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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31DD1C it is the complementary color #CE22E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31DD1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31DD1C shade: #36DD17, #47EF2A, #58FF3D, #69FF50 and #7AFF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31DD1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31DD1C shade: #31DD1C, #20CB09, #0FB900, #00A700 and #009500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31DD1C shade: #30DE1B, #65DE1B, #99DE1B, #CEDE1B and #DEB91B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31DD1C shade: #30DE1B, #1BDE3A, #1BDE6F, #1BDEA3 and #1BDED8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31DD1C shade matches the following richer shades: #30DE1B and #20F207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31DD1C shade: #30DE1B, #40CA2F, #50B543, #60A158 and #6F8D6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31DD1C shade: #9ADE1B, #66DE1B, #32DE1B, #1BDE38 and #1BDE6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31DD1C shade: #209412, #28B916, #30DE1B, #4EE63C and #70EB60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31DD1C shade: #31DD1C, #1BCEDE and #DE1B80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31DD1C shade: #31DD1C, #1B32DE and #DE1B32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31DD1C shade: #31DD1C, #1BCEDE, #C71BDE and #DE2B1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31DD1C shade: #31DD1C, #1B93DE, #C71BDE and #DE661B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 87 / 13

HEX #31DD1C

RGB 49 221 28

HSL 113.47, 0.78%, 0.49%

LAB 77.55, -73.2, 71.72

 

Complementary color

CMYK 9 / 85 / 0 / 11

HEX #CE22E3

RGB 206 34 227

HSL 293.47, 0.78%, 0.51%

LAB 51.62, 82.87, -59.56

 

CMYK 76 / 0 / 90 / 13

HEX #36DD17

RGB 54 221 23

HSL 110.61, 0.81%, 0.48%

LAB 77.61, -72.68, 72.68

 

CMYK 70 / 0 / 82 / 6

HEX #47EF2A

RGB 71 239 42

HSL 111.17, 0.86%, 0.55%

LAB 83.57, -74.65, 74.18

 

CMYK 65 / 0 / 76 / 0

HEX #58FF3D

RGB 88 255 61

HSL 111.65, 1%, 0.62%

LAB 88.89, -75.47, 74.12

 

CMYK 59 / 0 / 69 / 0

HEX #69FF50

RGB 105 255 80

HSL 111.43, 1%, 0.66%

LAB 89.44, -70.55, 68.45

 

CMYK 52 / 0 / 61 / 0

HEX #7AFF63

RGB 122 255 99

HSL 111.15, 1%, 0.69%

LAB 90.12, -64.73, 61.89

 

CMYK 78 / 0 / 87 / 13

HEX #31DD1C

RGB 49 221 28

HSL 113.47, 0.78%, 0.49%

LAB 77.55, -73.2, 71.72

 

CMYK 84 / 0 / 96 / 20

HEX #20CB09

RGB 32 203 9

HSL 112.89, 0.92%, 0.42%

LAB 71.58, -70.51, 69.36

 

CMYK 92 / 0 / 100 / 27

HEX #0FB900

RGB 15 185 0

HSL 115.14, 1%, 0.36%

LAB 65.59, -66.99, 65.46

 

CMYK 100 / 0 / 100 / 35

HEX #00A700

RGB 0 167 0

HSL 120, 1%, 0.33%

LAB 59.56, -62.77, 60.59

 

CMYK 100 / 0 / 100 / 42

HEX #009500

RGB 0 149 0

HSL 120, 1%, 0.29%

LAB 53.49, -57.73, 55.72

 

CMYK 78 / 0 / 88 / 13

HEX #30DE1B

RGB 48 222 27

HSL 113.54, 0.78%, 0.49%

LAB 77.85, -73.65, 72.15

 

CMYK 55 / 0 / 88 / 13

HEX #65DE1B

RGB 101 222 27

HSL 97.23, 0.78%, 0.49%

LAB 79.09, -63.19, 73.72

 

CMYK 31 / 0 / 88 / 13

HEX #99DE1B

RGB 153 222 27

HSL 81.23, 0.78%, 0.49%

LAB 81.34, -46.59, 76.52

 

CMYK 7 / 0 / 88 / 13

HEX #CEDE1B

RGB 206 222 27

HSL 64.92, 0.78%, 0.49%

LAB 84.71, -25.76, 80.66

 

CMYK 0 / 17 / 88 / 13

HEX #DEB91B

RGB 222 185 27

HSL 48.62, 0.78%, 0.49%

LAB 76.26, -0.4, 74.49

 

CMYK 78 / 0 / 88 / 13

HEX #30DE1B

RGB 48 222 27

HSL 113.54, 0.78%, 0.49%

LAB 77.85, -73.65, 72.15

 

CMYK 88 / 0 / 74 / 13

HEX #1BDE3A

RGB 27 222 58

HSL 129.54, 0.78%, 0.49%

LAB 77.75, -74.03, 63.78

 

CMYK 88 / 0 / 50 / 13

HEX #1BDE6F

RGB 27 222 111

HSL 145.85, 0.78%, 0.49%

LAB 78.24, -67.9, 41.95

 

CMYK 88 / 0 / 27 / 13

HEX #1BDEA3

RGB 27 222 163

HSL 161.85, 0.78%, 0.49%

LAB 79.11, -57.88, 16.64

 

CMYK 88 / 0 / 3 / 13

HEX #1BDED8

RGB 27 222 216

HSL 178.15, 0.78%, 0.49%

LAB 80.42, -44.17, -9.59

 

CMYK 78 / 0 / 88 / 13

HEX #30DE1B

RGB 48 222 27

HSL 113.54, 0.78%, 0.49%

LAB 77.85, -73.65, 72.15

 

CMYK 87 / 0 / 97 / 5

HEX #20F207

RGB 32 242 7

HSL 113.62, 0.94%, 0.49%

LAB 83.88, -81.27, 79.58

 

CMYK 78 / 0 / 88 / 13

HEX #30DE1B

RGB 48 222 27

HSL 113.54, 0.78%, 0.49%

LAB 77.85, -73.65, 72.15

 

CMYK 68 / 0 / 77 / 21

HEX #40CA2F

RGB 64 202 47

HSL 113.42, 0.62%, 0.49%

LAB 71.92, -64.04, 61.83

 

CMYK 56 / 0 / 63 / 29

HEX #50B543

RGB 80 181 67

HSL 113.16, 0.46%, 0.49%

LAB 65.87, -51.37, 48.02

 

CMYK 40 / 0 / 45 / 37

HEX #60A158

RGB 96 161 88

HSL 113.42, 0.29%, 0.49%

LAB 60.5, -35.7, 31.55

 

CMYK 21 / 0 / 23 / 45

HEX #6F8D6C

RGB 111 141 108

HSL 114.55, 0.13%, 0.49%

LAB 55.6, -17.34, 14.22

 

CMYK 31 / 0 / 88 / 13

HEX #9ADE1B

RGB 154 222 27

HSL 80.92, 0.78%, 0.49%

LAB 81.4, -46.23, 76.58

 

CMYK 54 / 0 / 88 / 13

HEX #66DE1B

RGB 102 222 27

HSL 96.92, 0.78%, 0.49%

LAB 79.13, -62.92, 73.76

 

CMYK 77 / 0 / 88 / 13

HEX #32DE1B

RGB 50 222 27

HSL 112.92, 0.78%, 0.49%

LAB 77.87, -73.39, 72.19

 

CMYK 88 / 0 / 75 / 13

HEX #1BDE38

RGB 27 222 56

HSL 128.92, 0.78%, 0.49%

LAB 77.73, -74.18, 64.44

 

CMYK 88 / 0 / 51 / 13

HEX #1BDE6C

RGB 27 222 108

HSL 144.92, 0.78%, 0.49%

LAB 78.2, -68.36, 43.34

 

CMYK 78 / 0 / 88 / 42

HEX #209412

RGB 32 148 18

HSL 113.54, 0.78%, 0.33%

LAB 53.53, -53.86, 52.66

 

CMYK 78 / 0 / 88 / 27

HEX #28B916

RGB 40 185 22

HSL 113.37, 0.79%, 0.41%

LAB 65.91, -63.98, 62.71

 

CMYK 78 / 0 / 88 / 13

HEX #30DE1B

RGB 48 222 27

HSL 113.54, 0.78%, 0.49%

LAB 77.85, -73.65, 72.15

 

CMYK 66 / 0 / 74 / 10

HEX #4EE63C

RGB 78 230 60

HSL 113.65, 0.77%, 0.57%

LAB 81.04, -69.51, 66.66

 

CMYK 52 / 0 / 59 / 8

HEX #70EB60

RGB 112 235 96

HSL 113.09, 0.78%, 0.65%

LAB 83.81, -60.27, 55.93

 

CMYK 78 / 0 / 87 / 13

HEX #31DD1C

RGB 49 221 28

HSL 113.47, 0.78%, 0.49%

LAB 77.55, -73.2, 71.72

 

CMYK 88 / 7 / 0 / 13

HEX #1BCEDE

RGB 27 206 222

HSL 184.92, 0.78%, 0.49%

LAB 75.85, -35.14, -19.67

 

CMYK 0 / 88 / 42 / 13

HEX #DE1B80

RGB 222 27 128

HSL 328.92, 0.78%, 0.49%

LAB 49.34, 74.73, -4.81

 

CMYK 78 / 0 / 87 / 13

HEX #31DD1C

RGB 49 221 28

HSL 113.47, 0.78%, 0.49%

LAB 77.55, -73.2, 71.72

 

CMYK 88 / 77 / 0 / 13

HEX #1B32DE

RGB 27 50 222

HSL 232.92, 0.78%, 0.49%

LAB 33.54, 55.33, -87.07

 

CMYK 0 / 88 / 77 / 13

HEX #DE1B32

RGB 222 27 50

HSL 352.92, 0.78%, 0.49%

LAB 47.68, 70.03, 40.28

 

CMYK 78 / 0 / 87 / 13

HEX #31DD1C

RGB 49 221 28

HSL 113.47, 0.78%, 0.49%

LAB 77.55, -73.2, 71.72

 

CMYK 88 / 7 / 0 / 13

HEX #1BCEDE

RGB 27 206 222

HSL 184.92, 0.78%, 0.49%

LAB 75.85, -35.14, -19.67

 

CMYK 10 / 88 / 0 / 13

HEX #C71BDE

RGB 199 27 222

HSL 292.92, 0.78%, 0.49%

LAB 49.74, 82.16, -59.82

 

CMYK 0 / 81 / 88 / 13

HEX #DE2B1B

RGB 222 43 27

HSL 4.92, 0.78%, 0.49%

LAB 48.68, 66.06, 52.91

 

CMYK 78 / 0 / 87 / 13

HEX #31DD1C

RGB 49 221 28

HSL 113.47, 0.78%, 0.49%

LAB 77.55, -73.2, 71.72

 

CMYK 88 / 34 / 0 / 13

HEX #1B93DE

RGB 27 147 222

HSL 203.08, 0.78%, 0.49%

LAB 58.39, -4.31, -46.73

 

CMYK 10 / 88 / 0 / 13

HEX #C71BDE

RGB 199 27 222

HSL 292.92, 0.78%, 0.49%

LAB 49.74, 82.16, -59.82

 

CMYK 0 / 54 / 88 / 13

HEX #DE661B

RGB 222 102 27

HSL 23.08, 0.78%, 0.49%

LAB 57.18, 43.18, 59.5

 

Description

Color code: HEX #31DD1C | qconv.com Color code: HEX #31DD1C | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 221 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 221 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 87 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 87% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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