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Color name
HEX #31C19C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31C19C it is the complementary color #CE3E63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31C19C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31C19C shade: #36C197, #47D3AA, #58E5BD, #69F7D0 and #7AFFE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31C19C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31C19C shade: #31C19C, #20AF89, #0F9D76, #008B63 and #007950

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31C19C shade: #2FBF9A, #2FBF74, #2FBF4D, #39BF2F and #60BF2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31C19C shade: #2FBF9A, #2FBDBF, #2F97BF, #2F70BF and #2F49BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31C19C shade matches the following richer shades: #2FBF9A, #1CD3A4 and #09E6AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31C19C shade: #2FBF9A, #43AC91, #569887, #6A857E and #7D7275

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31C19C shade: #2FBF4C, #2FBF73, #2FBF99, #2FBFBF and #2F99BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31C19C shade: #1F7D65, #279E80, #2FBF9A, #47D1AD and #68D9BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31C19C shade: #31C19C, #2F39BF and #BF5F2F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31C19C shade: #31C19C, #992FBF and #BF992F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31C19C shade: #31C19C, #2F39BF, #BF2F56 and #BFB62F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31C19C shade: #31C19C, #512FBF, #BF2F56 and #9EBF2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 19 / 24

HEX #31C19C

RGB 49 193 156

HSL 164.58, 0.6%, 0.47%

LAB 70.31, -46.06, 7.98

 

Complementary color

CMYK 0 / 70 / 52 / 19

HEX #CE3E63

RGB 206 62 99

HSL 344.58, 0.6%, 0.53%

LAB 48.84, 58.76, 11.76

 

CMYK 72 / 0 / 22 / 24

HEX #36C197

RGB 54 193 151

HSL 161.87, 0.56%, 0.48%

LAB 70.29, -46.62, 10.68

 

CMYK 66 / 0 / 19 / 17

HEX #47D3AA

RGB 71 211 170

HSL 162.43, 0.61%, 0.55%

LAB 76.58, -47.09, 9.44

 

CMYK 62 / 0 / 17 / 10

HEX #58E5BD

RGB 88 229 189

HSL 162.98, 0.73%, 0.62%

LAB 82.8, -47.37, 8.32

 

CMYK 57 / 0 / 16 / 3

HEX #69F7D0

RGB 105 247 208

HSL 163.52, 0.9%, 0.69%

LAB 88.96, -47.52, 7.28

 

CMYK 52 / 0 / 11 / 0

HEX #7AFFE3

RGB 122 255 227

HSL 167.37, 1%, 0.74%

LAB 92.22, -43.23, 2.21

 

CMYK 75 / 0 / 19 / 24

HEX #31C19C

RGB 49 193 156

HSL 164.58, 0.6%, 0.47%

LAB 70.31, -46.06, 7.98

 

CMYK 82 / 0 / 22 / 31

HEX #20AF89

RGB 32 175 137

HSL 164.06, 0.69%, 0.41%

LAB 63.98, -45.16, 9.34

 

CMYK 90 / 0 / 25 / 38

HEX #0F9D76

RGB 15 157 118

HSL 163.52, 0.83%, 0.34%

LAB 57.58, -43.85, 10.86

 

CMYK 100 / 0 / 29 / 45

HEX #008B63

RGB 0 139 99

HSL 162.73, 1%, 0.27%

LAB 51.11, -42.09, 12.56

 

CMYK 100 / 0 / 34 / 53

HEX #007950

RGB 0 121 80

HSL 159.67, 1%, 0.24%

LAB 44.59, -39.49, 14.53

 

CMYK 75 / 0 / 19 / 25

HEX #2FBF9A

RGB 47 191 154

HSL 164.58, 0.61%, 0.47%

LAB 69.61, -45.96, 8.07

 

CMYK 75 / 0 / 39 / 25

HEX #2FBF74

RGB 47 191 116

HSL 148.75, 0.61%, 0.47%

LAB 68.84, -54.33, 27.4

 

CMYK 75 / 0 / 60 / 25

HEX #2FBF4D

RGB 47 191 77

HSL 132.5, 0.61%, 0.47%

LAB 68.32, -60.48, 46.09

 

CMYK 70 / 0 / 75 / 25

HEX #39BF2F

RGB 57 191 47

HSL 115.83, 0.61%, 0.47%

LAB 68.27, -61.76, 58.2

 

CMYK 50 / 0 / 75 / 25

HEX #60BF2F

RGB 96 191 47

HSL 99.58, 0.61%, 0.47%

LAB 69.44, -52.37, 59.74

 

CMYK 75 / 0 / 19 / 25

HEX #2FBF9A

RGB 47 191 154

HSL 164.58, 0.61%, 0.47%

LAB 69.61, -45.96, 8.07

 

CMYK 75 / 1 / 0 / 25

HEX #2FBDBF

RGB 47 189 191

HSL 180.83, 0.61%, 0.47%

LAB 70.01, -35, -11.61

 

CMYK 75 / 21 / 0 / 25

HEX #2F97BF

RGB 47 151 191

HSL 196.67, 0.61%, 0.47%

LAB 58.51, -15.83, -29.13

 

CMYK 75 / 41 / 0 / 25

HEX #2F70BF

RGB 47 112 191

HSL 212.92, 0.61%, 0.47%

LAB 46.91, 7.01, -47.36

 

CMYK 75 / 62 / 0 / 25

HEX #2F49BF

RGB 47 73 191

HSL 229.17, 0.61%, 0.47%

LAB 36.24, 32.19, -64.62

 

CMYK 75 / 0 / 19 / 25

HEX #2FBF9A

RGB 47 191 154

HSL 164.58, 0.61%, 0.47%

LAB 69.61, -45.96, 8.07

 

CMYK 87 / 0 / 22 / 17

HEX #1CD3A4

RGB 28 211 164

HSL 164.59, 0.77%, 0.47%

LAB 75.77, -53.35, 11.41

 

CMYK 96 / 0 / 25 / 10

HEX #09E6AD

RGB 9 230 173

HSL 164.52, 0.92%, 0.47%

LAB 81.66, -59.34, 14.95

 

CMYK 75 / 0 / 19 / 25

HEX #2FBF9A

RGB 47 191 154

HSL 164.58, 0.61%, 0.47%

LAB 69.61, -45.96, 8.07

 

CMYK 61 / 0 / 16 / 33

HEX #43AC91

RGB 67 172 145

HSL 164.57, 0.44%, 0.47%

LAB 63.95, -36.8, 4.96

 

CMYK 43 / 0 / 11 / 40

HEX #569887

RGB 86 152 135

HSL 164.55, 0.28%, 0.47%

LAB 58.21, -25.29, 2.38

 

CMYK 20 / 0 / 5 / 48

HEX #6A857E

RGB 106 133 126

HSL 164.44, 0.11%, 0.47%

LAB 53.33, -11.17, 0.58

 

CMYK 0 / 9 / 6 / 51

HEX #7D7275

RGB 125 114 117

HSL 343.64, 0.05%, 0.47%

LAB 49.1, 4.83, -0.12

 

CMYK 75 / 0 / 60 / 25

HEX #2FBF4C

RGB 47 191 76

HSL 132.08, 0.61%, 0.47%

LAB 68.31, -60.6, 46.53

 

CMYK 75 / 0 / 40 / 25

HEX #2FBF73

RGB 47 191 115

HSL 148.33, 0.61%, 0.47%

LAB 68.83, -54.52, 27.9

 

CMYK 75 / 0 / 20 / 25

HEX #2FBF99

RGB 47 191 153

HSL 164.17, 0.61%, 0.47%

LAB 69.59, -46.21, 8.58

 

CMYK 75 / 0 / 0 / 25

HEX #2FBFBF

RGB 47 191 191

HSL 180, 0.61%, 0.47%

LAB 70.61, -35.93, -10.7

 

CMYK 75 / 20 / 0 / 25

HEX #2F99BF

RGB 47 153 191

HSL 195.83, 0.61%, 0.47%

LAB 59.11, -16.91, -28.19

 

CMYK 75 / 0 / 19 / 51

HEX #1F7D65

RGB 31 125 101

HSL 164.68, 0.6%, 0.31%

LAB 46.84, -32.89, 5.42

 

CMYK 75 / 0 / 19 / 38

HEX #279E80

RGB 39 158 128

HSL 164.87, 0.6%, 0.39%

LAB 58.46, -39.44, 6.51

 

CMYK 75 / 0 / 19 / 25

HEX #2FBF9A

RGB 47 191 154

HSL 164.58, 0.61%, 0.47%

LAB 69.61, -45.96, 8.07

 

CMYK 66 / 0 / 17 / 18

HEX #47D1AD

RGB 71 209 173

HSL 164.35, 0.6%, 0.55%

LAB 76.04, -45.52, 7.07

 

CMYK 52 / 0 / 13 / 15

HEX #68D9BC

RGB 104 217 188

HSL 164.6, 0.6%, 0.63%

LAB 79.73, -39.18, 4.49

 

CMYK 75 / 0 / 19 / 24

HEX #31C19C

RGB 49 193 156

HSL 164.58, 0.6%, 0.47%

LAB 70.31, -46.06, 7.98

 

CMYK 75 / 70 / 0 / 25

HEX #2F39BF

RGB 47 57 191

HSL 235.83, 0.61%, 0.47%

LAB 32.46, 42.21, -70.81

 

CMYK 0 / 50 / 75 / 25

HEX #BF5F2F

RGB 191 95 47

HSL 20, 0.61%, 0.47%

LAB 51.23, 35.18, 43.95

 

CMYK 75 / 0 / 19 / 24

HEX #31C19C

RGB 49 193 156

HSL 164.58, 0.6%, 0.47%

LAB 70.31, -46.06, 7.98

 

CMYK 20 / 75 / 0 / 25

HEX #992FBF

RGB 153 47 191

HSL 284.17, 0.61%, 0.47%

LAB 42.1, 63.63, -54.61

 

CMYK 0 / 20 / 75 / 25

HEX #BF992F

RGB 191 153 47

HSL 44.17, 0.61%, 0.47%

LAB 65.01, 3.61, 57.68

 

CMYK 75 / 0 / 19 / 24

HEX #31C19C

RGB 49 193 156

HSL 164.58, 0.6%, 0.47%

LAB 70.31, -46.06, 7.98

 

CMYK 75 / 70 / 0 / 25

HEX #2F39BF

RGB 47 57 191

HSL 235.83, 0.61%, 0.47%

LAB 32.46, 42.21, -70.81

 

CMYK 0 / 75 / 55 / 25

HEX #BF2F56

RGB 191 47 86

HSL 343.75, 0.61%, 0.47%

LAB 43.92, 58.56, 12.5

 

CMYK 0 / 5 / 75 / 25

HEX #BFB62F

RGB 191 182 47

HSL 56.25, 0.61%, 0.47%

LAB 72.72, -11.73, 64.94

 

CMYK 75 / 0 / 19 / 24

HEX #31C19C

RGB 49 193 156

HSL 164.58, 0.6%, 0.47%

LAB 70.31, -46.06, 7.98

 

CMYK 58 / 75 / 0 / 25

HEX #512FBF

RGB 81 47 191

HSL 254.17, 0.61%, 0.47%

LAB 33.01, 51.61, -69.81

 

CMYK 0 / 75 / 55 / 25

HEX #BF2F56

RGB 191 47 86

HSL 343.75, 0.61%, 0.47%

LAB 43.92, 58.56, 12.5

 

CMYK 17 / 0 / 75 / 25

HEX #9EBF2F

RGB 158 191 47

HSL 73.75, 0.61%, 0.47%

LAB 72.72, -30.12, 64.03

 

Description

Color code: HEX #31C19C | qconv.com Color code: HEX #31C19C | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 193 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 193 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 19 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 19% 24% C M Y K

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Provide designers and agencies with accurate color values.

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