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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB2533 it is the complementary color #54DACC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB2533. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB2533 shade: #B0252E, #C13741, #D24954, #E35B67 and #F46D7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB2533. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB2533 shade: #AB2533, #9A1320, #89010D, #780000 and #670000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB2533 shade: #AB2533 and #AB2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB2533 shade: #AB2533, #AB2557, #AB257B, #AB259F and #9225AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB2533 shade matches the following richer shades: #AB2533, #BC1426 and #CD0318

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB2533 shade: #AB2533, #9A3641, #89474E, #78585B and #676969

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB2533 shade: #AB257C, #AB2558, #AB2535, #AB3925 and #AB5D25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB2533 shade: #67161F, #891E29, #AB2533, #CD2D3D and #D74B5A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB2533 shade: #AB2533, #A0AB25 and #256AAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB2533 shade: #AB2533, #35AB25 and #2535AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB2533 shade: #AB2533, #A0AB25, #25AB9B and #3025AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB2533 shade: #AB2533, #78AB25, #25AB9B and #5825AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 70 / 33

HEX #AB2533

RGB 171 37 51

HSL 353.73, 0.64%, 0.41%

LAB 38.23, 53.65, 26.18

 

Complementary color

CMYK 61 / 0 / 6 / 15

HEX #54DACC

RGB 84 218 204

HSL 173.73, 0.64%, 0.59%

LAB 79.83, -39.55, -3.96

 

CMYK 0 / 79 / 74 / 31

HEX #B0252E

RGB 176 37 46

HSL 356.12, 0.65%, 0.42%

LAB 39.16, 54.91, 30.58

 

CMYK 0 / 72 / 66 / 24

HEX #C13741

RGB 193 55 65

HSL 355.65, 0.56%, 0.49%

LAB 44.87, 55.01, 26.75

 

CMYK 0 / 65 / 60 / 18

HEX #D24954

RGB 210 73 84

HSL 355.18, 0.6%, 0.55%

LAB 50.81, 54.56, 23.58

 

CMYK 0 / 60 / 55 / 11

HEX #E35B67

RGB 227 91 103

HSL 354.71, 0.71%, 0.62%

LAB 56.87, 53.81, 20.94

 

CMYK 0 / 55 / 50 / 4

HEX #F46D7A

RGB 244 109 122

HSL 354.22, 0.86%, 0.69%

LAB 62.99, 52.91, 18.71

 

CMYK 0 / 78 / 70 / 33

HEX #AB2533

RGB 171 37 51

HSL 353.73, 0.64%, 0.41%

LAB 38.23, 53.65, 26.18

 

CMYK 0 / 88 / 79 / 40

HEX #9A1320

RGB 154 19 32

HSL 354.22, 0.78%, 0.34%

LAB 32.79, 52.63, 30.7

 

CMYK 0 / 99 / 91 / 46

HEX #89010D

RGB 137 1 13

HSL 354.71, 0.99%, 0.27%

LAB 27.76, 50.52, 35.44

 

CMYK 0 / 100 / 100 / 53

HEX #780000

RGB 120 0 0

HSL 0, 1%, 0.24%

LAB 23.65, 45.88, 35.59

 

CMYK 0 / 100 / 100 / 60

HEX #670000

RGB 103 0 0

HSL 0, 1%, 0.2%

LAB 19.57, 41.16, 30

 

CMYK 0 / 78 / 70 / 33

HEX #AB2533

RGB 171 37 51

HSL 353.73, 0.64%, 0.41%

LAB 38.23, 53.65, 26.18

 

CMYK 0 / 78 / 78 / 33

HEX #AB2525

RGB 171 37 37

HSL 0, 0.64%, 0.41%

LAB 38.05, 53.05, 34.4

 

CMYK 0 / 78 / 70 / 33

HEX #AB2533

RGB 171 37 51

HSL 353.73, 0.64%, 0.41%

LAB 38.23, 53.65, 26.18

 

CMYK 0 / 78 / 49 / 33

HEX #AB2557

RGB 171 37 87

HSL 337.61, 0.64%, 0.41%

LAB 39.02, 56.11, 4.43

 

CMYK 0 / 78 / 28 / 33

HEX #AB257B

RGB 171 37 123

HSL 321.49, 0.64%, 0.41%

LAB 40.26, 59.9, -16.36

 

CMYK 0 / 78 / 7 / 33

HEX #AB259F

RGB 171 37 159

HSL 305.37, 0.64%, 0.41%

LAB 41.98, 64.87, -35.68

 

CMYK 15 / 78 / 0 / 33

HEX #9225AB

RGB 146 37 171

HSL 288.81, 0.64%, 0.41%

LAB 38.51, 61.79, -48.64

 

CMYK 0 / 78 / 70 / 33

HEX #AB2533

RGB 171 37 51

HSL 353.73, 0.64%, 0.41%

LAB 38.23, 53.65, 26.18

 

CMYK 0 / 89 / 80 / 26

HEX #BC1426

RGB 188 20 38

HSL 353.57, 0.81%, 0.41%

LAB 40.13, 61.93, 37.08

 

CMYK 0 / 99 / 88 / 20

HEX #CD0318

RGB 205 3 24

HSL 353.76, 0.97%, 0.41%

LAB 42.93, 67.95, 48.33

 

CMYK 0 / 78 / 70 / 33

HEX #AB2533

RGB 171 37 51

HSL 353.73, 0.64%, 0.41%

LAB 38.23, 53.65, 26.18

 

CMYK 0 / 65 / 58 / 40

HEX #9A3641

RGB 154 54 65

HSL 353.4, 0.48%, 0.41%

LAB 37.64, 42.53, 16.01

 

CMYK 0 / 48 / 43 / 46

HEX #89474E

RGB 137 71 78

HSL 353.64, 0.32%, 0.41%

LAB 38.51, 28.77, 8.58

 

CMYK 0 / 27 / 24 / 53

HEX #78585B

RGB 120 88 91

HSL 354.38, 0.15%, 0.41%

LAB 40.78, 13.69, 3.44

 

CMYK 2 / 0 / 0 / 59

HEX #676969

RGB 103 105 105

HSL 180, 0.01%, 0.41%

LAB 44.24, -0.77, -0.28

 

CMYK 0 / 78 / 27 / 33

HEX #AB257C

RGB 171 37 124

HSL 321.04, 0.64%, 0.41%

LAB 40.31, 60.03, -16.92

 

CMYK 0 / 78 / 49 / 33

HEX #AB2558

RGB 171 37 88

HSL 337.16, 0.64%, 0.41%

LAB 39.05, 56.2, 3.83

 

CMYK 0 / 78 / 69 / 33

HEX #AB2535

RGB 171 37 53

HSL 352.84, 0.64%, 0.41%

LAB 38.27, 53.75, 24.98

 

CMYK 0 / 67 / 78 / 33

HEX #AB3925

RGB 171 57 37

HSL 8.96, 0.64%, 0.41%

LAB 40.76, 45.57, 37.25

 

CMYK 0 / 46 / 78 / 33

HEX #AB5D25

RGB 171 93 37

HSL 25.07, 0.64%, 0.41%

LAB 47.78, 27.57, 44.32

 

CMYK 0 / 79 / 70 / 60

HEX #67161F

RGB 103 22 31

HSL 353.33, 0.65%, 0.25%

LAB 22.15, 36.06, 16.18

 

CMYK 0 / 78 / 70 / 46

HEX #891E29

RGB 137 30 41

HSL 353.83, 0.64%, 0.33%

LAB 30.42, 44.92, 21.38

 

CMYK 0 / 78 / 70 / 33

HEX #AB2533

RGB 171 37 51

HSL 353.73, 0.64%, 0.41%

LAB 38.23, 53.65, 26.18

 

CMYK 0 / 78 / 70 / 20

HEX #CD2D3D

RGB 205 45 61

HSL 354, 0.64%, 0.49%

LAB 45.9, 61.71, 30.92

 

CMYK 0 / 65 / 58 / 16

HEX #D74B5A

RGB 215 75 90

HSL 353.57, 0.64%, 0.57%

LAB 52.08, 55.77, 21.85

 

CMYK 0 / 78 / 70 / 33

HEX #AB2533

RGB 171 37 51

HSL 353.73, 0.64%, 0.41%

LAB 38.23, 53.65, 26.18

 

CMYK 6 / 0 / 78 / 33

HEX #A0AB25

RGB 160 171 37

HSL 64.93, 0.64%, 0.41%

LAB 67.08, -19.96, 62.02

 

CMYK 78 / 38 / 0 / 33

HEX #256AAB

RGB 37 106 171

HSL 209.1, 0.64%, 0.41%

LAB 43.71, 1.98, -40.83

 

CMYK 0 / 78 / 70 / 33

HEX #AB2533

RGB 171 37 51

HSL 353.73, 0.64%, 0.41%

LAB 38.23, 53.65, 26.18

 

CMYK 69 / 0 / 78 / 33

HEX #35AB25

RGB 53 171 37

HSL 112.84, 0.64%, 0.41%

LAB 61.67, -56.62, 55.02

 

CMYK 78 / 69 / 0 / 33

HEX #2535AB

RGB 37 53 171

HSL 232.84, 0.64%, 0.41%

LAB 29.11, 36.69, -64.47

 

CMYK 0 / 78 / 70 / 33

HEX #AB2533

RGB 171 37 51

HSL 353.73, 0.64%, 0.41%

LAB 38.23, 53.65, 26.18

 

CMYK 6 / 0 / 78 / 33

HEX #A0AB25

RGB 160 171 37

HSL 64.93, 0.64%, 0.41%

LAB 67.08, -19.96, 62.02

 

CMYK 78 / 0 / 9 / 33

HEX #25AB9B

RGB 37 171 155

HSL 172.84, 0.64%, 0.41%

LAB 63.25, -38.16, -1.72

 

CMYK 72 / 78 / 0 / 33

HEX #3025AB

RGB 48 37 171

HSL 244.93, 0.64%, 0.41%

LAB 26.42, 46.97, -68.87

 

CMYK 0 / 78 / 70 / 33

HEX #AB2533

RGB 171 37 51

HSL 353.73, 0.64%, 0.41%

LAB 38.23, 53.65, 26.18

 

CMYK 30 / 0 / 78 / 33

HEX #78AB25

RGB 120 171 37

HSL 82.84, 0.64%, 0.41%

LAB 64.36, -36.44, 58.53

 

CMYK 78 / 0 / 9 / 33

HEX #25AB9B

RGB 37 171 155

HSL 172.84, 0.64%, 0.41%

LAB 63.25, -38.16, -1.72

 

CMYK 49 / 78 / 0 / 33

HEX #5825AB

RGB 88 37 171

HSL 262.84, 0.64%, 0.41%

LAB 30.25, 51.74, -62.44

 

Description

Color code: HEX #AB2533 | qconv.com Color code: HEX #AB2533 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 37 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 37 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 70 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 70% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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