129 49 77

HSL 339, 0.45%, 0.35%

LAB 32.7, 37.32, 0.75

 

CMYK 40 / 0 / 62 / 49

HEX #4D8131

RGB 77 129 49

HSL 99, 0.45%, 0.35%

LAB 48.88, -32.62, 37.14

 

CMYK 62 / 41 / 0 / 50

HEX #314C80

RGB 49 76 128

HSL 219.49, 0.45%, 0.35%

LAB 32.66, 7.06, -32.46

 

CMYK 9 / 62 / 0 / 49

HEX #753181

RGB 117 49 129

HSL 291, 0.45%, 0.35%

LAB 33.06, 42.12, -32.02

 

CMYK 0 / 22 / 62 / 49

HEX #816531

RGB 129 101 49

HSL 39, 0.45%, 0.35%

LAB 44.51, 4.86, 33.22

 

CMYK 53 / 0 / 62 / 49

HEX #3D8131

RGB 61 129 49

HSL 111, 0.45%, 0.35%

LAB 48.15, -37.91, 36.11

 

CMYK 62 / 41 / 0 / 50

HEX #314C80

RGB 49 76 128

HSL 219.49, 0.45%, 0.35%

LAB 32.66, 7.06, -32.46

 

CMYK 0 / 62 / 9 / 49

HEX #813175

RGB 129 49 117

HSL 309, 0.45%, 0.35%

LAB 34.29, 43.22, -22.44

 

CMYK 0 / 22 / 62 / 49

HEX #816531

RGB 129 101 49

HSL 39, 0.45%, 0.35%

LAB 44.51, 4.86, 33.22

 

CMYK 62 / 0 / 53 / 49

HEX #31813D

RGB 49 129 61

HSL 129, 0.45%, 0.35%

LAB 47.87, -39.57, 29.57

 

Description

Color code: HEX #314C80 | qconv.com Color code: HEX #314C80 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 76 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 76 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 41 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 41% 0% 50% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

21% - débora gregório - Be...
Link: http://about.me

29% - Единый бельевой порт...
Link: http://www.belyevik.ru

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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