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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #323B2D it is the complementary color #CDC4D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #323B2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #323B2D shade: #373B28, #484D3B, #595F4E, #6A7161 and #7B8374

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #323B2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #323B2D shade: #323B2D, #21291A, #101707 and #000500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #323B2D shade: #31392C, #34392C, #38392C, #39372C and #39332C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #323B2D shade: #31392C, #2D392C, #2C392E, #2C3932 and #2C3935

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #323B2D shade matches the following richer shades: #31392C, #2E4124, #2C4A1B, #2A5213 and #275A0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #323B2D shade: #31392C, #333134, #35293C, #382045 and #3A184D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #323B2D shade: #38392C, #34392C, #31392C, #2D392C and #2C392E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #323B2D shade: #090B08, #1D221A, #31392C, #44503E and #586850

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #323B2D shade: #323B2D, #2C3937 and #392C36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #323B2D shade: #323B2D, #2C3139 and #392C31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #323B2D shade: #323B2D, #2C3937, #342C39 and #392C2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #323B2D shade: #323B2D, #2C3739, #342C39 and #392E2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 24 / 77

HEX #323B2D

RGB 50 59 45

HSL 98.57, 0.13%, 0.2%

LAB 23.66, -6.95, 7.45

 

Complementary color

CMYK 2 / 7 / 0 / 18

HEX #CDC4D2

RGB 205 196 210

HSL 278.57, 0.13%, 0.8%

LAB 80.24, 5.69, -5.87

 

CMYK 7 / 0 / 32 / 77

HEX #373B28

RGB 55 59 40

HSL 72.63, 0.19%, 0.19%

LAB 23.98, -5.62, 11.25

 

CMYK 6 / 0 / 23 / 70

HEX #484D3B

RGB 72 77 59

HSL 76.67, 0.13%, 0.27%

LAB 31.81, -5.72, 10.02

 

CMYK 6 / 0 / 18 / 63

HEX #595F4E

RGB 89 95 78

HSL 81.18, 0.1%, 0.34%

LAB 39.34, -5.79, 8.95

 

CMYK 6 / 0 / 14 / 56

HEX #6A7161

RGB 106 113 97

HSL 86.25, 0.08%, 0.41%

LAB 46.63, -5.85, 7.98

 

CMYK 6 / 0 / 11 / 49

HEX #7B8374

RGB 123 131 116

HSL 92, 0.06%, 0.48%

LAB 53.71, -5.9, 7.1

 

CMYK 15 / 0 / 24 / 77

HEX #323B2D

RGB 50 59 45

HSL 98.57, 0.13%, 0.2%

LAB 23.66, -6.95, 7.45

 

CMYK 20 / 0 / 37 / 84

HEX #21291A

RGB 33 41 26

HSL 92, 0.22%, 0.13%

LAB 15.4, -7.03, 8.72

 

CMYK 30 / 0 / 70 / 91

HEX #101707

RGB 16 23 7

HSL 86.25, 0.53%, 0.06%

LAB 6.67, -5.87, 7.01

 

CMYK 100 / 0 / 100 / 98

HEX #000500

RGB 0 5 0

HSL 120, 1%, 0.01%

LAB 0.98, -2, 1.43

 

CMYK 14 / 0 / 23 / 78

HEX #31392C

RGB 49 57 44

HSL 96.92, 0.13%, 0.2%

LAB 22.87, -6.34, 7

 

CMYK 9 / 0 / 23 / 78

HEX #34392C

RGB 52 57 44

HSL 83.08, 0.13%, 0.2%

LAB 23.13, -4.99, 7.41

 

CMYK 2 / 0 / 23 / 78

HEX #38392C

RGB 56 57 44

HSL 64.62, 0.13%, 0.2%

LAB 23.5, -3.15, 7.98

 

CMYK 0 / 4 / 23 / 78

HEX #39372C

RGB 57 55 44

HSL 50.77, 0.13%, 0.2%

LAB 22.94, -1.39, 7.22

 

CMYK 0 / 11 / 23 / 78

HEX #39332C

RGB 57 51 44

HSL 32.31, 0.13%, 0.2%

LAB 21.65, 1.25, 5.41

 

CMYK 14 / 0 / 23 / 78

HEX #31392C

RGB 49 57 44

HSL 96.92, 0.13%, 0.2%

LAB 22.87, -6.34, 7

 

CMYK 21 / 0 / 23 / 78

HEX #2D392C

RGB 45 57 44

HSL 115.38, 0.13%, 0.2%

LAB 22.53, -8.09, 6.49

 

CMYK 23 / 0 / 19 / 78

HEX #2C392E

RGB 44 57 46

HSL 129.23, 0.13%, 0.2%

LAB 22.51, -8.07, 5.11

 

CMYK 23 / 0 / 12 / 78

HEX #2C3932

RGB 44 57 50

HSL 147.69, 0.13%, 0.2%

LAB 22.63, -7.13, 2.6

 

CMYK 23 / 0 / 7 / 78

HEX #2C3935

RGB 44 57 53

HSL 161.54, 0.13%, 0.2%

LAB 22.72, -6.38, 0.72

 

CMYK 14 / 0 / 23 / 78

HEX #31392C

RGB 49 57 44

HSL 96.92, 0.13%, 0.2%

LAB 22.87, -6.34, 7

 

CMYK 29 / 0 / 45 / 75

HEX #2E4124

RGB 46 65 36

HSL 99.31, 0.29%, 0.2%

LAB 25.23, -14, 15.32

 

CMYK 41 / 0 / 64 / 71

HEX #2C4A1B

RGB 44 74 27

HSL 98.3, 0.47%, 0.2%

LAB 28.15, -21.06, 24.18

 

CMYK 49 / 0 / 77 / 68

HEX #2A5213

RGB 42 82 19

HSL 98.1, 0.62%, 0.2%

LAB 30.82, -26.59, 31.03

 

CMYK 57 / 0 / 88 / 65

HEX #275A0B

RGB 39 90 11

HSL 98.73, 0.78%, 0.2%

LAB 33.49, -31.75, 36.59

 

CMYK 14 / 0 / 23 / 78

HEX #31392C

RGB 49 57 44

HSL 96.92, 0.13%, 0.2%

LAB 22.87, -6.34, 7

 

CMYK 2 / 6 / 0 / 80

HEX #333134

RGB 51 49 52

HSL 280, 0.03%, 0.2%

LAB 20.63, 1.58, -1.59

 

CMYK 12 / 32 / 0 / 76

HEX #35293C

RGB 53 41 60

HSL 277.89, 0.19%, 0.2%

LAB 18.67, 9.93, -10.03

 

CMYK 19 / 54 / 0 / 73

HEX #382045

RGB 56 32 69

HSL 278.92, 0.37%, 0.2%

LAB 17.01, 19.55, -18.8

 

CMYK 25 / 69 / 0 / 70

HEX #3A184D

RGB 58 24 77

HSL 278.49, 0.52%, 0.2%

LAB 15.95, 27.23, -25.96

 

CMYK 2 / 0 / 23 / 78

HEX #38392C

RGB 56 57 44

HSL 64.62, 0.13%, 0.2%

LAB 23.5, -3.15, 7.98

 

CMYK 9 / 0 / 23 / 78

HEX #34392C

RGB 52 57 44

HSL 83.08, 0.13%, 0.2%

LAB 23.13, -4.99, 7.41

 

CMYK 14 / 0 / 23 / 78

HEX #31392C

RGB 49 57 44

HSL 96.92, 0.13%, 0.2%

LAB 22.87, -6.34, 7

 

CMYK 21 / 0 / 23 / 78

HEX #2D392C

RGB 45 57 44

HSL 115.38, 0.13%, 0.2%

LAB 22.53, -8.09, 6.49

 

CMYK 23 / 0 / 19 / 78

HEX #2C392E

RGB 44 57 46

HSL 129.23, 0.13%, 0.2%

LAB 22.51, -8.07, 5.11

 

CMYK 18 / 0 / 27 / 96

HEX #090B08

RGB 9 11 8

HSL 100, 0.16%, 0.04%

LAB 2.84, -0.95, 0.96

 

CMYK 15 / 0 / 24 / 87

HEX #1D221A

RGB 29 34 26

HSL 97.5, 0.13%, 0.12%

LAB 12.48, -4.26, 4.64

 

CMYK 14 / 0 / 23 / 78

HEX #31392C

RGB 49 57 44

HSL 96.92, 0.13%, 0.2%

LAB 22.87, -6.34, 7

 

CMYK 15 / 0 / 23 / 69

HEX #44503E

RGB 68 80 62

HSL 100, 0.13%, 0.28%

LAB 32.51, -8.67, 9.06

 

CMYK 15 / 0 / 23 / 59

HEX #586850

RGB 88 104 80

HSL 100, 0.13%, 0.36%

LAB 42.08, -11.04, 11.55

 

CMYK 15 / 0 / 24 / 77

HEX #323B2D

RGB 50 59 45

HSL 98.57, 0.13%, 0.2%

LAB 23.66, -6.95, 7.45

 

CMYK 23 / 0 / 4 / 78

HEX #2C3937

RGB 44 57 55

HSL 170.77, 0.13%, 0.2%

LAB 22.78, -5.87, -0.53

 

CMYK 0 / 23 / 5 / 78

HEX #392C36

RGB 57 44 54

HSL 313.85, 0.13%, 0.2%

LAB 19.79, 8.08, -4.14

 

CMYK 15 / 0 / 24 / 77

HEX #323B2D

RGB 50 59 45

HSL 98.57, 0.13%, 0.2%

LAB 23.66, -6.95, 7.45

 

CMYK 23 / 14 / 0 / 78

HEX #2C3139

RGB 44 49 57

HSL 216.92, 0.13%, 0.2%

LAB 20.15, -0.04, -5.79

 

CMYK 0 / 23 / 14 / 78

HEX #392C31

RGB 57 44 49

HSL 336.92, 0.13%, 0.2%

LAB 19.61, 6.98, -0.95

 

CMYK 15 / 0 / 24 / 77

HEX #323B2D

RGB 50 59 45

HSL 98.57, 0.13%, 0.2%

LAB 23.66, -6.95, 7.45

 

CMYK 23 / 0 / 4 / 78

HEX #2C3937

RGB 44 57 55

HSL 170.77, 0.13%, 0.2%

LAB 22.78, -5.87, -0.53

 

CMYK 9 / 23 / 0 / 78

HEX #342C39

RGB 52 44 57

HSL 276.92, 0.13%, 0.2%

LAB 19.34, 6.67, -6.95

 

CMYK 0 / 23 / 19 / 78

HEX #392C2E

RGB 57 44 46

HSL 350.77, 0.13%, 0.2%

LAB 19.51, 6.37, 0.98

 

CMYK 15 / 0 / 24 / 77

HEX #323B2D

RGB 50 59 45

HSL 98.57, 0.13%, 0.2%

LAB 23.66, -6.95, 7.45

 

CMYK 23 / 4 / 0 / 78

HEX #2C3739

RGB 44 55 57

HSL 189.23, 0.13%, 0.2%

LAB 22.17, -4.04, -2.78

 

CMYK 9 / 23 / 0 / 78

HEX #342C39

RGB 52 44 57

HSL 276.92, 0.13%, 0.2%

LAB 19.34, 6.67, -6.95

 

CMYK 0 / 19 / 23 / 78

HEX #392E2C

RGB 57 46 44

HSL 9.23, 0.13%, 0.2%

LAB 20.07, 4.62, 3.16

 

Description

Color code: HEX #323B2D | qconv.com Color code: HEX #323B2D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 59 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 59 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 24 yellow and 77 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 24% 77% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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