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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31AB25 it is the complementary color #CE54DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31AB25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31AB25 shade: #36AB20, #47BD33, #58CF46, #69E159 and #7AF36C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31AB25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31AB25 shade: #31AB25, #209912, #0F8700, #007500 and #006300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31AB25 shade: #31AB25, #55AB25, #79AB25, #9DAB25 and #AB9425

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31AB25 shade: #31AB25, #25AB3D, #25AB61, #25AB85 and #25ABAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31AB25 shade matches the following richer shades: #31AB25, #23BC14 and #15CD03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31AB25 shade: #31AB25, #3F9A36, #4D8947, #5B7858 and #696769

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31AB25 shade: #7AAB25, #56AB25, #33AB25, #25AB3B and #25AB5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31AB25 shade: #1E6716, #27891E, #31AB25, #3BCD2D and #58D74B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31AB25 shade: #31AB25, #259EAB and #AB2568

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31AB25 shade: #31AB25, #2533AB and #AB2533

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31AB25 shade: #31AB25, #259EAB, #9E25AB and #AB3325

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31AB25 shade: #31AB25, #2575AB, #9E25AB and #AB5B25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 78 / 33

HEX #31AB25

RGB 49 171 37

HSL 114.63, 0.64%, 0.41%

LAB 61.58, -57.38, 54.91

 

Complementary color

CMYK 6 / 61 / 0 / 15

HEX #CE54DA

RGB 206 84 218

HSL 294.63, 0.64%, 0.59%

LAB 56.61, 65.68, -46.51

 

CMYK 68 / 0 / 81 / 33

HEX #36AB20

RGB 54 171 32

HSL 110.5, 0.68%, 0.4%

LAB 61.67, -56.72, 56.56

 

CMYK 62 / 0 / 73 / 26

HEX #47BD33

RGB 71 189 51

HSL 111.3, 0.58%, 0.47%

LAB 68, -57.93, 56.64

 

CMYK 57 / 0 / 66 / 19

HEX #58CF46

RGB 88 207 70

HSL 112.12, 0.59%, 0.54%

LAB 74.28, -58.67, 56.06

 

CMYK 53 / 0 / 60 / 12

HEX #69E159

RGB 105 225 89

HSL 112.94, 0.69%, 0.62%

LAB 80.5, -59.1, 55.13

 

CMYK 50 / 0 / 56 / 5

HEX #7AF36C

RGB 122 243 108

HSL 113.78, 0.85%, 0.69%

LAB 86.66, -59.32, 54.03

 

CMYK 71 / 0 / 78 / 33

HEX #31AB25

RGB 49 171 37

HSL 114.63, 0.64%, 0.41%

LAB 61.58, -57.38, 54.91

 

CMYK 79 / 0 / 88 / 40

HEX #209912

RGB 32 153 18

HSL 113.78, 0.79%, 0.34%

LAB 55.21, -55.44, 54.14

 

CMYK 89 / 0 / 100 / 47

HEX #0F8700

RGB 15 135 0

HSL 113.33, 1%, 0.26%

LAB 48.8, -52.58, 52.01

 

CMYK 100 / 0 / 100 / 54

HEX #007500

RGB 0 117 0

HSL 120, 1%, 0.23%

LAB 42.34, -48.47, 46.78

 

CMYK 100 / 0 / 100 / 61

HEX #006300

RGB 0 99 0

HSL 120, 1%, 0.19%

LAB 35.84, -43.07, 41.57

 

CMYK 71 / 0 / 78 / 33

HEX #31AB25

RGB 49 171 37

HSL 114.63, 0.64%, 0.41%

LAB 61.58, -57.38, 54.91

 

CMYK 50 / 0 / 78 / 33

HEX #55AB25

RGB 85 171 37

HSL 98.51, 0.64%, 0.41%

LAB 62.67, -48.58, 56.33

 

CMYK 29 / 0 / 78 / 33

HEX #79AB25

RGB 121 171 37

HSL 82.39, 0.64%, 0.41%

LAB 64.42, -36.06, 58.61

 

CMYK 8 / 0 / 78 / 33

HEX #9DAB25

RGB 157 171 37

HSL 66.27, 0.64%, 0.41%

LAB 66.85, -21.25, 61.72

 

CMYK 0 / 13 / 78 / 33

HEX #AB9425

RGB 171 148 37

HSL 49.7, 0.64%, 0.41%

LAB 61.63, -3.04, 57.42

 

CMYK 71 / 0 / 78 / 33

HEX #31AB25

RGB 49 171 37

HSL 114.63, 0.64%, 0.41%

LAB 61.58, -57.38, 54.91

 

CMYK 78 / 0 / 64 / 33

HEX #25AB3D

RGB 37 171 61

HSL 130.75, 0.64%, 0.41%

LAB 61.53, -57.14, 45.51

 

CMYK 78 / 0 / 43 / 33

HEX #25AB61

RGB 37 171 97

HSL 146.87, 0.64%, 0.41%

LAB 61.98, -51.77, 28.36

 

CMYK 78 / 0 / 22 / 33

HEX #25AB85

RGB 37 171 133

HSL 162.99, 0.64%, 0.41%

LAB 62.69, -43.97, 9.73

 

CMYK 78 / 0 / 1 / 33

HEX #25ABAA

RGB 37 171 170

HSL 179.55, 0.64%, 0.41%

LAB 63.69, -33.81, -9.45

 

CMYK 71 / 0 / 78 / 33

HEX #31AB25

RGB 49 171 37

HSL 114.63, 0.64%, 0.41%

LAB 61.58, -57.38, 54.91

 

CMYK 81 / 0 / 89 / 26

HEX #23BC14

RGB 35 188 20

HSL 114.64, 0.81%, 0.41%

LAB 66.8, -65.58, 63.84

 

CMYK 90 / 0 / 99 / 20

HEX #15CD03

RGB 21 205 3

HSL 114.65, 0.97%, 0.41%

LAB 72.11, -72.08, 70.38

 

CMYK 71 / 0 / 78 / 33

HEX #31AB25

RGB 49 171 37

HSL 114.63, 0.64%, 0.41%

LAB 61.58, -57.38, 54.91

 

CMYK 59 / 0 / 65 / 40

HEX #3F9A36

RGB 63 154 54

HSL 114.6, 0.48%, 0.41%

LAB 56.52, -46.83, 43.22

 

CMYK 44 / 0 / 48 / 46

HEX #4D8947

RGB 77 137 71

HSL 114.55, 0.32%, 0.41%

LAB 51.75, -33.47, 29.32

 

CMYK 24 / 0 / 27 / 53

HEX #5B7858

RGB 91 120 88

HSL 114.38, 0.15%, 0.41%

LAB 47.45, -17.24, 14.26

 

CMYK 0 / 2 / 0 / 59

HEX #696769

RGB 105 103 105

HSL 300, 0.01%, 0.41%

LAB 43.83, 1.19, -0.85

 

CMYK 29 / 0 / 78 / 33

HEX #7AAB25

RGB 122 171 37

HSL 81.94, 0.64%, 0.41%

LAB 64.48, -35.67, 58.68

 

CMYK 50 / 0 / 78 / 33

HEX #56AB25

RGB 86 171 37

HSL 98.06, 0.64%, 0.41%

LAB 62.71, -48.27, 56.38

 

CMYK 70 / 0 / 78 / 33

HEX #33AB25

RGB 51 171 37

HSL 113.73, 0.64%, 0.41%

LAB 61.62, -57, 54.96

 

CMYK 78 / 0 / 65 / 33

HEX #25AB3B

RGB 37 171 59

HSL 129.85, 0.64%, 0.41%

LAB 61.51, -57.36, 46.37

 

CMYK 78 / 0 / 44 / 33

HEX #25AB5F

RGB 37 171 95

HSL 145.97, 0.64%, 0.41%

LAB 61.95, -52.14, 29.37

 

CMYK 71 / 0 / 79 / 60

HEX #1E6716

RGB 30 103 22

HSL 114.07, 0.65%, 0.25%

LAB 37.9, -38.59, 36.83

 

CMYK 72 / 0 / 78 / 46

HEX #27891E

RGB 39 137 30

HSL 114.95, 0.64%, 0.33%

LAB 50, -48.3, 45.92

 

CMYK 71 / 0 / 78 / 33

HEX #31AB25

RGB 49 171 37

HSL 114.63, 0.64%, 0.41%

LAB 61.58, -57.38, 54.91

 

CMYK 71 / 0 / 78 / 20

HEX #3BCD2D

RGB 59 205 45

HSL 114.75, 0.64%, 0.49%

LAB 72.75, -66.03, 63.21

 

CMYK 59 / 0 / 65 / 16

HEX #58D74B

RGB 88 215 75

HSL 114.43, 0.64%, 0.57%

LAB 76.79, -61.06, 56.74

 

CMYK 71 / 0 / 78 / 33

HEX #31AB25

RGB 49 171 37

HSL 114.63, 0.64%, 0.41%

LAB 61.58, -57.38, 54.91

 

CMYK 78 / 8 / 0 / 33

HEX #259EAB

RGB 37 158 171

HSL 185.82, 0.64%, 0.41%

LAB 59.7, -27.2, -16.02

 

CMYK 0 / 78 / 39 / 33

HEX #AB2568

RGB 171 37 104

HSL 330, 0.64%, 0.41%

LAB 39.55, 57.74, -5.57

 

CMYK 71 / 0 / 78 / 33

HEX #31AB25

RGB 49 171 37

HSL 114.63, 0.64%, 0.41%

LAB 61.58, -57.38, 54.91

 

CMYK 78 / 70 / 0 / 33

HEX #2533AB

RGB 37 51 171

HSL 233.73, 0.64%, 0.41%

LAB 28.65, 37.94, -65.23

 

CMYK 0 / 78 / 70 / 33

HEX #AB2533

RGB 171 37 51

HSL 353.73, 0.64%, 0.41%

LAB 38.23, 53.65, 26.18

 

CMYK 71 / 0 / 78 / 33

HEX #31AB25

RGB 49 171 37

HSL 114.63, 0.64%, 0.41%

LAB 61.58, -57.38, 54.91

 

CMYK 78 / 8 / 0 / 33

HEX #259EAB

RGB 37 158 171

HSL 185.82, 0.64%, 0.41%

LAB 59.7, -27.2, -16.02

 

CMYK 8 / 78 / 0 / 33

HEX #9E25AB

RGB 158 37 171

HSL 294.18, 0.64%, 0.41%

LAB 40.46, 64.14, -45.4

 

CMYK 0 / 70 / 78 / 33

HEX #AB3325

RGB 171 51 37

HSL 6.27, 0.64%, 0.41%

LAB 39.85, 48.06, 36.29

 

CMYK 71 / 0 / 78 / 33

HEX #31AB25

RGB 49 171 37

HSL 114.63, 0.64%, 0.41%

LAB 61.58, -57.38, 54.91

 

CMYK 78 / 32 / 0 / 33

HEX #2575AB

RGB 37 117 171

HSL 204.18, 0.64%, 0.41%

LAB 47.05, -4.75, -35.56

 

CMYK 8 / 78 / 0 / 33

HEX #9E25AB

RGB 158 37 171

HSL 294.18, 0.64%, 0.41%

LAB 40.46, 64.14, -45.4

 

CMYK 0 / 47 / 78 / 33

HEX #AB5B25

RGB 171 91 37

HSL 24.18, 0.64%, 0.41%

LAB 47.33, 28.66, 43.88

 

Description

Color code: HEX #31AB25 | qconv.com Color code: HEX #31AB25 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 171 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 171 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 78 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 78% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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